In the fifties after many failed attempts to sell his songs, he finally was signed up with Capitol Records and recorded a few rock and roll songs without much chart success. Just before he was drafted into the Army, he wrote a song called 'The All American Boy' and did a demo for his friend, Bill Parsons, to learn and record it. Instead of using the version Bill Parsons did later, the record company, Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the Billboard Top 100, but it was wrongly credited to Bill Parsons.
His real big break came when RCA boss and guitarist Chet Atkins signed him to the RCA label. The first song he released on this label, 'Shame On Me', sold nearly a million copies and pushed Bobby Bare to fame overnight. His second RCA release, 'Detroit City' won him a Grammy for the best song of the year. Then a surge of hits followed, including '500 Miles Away From Home', 'Four Strong Winds' and others. He has also recorded two very successful albums with Skeeter Davis and has also dueted with Lacy J. Dalton and Rosanne Cash and additionally had a major hit as part of a trio with Norma Jean (singer) and Liz Anderson in 1967 titled 'The Game of Triangles'.
He moved to Mercury label in 1970 and had two big hits from early Kris Kristofferson compositions, 'Come Sundown' and 'Please Don't Tell Me How The Story Ends' before returning to RCA label where he produced his own records. Later Bare moved to CBS label and in 1979, he helped establish Rosanne Cash's career by singing with her on "No Memories Hangin' Round". Bare's singles for Columbia Records included 'The Jogger', 'Tequila Sheila', 'Gotta Get Rid Of This Band', 'When Hippies Get Older' and 'Numbers'. He later recorded for EMI with little success.
Bobby Bare is a versatile singer, and in the 70s started to release novelty songs recorded live with selected audiences. One of such songs, 'Marie Laveau' about a witch, reached the number one position on the country chart. This song was written by his friend, a very talented song writer, poet, author and cartoonist Shel Silverstein. He also penned many other songs for Bobby Bare including a Grammy nominated hit called 'Daddy What If' which he recorded with his five year old son, Bobby Bare Jr, who later became a star on his own. Bobby Bare later recorded a very successful album with his family and penned mainly by Shel called 'Singing in The Kitchen'. It was nominated for best group category in Grammy Awards but was declined by Bobby himself.
He later took chances recording strange, controversial material as 'Dropkick Me Jesus (Through The Goalposts Of Life)' (a 1976 Grammy nominee) and the expletive-driven 'Redneck Hippie Romance' with much success.
Bobby Bare is also the first to come up with a concept album called 'Bird Named Yesterday' which was very successful. His most successful concept album is 'Lullaby Legends and Lies'.
Bobby Bare was also given an opportunity to star in the movies. He did a Western with Troy Donahue called A Distant Trumpet, and a few episodes of a TV series called No Time for Sergeants. He turned his back on Hollywood to pursue his career in Country Music.
In 1998 he formed the band Old Dogs together with his friends Jerry Reed, Mel Tillis and Waylon Jennings.
In addition to the above, Bobby Bare is credited for introducing Waylon Jennings to RCA. He is also one of the first to record from many well known song writers such as Jack Clement, Harlan Howard, Billy Joe Shaver, Mickey Newberry, Tom T. Hall, Kris Kristofferson, and many others. He later had a TV series called 'Bobby Bare & Friends, A Song Writer Showcase'. Recently, he has recorded a new album after over 20 years called 'The Moon Was Blue' produced by his son. His son, Bobby Bare, Jr., is also a musician.
The Gambler
Bobby Bare Lyrics
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I met up with a gambler we were both too tired to sleep
So we took turns a starin' out window at the darkness
Till boredom overtook us and he commenced to speak.
He said, "Son I made a life out of readin' people's faces
And knowin' what the cards were by the way they held their eyes
So if you don't mind my sayin', I can see you're out of aces
So I handed him my bottle and he drank down my last swallow
Then he'd bummed a cigarette then he bummed a light
And the night got deathly quiet and his face lost all expression
He said, "If you gonna play the game boy you gotta learn to play it right."
"You, you gotta know when to hold 'em, know when to fold 'em
Know when to walk away, know when to run
You never count your money when you're sittin' at the table
There'll be time enough for countin' when the dealin' is done."
"Now, every gambler knows that the secret to survival
Is knowin' what to throw away and knowin' what to keep
'Cause every hand's a winner just like every hand's a loser
And the best that you can hope for is to die in your sleep."
So when he finished speaking he turned back toward the window
Crushed out his cigarette, faded off to sleep
Somewhere in the darkness the gambler he broke even
In his final words I found an ace that I could keep.
You gotta know when to hold 'em, know when to fold 'em
Know when to walk away, know when to run
You never count your money when you're sittin' at the table
There'll be time enough for countin' when the dealin' is done.
You gotta know when to hold 'em, know when to fold 'em
Know when to walk away, know when to run
You never count your money when you're sittin' at the table
There'll be time enough for countin' when the dealin' is done.
There'll be time enough for countin' when the dealin' is done...
Bobby Bare's "The Gambler" tells the story of an encounter between the singer and a seasoned gambler on a train journey. The gambler shares his wisdom with the singer, imparting life lessons that extend far beyond the world of gambling. The gambler explains that his success in gambling comes from his ability to read people's faces and detect the cards they hold. He advises that knowing when to hold 'em, when to fold 'em, when to walk away, and when to run is the key to success in gambling, but this wisdom can also be applied to life in general.
The gambler's words convey the idea that life is a game, and to succeed in it, one must know when to hold onto something and when to let it go. The chorus serves as a reminder never to get too caught up in counting your "money" or success because the ultimate goal is to die in one's sleep, with an "ace" in hand, or in other words, without any regrets. The song teaches the importance of making wise choices in life and knowing when to take a risk or move on.
Line by Line Meaning
On the warm summer's evening on a train bound for nowhere
Traveling aimlessly on this train on a warm summer night
I met up with a gambler we were both too tired to sleep
Encountered a fellow who gambles on this train who was just as sleepless as I was
So we took turns a starin' out window at the darkness
We gazed outside at the dark landscape alternatively
Till boredom overtook us and he commenced to speak.
We grew restless and he began to speak
He said, "Son I made a life out of readin' people's faces
The gambler disclosed that he made his living interpreting other people's facial expressions
And knowin' what the cards were by the way they held their eyes
He deduced which cards they held by their eye movements
So if you don't mind my sayin', I can see you're out of aces
He was not hesitant to state that I had run out of my best cards
For a taste of your whiskey I would give you some advice.
He offered to exchange his counsel for a swig of my whiskey
So I handed him my bottle and he drank down my last swallow
He gladly took my bottle and emptied it
Then he'd bummed a cigarette then he bummed a light
He then requested and received a cigarette and a light
And the night got deathly quiet and his face lost all expression
Silence fell and his countenance became stony
He said, "If you gonna play the game boy you gotta learn to play it right."
He insisted that in order to succeed, I must learn to play the game perfectly
"You, you gotta know when to hold 'em, know when to fold 'em
The key is knowing when to keep your cards, and knowing when to leave them behind
Know when to walk away, know when to run
When to stay and when to go, and when to flee entirely
You never count your money when you're sittin' at the table
Never focus on counting your cash while you're still in the game
There'll be time enough for countin' when the dealin' is done.
You can tally up after the cards stop coming
"Now, every gambler knows that the secret to survival
He revealed that an essential rule to endure as a gambler
Is knowin' what to throw away and knowin' what to keep
is identifying what can be discarded and what ought to be retained
'Cause every hand's a winner just like every hand's a loser
Every new hand is either a triumph or a disaster
And the best that you can hope for is to die in your sleep.
He seemed to imply that the finest result is a peaceful passing
So when he finished speaking he turned back toward the window
Upon completing his speech, he returned his attention to the dark world outside
Crushed out his cigarette, faded off to sleep
Snuffed his cigarette then drifted off to slumber
Somewhere in the darkness the gambler he broke even
In this pitch-black environment, the gambler finally broke even
In his final words I found an ace that I could keep.
In his last words, I found a valuable bit of knowledge that I could use
You gotta know when to hold 'em, know when to fold 'em
You must know when to stand by your cards and when to relinquish them
Know when to walk away, know when to run
Understand when to take a break, and when to flee
You never count your money when you're sittin' at the table
Don't get fixated on cash when you're still in the thick of it
There'll be time enough for countin' when the dealin' is done.
You can add up the winnings when the game is finally over.
You gotta know when to hold 'em, know when to fold 'em
It is paramount to recognize when to keep your cards and when to let them go
Know when to walk away, know when to run
Appreciate when it's time to go, and when it's essential to flee
You never count your money when you're sittin' at the table
When you're still in the game, it's best not to focus on how much cash you have
There'll be time enough for countin' when the dealin's done
You can tally your winnings after everyone's finished playing
Lyrics © Sony/ATV Music Publishing LLC
Written by: Don Schlitz
Lyrics Licensed & Provided by LyricFind
DocLeeSan
I love both versions. However, Bobby Bare’s version is more expressive with more emotion. Kenny Rogers has a real good hoarse and powerful voice that suits this song very well. The song was written by Don Schlitz. Bobby Bare first recorded this song and in his Bare album. Kenny Rogers also used the same arrangement as Bobby Bare’s version. I was surprised that Kenny Rogers never mention that Bobby Bare was the first to record this song. Bobby Bare always gave credit to others who first recorded the song he recorded and made him popular such as his Grammy award song Detroit City & 500 Miles Away From Home.
Paul London
Kenny gave credit to the writer Don Schlitz. It's impossible to give a list of everyone who touched the song before him but Kenny always gave credit where it was due and as a result Rogers version of the song turned Schlitz from an unknown into one of country music's most respected songwriters and was the first of over 20 #1 singles to Don's name, whears Bare never ever planned to release it as a single, and if he had done it would not have been the global smash it was by Kenny Rogers. The guitar intro is not the same on the Rogers recording as it is here and that's just the tip of the iceberg, the Rogers version is very different to this. Schlitz himself said Rogers and Butler added greatly to the song and that having Kenny Rogers record one of his songs was his career ambition. As for "more emotion", the song works much better when sung as a "matter of fact" statement like Rogers sings it. It's main point is to be advice on life, not a weepy farewell!
Chad Zigler
Johnny Cash sanged it after Bobby Bare and before Kenny Rogers
gabrielle dormuth
I've heard all kinds of versions of this song but will always love Kenny's one the best cause of his raspy voice and emotion
RIP Kenny Rogers we all miss u
Holdington
Actually it wasn't written by Kenny Rogers. It was written by a guy called Don Schlitz. This was the first version recorded, even before Kenny Rogers version.
jaime ibañez
hola a todos, yo pienso que cada quien tiene su propio estilo, ninguno es mejor que el otro, ya ahí depende del gusto de cada persona, si te gusta mas la versión de Kenny, Bobby, Johnny, o Elvis. Yo primero conocí a Kenny, pero cuando escuché "The Gambler" de Bobby Bare, en realidad me gustó mucho, y de hecho recuerdo que fue muy agradable para mí, tanto escucharla, como saber que alguien mas interpretaba con un estilo diferente esta bonita canción, se me hizo muy "country". Bueno, esa es mi humilde opinión, gracias a quien lea mi comentario.
Will Dwyer
Bobby Bare took Marie Laveau, written by Shel Silverstein, to #1 on the country music charts about three years after it was released on an album by Dr. Hook & The Medicine Show. It was his final single to reach the top ten and his only #1 hit.
Lee YS
Bobby Bare is the first to record this song in his LP "Bare". It was once reviewed in a Country & Western magazine as technically a better version than Kenny Rogers. However, i do agree that Kenny's deep raspy voice did suit the song well and really made an impact. Kenny Rogers tried out another song which Bare has recorded called "Sleeptight Goodnight Man" but did not repeat his triumph!
Chad Zigler
you forgot Johnny Cash, he sanged it before Kenny Rogers
Jason Bowen
Gotta respect that he was the first man to record this song. If he didn't people would have never heard it.