Contemporary player tabbed by Malaco as an early signee when the company, b… Read Full Bio ↴Contemporary player tabbed by Malaco as an early signee when the company, best known for downhome Southern soul and blues, tried to expand into jazz during the late '80s. Baldwin's heavily synthesized, pop and funk-centered work didn't prove commercially potent, and he moved to Atlantic in 1990. He remained in Atlanta into the next decade and has had moderate success there, continuing to churn out the familiar instrumental pop tunes and carefully crafted numbers, in addition to working some in radio.
In 1990, his fanciful funk keyboard action on Rejoice was masterful; when he later played with Marion Meadows, he became part of smooth jazz consciousness. This follow-up to his debut is a pop, jazz, and soul collection that rivals the first one in likeableness and simple adventure. Most of the cuts convey an easygoing sense of R&B rhythms, along with a propensity by Baldwin to improvise over the tastiest grooves imaginable. His version of Cyndi Lauper's "Time After Time" is so perky, you might not recognize it. The bounciness of "Billy's Funk" and "It's Not Enough (Enuf)" are indicative of the party flavor apparent throughout. And as if Baldwin wasn't impressive enough with his keyboards and occasional bass playing, he adds the sax talents of Grover Washington, Jr. and Meadows and the vocalese of Dwight Sills. A horn section is also used to great effect on "Everything You Want (In Time)." There are a few serious moments, such as "In a Sentimental Mood," but for the most part, this is a fun spirited, let your hair down kind of listen.
The smooth jazz format has lent itself to an unfortunate trend towards sugary and fluffy generic album titles that hardly characterize the grit and energy of the music they represent. Boney James went the route with Sweet Thing and now Bob Baldwin's blandly titled but explosively executed Cool Breeze makes a strong case for not judging a disc by its cover. As with his independent City Sketches earlier this year, the keyboardist never quite approaches the free-for-all soul-fusion jam sessions which marked his early Atlantic albums, yet he throws enough aggressive, improvisational punches into these uptempo romps to remind his old fans of the way he once pounded. Rather than crazed earthquakes, he gives us thoughtful, slickly produced tremors that lean towards gospel every so often. He also twists familiar pop hits like "Summer Breeze" and "Walk On By" into funky blue knots. His artful, no frills jazz trio spins on "Cool Wind Blowing" and "I Give Unto You" make many of the other tracks seem overproduced and machine generated by comparison. While Baldwin knows how to balance electric and acoustic currents to great effect, he should consider stripping down like this more often in the future. Why hide behind smoke and mirrors when you have this much emotion to offer?
A rookie of the year in 1990, superfunk keyboardist Bob Baldwin had plenty to be happy about with his sizzling Atlantic debut.. A sure candidate for the R&B crossover chart, Baldwin assembled immediately likable and upbeat synth grooves with some fancy acoustic interludes to form an eclectic hybrid of styles which he calls "PBJ Music" -- as in pop, blues, and jazz. Having grown up with both jazz and R&B influences, he writes and co-produces bouncy material which proves to be the best of both worlds. While his original material is a marvel, Rejoice is that rare album where the cover tunes bear the most repeated listening. His get down jam on Joe Zawinal's "Mercy Mercy Mercy" is the best example, but his light hearted medley dedicated to Motown legend Marvin Gaye is as sweet as tributes come.
Bob Baldwin wasn't the first artist to name a project after his website -- Fattburger and Jethro Tull both beat him to the punch -- but the funk-jazz keyboard whiz's Bobbaldwin.com devotes its liner notes to reminding us to enjoy technology but not let it take over for our heart and soul. Baldwin puts his music where his words are, using his synth rack to create numerous busy, often retro-soul textures, but, at heart, his graceful yet punchy melodies shine through at all times. He has a good time with titles, moving from the cool hip-hop of "eSmooth" (which features his trademark high-register swirling solos between revisits to the sax-driven hook) through "Westchester Online" (with a playful cat and mouse game between Dean James's soprano and Joey Summerville's bouncy trumpet) and then on to the album's most unusual piece, "Overtime (In the Chatroom)." As if to make a point about what too much cybertalk can do to one's sensibilities, Baldwin offers no defining pop melody, instead darting in and out with percussive avant-garde synth lines, clicking wah-wah guitars, and an occasionally smooth soprano line from Marion Meadows, over floating, hypnotic atmospheres. Most of the other material is smartly played and very in-the-pocket, from the opening cover of "Never Can Say Goodbye" (with crackling guitar passages and harmonies by Chuck Loeb) and the brassy party tune "Funkin' for Jamaica," featuring trumpeter Tom Browne and the harmonic blend of the saxes of Gerald Albright, Marion Meadows, and Fred Vigdor.
In 1990, his fanciful funk keyboard action on Rejoice was masterful; when he later played with Marion Meadows, he became part of smooth jazz consciousness. This follow-up to his debut is a pop, jazz, and soul collection that rivals the first one in likeableness and simple adventure. Most of the cuts convey an easygoing sense of R&B rhythms, along with a propensity by Baldwin to improvise over the tastiest grooves imaginable. His version of Cyndi Lauper's "Time After Time" is so perky, you might not recognize it. The bounciness of "Billy's Funk" and "It's Not Enough (Enuf)" are indicative of the party flavor apparent throughout. And as if Baldwin wasn't impressive enough with his keyboards and occasional bass playing, he adds the sax talents of Grover Washington, Jr. and Meadows and the vocalese of Dwight Sills. A horn section is also used to great effect on "Everything You Want (In Time)." There are a few serious moments, such as "In a Sentimental Mood," but for the most part, this is a fun spirited, let your hair down kind of listen.
The smooth jazz format has lent itself to an unfortunate trend towards sugary and fluffy generic album titles that hardly characterize the grit and energy of the music they represent. Boney James went the route with Sweet Thing and now Bob Baldwin's blandly titled but explosively executed Cool Breeze makes a strong case for not judging a disc by its cover. As with his independent City Sketches earlier this year, the keyboardist never quite approaches the free-for-all soul-fusion jam sessions which marked his early Atlantic albums, yet he throws enough aggressive, improvisational punches into these uptempo romps to remind his old fans of the way he once pounded. Rather than crazed earthquakes, he gives us thoughtful, slickly produced tremors that lean towards gospel every so often. He also twists familiar pop hits like "Summer Breeze" and "Walk On By" into funky blue knots. His artful, no frills jazz trio spins on "Cool Wind Blowing" and "I Give Unto You" make many of the other tracks seem overproduced and machine generated by comparison. While Baldwin knows how to balance electric and acoustic currents to great effect, he should consider stripping down like this more often in the future. Why hide behind smoke and mirrors when you have this much emotion to offer?
A rookie of the year in 1990, superfunk keyboardist Bob Baldwin had plenty to be happy about with his sizzling Atlantic debut.. A sure candidate for the R&B crossover chart, Baldwin assembled immediately likable and upbeat synth grooves with some fancy acoustic interludes to form an eclectic hybrid of styles which he calls "PBJ Music" -- as in pop, blues, and jazz. Having grown up with both jazz and R&B influences, he writes and co-produces bouncy material which proves to be the best of both worlds. While his original material is a marvel, Rejoice is that rare album where the cover tunes bear the most repeated listening. His get down jam on Joe Zawinal's "Mercy Mercy Mercy" is the best example, but his light hearted medley dedicated to Motown legend Marvin Gaye is as sweet as tributes come.
Bob Baldwin wasn't the first artist to name a project after his website -- Fattburger and Jethro Tull both beat him to the punch -- but the funk-jazz keyboard whiz's Bobbaldwin.com devotes its liner notes to reminding us to enjoy technology but not let it take over for our heart and soul. Baldwin puts his music where his words are, using his synth rack to create numerous busy, often retro-soul textures, but, at heart, his graceful yet punchy melodies shine through at all times. He has a good time with titles, moving from the cool hip-hop of "eSmooth" (which features his trademark high-register swirling solos between revisits to the sax-driven hook) through "Westchester Online" (with a playful cat and mouse game between Dean James's soprano and Joey Summerville's bouncy trumpet) and then on to the album's most unusual piece, "Overtime (In the Chatroom)." As if to make a point about what too much cybertalk can do to one's sensibilities, Baldwin offers no defining pop melody, instead darting in and out with percussive avant-garde synth lines, clicking wah-wah guitars, and an occasionally smooth soprano line from Marion Meadows, over floating, hypnotic atmospheres. Most of the other material is smartly played and very in-the-pocket, from the opening cover of "Never Can Say Goodbye" (with crackling guitar passages and harmonies by Chuck Loeb) and the brassy party tune "Funkin' for Jamaica," featuring trumpeter Tom Browne and the harmonic blend of the saxes of Gerald Albright, Marion Meadows, and Fred Vigdor.
Can You Feel It?
Bob Baldwin Lyrics
We have lyrics for 'Can You Feel It?' by these artists:
#ME* Can you hear the silence? Can you see the dark? Can you…
.Reel 2 real ft. Mad Stuntman Can you feel it baby …
Adele Roberts (Show ’em, show ’em Show ’em you can work it…
Alainite Looking in my eyes Tell me your desires And I don't wanna…
Alyssa Milano We're just two players In this game that they call love We'r…
Apples in Stereo Uh-oh, uh-oh, turn up your stereo Uh-oh, uh-oh, I feel elec…
B-Royce Staring Into a mirror Broken And shattered There is nothing …
Babe Ruth Thought I saw you on a train Could be my imagination So…
Carnage & Atmozfears feat. Ty Dolla $ign Yeah, no Don't you say a word, ooh Don't you say a…
Clinton & Clinton Can You Feel It (V 1) I got a feeling in my…
CLS Can you feel it, can you feel it, can you…
D&E Welcome to the minds of imfamous ones Children of God, Jesus…
D.i.s.c.o. When I'm on my own, I can be who I…
Dave Goodman Can you feel it Can you feel it Can you feel it Can…
David Crowder Band Can you feel it Can you feel it Can you feel it Can…
Davis? I'm gonna take a freight train, down at the station I…
Dj Jose HERE WE GO HEY HEY HEY HEY HEY HEY HEY HEY HEY HEY…
Donghae & Eunhyuk (Super Junior-D&E) Welcome to the minds of imfamous ones Children of God, Jesus…
Double Dee feat. Danny It's getting cold and the snow will fall It's that time…
drunkenmunky pres. lcd-j この街に 今年もまた 鐘の音(ね)が響く 足早に過ぎ去ってく カレンダー見つめてた 曇り空が晴れてくように 気づけば そ…
E-40 Ugh, yeah (can you feel it baby?) Ugh, yeah (can you feel it…
E-40 feat. B-Legit Ugh, yeah (can you feel it baby?) Ugh, yeah (can you feel…
Eric Carr Never knew a love like this Never knew a sweeter kiss Never…
Fat Boys Oooh Weee! Oooh Weee! Can ya, Can ya feel it? (I…
Fatboy Slim Can you feel it, can you feel it, can you…
Ferny Hey, Can you feel it Temp is getting hotter I can feel…
FEVER feat. TIPPA IRIE Can you feel it Yes Can you feel it Go there Can you feel…
Florence Black Can you live along my wave Sitting all alone on my…
Freakpower Haaaaaa, and it don't stop and it don't stop Rugged Child…
Gerard-René-Gordon The man who only lives for making money Lives a life…
Jacksons (The) If you look around The whole world is coming together now …
Jim Can You Feel It (Come cnd Heal Us c Song for…
JohnJack Oh yes Yes I confess I wanna be there It's good to…
Johnny & Diego Outside the window, I'm tryin' to get in Can't ya feel…
L-SOLO CcN YOU FEEL IT I'm into your eyes.....Ya got me tongue…
LCD-J It's a day you can't forget about It's a day…
Love-Train The way her body folds The way it moves so slow Kinda…
Mad Stuntman/Reel 2 Real Can you feel it Baby (16x) This is mad stuntman pon your cas…
Manic Eden (music: A. Vandenberg, lyrics: are. Young) Tell me, tell me …
MC Mario Feat.. Luisa Can you feel it Baby (16x) This is mad stuntman pon your cas…
Michael Jacksons and the Jackson 5 Can you feel it, can you feel it, can you…
Mr. Fingers feat. Robert Owens In the beginning, there was Jack, and Jack had a…
N.U.K.E. We always stressing, 'bout how we're next and Know all the…
N.U.K.E. & Genlog Ugh, yeah (can you feel it baby?) Ugh, yeah (can you feel it…
Nathan & Cole Can You Feel It (Simone) The lights go off the sounds…
P.O.D. Welcome to the minds of imfamous ones Children of God, Jesu…
Philippe B Vs Todd Terry I'm tired of telling the story Tired of telling it your…
Pro-Pain So, are you sick of me yet? Well I'm sick of…
Real 2 Real feat. The Mad Stuntman Can you feel it baby …
Reel 2 Real Can you feel it baby …
Reel 2 Real & Mad Stuntman Can you feel it Baby (16x) This is mad stuntman pon your cas…
Reel 2 Real & The Mad Stuntman Can you feel it baby …
Reel 2 Real [feat. The Mad Stuntman] Can you feel it Baby (16x) This is mad stuntman pon your cas…
rews What do you do When you let your heart win? Let…
Ricki-Lee Can you feel it, I can feel it, can you…
Sam Noon/Todd Terry I'm tired of telling the story Tired of telling it your…
Sean-K Yeaaa Na na na na na na na na Na na na…
Söhne Mannheims Can you feel it? Coming over us now 'cause I can breathe…
Steve Savona Can you feel it Thinking about words to say Tripping on yes…
Sublime (With Rome) Can you feel it Got my head in the clouds and…
Super Junior - D&E Welcome to the minds of imfamous ones Children of God, Jesus…
SUPER JUNIOR D&E Ugh, yeah (can you feel it baby?) Ugh, yeah (can you feel it…
SUPER JUNIOR-D&E (DongHae & EunHyuk) Welcome to the minds of imfamous ones Children of God, Jesus…
Sцhne Mannheims If you look around The whole world is coming together now …
The Apples In Stereo Uh-oh, uh-oh, turn up your stereo Uh-oh, uh-oh, I feel elec…
The Drive Honestly It seems to me That I can't ever get…
The Jackson 5 If you look around The whole world is coming together now …
The Jacksons If you look around The whole world is coming together now Ca…
The Mad Stuntman Can you feel it baby …
The Maxx You'd better get it if you want it If you…
The Parlotones (Ooo-oo-oo-oo-ooh) (Ooo-oo-oo-oo-ooh) This soul is tired of…
Tiesto & John Christian Can you feel it? Feel it, oh Can you feel it? Feel it,…
Timbaland Feat. Esthero & Sebastian Can y'all feel this? Can y'all feel this? Can y'all…
Timbaland featuring Esthero & Sebastian I would love to see you go I wonder if you…
Todd Terry Let's all get funky Can you dig it Let's all get funky Can…
Transformer feat. Jay When you look in my eyes Can you the pain Can you…
Various Artists Can you feel it, can you feel it, can you…
Wonderboom Come on, let's get it started For the faint and broken-heart…
Workidz and Randall Sure love the way you miss me when I'm gone Make…
We have lyrics for these tracks by Bob Baldwin:
Abbey Road ABBEY ROAD Lennon pulls out his pen Paul plays his bass an…
Are You Ready Can it be I stayed away too long? Did I leave…
Are You Ready? Can it be I stayed away too long? Did I leave…
Being With You I don't care what they think about me, and I don't…
Cafezinho Dil Chahta Hai, Dil Chahta Hai Dil Chahta Hai, Kabhi Na…
Funkin' For Jamaica Jamaica funk, that's what it is let it get into…
I Wanna Be Where You Are Can it be I stayed away too long? Did I leave…
I Wish And I wish I never met her at all Even though…
My Love And when I go away I know my heart can stay…
Never Can Say Goodbye I never can say goodbye, no, no, no, no, now Never…
NEVER CAN SAY GOODBYE FEATURING CHUCK LOEB I never can say goodbye, no, no, no, no, now Never…
People Make The World Go Round People... ('Round And 'Round And Around...) People Make The …
Somebody else I can't get off my high horse and I can't…
Somebody Else's Guy I can't get off my high horse and I can't…
Something Something in the way she moves Attracts me like no other…
The Way She Looked Something in the way she moves Attracts me like no other…
Where Are You Going Can it be I stayed away too long? Did I leave…
Where Are You Going%3F Can it be I stayed away too long? Did I leave…
Where Are You Going? Can it be I stayed away too long? Did I leave…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Ken Holloway
BB got a gold touch, along with those vocals, this is beyond smooth. 🎼🎶👍
Mikael Wagner
I love this beat so much. It kicks off any day, but especially the weekend to celebrate achievements at the end of the week.
Zoiea Ohizep
"Toni Smith was one of the baddest female vocalist of her time,,i love the power behind her vocals,,and great track from Bob Baldwin and Dennis Johnson",, (what's up Ragan🙃)
Michael Perry
on his facebook post he told me this tune is 10 years old. I could not believe it. Sounds like it was recorded yesterday. Can you Feel it? .........Yes Sir.
alexander dean 111
I think. Bob baldwin. Deserve. A little more of us. But. The way. The. Music is. Touches. My heart
Raynee Chen
I need the lyrics
Enio Luis dos santos
This is funk...
SupaFly
your the needle to my groove
virgolady850
Oh YEAH!
valambiguous
Eeeooooowweee!!! Feeel'n it *****!!!