The Silver Bullet Band was formed in 1974. Its original members were:
* Drew Abbott, guitar
* Charlie Allen Martin, drums
* Rick Mannassa, keyboards
* Chris Campbell, bass guitar
* Alto Reed, saxophones, flutes, acoustic guitar, keyboards and percussion.
Seger himself did all lead vocals and plays guitar and piano.
In 1975 Mannassa was replaced by Robyn Robbins on keyboards, who in 1980 was replaced by Craig Frost. Around 1977 Martin was replaced by Dave Teegarden on drums, who in 1983 was replaced by Don Brewer. In 1982 Abbott was replaced by Dawayne Bailey on guitar.
Seger has almost always used session musicians, most notably The Muscle Shoals Rhythm Section, on his albums as well.
In 1974 Seger formed the Silver Bullet Band and released the album Seven (credited to Bob Seger), which contained the Detroit-area hard rock hit "Get Out of Denver". This track that was a modest success and charted at #80 nationally.
In April 1976 Seger and the Silver Bullet Band had an even bigger commercial breakthrough with the album Live Bullet, recorded over two nights in Detroit's Cobo Arena in September 1975. The album stayed on the Billboard charts for 168 weeks, peaking at #34 which was Seger's highest charting album at the time. It also contained Seger's hit rendition of Tina Turner's "Nutbush City Limits" (#69 US) as well as Seger's own classic take on life on the road, "Turn the Page", from Back in '72. It also included his late 1960s successful releases â "Heavy Music" and "Ramblin' Gamblin' Man".
Critic Dave Marsh later wrote that "Live Bullet is one of the best live albums ever made ... In spots, particularly during the medley of 'Travelin' Man'/'Beautiful Loser', Seger sounds like a man with one last shot at the top." An instant best-seller in Detroit, Live Bullet quickly began to get attention in other parts of the country. In June 1976 he was a featured performer at the Pontiac Silverdome outside Detroit in front of nearly 80,000 fans. Only three nights before in Chicago, Seger had played before 50 people in a bar.
Seger and the Silver Bullet Band achieved a commercial breakthrough with their 1976 album Night Moves which featured several hits including the highly evocative title song. Subsequently Seger had success with rockers such as "Hollywood Nights" and mellower mid-tempo ballads such as "We've Got Tonight", "Fire Lake" (recorded 1979, and featured Don Henley, Timothy B. Schmit, and Glen Frey on backing vocals) and "Against the Wind". His most recognizable songs are almost certainly "Old Time Rock & Roll" (featured in the film Risky Business) and "Like a Rock" (most familiar to many younger Americans through its association with a long-running Chevrolet ad campaign).
Seger and the Silver Bullet Band released The Distance in 1982. Critically praised for representing a tougher sound than some of Seger's recent material, the album spawned hits with Rodney Crowell's "Shame on the Moon" (which also did moderately well as a country music song), "Even Now", and "Roll Me Away". But perhaps because Seger and his band were ill-equipped to exploit the new MTV era, Seger's album sales dropped noticeably, with The Distance only selling approximately 1 million copies. The following year country music superstar Kenny Rogers would team up with pop singer Sheena Easton to cover "We've Got Tonight". This version was a world wide hit and was so successful Rogers used it as the title cut to one of his own albums. In 1984 Seger wrote and recorded with his band the power rock ballad "Understanding" for the "Teachers" movie soundtrack. The song was a mild Top 40 hit in 1985.
Seger and the Silver Bullet Band were no longer as prolific and four years elapsed before their next studio album, 1986's Like a Rock emerged. The fast-paced "American Storm" garnered both pop and rock airplay, and "Like a Rock" became yet another successful Seger ballad. Later it would become familiar to many Americans through its association with a long-running Chevrolet ad campaign (something Seger explicitly chose to do to support struggling American automobile workers in Detroit). Seger's 1986-1987 American Storm Tour was his self-stated last major tour, playing 105 shows over 9 months and selling almost 1.5 million tickets. Like a Rock sold over a million copies and went platinum.
Bob Seger and the Silver Bullet Band's next record was 1991's The Fire Inside, at a time when glam metal, grunge and alternative rock were all taking the forefront. Seger's new music found little visibility on radio or elsewhere. The same was true of 1995's It's a Mystery, however the album was certified Gold (500,000 copies sold). In between, however, his Greatest Hits compilation was a major success, achieving sales of over 8 million units through late 2006. Seger did go back on the road again for a 1996 tour, which was successful and sold the fourth-largest number of tickets of any North American tour that year.
Seger and his band has recently released his first new album in 11 years, titled Face the Promise (credited to Bob Seger) (with guest appearances from Patty Loveless and Detroiter Kid Rock). In its first 45 days, the album sold more than 400,000 copies, according to Soundscan. The album has sold over 1 million copies to date and stayed on the Billboard chart for months. His supporting tour has also been eagerly anticipated, with many shows selling out within minutes. Showing that Seger's legendary appeal in Michigan had not diminished, all 15,000 tickets available for his first show at Grand Rapids' Van Andel Arena sold out in under five minutes; three additional shows were subsequently added, each of which also sold out.
The Encyclopedia of Rock And Roll stated that "His throaty, authoritative delivery is a pleasure to listen to, and the Silver Bullet Band is superb."
Events in late March of 2007 suggested that Seger may move on from Capitol Records because those who had worked with him to this point are now gone from the label. The same press release also confirmed Seger's intention to release a live CD/DVD package chronicling his Face the Promise tour at some point in the fall.
"Face the Promise" Tour 2006-2007 Lineup:
# Chris Campbell, Bass Guitar, since 1969
# Alto Reed, Saxaphones, since 1972
# Craig Frost, Keyboards, Piano, 25 years
# Mark Chatfield, Lead Guitar (Rythm Guitar 1983, 1996 Tours)
# Shaun Murphy, Backing vocals, since 1973
# Laura Creamer, Backing vocals, since 1968
# Don Brewer, Drums, (also 1983 Tour)
# Jim "Moose" Brown, Guitar and Keyboard
# Barbara Payton, backing vocals
House Behind a House
Bob Seger & The Silver Bullet Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's a dream behind a dream
There's a heart outside a heart
There's a hope behind a hope
When two people know that it's time to go
When do they give in
At what point in time do they really find
Lonely faces everywhere
Watch them starin' at their hands
As the walls keep closin' in
As the days go on and on
When two people see it can never be
When do they give up
When do they concede they must let it be
Now they've had enough They've had enough
Lonely faces everywhere
Watch them starin' at their hands
There's a house behind a house
There's a dream behind a dream
The lyrics of "House Behind A House" by Bob Seger speak to the complexity of human relationships and the emotional struggle of letting go when a relationship has come to an end. The lyrics reflect a sense of emotional layering, with the imagery of a house behind a house, a dream behind a dream, a heart outside a heart, and a hope behind a hope. Each line carries an important message - that there are deeper layers to every situation, and there's always a hope hiding behind a hope when things seem bleak.
The song's central theme is the difficulty of defining a relationship's endpoint. As the lyrics ask, âWhen two people know that it's time to go, When do they give in?â The song reflects on the moment when a relationship has gone past its expiration date, and the sadness that comes with recognizing that it's time to let it end. The song speaks to the universal human experience of holding on too long to something that once had value, that had potential for love and happiness, but is now lifeless.
The lyrics also touch on the loneliness that follows a broken relationship, with âLonely faces everywhere, Watch them starin' at their hands as the walls keep closin' in, As the days go on and on.â This reflects the sense of isolation and confusion that people can feel when contemplating the end of a relationship.
Line by Line Meaning
There's a house behind a house
Oftentimes, people put on a facade to cover up what's really going on behind their closed doors.
There's a dream behind a dream
People may have hidden aspirations that they keep to themselves, due to fear of judgement or failure.
There's a heart outside a heart
People often hide their true feelings and may have trouble expressing their emotions to others.
There's a hope behind a hope
Sometimes, people may have a deeper meaning behind their hopes and wishes, but they keep it hidden in their heart.
When two people know that it's time to go
When two people in a relationship know that the end is near and it's time to move on,
When do they give in
they may question when they should finally give up on the relationship.
At what point in time do they really find
They may wonder at what specific moment they knew the relationship was truly over.
They must let it end
Eventually, they must accept that the relationship is ending and let it come to a close.
Lonely faces everywhere
When a relationship ends, there is often a feeling of loneliness and isolation.
Watch them starin' at their hands
People may become introspective and become lost in thought when dealing with emotions stemming from a breakup.
As the walls keep closin' in
The longer it takes to move on from a relationship, the more suffocating and restricting it can feel.
As the days go on and on
Time can feel slow and elongated when dealing with the pain and aftermath of a breakup.
When two people see it can never be
When two people realize that their relationship is impossible to fix or mend,
When do they give up
they may question when they should finally give up on trying to repair the relationship.
When do they concede they must let it be
Eventually, they must accept that the relationship cannot be salvaged and they must move on.
Now they've had enough
After trying to hold on and fix what was broken for so long, they have finally reached their breaking point.
Lyrics Š OBO APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
TycoTrainAL
Thanks for posting.the Distance album rocked ass! 5 stars ! Little Victories was my favorite track from this album , a very underated song!
jaymmzzs
i love this song ...ever since it came out
alan friday
Best song he ever did ! Never understood why it didn't get more radio play ....?
Mark J
Wicked song, wicked album!!!!
Red Clark
In 1980, I stood at the front wall, less than 6 feet from the stage, in front of 86,000 people at the Louisville summer jam. Seen the Rockets, point blank, Reo speedwagon and Bob Seger. Paid 12.50 for the ticket
Red Clark
@jaymmzzs that's been many years ago, I do remember riding the Storm out I ain't sure about golden countryđĽ´đĽ´
jaymmzzs
NICE did REO do Ridin the storm out , and GOLDEN COUNTRY????????
John Smith
Paid $10 to watch Jim McCarty, The Rockets' lead guitarist at a riverside bar in Bay City, MI last weekend. He had Detroit area pals playing with him, they call the band Mystery Train. Even at 76, he can still strum it, very worth my while.
lisa jenkins
his best song
scwalker2000
I still have this on 45-lp. A great song.