1. South Korean singer
2. Croatian … Read Full Bio ↴Boa is a name of several artists:
1. South Korean singer
2. Croatian art rock band
3. Chilean power groove metal band
1) A mononym of South Korean singer Kwon Boa / ๊ถ๋ณด์ [[url=/tag/Hangul]Ko] (b. 5 Nov 1986, in Gyeonggi-do, South Korea) - a backronym of 'Beat of Angel' (active in South Korea, Japan & USA). She was discovered by SM Entertainment talent agents, when she accompanied her older brother to a talent search. In 1998, she signed to SM Entertainment & after two years of training, dรฉbuted with โID; Peace Bโ ('00). Two years later, she released her Japanese dรฉbut album, โListen To My Heartโ (Avex Trax). Her USA dรฉbut was, the single, โEat You Upโ (14 Oct '08, SM Entertainment USA), followed by an English-language dรฉbut album, โBoAโ (17 Mar '09).
Influenced by hip-hop & rnb singers - such as Nelly & Janet Jackson - many of BoAโs songs fall into those genres. As the singer feels she does not โhave any talent for writing [songs]โ, the writing and composition of her songs are handled mostly by her staff; for this reason, she has drawn some criticism. (Though only a few of her songs are self-written, BoA began composing on her own with her Japanese dรฉbut album Listen to My Heart, in which she co-wrote and composed the song โNothingโs Gonna Changeโ.)
BoAโs multilingual skills (she speaks Japanese and conversational English along with her native Korean and has recorded songs in Mandarin Chinese) have contributed to her commercial success in South Korea and Japan and her popularity throughout East Asia. She is the only non-Japanese Asian to have two million-selling albums in Japan and is one of only two artists to have six consecutive number-one studio albums on the Oricon charts since her dรฉbut.
2000-02 - Debut: At age eleven, BoA accompanied her older brother to an SM Entertainment talent search. Though her brother was the one who auditioned, SM talent scouts instead took notice of BoA and offered her a contract. Her parents initially opposed the notion of BoAโs leaving school to enter the entertainment business but eventually consented at her brotherโs persuasion. BoA underwent two years of training (involving vocal, dance, and Japanese lessons), and at the age of thirteen released her dรฉbut album ID; Peace B in South Korea on August 25, 2000. The album was moderately successful; it entered the Top 10 of the South Korean charts and sold around 156,000 units. Meanwhile, her Korean record label, SM Entertainment, made arrangements with Japanese label Avex Trax to launch her music career in Japan. In early 2001, BoA released her first mini-album, Donโt Start Now; it sold around 90,000 units. After its release, she took a hiatus from the Korean music industry to focus on the Japanese market at which time she worked to solidify her skills in Japanese.
BoA began her Japanese music career singing at the Avex-owned club Velfarre. In 2001, she released her dรฉbut Japanese single, a Japanese version of the song, โID; Peace Bโ (originally from the eponymous album). The single reached #20 on the Oricon chart and was followed by โAmazing Kissโ, โKimochi wa Tsutawaruโ (ๆฐๆใกใฏใคใใใ), and โListen to My Heartโ; the last became the singerโs first single to enter the Oriconโs Top Five. After the September 11, 2001 attacks, BoA recorded the charity single โThe Meaning of Peaceโ with Kumi Koda (ๅ็ฐไพๆช) as part of Avexโs Song Nation project to raise funds for charity. Her dรฉbut Japanese album, Listen to My Heart, was released on March 13, 2002. The album was a breakthrough in BoAโs career: it became an RIAJ-certified million-seller and debuted atop the Oricon, making it the first album by a Korean artist to reach the top. A single, โEvery Heart: Minna no Kimochiโ (Every Heart -ใใณใใใญใขใ-), was released on the same day as the album. After the release of Listen to My Heart, BoA released her second Korean studio album, No.1, a month later. The album sold around 544,000 units and became the fourth-best-selling record of the year in South Korea. Jumping into the World (a Japanese re-release of the mini-album Donโt Start Now) and the Japanese single โDonโt Start Nowโ were released a month later on the same day.
2003-05 - Commercial Success: BoA then released her seventh single โValentiโ. It became a Top Five single for the artist, peaking at the number-two position on the Oricon. BoA released two more singles โKiseki / No.1โ and โJewel Song / Beside You: Boku o Yobu Koeโ, both which also peaked at the number-three position. At the end of the year, BoA released her second Korean mini-album Miracle.
BoAโs second Japanese studio album, Valenti (2003), became her best-selling album, with over 1,249,000 copies sold. In support of the album, BoA launched BoA 1st Live Tour Valenti, her first Japanese concert tour. Later that year, she released two Korean albums, Atlantis Princess and the mini-album Shine We Are!. The former was the fifth-best-selling South Korean record of the year with around 345,000 units sold; the latter sold around 58,000 units and was the fifty-second-best-selling record. Her third Japanese studio album, Love & Honesty (2004) was a musical โchange in directionโ: it contained a rock-dance song (โRock with Youโ) and โharderโ R&B. Though the album failed to match Valenti in sales, it topped the Oricon chart for two weeks and became RIAJ-certified triple-platinum. In support of the album, BoA held a tour, Live Concert Tour 2004: Love & Honesty. In contrast with 1st Live Tour, which โemphasized exotic Asian designโ, the Love & Honesty tour had an โouter-space, sci-fiโ theme; among the props were a three-story-high space ship and the robot Asimo. The tour, which started in Saitama and ended in Yokohama, spanned nine performances and attracted about 105,000 attendants. Her first compilation album, Best of Soul (2005), however, sold over a million copies, making BoA the first non-Japanese Asian singer to have two million-selling albums in Japan.
BoA reinvented her image on her fourth Korean album, My Name (2004); she left the โcuteโ and โyouthfulโ style that had characterized earlier years and presented herself as โsexyโ and โsultryโ. The album was the beginning of a foray into the Chinese market and contained two songs sung in Mandarin Chinese.The sales of BoAโs Korean albums began to decline: the album sold 191,000 units and became the eleventh-best-selling South Korean album of the year. Her fifth Korean album, Girls on Top, continued her image change. The album portrayed the singer as more โmature and self-confidentโ and was a โdeclaration of war on male chauvinismโ; the โbohemianโ look of the cover photograph represented โfreedom and depthโ, while music videos and album photographs that portrayed BoA in traditional Korean dress brought the โidea of Korean womanhoodโ into her music. The album also continued BoAโs foray into the Chinese market and, like the previous album, contained Mandarin Chinese songs. The album sold less than the previous album; it was the fourteenth-best-selling record of the year in South Korea with 113,000 units sold.
2006-08 - Sales Decline: In 2006, BoA was mostly inactive in South Korea as she focused her attention on Japan; however, on September 21, 2006, she released her first digital single in Korea, a Korean version of โKey of Heartโ. Her fourth Japanese studio album, Outgrow, was released on February 15, 2006. The limited CD+DVD edition of the album contained music videos of the albumโs singles and a password to access a special version of the official website. The album reached the number-one spot on the Oricon chart for its first week of release, making it her fourth consecutive Japanese album to do so. It had low dรฉbut sales, however; with 220,000 copies sold, it became her lowest-selling first-week dรฉbut for a studio album at that point. โDo the Motionโ, the first single from the album, reached the top spot, making her the fourth non-Japanese Asian to have a number-one single on the Oricon charts. โMerry Christmas from BoAโ (2005), the albumโs last single, was the singerโs first digital single. In support of Outgrow, BoA launched a special Zepp tour, B0A The Live, on September 29, 2006. The tour, which lasted until October 29, started from Nagoya and contained twelve shows, two in each of the following cities: Nagoya, Fukuoka, Osaka, Tokyo, Sendai, and Sapporo. She staged her first Christmas concert on December 7, 2006.
BoAโs fifth Japanese studio album, Made in Twenty (20) (2007), continued her transition from a โteenage girlโ image to a more mature image. The album, which contained R&B and dance songs as well as ballads, debuted at the top of the weekly Oricon charts, making the album her sixth in a row to do so. She began using a personal computer for composing one of the songs (โNo More Make Me Sickโ). On March 31, 2007, she launched a nationwide tour of Japan in support of the album. The tour, which sold about 70,000 tickets, was, according to BoA, โthe biggest concertโ she had ever given. Two tracks from the singles of Made in Twenty (20) were used as theme songs; โYour Colorโ, from the single โNanairo no Ashita: Brand New Beat / Your Colorโ (2006), was used as the ending theme song for the Japanese release of the Xbox 360 game Ninety-Nine Nights. โKey of Heartโ, from the single โKey of Heart / Dotchโ (2006), was the ending theme for the Japanese release of the movie Over the Hedge. She also released an English version of โKey of Heartโ, which was only available on the first press edition of the single. Later in 2007, Anycall (a Samsung brand) signed BoA, Xiah (of TVXQ), Tablo (of Epik High), and jazz pianist Jin Bora onto โAnybanโ, a band created specifically to promote Anycall. The band released the single, โTPL (Talk, Play, Love)โ.
With her sixth Japanese album, The Face(2008), BoA took more creative control over her music. At this time, BoA was influenced by electro-pop. Additionally, BoA included โhappy springโ songs (the lead single โSweet Impactโ and its B-side, โBad Driveโ), a guitar-driven โgroovy danceโ song (2007โs โLose Your Mindโ), and ballads. Lyrically, BoA focused mainly on love, though โBe with You.โ (2008) was about a personโs relationship with their dog. The album debuted at the top of the weekly Oricon charts, making BoA one of only two artists in Japan to have six consecutive studio albums top the Oricon weekly charts (the other is Ayumi Hamasaki (ๆตๅดใใใฟ), who has eight consecutive number-one albums).
2008-now - USA Foray: On 2 Sept' 08, SM Entertainment announced that BoA would make her American dรฉbut under a new subsidiary label, SM Entertainment USA. A press conference was held on September 10, 2008 at the Seoul Imperial Palace Hotel to clarify the details of her American dรฉbut. BoAโs dรฉbut American single โEat You Upโ was released online on October 21, 2008; The physical single was to be released in stores on November 11, 2008, but SM instead released a promotional CD containing dance remixes of โEat You Upโ. โEat You Upโ became a number-one Breakout on the Hot Dance Club Play chart. The remix of โEat You Upโ featuring rapper Flo Rida and was slated for release in late November and leaked onto the internet in December. BoA performed โEat You Upโ as well as other songs at YouTubeโs Tokyo Live concert, and performed in New York City on December 3, 2008, as well as the Jingle Ball at the Anaheim Honda Center on December 6, 2008. She also performed the song โLook Whoโs Talkingโ at the event.
BoA released a triple-A-side single on February 18, 2009, โEien/Universe/Believe in Loveโ. On the same day, the Ravex single โBelieve in Loveโ was released, featuring vocals by BoA. Her second compilation album, Best & USA was released on March 18. The album will be released in a two-disc or one-disc edition. The former will contain one disc with Japanese songs and one with her dรฉbut American album; the latter has fourteen Japanese songs and two songs from her American dรฉbut album. BoAโs self-titled English album was released on March 17. BoA headlined as a performer for the San Francisco Pride Festival on June 28, 2009 alongside Solange Knowles and The Cliks. She debuted her next single โEnergeticโ, performing it for the first time in public. She also performed โEat You Upโ and โI Did It for Love (feat. Sean Garrett).
On August 31, SM USA released BoA Deluxe, the repackaged version of her dรฉbut English album. The album contained two new tracks and the radio edit version of โEnergeticโ. After the release of BoA Deluxe, BoA went back to the Japanese market releasing a new single entitled โBump Bump!โ (October 2009), which features label-mate Verbal from [aritst]M-Flo. Following the release of โBump Bump!โ, BoA released โMamoritai: White Wishesโ (ใพใใใใ ๏ฝWhite Wishes๏ฝ) (December 2009) and she held a Christmas concert in December. Her seventh Japanese album, Identity was released on February 10, 2010.
On March 1, 2010, SM Entertainment announced that BoA will make a comeback in South Korea for her 10th dรฉbut anniversary which is going to be on August 25, 2010 and is going to release a full-length Korean album five years after her Girls on Top album in 2005.
Sites: Discogs
2) A Croatian art rock band which was especially prominent during the 1980s. The band formed in Zagreb, then SR Croatia in 1974, when its founding members, Mladen Puljiz and Slavko Remenariฤ, switched their interest from classical music to rock music, inspired by art-rock acts such as Yes, King Crimson, Genesis, David Bowie, Roxy Music and Peter Gabriel.
The group started its concert activity in 1979 with a line-up consisted of: Mladen Puljiz (keyboards, vocals), Slavko Remenariฤ (guitar), Igor ล oลกtariฤ (drums) and Damir Koลกpiฤ (bass guitar). The band moved towards the then actual New Romantic sound and fashion and after the release of their debut album for Suzy in 1981, they were voted by the readers of the prominent Yugoslav musical magazine Dลพuboks as the best upcoming act of the year.
Their next album Ritam strasti (Rhythm of passion) followed by around hundred concerts around former Yugoslavia brought them even higher popularity. Despite the fact that their next album Govor tjela (Body language) included some successful hits, the band fell into creative crisis and thus the group halted its activities until 1989 when the group got a new rhythm section consisted of the drummer Paolo Sfeci (former member of Aerodrom and Parni valjak) and the bass player Zvonimir Buฤeviฤ (prominent session musician).
In 1990 the band released the album Prvi Val (First Wave), and performed as a support act of David Bowie's concert at Maksimir stadium in Zagreb in front of over 50000 people. Two years after, they released the compilation album 81-92 featuring live performances and studio recordings with new arrangements. The CD also included the song Zemlja, which was recorded in 1991 for the Rock za Hrvatsku (Rock for Croatia) music project tributed to the Croatian War of Independence. In 1993, a new member of the group is the keyboard player Gojko Tomljanoviฤ. In the next year they release the CD Kraj detinjstva (End of Childhood) featuring guest appearances by prominent artists such as: Josipa Lisac, Dino Dvornik and Vanna. The feature song Kao mir (Like peace), a duet with Jospia Lisac was nominated in two categories for the prestigious Croatian music award Porin.
In 2002 Croatia Records released the integral versions of the two first albums on CD, which was awarded with Porin in the Re-release of the year category. Following this succes, the band also released a compilation featuring songs from their third and fourth album in 2004 under the title Kao nekad (Like in the old days). All of the songs were remastered and in some of them the authors modified the arrangements. The CD also contains bonus tracks such as Boa Constrictor, an experimental instrumental, which includes sound effect that Puljiz i Remenariฤ recorded back in 1974 on their old Grundig 2-track open-reel tape recorder.
The group is still active.
3) A Chilean power groove metal band formed by guitarist / producer Gerhard Wolleter with the idea to just have fun and play live but with the intention to deliver the maximum power and intensity as possible incorporating power Latin grooves and mixing them with thrash metal to put a fresh and original style to a trend that is repeating it self over and over again. Gerhard ask long time friend GustavoยจHorseยจRomero to join him in the project as a singer and a bass player, the music and lyrics for 9 songs were all ready written by Gerhard as well as the impossible drum parts also composed by Wolleter.
look who
BoA Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hot boys at the bar
Looking at me, yeah
They're looking at me
I was true to you
Just from my point of view
Now you're looking at me
They wanna give it to me
They wanna give it to me
I won't go for that
'Cause boy I had your back
This song is all about me
Damn right, it's all about me, yeah
(La la la la la la)
(La la la la la la)
Hey, hey, hey
So look who's talking now
That's what this song's about, me
Yeah, yeah, yeah, yeah
Hey, hey, hey
Think you got me figured out
Well, look who's talking now, it's me
Yeah, yeah, yeah, yeah
Fast cars and bubble baths
High heels stepping on the gas
Looking at me
Yeah, they're looking at me
Dreamsicles melt away
I'm thinking every day
Looking at me
You're still looking at me
I wanna give it to you
I wanna give it to you
But I can't go for that
'Cause boy it's in the past
This song is all about me
Damn right, it's all about me
(La la la la la la)
(La la la la la la)
Hey, hey, hey
So look who's talking now
That's what this song's about, me
Yeah, yeah, yeah, yeah
Hey, hey, hey
Think you got me figured out
Well, look who's talking now, it's me
Yeah, yeah, yeah, yeah
Controversy is like
A ticking time bomb
Controversy, it's what they want
Yeah, yeah, yeah, yeah
Good news for me, it's about
What I spend my time on
Controversy is all they want
Yeah, yeah, yeah, yeah
Hey, hey, hey
So look who's talking now
That's what this song's about, me
Yeah, yeah, yeah, yeah
Hey, hey, hey
Think you got me figured out
Well, look who's talking now, it's me
Yeah, yeah, yeah, yeah
Hey, hey, hey
So look who's talking now
That's what this song's about, me
Yeah, yeah, yeah, yeah
Hey, hey, hey
Think you got me figured out
Well, look who's talking now, it's me
Yeah, yeah, yeah, yeah
The lyrics to Boa's song Look Who's Talking discuss the singer's experiences with being in the spotlight and the attention that she receives from others. The first verse mentions "champagne, caviar" and "hot boys at the bar" who are all looking at her. Boa acknowledges that they are, indeed, looking at her and that she was true to someone from her point of view. Despite this attention, although it may be tempting, Boa refuses to give in to their offers, saying "I won't go for that / 'Cause boy, I had your back."
The chorus repeats the phrase "So look who's talking now / That's what this song's about, me" with an upbeat melody. Boa asserts that the song is all about her and how she feels about the attention that she receives. The second verse mentions "fast cars and bubble baths" as well as "dreamsicles melt[ing] away" while still acknowledging that others are still looking at her.
The bridge addresses the controversy that often comes with being in the public eye. Boa sings that "Controversy is like / A ticking time bomb" but for her, "Good news for me, it's about / What I spend my time on."
Overall, Look Who's Talking is a song about Boa's experiences with the attention she receives in the public eye, and her refusal to give in to temptation despite the attention.
Line by Line Meaning
Champagne, caviar
I'm surrounded by luxury and wealthy men who desire me.
Hot boys at the bar
Men are attempting to flirt and seduce me.
Looking at me, yeah
I'm the center of attention and desire.
They're looking at me
Men are lusting after me and desire to be with me.
I was true to you
I was honest and loyal to the person I was previously involved with.
Just from my point of view
My previous partner may not see things the same way I do.
Now you're looking at me
Even though I was loyal to my previous partner, they now see me with new eyes.
Yeah, you're looking at me
My previous partner can't help but notice how desired I am by other men.
They wanna give it to me
Men desire to have sex with me.
I won't go for that
I won't give in to the desires of other men.
'Cause boy I had your back
I was loyal and supportive to my previous partner, even though they may not be loyal to me anymore.
This song is all about me
The song is reflecting on my life and experiences.
Damn right, it's all about me, yeah
I'm the focus and center of attention.
Hey, hey, hey
An exclamation to grab attention.
So look who's talking now
I'm now the one in control and desired.
That's what this song's about, me
The song is about me and my experiences.
Think you got me figured out
Others may think they know me, but they don't.
Well, look who's talking now, it's me
I'm proving them wrong and taking control of my own life.
Fast cars and bubble baths
I'm surrounded by luxury and pleasure.
High heels stepping on the gas
I'm taking control of my own life and driving forward.
Dreamsicles melt away
My desires and fantasies are fading away.
I'm thinking every day
I'm reevaluating my life and goals.
You're still looking at me
Even in my moments of contemplation, I'm still the center of attention and desire.
I wanna give it to you
I desire to have sex with my previous partner.
But I can't go for that
I can't give into my desires and betray myself and my values.
'Cause boy it's in the past
Our past relationship is over and I need to move on.
Controversy is like
Controversial situations can be dangerous.
A ticking time bomb
Controversy can escalate quickly and unpredictably.
Controversy, it's what they want
The media and others desire and create controversy for attention and profit.
Good news for me, it's about
This controversy brings attention and fame to me.
What I spend my time on
This controversy is a result of my life and actions.
So look who's talking now
I'm now the focus and center of attention thanks to the controversy.
Think you got me figured out
People may think they understand me and my life.
Well, look who's talking now, it's me
They don't really know me and I will take control of my own story and image.
Lyrics ยฉ Universal Music Publishing Group
Written by: BRITNEY SPEARS, CHRISTIAN KARLSSON, MICHELLE LYNN BELL, PONTUS JOHAN WINNBERG
Lyrics Licensed & Provided by LyricFind
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ๆฅๆฌ่ชๅญๅนใง่ฆใใฆๅฌใใใฃใใงใโบ๏ธ
ๆฅๆฌใฎๆ็งๆธใซBoAใกใใ่ผใฃใฆใใพใ๏ผ๏ผ
ใกใชใฏใชใฏ12ๆใซใชใใจๆฅๆฌใฎใฉใใงใๆตใใฆใใพใใ๐
์ผ๋ณธ์ด ์๋ง์์ ๋ณผ ์ ์์ด์ ๊ธฐ๋ปค์ต๋๋ค.
BoA์จ๋ ์ผ๋ณธ์ ๊ต๊ณผ์์๋ ์ค๋ ค ์์ต๋๋ค!
๋ฉ๋ฆฌ์ฟ ๋ฆฌ๋ 12์์ด ๋๋ฉด ์ผ๋ณธ ์ด๋์๋ ํ๋ฆ ๋๋ค.
์ผ๋ณธ BoA ์งฑ SOUL ํฌ๋ณด๋ค โค๏ธโค๏ธ
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@yoonsehyeon
๋ฐฉ์ํ์ด sm์๋ ์์๊ตฌ๋ง ใทใท
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ํ๊ธฐํ์ฌ ์์ฅ๋ค์ ์ ๋ถ ์ค๋น ๋ผ๊ณ ํธํ๊ฒ ๋ถ๋ฅผ์์๋ ์ ์ผํ ์ํฐ์คํธ
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๋ฐฉ์ํ ์ค๋น ์ง์งดใ ใ ใ ใ ใ
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20๋ ์ ์ ์ค๋น ์์ด