1. Robert Wilson (born Fe… Read Full Bio ↴Two artists have been know with this name:
1. Robert Wilson (born February 27, 1980 in Jackson, Mississippi), was previously known by the stage name Bobby Valentino, but because of legal action, he is now officially known as Bobby V. He is an American R&B singer previously signed to Ludacris' label Disturbing Tha Peace. He released his self-titled debut album in 2005 and has since released 2007's Special Occassion and 2009's The Rebirth. He will release his fourth studio album, Fly On The Wall, sometime in 2010.
2. Bobby Valentino is a UK violinist/vocalist/songwriter/actor who began in the music business in 1975 as a member of the Fabulous Poodles. During a 30+ year career that includes time in London and Texas, he has played with the likes of Bob Dylan, Tom Petty, Mike Oldfield, Nick Lowe, Billy Bragg, Mark Knopfler, Big Country and many, many more. He played the violin on and co-wrote the Bluebells hit “Young at Heart” and has appeared on Top of the Pops 17 times.
He has released 3 solo albums of his own songs: “You’re in the Groove, Jackson”(1991); You’re Tellimg Me”(1996) and “This is Murder”(2001). He is currently recording a fourth with a working title of “6 Foot 3”
He tours with a band called Los Pistoleros playing western swing. In looks, he has more than a passing resemblance to Clark Gwereable and has even been employed as a look-alike.
End Of The Night
Bobby Valentino Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Your clothes, your clothes
It's somethin' about the way you move
I just can't let it go, let it go
Baby, you've got me open
Baby, I just wanna make you mine
By the end of the night, end of the night
It's inevitable and incredible, listen, it's Luda
By the end of the night, you gon' be wantin' to marry a nigga
'Cause I make 'em erupt like volcanoes, you just shake and you shiver
Get 'em up, get down, turn around and put your face in the pillow
Cut 'em up like Jason, just face it, that boy Luda's a killer
Half man, half gorilla, beatin' all on my chest
Pleasin' all of your flesh, squeezin' all on your breast
Givin' you reasons to rest and ain't never say no to papi
Wake 'em up like Folgers 'cause I fold 'em like Origami
Hey, mami, let's get it poppin' like Orville Redenbacher
The way you move, once you started, nothin' could ever stop ya
Sweeter than Betty Crocker and I'm ready to belly flop ya
Just mention today but for now, I forever gotcha
Baby, I gotta get you up out of
Your clothes, your clothes
It's somethin' about the way you move
I just can't let it go, let it go
Baby, you've got me open
Baby, I just wanna make you mine
By the end of the night, end of the night
By the end of the night
Verse two, it's like this
Gotta get 'em up outta them clothes
If I throw a couple dollars, then pose
We could drink a couple bottles and go
And ride off in the Impala on Vogues and Rolls
Gold is all on my neck, all on my wrist
So just let go of yo' hoe, don't hog her to death, lend her to Cris
Just for a little while, for a little bit
Just wanna see her smile and get the bigger fish
She said that you had a little dick
Now how in the hell can she benefit
From somethin' like that?
I be up in that cat
Make her put a hump in that back, black
I swing low and sweet chariot, meet me at the Marriott
Key access, I'll be at the very top
Don't hesitate to stop the elevator either
I'll show you the ups and downs, you'll be my elevator diva
Baby, I gotta get you up out of
Your clothes, your clothes
It's somethin' about the way you move
I just can't let it go, let it go
Baby, you've got me open
Baby, I just wanna make you mine
By the end of the night, end of the night
By the end of the night
All I need is a couple hours, baby, for real
Come up out that Prada, Chanel, Chloe, Louis and Gucci
Escada, Dior, Fendi, that Masconi and Juicy
Rockin Republic, True Religions and Citizen's jeans
Your Jimmy Choo's are so sexy but Giseppi's is me
La Perla lingerie, ya panties and bra are matchin'
Put down your clothes and I'll put you up on the latest fashions
'Cause with cameras and action, I'm a deadly assassin
I love your clothes but what's underneath, I love with a passion
Baby, I gotta get you up out of
Your clothes, your clothes
It's somethin' about the way you move
I just can't let it go, let it go
Baby, you've got me open
Baby, I just wanna make you mine
By the end of the night, end of the night
By the end of the night
Don't leave your girl 'round me
Said, don't leave your girl 'round me
Don't leave your girl 'round me
True playa for real, for real, for real, for real
Don't leave your girl 'round me
Said, don't leave your girl 'round me
Don't leave your girl 'round me
True playa for real, for real, for real, for real
The lyrics of Bobby Valentino's song "End of the Night" express the singer's desire to seduce a woman and take her home. His words convey his confidence and promise of satisfaction to his potential partner. He compliments the woman's movement and expresses his longing to make her his own by the end of the night. In the rap verse, Ludacris adds his signature playful lyrics, boasting of his sexual prowess and the pleasure he can bring to women. Overall, the song is a fun, lighthearted ode to a night of passion.
One interesting fact about the song is that it features rapper Ludacris, who has collaborated with Bobby Valentino on several occasions. The song is also notable for its catchy melody and danceable beat. It was released as a single from Bobby Valentino's self-titled debut album in 2005 and was a commercial success, reaching the Top 20 on the Billboard Hot 100 chart. The song was produced by Tim & Bob, who were known for their work with R&B artists such as Boyz II Men and TLC.
Another interesting fact is that the music video for "End of the Night" features some of the cast of the hit MTV show "Making the Band 3," including members of Danity Kane and Day26. The video shows Bobby Valentino and Ludacris performing on a stage in front of a crowd of people, interspersed with scenes of them seducing women in a club.
The chords for the song are as follows:
Verse:
C#m - A - E - B (repeat)
Chorus:
C#m - A - E - B (repeat)
Bridge:
F#m - B - A - E (repeat)
Line by Line Meaning
Baby, I gotta get you up out of
Your clothes, your clothes
It's somethin' about the way you move
I just can't let it go, let it go
Bobby Valentino wants to get his partner out of their clothes because the way they move is irresistible.
Baby, you've got me open
Baby, I just wanna make you mine
By the end of the night, end of the night
By the end of the night
Bobby is smitten with his partner and wants to make them his by the end of the night.
It's inevitable and incredible, listen, it's Luda
Ludacris is expressing how inevitable and incredible the rest of the night will be.
By the end of the night, you gon' be wantin' to marry a nigga
'Cause I make 'em erupt like volcanoes, you just shake and you shiver
Get 'em up, get down, turn around and put your face in the pillow
Cut 'em up like Jason, just face it, that boy Luda's a killer
Ludacris is bragging about his sexual skills, saying that by the end of the night, Bobby's partner will want to marry him.
Half man, half gorilla, beatin' all on my chest
Pleasin' all of your flesh, squeezin' all on your breast
Givin' you reasons to rest and ain't never say no to papi
Wake 'em up like Folgers 'cause I fold 'em like Origami
Ludacris is continuing to boast about his sexual prowess and describes himself as half man, half gorilla, with the ability to please his partner and help them relax.
Hey, mami, let's get it poppin' like Orville Redenbacher
The way you move, once you started, nothin' could ever stop ya
Sweeter than Betty Crocker and I'm ready to belly flop ya
Just mention today but for now, I forever gotcha
Ludacris encourages Bobby's partner to get things going and compares their movements to the popping of popcorn, expressing his readiness to engage in sexual activity with them.
Verse two, it's like this
Bobby Valentino begins the second verse of the song.
Gotta get 'em up outta them clothes
If I throw a couple dollars, then pose
We could drink a couple bottles and go
And ride off in the Impala on Vogues and Rolls
Bobby also wants to get his partner out of their clothes and proposes that they indulge in alcohol then take a ride in his Impala.
Gold is all on my neck, all on my wrist
So just let go of yo' hoe, don't hog her to death, lend her to Cris
Just for a little while, for a little bit
Just wanna see her smile and get the bigger fish
She said that you had a little dick
Now how in the hell can she benefit
From somethin' like that?
I be up in that cat
Make her put a hump in that back, black
Bobby describes his flashy jewelry as a way to attract women and encourages his partner to spend time with Ludacris. He also comments on a negative remark about him made by a woman and boasts about his sexual accomplishments.
I swing low and sweet chariot, meet me at the Marriott
Key access, I'll be at the very top
Don't hesitate to stop the elevator either
I'll show you the ups and downs, you'll be my elevator diva
Bobby is suggesting that he and his partner go to the Marriott hotel, where he has key access to the top floor. He then references elevators and takes on a seductive tone in calling his partner an 'elevator diva'.
All I need is a couple hours, baby, for real
Come up out that Prada, Chanel, Chloe, Louis and Gucci
Escada, Dior, Fendi, that Masconi and Juicy
Rockin Republic, True Religions and Citizen's jeans
Your Jimmy Choo's are so sexy but Giseppi's is me
La Perla lingerie, ya panties and bra are matchin'
Put down your clothes and I'll put you up on the latest fashions
'Cause with cameras and action, I'm a deadly assassin
I love your clothes but what's underneath, I love with a passion
Bobby lists off expensive clothing brands and tells his partner to come out of them so he can see what's underneath. He then promises to get his partner caught up on the latest fashion trends and compares himself to a deadly assassin.
Don't leave your girl 'round me
Said, don't leave your girl 'round me
Don't leave your girl 'round me
True playa for real, for real, for real, for real
Bobby warns his audience not to leave their partners alone with him, referring to himself as a true player.
Contributed by Liliana L. Suggest a correction in the comments below.