Contemporary player tabbed by Malaco as an early signee when the company, b… Read Full Bio ↴Contemporary player tabbed by Malaco as an early signee when the company, best known for downhome Southern soul and blues, tried to expand into jazz during the late '80s. Baldwin's heavily synthesized, pop and funk-centered work didn't prove commercially potent, and he moved to Atlantic in 1990. He remained in Atlanta into the next decade and has had moderate success there, continuing to churn out the familiar instrumental pop tunes and carefully crafted numbers, in addition to working some in radio.
In 1990, his fanciful funk keyboard action on Rejoice was masterful; when he later played with Marion Meadows, he became part of smooth jazz consciousness. This follow-up to his debut is a pop, jazz, and soul collection that rivals the first one in likeableness and simple adventure. Most of the cuts convey an easygoing sense of R&B rhythms, along with a propensity by Baldwin to improvise over the tastiest grooves imaginable. His version of Cyndi Lauper's "Time After Time" is so perky, you might not recognize it. The bounciness of "Billy's Funk" and "It's Not Enough (Enuf)" are indicative of the party flavor apparent throughout. And as if Baldwin wasn't impressive enough with his keyboards and occasional bass playing, he adds the sax talents of Grover Washington, Jr. and Meadows and the vocalese of Dwight Sills. A horn section is also used to great effect on "Everything You Want (In Time)." There are a few serious moments, such as "In a Sentimental Mood," but for the most part, this is a fun spirited, let your hair down kind of listen.
The smooth jazz format has lent itself to an unfortunate trend towards sugary and fluffy generic album titles that hardly characterize the grit and energy of the music they represent. Boney James went the route with Sweet Thing and now Bob Baldwin's blandly titled but explosively executed Cool Breeze makes a strong case for not judging a disc by its cover. As with his independent City Sketches earlier this year, the keyboardist never quite approaches the free-for-all soul-fusion jam sessions which marked his early Atlantic albums, yet he throws enough aggressive, improvisational punches into these uptempo romps to remind his old fans of the way he once pounded. Rather than crazed earthquakes, he gives us thoughtful, slickly produced tremors that lean towards gospel every so often. He also twists familiar pop hits like "Summer Breeze" and "Walk On By" into funky blue knots. His artful, no frills jazz trio spins on "Cool Wind Blowing" and "I Give Unto You" make many of the other tracks seem overproduced and machine generated by comparison. While Baldwin knows how to balance electric and acoustic currents to great effect, he should consider stripping down like this more often in the future. Why hide behind smoke and mirrors when you have this much emotion to offer?
A rookie of the year in 1990, superfunk keyboardist Bob Baldwin had plenty to be happy about with his sizzling Atlantic debut.. A sure candidate for the R&B crossover chart, Baldwin assembled immediately likable and upbeat synth grooves with some fancy acoustic interludes to form an eclectic hybrid of styles which he calls "PBJ Music" -- as in pop, blues, and jazz. Having grown up with both jazz and R&B influences, he writes and co-produces bouncy material which proves to be the best of both worlds. While his original material is a marvel, Rejoice is that rare album where the cover tunes bear the most repeated listening. His get down jam on Joe Zawinal's "Mercy Mercy Mercy" is the best example, but his light hearted medley dedicated to Motown legend Marvin Gaye is as sweet as tributes come.
Bob Baldwin wasn't the first artist to name a project after his website -- Fattburger and Jethro Tull both beat him to the punch -- but the funk-jazz keyboard whiz's Bobbaldwin.com devotes its liner notes to reminding us to enjoy technology but not let it take over for our heart and soul. Baldwin puts his music where his words are, using his synth rack to create numerous busy, often retro-soul textures, but, at heart, his graceful yet punchy melodies shine through at all times. He has a good time with titles, moving from the cool hip-hop of "eSmooth" (which features his trademark high-register swirling solos between revisits to the sax-driven hook) through "Westchester Online" (with a playful cat and mouse game between Dean James's soprano and Joey Summerville's bouncy trumpet) and then on to the album's most unusual piece, "Overtime (In the Chatroom)." As if to make a point about what too much cybertalk can do to one's sensibilities, Baldwin offers no defining pop melody, instead darting in and out with percussive avant-garde synth lines, clicking wah-wah guitars, and an occasionally smooth soprano line from Marion Meadows, over floating, hypnotic atmospheres. Most of the other material is smartly played and very in-the-pocket, from the opening cover of "Never Can Say Goodbye" (with crackling guitar passages and harmonies by Chuck Loeb) and the brassy party tune "Funkin' for Jamaica," featuring trumpeter Tom Browne and the harmonic blend of the saxes of Gerald Albright, Marion Meadows, and Fred Vigdor.
In 1990, his fanciful funk keyboard action on Rejoice was masterful; when he later played with Marion Meadows, he became part of smooth jazz consciousness. This follow-up to his debut is a pop, jazz, and soul collection that rivals the first one in likeableness and simple adventure. Most of the cuts convey an easygoing sense of R&B rhythms, along with a propensity by Baldwin to improvise over the tastiest grooves imaginable. His version of Cyndi Lauper's "Time After Time" is so perky, you might not recognize it. The bounciness of "Billy's Funk" and "It's Not Enough (Enuf)" are indicative of the party flavor apparent throughout. And as if Baldwin wasn't impressive enough with his keyboards and occasional bass playing, he adds the sax talents of Grover Washington, Jr. and Meadows and the vocalese of Dwight Sills. A horn section is also used to great effect on "Everything You Want (In Time)." There are a few serious moments, such as "In a Sentimental Mood," but for the most part, this is a fun spirited, let your hair down kind of listen.
The smooth jazz format has lent itself to an unfortunate trend towards sugary and fluffy generic album titles that hardly characterize the grit and energy of the music they represent. Boney James went the route with Sweet Thing and now Bob Baldwin's blandly titled but explosively executed Cool Breeze makes a strong case for not judging a disc by its cover. As with his independent City Sketches earlier this year, the keyboardist never quite approaches the free-for-all soul-fusion jam sessions which marked his early Atlantic albums, yet he throws enough aggressive, improvisational punches into these uptempo romps to remind his old fans of the way he once pounded. Rather than crazed earthquakes, he gives us thoughtful, slickly produced tremors that lean towards gospel every so often. He also twists familiar pop hits like "Summer Breeze" and "Walk On By" into funky blue knots. His artful, no frills jazz trio spins on "Cool Wind Blowing" and "I Give Unto You" make many of the other tracks seem overproduced and machine generated by comparison. While Baldwin knows how to balance electric and acoustic currents to great effect, he should consider stripping down like this more often in the future. Why hide behind smoke and mirrors when you have this much emotion to offer?
A rookie of the year in 1990, superfunk keyboardist Bob Baldwin had plenty to be happy about with his sizzling Atlantic debut.. A sure candidate for the R&B crossover chart, Baldwin assembled immediately likable and upbeat synth grooves with some fancy acoustic interludes to form an eclectic hybrid of styles which he calls "PBJ Music" -- as in pop, blues, and jazz. Having grown up with both jazz and R&B influences, he writes and co-produces bouncy material which proves to be the best of both worlds. While his original material is a marvel, Rejoice is that rare album where the cover tunes bear the most repeated listening. His get down jam on Joe Zawinal's "Mercy Mercy Mercy" is the best example, but his light hearted medley dedicated to Motown legend Marvin Gaye is as sweet as tributes come.
Bob Baldwin wasn't the first artist to name a project after his website -- Fattburger and Jethro Tull both beat him to the punch -- but the funk-jazz keyboard whiz's Bobbaldwin.com devotes its liner notes to reminding us to enjoy technology but not let it take over for our heart and soul. Baldwin puts his music where his words are, using his synth rack to create numerous busy, often retro-soul textures, but, at heart, his graceful yet punchy melodies shine through at all times. He has a good time with titles, moving from the cool hip-hop of "eSmooth" (which features his trademark high-register swirling solos between revisits to the sax-driven hook) through "Westchester Online" (with a playful cat and mouse game between Dean James's soprano and Joey Summerville's bouncy trumpet) and then on to the album's most unusual piece, "Overtime (In the Chatroom)." As if to make a point about what too much cybertalk can do to one's sensibilities, Baldwin offers no defining pop melody, instead darting in and out with percussive avant-garde synth lines, clicking wah-wah guitars, and an occasionally smooth soprano line from Marion Meadows, over floating, hypnotic atmospheres. Most of the other material is smartly played and very in-the-pocket, from the opening cover of "Never Can Say Goodbye" (with crackling guitar passages and harmonies by Chuck Loeb) and the brassy party tune "Funkin' for Jamaica," featuring trumpeter Tom Browne and the harmonic blend of the saxes of Gerald Albright, Marion Meadows, and Fred Vigdor.
The Girl Is Mine
Bob Baldwin Lyrics
We have lyrics for 'The Girl Is Mine' by these artists:
01. 99 Souls feat. Destinyยดs Child & Brandy Take a minute girl, come sit down What's been happening? Wh…
99 SOUL & DESTINYS CHILD & BRANDY Take a minute girl, come sit down What's been happening? Wha…
99 Souls (feat Destiny's Child & Brandy) Excuse me, can I please talk to you for a…
99 Souls (feat. Destiny's Child & Brandy) Take a minute girl, come sit down What's been happening? Wha…
99 Souls (ft destiny's child & brandy) Excuse me, can I please talk to you for a…
99 Souls / Destiny's Child / Brandy Take a minute girl, come sit down What's been happening? Wha…
รรตยฟรยถรปยกยคยฝรยฟรรยท Michael Jackson Every night she walks right in my dreams Since I met…
Beyoncรฉ vs. Brandy & Monica The boy is mine, the boy is mine The boy is…
Casanova Here I sit, in the dark I wait for her, to…
DJ S.K.T Look at her standing there isn't she so pretty All the…
Easy Star All-Stars Every night she walks right in my dreams Since I met…
Easy Star All-Stars Feat. Mojo Morgan and Steel Pulse Every night she walks right in my dreams Since I met…
Easy Star All-Stars Mojo Morgan Steel Pulse Every night she walks right in my dreams Since I met…
Easy Star All-Stars [feat. Mojo Morgan & ในใใฃใผใซใปใใซใน] Every night she walks right in my dreams Since I met…
Gloc-9 What's mine won't miss me What's mine won't miss me What's m…
Greg Parys There's a girl standing on a red mud road Looking up…
Halloween All-Stars Every night she walks right in my dreams Since I met…
M & M'S You know that our scene be dry If there isn't a…
M&M's Let the sun shine Let the rivers run away Coz it?s a…
M.Jackson & Paul McCartney Every night she walks right in my dreams Since I met…
Michael Jackson & Paul McCartney (Michael) Every night she walks right in my dreams Since I m…
Michael Jackson & Paul McCartney/Paul McCartney Every night she walks right in my dreams Since I met…
Michael Jackson feat Paul McCar Every night she walks right in my dreams Since I…
Michael Jackson feat Will-i-am Every night she walks right in my dreams Since I met…
Michael Jackson with Paul McCartney [1st Verse (Michael)] Every Night She Walks Right In My Dre…
Michael Jackson with will.i.am Every night she walks right in my dreams Since I met…
Michael Jackson; Paul McCarttney Every night she walks right in my dreams Since I…
OG LOCKE I'm sorry that you Seem to be confused He belongs to me The…
Paul McCartney Every night she walks right in my dreams Since I met…
Richard Cheese [Michael Jackson / Paul McCartney] [Intro] Good evening, la…
Stevi Swift Excuse me, can I please talk to you for a…
Super Junior ์ํผ์ฃผ๋์ด ๏ปฟ๋ด๊ฐ ๋งํ์ง ํ๋ ๊ฟ ๋ฐ์ ์ ๊ณ ๊ทธ๋ ๋ฅผ ํฌ๊ธฐํด ์์ง๋ ๋ฏธ๋ จ ์์ ์ด๊ณ ์๋…
The New Merseysiders Every Night She Walks Right In My Dreams Since I Met…
We have lyrics for these tracks by Bob Baldwin:
Abbey Road ABBEY ROAD Lennon pulls out his pen Paul plays his bass an…
Are You Ready Can it be I stayed away too long? Did I leave…
Are You Ready? Can it be I stayed away too long? Did I leave…
Being With You I don't care what they think about me, and I don't…
Cafezinho Dil Chahta Hai, Dil Chahta Hai Dil Chahta Hai, Kabhi Na…
Funkin' For Jamaica Jamaica funk, that's what it is let it get into…
I Wanna Be Where You Are Can it be I stayed away too long? Did I leave…
I Wish And I wish I never met her at all Even though…
My Love And when I go away I know my heart can stay…
Never Can Say Goodbye I never can say goodbye, no, no, no, no, now Never…
NEVER CAN SAY GOODBYE FEATURING CHUCK LOEB I never can say goodbye, no, no, no, no, now Never…
People Make The World Go Round People... ('Round And 'Round And Around...) People Make The …
Somebody else I can't get off my high horse and I can't…
Somebody Else's Guy I can't get off my high horse and I can't…
Something Something in the way she moves Attracts me like no other…
The Way She Looked Something in the way she moves Attracts me like no other…
Where Are You Going Can it be I stayed away too long? Did I leave…
Where Are You Going%3F Can it be I stayed away too long? Did I leave…
Where Are You Going? Can it be I stayed away too long? Did I leave…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Sekar Wijil
Every night she walks right in my dreams
Since I met her from the start
I'm so proud I am the only one
Who is special in her heart
The girl is mine
The doggone girl is mine
I know she's mine
Because the doggone girl is mine
I don't understand the way you think
Saying that she's yours not mine
Sending roses and your silly dreams
Really just a waste of time
Because she's mine
The doggone girl is mine
Don't waste your time
Because the doggone girl is mine
I love you more than he
(take you anywhere)
But I love you endlessly
(loving we will share)
So come and go with me
To one town
But we both cannot have her
So it's one or the other
And one day you'll discover
That she's my girl forever and ever
I don't build your hopes to be let down
'Cause I really feel it's time
I know she'll tell you I'm the one for her
'Cause she said I blow her mind
The girl is mine
The doggone girl is mine
Don't waste your time
Because the doggone girl is mine
She's mine, she's mine
No, no, no, she's mine
The girl is mine, the girl is mine
The girl is mine, the girl is mine
The girl is mine, (yep) she's mine
The girl is mine, (yep) she's mine
Don't waste your time
Because the doggone girl is mine
The girl is mine, the girl is mine
Michael, we're not going to fight about this, okay
Paul, I think I told you, I'm a lover not a fighter
I've heard it all before, Michael, she told me that I'm her forever lover,
You know, don't you remember
Well, after loving me, she said she couldn't love another
Is that what she said
Yes, she said it, you keep dreaming
I don't believe it
The girl is mine (mine, mine, mine)
Roger Zebrowski
A beautiful instrumental rendition of one of my favorite Michael Jackson collaborations. Thanks for sharing Roberto! :-)
Edison Mosley II
How, "Classy" of brother Baldwin to play such an acknowledgement for the late great Michael Jackson... My man, I can dig it!
1nfiny
Love it!
Christopher Houghton
This tune rockz,!!! โบ
penny black
Mr. Perry I agree with you 100%, this is fantastic!!!
Frederico Fernandes
Bela homenagem a Michael
Michael Perry
Gota love it!ย
Sekar Wijil
Every night she walks right in my dreams
Since I met her from the start
I'm so proud I am the only one
Who is special in her heart
The girl is mine
The doggone girl is mine
I know she's mine
Because the doggone girl is mine
I don't understand the way you think
Saying that she's yours not mine
Sending roses and your silly dreams
Really just a waste of time
Because she's mine
The doggone girl is mine
Don't waste your time
Because the doggone girl is mine
I love you more than he
(take you anywhere)
But I love you endlessly
(loving we will share)
So come and go with me
To one town
But we both cannot have her
So it's one or the other
And one day you'll discover
That she's my girl forever and ever
I don't build your hopes to be let down
'Cause I really feel it's time
I know she'll tell you I'm the one for her
'Cause she said I blow her mind
The girl is mine
The doggone girl is mine
Don't waste your time
Because the doggone girl is mine
She's mine, she's mine
No, no, no, she's mine
The girl is mine, the girl is mine
The girl is mine, the girl is mine
The girl is mine, (yep) she's mine
The girl is mine, (yep) she's mine
Don't waste your time
Because the doggone girl is mine
The girl is mine, the girl is mine
Michael, we're not going to fight about this, okay
Paul, I think I told you, I'm a lover not a fighter
I've heard it all before, Michael, she told me that I'm her forever lover,
You know, don't you remember
Well, after loving me, she said she couldn't love another
Is that what she said
Yes, she said it, you keep dreaming
I don't believe it
The girl is mine (mine, mine, mine)
DJAGOJazz
Very nice !
chawash
Very Nice!!!!!