Dylan started his musical odyssey in 1959 when he began playing in Dinkytown, Minneapolis while attending the University of Minnesota. Shortly after starting to play he changed his stage name to Bob Dylan, after being influenced by the poetry of Dylan Thomas before legally changing his name in 1962.
Much of his best known work is from the 1960s, when he became an informal documentarian and reluctant figurehead of American unrest, promoted by Joan Baez. Some of his songs, such as "Blowin' in the Wind" and "The Times They Are A-Changin'", became anthems of the anti-war and civil rights movements, with Joan Baez and Dylan singing together at the March on Washington in 1963. However he later became disenchanted with the civil liberty protest scene, feeling that he had been used by them.
His album Bringing It All Back Home marked a move away from the folk scene and a move towards rock and roll and Dylan began to consciously distance himself from his early association with civil rights. He also started to become irritated when being interviewed, often given facetious or irreverent answers to questions. Bringing It All Back Home was a controversial album as it the first on which he played electric guitar. This was seen by some of his fans as a betrayal of this folk roots, with some saying that it obscured his meaningful and poetic lyrics.
The second half of the 1960s was marked by a string of well received releases, with his song "Like a Rolling Stone", released in July of 1965, later being named "The Greatest Song of All Time" by Rolling Stone magazine in 2004, placing #1 in a list of 500 titles. It also marked the formation of Dylan's backing band The Hawks (who would later call themselves simply The Band). Dylan embarked on a world tour of Australia and Europe in 1966, during which he seemed to be under a lot of strain and pressure by both his fans, the music press and his own promoters. Dylan himself admitted that he began taking drugs seriously whilst on this tour, and found it immensely hard work. On returning to New York he crashed his motorbike, sustaining serious injuries in the process, and went into a period of withdrawal while he recuperated. During the late 1960s, Dylan again changed stylistic tradition, moving away from the psychedelic culture of the time. It was then that he recorded All Along the Watchtower, perhaps more famously recorded by Jimi Hendrix.
The 1970s were a period during which Dylan was more sporadic in his output, releasing some poorly received LPs. He rarely appeared in person until 1974, when he began touring again with his backing band The Band. He also wrote one of his most extensively covered songs, Knockin' On Heaven's Door, as well as what is now recognised as one of his best albums Blood On The Tracks. Towards the end of the 1970s, Dylan discovered Christ, and released some albums of gospel music. He started to talk to the crowd about his faith during his performances, and wouldn't play any of his early work, which alienated some of his previous fans.
Dylan today still remains an influential and popular artist; despite a period of little note between 1980-2000, his 2006 album Modern Times reached the US chart at #1, as did his 2009 album Together Through Life, in the US, Britain, France and several other countries. His 2012 album Tempest was also critically acclaimed. Since 1988, Dylan has been on the so-called Never Ending Tour, during which his performances have provoked controversy, with some critics claiming that his lyrics have become incomprehensible, an experience which is not helped by his tendency to change his set-list and vocals almost every performance.
Bob Dylan's strong influence over the past few years is becoming even more prominent amongst a growing group of younger emerging artists such as George Ellias and Devendra Banhart. Dylan's early lyrics incorporated politics, social commentary, philosophy and literary influences, defying existing pop music conventions and appealing widely to the counterculture of the time. While expanding and personalizing musical styles, Dylan has shown steadfast devotion to traditions of American song, from folk and country/blues to rock and roll and rockabilly, to Gaelic balladry, even jazz, swing and Broadway.
Dylan performs with the guitar, keyboard and harmonica. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s. He has also recently performed alongside other iconic artists, such as Paul Simon, Joni Mitchell, Tom Petty and Eric Clapton. Although his contributions as a performer and recording artist have been central to his career, his songwriting is generally held as his highest accomplishment.
Nobel Prize for Literature (2016) - On October 13, 2016, Dylan was awarded the Nobel Prize for Literature for “for having created new poetic expressions within the great American song tradition”. The prestigious award has been given annually since 1901 and previous Nobel Laureates for Literature include Harold Pinter and Samuel Beckett. Here is the speech written by Dylan, although unable to attend:
http://www.nytimes.com/2016/12/10/arts/bob-dylan-nobel-prize-acceptance-speech.html?_r=0
Baby Ain't That Fine
Bob Dylan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The sun is going to shine
Before this heart of mine
Baby ain't that fine
Baby ain't that fine
Baby ain't that fine
Baby ain't that fine
Hey, la la la
Baby ain't that fine
Baby ain't that fine
I get a little bit tingle up and down my spine
I (??) every time you say you're mine
You're gonna be my baby
I'm a-gonna be your guy
We're gonna cook some lovin'
It's a-gonna sizzle and fry
Baby ain't that fine
Baby ain't that fine
Baby ain't that fine
Baby ain't that fine
In Bob Dylan's song "Baby Ain't That Fine," he expresses his excitement and joy for the future. The bell sounds bring a sense of optimism and hope, suggesting that good things are on their way, "The bells are golden chimes, The sun is going to shine." Dylan's heart is full of happiness and he hopes that the feeling will never end, "Before this heart of mine, Baby ain't that fine." The repetition of the phrase "baby ain't that fine" emphasizes the singer's excitement and confidence, creating a joyful and carefree mood.
As the song progresses, the singer gets a tingling sensation whenever his lover tells him that she belongs to him, "I get a little bit tingle up and down my spine, I (??) every time you say you're mine." This further conveys the excitement and connection between the two. The singer then proceeds to declare his love for his partner and talks about cooking some "lovin'," which is going to "sizzle and fry." These lyrics showcase the excitement and eagerness for passion and love between the two partners.
Overall, "Baby Ain't That Fine" is a song about the beauty of love and the joy and excitement that comes with it. Dylan's lyrics are a testament to the excitement that love brings, and the potential for more wonderful things to come.
Line by Line Meaning
The bells are golden chimes
The sound of the bells is so beautiful and musical
The sun is going to shine
The weather is going to be good and bright
Before this heart of mine
Before I realize it or expect it
Baby ain't that fine
Isn't it great?
I get a little bit tingle up and down my spine
I get an exciting physical sensation in response to you saying you're mine
I (??) every time you say you're mine
I feel like I am on top of the world and completely happy
You're gonna be my baby
You will be my partner and significant other
I'm a-gonna be your guy
I will be your partner and significant other
We're gonna cook some lovin'
We will share love and affection
It's a-gonna sizzle and fry
Our love will be passionate and intense
Writer(s): Dallas Frazier
Contributed by Aubrey W. Suggest a correction in the comments below.