Bobby Vee (born Robert Thomas Velline, April 30, 1943 – October 24, 2016) w… Read Full Bio ↴Bobby Vee (born Robert Thomas Velline, April 30, 1943 – October 24, 2016) was an American pop singer who was a teen idol in the early 1960s.
According to Billboard magazine, he had 38 American Hot 100 chart hits, 10 of which hit the Top 20.

Vee was born in Fargo, North Dakota, to Sydney Ronald Velline and Saima Cecilia Tapanila. His first single, "Suzie Baby," was written by Vee with a nod to Buddy Holly's "Peggy Sue" and recorded for the Minneapolis-based Soma Records in 1959; it drew enough attention and chart action to be purchased by Liberty Records, who signed him later that year. His followup single, a cover of Adam Faith's UK number-one "What Do You Want?", charted in the lower reaches of the Billboard pop chart in early 1960. His fourth release, a revival of the Clovers' doo-wop ballad "Devil or Angel", brought him into the big time with U.S. buyers. His next single, "Rubber Ball", made him an international star.

Vee's 1961 summer release "Take Good Care of My Baby" went to number one on the Billboard U.S. listings and number three in the UK Singles Chart. Known primarily as a performer of Brill Building pop material, he went on to record a string of international hits in the 1960s, including "Devil or Angel" (U.S. number six), "Rubber Ball" (1961, U.S. number six, Australia number one), "More Than I Can Say" (1961, U.K. number four), "Run to Him" (1961, U.S. number two), "The Night Has a Thousand Eyes" (1963, U.S. number three), and "Come Back When You Grow Up" (U.S. number three). When Vee recorded "Come Back When You Grow Up" in 1967, he was joined by a band called the Strangers. He also recorded, in 1961, a version of the song "Lollipop", originally by Ronald & Ruby, which also became a success.

Vee was also a pioneer in the music video genre, appearing in several musical films, as well as in the Scopitone series of early film-and-music jukebox recordings.

He received the North Dakota Roughrider Award in 1999.

He is mentioned in the film No Direction Home regarding his brief musical association with Bob Dylan and Dylan's suggestion that he was "Bobby Vee" after Vee's regional hit.

The Very Best of Bobby Vee, released by EMI/UK on May 12, 2008, charted in the UK top five. On January 17, 2011, EMI/UK released Rarities, a double-CD package with 61 tracks, many of which were previously unreleased. Others included were alternate takes and first-time stereo releases as well as tracks from the album Bobby Vee Live on Tour minus the "canned" audience.

On March 28, 2011, he became the 235th inductee into the Rockabilly Hall of Fame. In 2014 he was inducted into the Scandinavian-American Hall of Fame.

Vee's career began amid tragedy. On February 3, 1959, "The Day the Music Died", three of the four headline acts in the lineup of the traveling Winter Dance Party—Buddy Holly, Ritchie Valens, and the Big Bopper—were killed, along with the 21-year-old pilot, Roger Peterson, in the crash of a V-tailed 1947 Beechcraft Bonanza airplane (Dion, the second headliner, opted not to travel on the plane). It crashed near Clear Lake, Iowa, en route to the next show on the tour itinerary in Moorhead, Minnesota. Velline, then aged 15, and a hastily assembled band of Fargo schoolboys calling themselves the Shadows volunteered for and were given the unenviable job of filling in for Holly and his band at the Moorhead engagement. Their performance there was a success, setting in motion a chain of events that led to Vee's career as a popular singer.

In 1963, Vee released a tribute album on Liberty Records called I Remember Buddy Holly. In the liner notes, Vee recalled Holly's influence on him and the events surrounding Holly's death:

Like so many other people, I became a Buddy Holly fan the very first time I heard him sing. I've been a fan ever since and I guess I always will be. I remember a few years ago when Buddy was scheduled to appear at a dance in my home town of Fargo, North Dakota. It was going to be a big event for the whole town, but even more so for me. I was anxiously looking forward to seeing Buddy in action.

The day he was to arrive disaster struck, taking Buddy's life, along with the lives of two other fine singers, Ritchie Valens and the Big Bopper. The shocking news spread through Fargo very quickly. The local radio station broadcast a plea for local talent to entertain at the scheduled dance. About a week before this, I had just organized a vocal and instrumental group of five guys. Our style was modelled after Buddy's approach and we had been rehearsing with Buddy's hits in mind. When we heard the radio plea for talent, we went in and volunteered. We hadn't even named the group up to that time, so we gave ourselves a name on the spot, calling ourselves The Shadows. We appeared at the dance and were grateful to be enthusiastically accepted. Soon afterwards, I made my first record. It was called "Suzie Baby" and I was pretty lucky with it; it was a fair-sized hit.

For some time now, I have wanted to make an album in tribute to Buddy, but I wasn't sure it was the proper thing to do. However, during the past year, I have received many requests to do such an album. These requests came not only from my fans and from DJs, but also from Buddy's loyal following---still a large group of devoted fans. It.... gave me the confidence to do the album. From "Suzie Baby" to this present album, I have made many records, but I have never forgotten Buddy Holly and his influence on my singing style and my career.

Vee went on to become a bona fide star and regularly performed at the Winter Dance Party memorial concerts in Clear Lake. His sons are all musicians and have performed with him there.

Early in Vee's career, a musician named Elston Gunnn [sic] briefly toured with the band. "Gunnn", whose birth name was Robert Allen Zimmerman, later went on to fame as Bob Dylan.

Dylan's autobiography, Chronicles, Volume One, mentions Vee and provides complimentary details about their friendship, both professional and personal.

In a concert at Midway Stadium in St. Paul, Minnesota, on July 10, 2013, Dylan said he had been on the stage with many stars, but that none of them were as meaningful as Vee. He said Vee was in the audience and then played Vee's hit "Suzie Baby" with emotion. Dylan said (in an audio recording of the concert),

Thank you everyone, thank you friends. I left here a while back, and since that time, I've played all over the world, with all kinds of people. And everybody from Mick Jagger to Madonna. And everybody in there in between. I've been on the stage with most of those people. But the most meaningful person I've ever been on the stage with, was a man who is here tonight, who used to sing a song called "Suzie Baby". I want to say that Bobby Vee is actually here tonight. Maybe you can show your appreciation with just a round of applause. So, we're gonna try to do this song, like I've done it with him before once or twice.

Vee and Karen Bergen were engaged July 1, 1963, and married December 28, 1963. They had four children: Jeffery Robert Velline (b. Jan 3, 1965), Thomas Paul Velline (b. October 25, 1966), Robert Bryon Velline (b. August 4, 1967), and Jennifer Joanne Velline (b. May 31, 1972). Karen died of kidney failure on August 3, 2015.

On April 29, 2012, Vee announced on his website that a year prior he had been diagnosed with an early stage of Alzheimer's disease and consequently would withdraw from the music business.

On October 24, 2016, Vee died in Rogers, Minnesota, from complications of early onset Alzheimer's disease.

Let's Call It a Day Girl
Bobby Vee Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Let's call it a day, girl
Let's say we couldn't make it
You don't know the way, girl
You just know how to take it
I didn't give you my heart
Just to break it

We have so very much in common

You were too good to be true to me
And I can't be your fool, you see

So let's call it a day, girl
One kiss and it's goodbye now
Wish there was a way, girl
(To walk out) and never see you crying
Though I'm blue at that
I feel like dying

I can't be your fool, you see

So let's call it a day, girl
I'm gonna miss you plenty
What more can I say, girl
The odds are one to twenty
From this moment on
Will life will be empty

Let's call it a day, girl
Let's call it a day, girl

Let's call it a day, girl
Let's call it a day, girl...

Overall Meaning

In Bobby Vee's song "Let's Call It A Day, Girl," the singer is expressing his desire to end a relationship that is clearly not working out. He believes they have too much in common, and she was too good to be true. He can't keep fooling himself, so he suggests that they break things off entirely. This time, he's not going to give her his heart just to have it broken. They share one last kiss, and he wishes there was a way for her not to cry. He's feeling blue and feels like life will be empty without her, but he knows he can't continue in the relationship.

The lyrics of this song are straightforward, and Bobby Vee's voice has a soothing quality that adds to the song's overall impact. The theme of ending a relationship is one that many people can relate to, and the song's simplicity has undoubtedly helped it stand the test of time.

Line by Line Meaning

Let's call it a day, girl
Let's end this relationship, my dear

Let's say we couldn't make it
Let's agree that this relationship didn't work out

You don't know the way, girl
You don't understand what went wrong in our relationship

You just know how to take it
You just took my love for granted

I didn't give you my heart
I didn't give you my heart to hurt me

Just to break it
It hurts me that you broke my heart

One kiss and it's goodbye now
After one final kiss, it's the end of this relationship

Wish there was a way, girl
I wish there was a way to end this without seeing you hurt

(To walk out) and never see you crying
I wish I could leave without seeing you hurt and crying

Though I'm blue at that
Even though I feel sad about ending this relationship

I feel like dying
I'm devastated by this breakup