The Silver Bullet Band was formed in 1974. Its original members were:
* Drew Abbott, guitar
* Charlie Allen Martin, drums
* Rick Mannassa, keyboards
* Chris Campbell, bass guitar
* Alto Reed, saxophones, flutes, acoustic guitar, keyboards and percussion.
Seger himself did all lead vocals and plays guitar and piano.
In 1975 Mannassa was replaced by Robyn Robbins on keyboards, who in 1980 was replaced by Craig Frost. Around 1977 Martin was replaced by Dave Teegarden on drums, who in 1983 was replaced by Don Brewer. In 1982 Abbott was replaced by Dawayne Bailey on guitar.
Seger has almost always used session musicians, most notably The Muscle Shoals Rhythm Section, on his albums as well.
In 1974 Seger formed the Silver Bullet Band and released the album Seven (credited to Bob Seger), which contained the Detroit-area hard rock hit "Get Out of Denver". This track that was a modest success and charted at #80 nationally.
In April 1976 Seger and the Silver Bullet Band had an even bigger commercial breakthrough with the album Live Bullet, recorded over two nights in Detroit's Cobo Arena in September 1975. The album stayed on the Billboard charts for 168 weeks, peaking at #34 which was Seger's highest charting album at the time. It also contained Seger's hit rendition of Tina Turner's "Nutbush City Limits" (#69 US) as well as Seger's own classic take on life on the road, "Turn the Page", from Back in '72. It also included his late 1960s successful releases — "Heavy Music" and "Ramblin' Gamblin' Man".
Critic Dave Marsh later wrote that "Live Bullet is one of the best live albums ever made ... In spots, particularly during the medley of 'Travelin' Man'/'Beautiful Loser', Seger sounds like a man with one last shot at the top." An instant best-seller in Detroit, Live Bullet quickly began to get attention in other parts of the country. In June 1976 he was a featured performer at the Pontiac Silverdome outside Detroit in front of nearly 80,000 fans. Only three nights before in Chicago, Seger had played before 50 people in a bar.
Seger and the Silver Bullet Band achieved a commercial breakthrough with their 1976 album Night Moves which featured several hits including the highly evocative title song. Subsequently Seger had success with rockers such as "Hollywood Nights" and mellower mid-tempo ballads such as "We've Got Tonight", "Fire Lake" (recorded 1979, and featured Don Henley, Timothy B. Schmit, and Glen Frey on backing vocals) and "Against the Wind". His most recognizable songs are almost certainly "Old Time Rock & Roll" (featured in the film Risky Business) and "Like a Rock" (most familiar to many younger Americans through its association with a long-running Chevrolet ad campaign).
Seger and the Silver Bullet Band released The Distance in 1982. Critically praised for representing a tougher sound than some of Seger's recent material, the album spawned hits with Rodney Crowell's "Shame on the Moon" (which also did moderately well as a country music song), "Even Now", and "Roll Me Away". But perhaps because Seger and his band were ill-equipped to exploit the new MTV era, Seger's album sales dropped noticeably, with The Distance only selling approximately 1 million copies. The following year country music superstar Kenny Rogers would team up with pop singer Sheena Easton to cover "We've Got Tonight". This version was a world wide hit and was so successful Rogers used it as the title cut to one of his own albums. In 1984 Seger wrote and recorded with his band the power rock ballad "Understanding" for the "Teachers" movie soundtrack. The song was a mild Top 40 hit in 1985.
Seger and the Silver Bullet Band were no longer as prolific and four years elapsed before their next studio album, 1986's Like a Rock emerged. The fast-paced "American Storm" garnered both pop and rock airplay, and "Like a Rock" became yet another successful Seger ballad. Later it would become familiar to many Americans through its association with a long-running Chevrolet ad campaign (something Seger explicitly chose to do to support struggling American automobile workers in Detroit). Seger's 1986-1987 American Storm Tour was his self-stated last major tour, playing 105 shows over 9 months and selling almost 1.5 million tickets. Like a Rock sold over a million copies and went platinum.
Bob Seger and the Silver Bullet Band's next record was 1991's The Fire Inside, at a time when glam metal, grunge and alternative rock were all taking the forefront. Seger's new music found little visibility on radio or elsewhere. The same was true of 1995's It's a Mystery, however the album was certified Gold (500,000 copies sold). In between, however, his Greatest Hits compilation was a major success, achieving sales of over 8 million units through late 2006. Seger did go back on the road again for a 1996 tour, which was successful and sold the fourth-largest number of tickets of any North American tour that year.
Seger and his band has recently released his first new album in 11 years, titled Face the Promise (credited to Bob Seger) (with guest appearances from Patty Loveless and Detroiter Kid Rock). In its first 45 days, the album sold more than 400,000 copies, according to Soundscan. The album has sold over 1 million copies to date and stayed on the Billboard chart for months. His supporting tour has also been eagerly anticipated, with many shows selling out within minutes. Showing that Seger's legendary appeal in Michigan had not diminished, all 15,000 tickets available for his first show at Grand Rapids' Van Andel Arena sold out in under five minutes; three additional shows were subsequently added, each of which also sold out.
The Encyclopedia of Rock And Roll stated that "His throaty, authoritative delivery is a pleasure to listen to, and the Silver Bullet Band is superb."
Events in late March of 2007 suggested that Seger may move on from Capitol Records because those who had worked with him to this point are now gone from the label. The same press release also confirmed Seger's intention to release a live CD/DVD package chronicling his Face the Promise tour at some point in the fall.
"Face the Promise" Tour 2006-2007 Lineup:
# Chris Campbell, Bass Guitar, since 1969
# Alto Reed, Saxaphones, since 1972
# Craig Frost, Keyboards, Piano, 25 years
# Mark Chatfield, Lead Guitar (Rythm Guitar 1983, 1996 Tours)
# Shaun Murphy, Backing vocals, since 1973
# Laura Creamer, Backing vocals, since 1968
# Don Brewer, Drums, (also 1983 Tour)
# Jim "Moose" Brown, Guitar and Keyboard
# Barbara Payton, backing vocals
The Little Drummer Boy
Bob Seger & The Silver Bullet Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Our newborn King to see, pa-rum pum pum pum
Our finest gifts we bring pa-rum pum pum pum
To lay before the King pa-rum pum pum pum
Rum pum pum pum. rum pum pum pum
So to honor Him pa-rum pum pum pum
When we come
I am a poor boy too, pa-rum pum pum pum
I have no gift to bring pa-rum pum pum pum
That's fit to give our King pa- rum pum pum pum
Rum pum pum pum, rum pum pum pum
Shall I play for you, pa-rum pum pum pum
on my drum?
Mary nodded pa-rum pum pum pum
The Ox and Lamb kept time pa-rum pum pum pum
I played my drum for Him pa-rum pum pum pum
I played my best for Him pa -rum pum pum pum
Rum pum pum pum, rum pum pum pum
Then He smiled at me pa-rum pum pum pum
Me and my drum
The Little Drummer Boy is a classic Christmas carol that tells the story of a poor boy who visits the baby Jesus with nothing to offer but his drumming. The song starts with the boy being invited to see the newborn King and he wants to bring a gift to Him. The boy explains that he is poor and doesn't have any material gift to offer. Instead, he asks if he can play his drum for the King. Mary agrees, and the boy plays his best for the baby Jesus.
The verse "The Ox and Lamb kept time" symbolizes the fact that all creatures big and small were present to honor the Christ, and even they could appreciate the skills of the boy. The line "then He smiled at me" signifies that the King was pleased with the boy's humble and heartfelt offering. In the end, the boy and his drum receive the King's approval.
The Little Drummer Boy is a song that shares the true message of Christmas, which is about giving from the heart, regardless of the material value of the gift. It tells the story of a child's offering of himself in fullness of spirit, and by doing so, he is rewarded with a smile from the divine.
Line by Line Meaning
Come, they told me pa-rum pum pum pum
They said to me, "Come over here," with a rhythmic drum beat
Our newborn King to see, pa-rum pum pum pum
To see the new King that was just born
Our finest gifts we bring pa-rum pum pum pum
We brought our best gifts to give to the King
To lay before the King pa-rum pum pum pum
To place these gifts in front of the King
Rum pum pum pum. rum pum pum pum
Drumbeat rhythm continues in the background
So to honor Him pa-rum pum pum pum
We did this as a way to show respect to Him
When we come
When we arrive
Little Baby pa-rum pum pum pum
A small and helpless-looking baby
I am a poor boy too, pa-rum pum pum pum
I am also from a less fortunate background
I have no gift to bring pa-rum pum pum pum
I don't have anything valuable to offer as a gift
That's fit to give our King pa- rum pum pum pum
That is considered appropriate to give to our King
Rum pum pum pum, rum pum pum pum
Drumbeat rhythm continues in the background
Shall I play for you, pa-rum pum pum pum
Should I play music on my drum for you?
on my drum?
Using my musical instrument
Mary nodded pa-rum pum pum pum
Mary gave a small nod in approval
The Ox and Lamb kept time pa-rum pum pum pum
The animals in the stable also made rhythmic noises in time with the drum beat
I played my drum for Him pa-rum pum pum pum
I played music on my drum for the baby
I played my best for Him pa -rum pum pum pum
I did my best to play beautiful music for Him
Rum pum pum pum, rum pum pum pum
Drumbeat rhythm continues in the background
Then He smiled at me pa-rum pum pum pum
The baby smiled at me in response
Me and my drum
I stood there with my drum, feeling proud of my performance for the little baby King
Lyrics © Kanjian Music, INTERNATIONAL KORWIN CORP, Anthem Entertainment, Warner Chappell Music, Inc.
Written by: Harry Simeone, Henry Onorati, Katherine Davis
Lyrics Licensed & Provided by LyricFind