Bobby Vee (born Robert Thomas Velline, April 30, 1943 – October 24, 2016) w… Read Full Bio ↴Bobby Vee (born Robert Thomas Velline, April 30, 1943 – October 24, 2016) was an American pop singer who was a teen idol in the early 1960s.
According to Billboard magazine, he had 38 American Hot 100 chart hits, 10 of which hit the Top 20.
Vee was born in Fargo, North Dakota, to Sydney Ronald Velline and Saima Cecilia Tapanila. His first single, "Suzie Baby," was written by Vee with a nod to Buddy Holly's "Peggy Sue" and recorded for the Minneapolis-based Soma Records in 1959; it drew enough attention and chart action to be purchased by Liberty Records, who signed him later that year. His followup single, a cover of Adam Faith's UK number-one "What Do You Want?", charted in the lower reaches of the Billboard pop chart in early 1960. His fourth release, a revival of the Clovers' doo-wop ballad "Devil or Angel", brought him into the big time with U.S. buyers. His next single, "Rubber Ball", made him an international star.
Vee's 1961 summer release "Take Good Care of My Baby" went to number one on the Billboard U.S. listings and number three in the UK Singles Chart. Known primarily as a performer of Brill Building pop material, he went on to record a string of international hits in the 1960s, including "Devil or Angel" (U.S. number six), "Rubber Ball" (1961, U.S. number six, Australia number one), "More Than I Can Say" (1961, U.K. number four), "Run to Him" (1961, U.S. number two), "The Night Has a Thousand Eyes" (1963, U.S. number three), and "Come Back When You Grow Up" (U.S. number three). When Vee recorded "Come Back When You Grow Up" in 1967, he was joined by a band called the Strangers. He also recorded, in 1961, a version of the song "Lollipop", originally by Ronald & Ruby, which also became a success.
Vee was also a pioneer in the music video genre, appearing in several musical films, as well as in the Scopitone series of early film-and-music jukebox recordings.
He received the North Dakota Roughrider Award in 1999.
He is mentioned in the film No Direction Home regarding his brief musical association with Bob Dylan and Dylan's suggestion that he was "Bobby Vee" after Vee's regional hit.
The Very Best of Bobby Vee, released by EMI/UK on May 12, 2008, charted in the UK top five. On January 17, 2011, EMI/UK released Rarities, a double-CD package with 61 tracks, many of which were previously unreleased. Others included were alternate takes and first-time stereo releases as well as tracks from the album Bobby Vee Live on Tour minus the "canned" audience.
On March 28, 2011, he became the 235th inductee into the Rockabilly Hall of Fame. In 2014 he was inducted into the Scandinavian-American Hall of Fame.
Vee's career began amid tragedy. On February 3, 1959, "The Day the Music Died", three of the four headline acts in the lineup of the traveling Winter Dance Party—Buddy Holly, Ritchie Valens, and the Big Bopper—were killed, along with the 21-year-old pilot, Roger Peterson, in the crash of a V-tailed 1947 Beechcraft Bonanza airplane (Dion, the second headliner, opted not to travel on the plane). It crashed near Clear Lake, Iowa, en route to the next show on the tour itinerary in Moorhead, Minnesota. Velline, then aged 15, and a hastily assembled band of Fargo schoolboys calling themselves the Shadows volunteered for and were given the unenviable job of filling in for Holly and his band at the Moorhead engagement. Their performance there was a success, setting in motion a chain of events that led to Vee's career as a popular singer.
In 1963, Vee released a tribute album on Liberty Records called I Remember Buddy Holly. In the liner notes, Vee recalled Holly's influence on him and the events surrounding Holly's death:
Like so many other people, I became a Buddy Holly fan the very first time I heard him sing. I've been a fan ever since and I guess I always will be. I remember a few years ago when Buddy was scheduled to appear at a dance in my home town of Fargo, North Dakota. It was going to be a big event for the whole town, but even more so for me. I was anxiously looking forward to seeing Buddy in action.
The day he was to arrive disaster struck, taking Buddy's life, along with the lives of two other fine singers, Ritchie Valens and the Big Bopper. The shocking news spread through Fargo very quickly. The local radio station broadcast a plea for local talent to entertain at the scheduled dance. About a week before this, I had just organized a vocal and instrumental group of five guys. Our style was modelled after Buddy's approach and we had been rehearsing with Buddy's hits in mind. When we heard the radio plea for talent, we went in and volunteered. We hadn't even named the group up to that time, so we gave ourselves a name on the spot, calling ourselves The Shadows. We appeared at the dance and were grateful to be enthusiastically accepted. Soon afterwards, I made my first record. It was called "Suzie Baby" and I was pretty lucky with it; it was a fair-sized hit.
For some time now, I have wanted to make an album in tribute to Buddy, but I wasn't sure it was the proper thing to do. However, during the past year, I have received many requests to do such an album. These requests came not only from my fans and from DJs, but also from Buddy's loyal following---still a large group of devoted fans. It.... gave me the confidence to do the album. From "Suzie Baby" to this present album, I have made many records, but I have never forgotten Buddy Holly and his influence on my singing style and my career.
Vee went on to become a bona fide star and regularly performed at the Winter Dance Party memorial concerts in Clear Lake. His sons are all musicians and have performed with him there.
Early in Vee's career, a musician named Elston Gunnn [sic] briefly toured with the band. "Gunnn", whose birth name was Robert Allen Zimmerman, later went on to fame as Bob Dylan.
Dylan's autobiography, Chronicles, Volume One, mentions Vee and provides complimentary details about their friendship, both professional and personal.
In a concert at Midway Stadium in St. Paul, Minnesota, on July 10, 2013, Dylan said he had been on the stage with many stars, but that none of them were as meaningful as Vee. He said Vee was in the audience and then played Vee's hit "Suzie Baby" with emotion. Dylan said (in an audio recording of the concert),
Thank you everyone, thank you friends. I left here a while back, and since that time, I've played all over the world, with all kinds of people. And everybody from Mick Jagger to Madonna. And everybody in there in between. I've been on the stage with most of those people. But the most meaningful person I've ever been on the stage with, was a man who is here tonight, who used to sing a song called "Suzie Baby". I want to say that Bobby Vee is actually here tonight. Maybe you can show your appreciation with just a round of applause. So, we're gonna try to do this song, like I've done it with him before once or twice.
Vee and Karen Bergen were engaged July 1, 1963, and married December 28, 1963. They had four children: Jeffery Robert Velline (b. Jan 3, 1965), Thomas Paul Velline (b. October 25, 1966), Robert Bryon Velline (b. August 4, 1967), and Jennifer Joanne Velline (b. May 31, 1972). Karen died of kidney failure on August 3, 2015.
On April 29, 2012, Vee announced on his website that a year prior he had been diagnosed with an early stage of Alzheimer's disease and consequently would withdraw from the music business.
On October 24, 2016, Vee died in Rogers, Minnesota, from complications of early onset Alzheimer's disease.
According to Billboard magazine, he had 38 American Hot 100 chart hits, 10 of which hit the Top 20.
Vee was born in Fargo, North Dakota, to Sydney Ronald Velline and Saima Cecilia Tapanila. His first single, "Suzie Baby," was written by Vee with a nod to Buddy Holly's "Peggy Sue" and recorded for the Minneapolis-based Soma Records in 1959; it drew enough attention and chart action to be purchased by Liberty Records, who signed him later that year. His followup single, a cover of Adam Faith's UK number-one "What Do You Want?", charted in the lower reaches of the Billboard pop chart in early 1960. His fourth release, a revival of the Clovers' doo-wop ballad "Devil or Angel", brought him into the big time with U.S. buyers. His next single, "Rubber Ball", made him an international star.
Vee's 1961 summer release "Take Good Care of My Baby" went to number one on the Billboard U.S. listings and number three in the UK Singles Chart. Known primarily as a performer of Brill Building pop material, he went on to record a string of international hits in the 1960s, including "Devil or Angel" (U.S. number six), "Rubber Ball" (1961, U.S. number six, Australia number one), "More Than I Can Say" (1961, U.K. number four), "Run to Him" (1961, U.S. number two), "The Night Has a Thousand Eyes" (1963, U.S. number three), and "Come Back When You Grow Up" (U.S. number three). When Vee recorded "Come Back When You Grow Up" in 1967, he was joined by a band called the Strangers. He also recorded, in 1961, a version of the song "Lollipop", originally by Ronald & Ruby, which also became a success.
Vee was also a pioneer in the music video genre, appearing in several musical films, as well as in the Scopitone series of early film-and-music jukebox recordings.
He received the North Dakota Roughrider Award in 1999.
He is mentioned in the film No Direction Home regarding his brief musical association with Bob Dylan and Dylan's suggestion that he was "Bobby Vee" after Vee's regional hit.
The Very Best of Bobby Vee, released by EMI/UK on May 12, 2008, charted in the UK top five. On January 17, 2011, EMI/UK released Rarities, a double-CD package with 61 tracks, many of which were previously unreleased. Others included were alternate takes and first-time stereo releases as well as tracks from the album Bobby Vee Live on Tour minus the "canned" audience.
On March 28, 2011, he became the 235th inductee into the Rockabilly Hall of Fame. In 2014 he was inducted into the Scandinavian-American Hall of Fame.
Vee's career began amid tragedy. On February 3, 1959, "The Day the Music Died", three of the four headline acts in the lineup of the traveling Winter Dance Party—Buddy Holly, Ritchie Valens, and the Big Bopper—were killed, along with the 21-year-old pilot, Roger Peterson, in the crash of a V-tailed 1947 Beechcraft Bonanza airplane (Dion, the second headliner, opted not to travel on the plane). It crashed near Clear Lake, Iowa, en route to the next show on the tour itinerary in Moorhead, Minnesota. Velline, then aged 15, and a hastily assembled band of Fargo schoolboys calling themselves the Shadows volunteered for and were given the unenviable job of filling in for Holly and his band at the Moorhead engagement. Their performance there was a success, setting in motion a chain of events that led to Vee's career as a popular singer.
In 1963, Vee released a tribute album on Liberty Records called I Remember Buddy Holly. In the liner notes, Vee recalled Holly's influence on him and the events surrounding Holly's death:
Like so many other people, I became a Buddy Holly fan the very first time I heard him sing. I've been a fan ever since and I guess I always will be. I remember a few years ago when Buddy was scheduled to appear at a dance in my home town of Fargo, North Dakota. It was going to be a big event for the whole town, but even more so for me. I was anxiously looking forward to seeing Buddy in action.
The day he was to arrive disaster struck, taking Buddy's life, along with the lives of two other fine singers, Ritchie Valens and the Big Bopper. The shocking news spread through Fargo very quickly. The local radio station broadcast a plea for local talent to entertain at the scheduled dance. About a week before this, I had just organized a vocal and instrumental group of five guys. Our style was modelled after Buddy's approach and we had been rehearsing with Buddy's hits in mind. When we heard the radio plea for talent, we went in and volunteered. We hadn't even named the group up to that time, so we gave ourselves a name on the spot, calling ourselves The Shadows. We appeared at the dance and were grateful to be enthusiastically accepted. Soon afterwards, I made my first record. It was called "Suzie Baby" and I was pretty lucky with it; it was a fair-sized hit.
For some time now, I have wanted to make an album in tribute to Buddy, but I wasn't sure it was the proper thing to do. However, during the past year, I have received many requests to do such an album. These requests came not only from my fans and from DJs, but also from Buddy's loyal following---still a large group of devoted fans. It.... gave me the confidence to do the album. From "Suzie Baby" to this present album, I have made many records, but I have never forgotten Buddy Holly and his influence on my singing style and my career.
Vee went on to become a bona fide star and regularly performed at the Winter Dance Party memorial concerts in Clear Lake. His sons are all musicians and have performed with him there.
Early in Vee's career, a musician named Elston Gunnn [sic] briefly toured with the band. "Gunnn", whose birth name was Robert Allen Zimmerman, later went on to fame as Bob Dylan.
Dylan's autobiography, Chronicles, Volume One, mentions Vee and provides complimentary details about their friendship, both professional and personal.
In a concert at Midway Stadium in St. Paul, Minnesota, on July 10, 2013, Dylan said he had been on the stage with many stars, but that none of them were as meaningful as Vee. He said Vee was in the audience and then played Vee's hit "Suzie Baby" with emotion. Dylan said (in an audio recording of the concert),
Thank you everyone, thank you friends. I left here a while back, and since that time, I've played all over the world, with all kinds of people. And everybody from Mick Jagger to Madonna. And everybody in there in between. I've been on the stage with most of those people. But the most meaningful person I've ever been on the stage with, was a man who is here tonight, who used to sing a song called "Suzie Baby". I want to say that Bobby Vee is actually here tonight. Maybe you can show your appreciation with just a round of applause. So, we're gonna try to do this song, like I've done it with him before once or twice.
Vee and Karen Bergen were engaged July 1, 1963, and married December 28, 1963. They had four children: Jeffery Robert Velline (b. Jan 3, 1965), Thomas Paul Velline (b. October 25, 1966), Robert Bryon Velline (b. August 4, 1967), and Jennifer Joanne Velline (b. May 31, 1972). Karen died of kidney failure on August 3, 2015.
On April 29, 2012, Vee announced on his website that a year prior he had been diagnosed with an early stage of Alzheimer's disease and consequently would withdraw from the music business.
On October 24, 2016, Vee died in Rogers, Minnesota, from complications of early onset Alzheimer's disease.
The Girl Can
Bobby Vee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She can't help it, the girl can't help it
She can't help it, the girl can't help it
If she walks by and the menfolks get engrossed
She can't help it, the girl can't help it
If she winks an eye and bread slices turn to toast
She can't help it, the girl can't help it
If she's got a lot of what they call the most
She can't help it, the girl can't help it
The girl can't help It if she was born to please
She can't help it, the girl can't help it
And if she's got a figure made to squeeze
She can't help it, the girl can't help it
Won't you kindly be aware
The girl can't help it, the girl can't help it!
If she mesmerizes ev'ry mother's son
She can't help it, the girl can't help it
If she smiles and rare steaks become well done
She can't help it, the girl can't help it
If she makes grandpa feel like twenty one
She can't help it, the girl can't help it
The Girl can't help it if she was born to please
She can't help it, the girl can't help it
And if I go to her on bended knees
She can't help it, the girl can't help it
Won't you kindly be aware, that I can't help it, I can't help it
Because I'm hopin' obviously
That someday the answer will be
The girl can't help it if she's in love with me!
She can't help it, the girl can't help it
If she walks by and the menfolks get engrossed
She can't help it, the girl can't help it
If she winks an eye and bread slices turn to toast
She can't help it, the girl can't help it
If she's got a lot of what they call the most
She can't help it, the girl can't help it
The girl can't help It if she was born to please
She can't help it, the girl can't help it
And if she's got a figure made to squeeze
She can't help it, the girl can't help it
I'm hopin' obviously
That someday the answer will be
The girl can't help it if she's in love with me!
She can't help it, the girl can't help it
She can't help it, the girl can't help it
If she walks by and the menfolks get engrossed
She can't help it, the girl can't help it
If she winks an eye and bread slices turn to toast
She can't help it, the girl can't help it
If she's got a lot of what they call the most
The girl can't help It if she was born to please
She can't help it, the girl can't help it
And if she's got a figure made to squeeze
She can't help it, the girl can't help it
Won't you kindly be aware
The girl can't help it, the girl can't help it!
If she mesmerizes ev'ry mother's son
She can't help it, the girl can't help it
If she smiles and rare steaks become well done
She can't help it, the girl can't help it
If she makes grandpa feel like twenty one
She can't help it, the girl can't help it
The Girl can't help it if she was born to please
She can't help it, the girl can't help it
And if I go to her on bended knees
She can't help it, the girl can't help it
Won't you kindly be aware, that I can't help it, I can't help it
Because I'm hopin' obviously
That someday the answer will be
The girl can't help it if she's in love with me!
She can't help it, the girl can't help it
If she walks by and the menfolks get engrossed
She can't help it, the girl can't help it
If she winks an eye and bread slices turn to toast
She can't help it, the girl can't help it
If she's got a lot of what they call the most
She can't help it, the girl can't help it
The girl can't help It if she was born to please
She can't help it, the girl can't help it
And if she's got a figure made to squeeze
She can't help it, the girl can't help it
I'm hopin' obviously
That someday the answer will be
The girl can't help it if she's in love with me!
She can't help it, the girl can't help it
The song "The Girl Can't Help It" by Bobby Vee is a catchy, upbeat tune that explores the irresistible charm of a woman who seems to effortlessly captivate those around her. The opening lyrics set the tone for the rest of the song, as the repetition of "she can't help it" emphasizes the idea that the woman's appeal is natural and undeniable. The song describes how the men around her cannot help but be engrossed by her presence - her winks turn bread into toast, her smile cooks steaks to perfection, and even grandpas feel young again in her presence. The refrain "The girl can't help it if she was born to please" underscores the idea that this woman's appeal is not something she can control - it's simply part of who she is.
The song also explores the idea of the singer's own infatuation with this woman. While he acknowledges that he "can't help it" when it comes to being attracted to her, he also seems to hope that she might someday return his affections. The final lines of the song express this sentiment clearly: "I'm hoping obviously / that someday the answer will be / the girl can't help it if she's in love with me!"
Overall, "The Girl Can't Help It" is a fun and lighthearted exploration of the power of attraction and the way it can be both thrilling and frustrating at the same time.
Line by Line Meaning
She can't help it, the girl can't help it
The girl cannot control her natural charms
If she walks by and the menfolks get engrossed
The girl's mere presence mesmerizes men
If she winks an eye and bread slices turn to toast
Even her slightest gesture has transformative effects
If she's got a lot of what they call the most
She possesses an abundance of irresistible qualities
The girl can't help It if she was born to please
Her innate purpose is to bring joy to others
And if she's got a figure made to squeeze
Her physique elicits desire in others
Won't you kindly be aware
Be mindful of how she affects you
If she mesmerizes ev'ry mother's son
Her influence extends to all men, young and old
If she smiles and rare steaks become well done
Her smile is powerful enough to transform things beyond belief
If she makes grandpa feel like twenty one
Even the elderly cannot resist her allure
Because I'm hopin' obviously
The singer has a desire for the girl's love
That someday the answer will be
Hopeful that one day the girl will feel the same way
The girl can't help it if she's in love with me!
Comes to terms with the possibility of mutual love
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: BOBBY TROUP
Lyrics Licensed & Provided by LyricFind
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Mithras Enkidu
I love this song! Thanks for sharing. :)
VeeFan1964
Not one of my faves, but still a nice arrangement.
Don't knock the rock
The stereo mix weakens the overall sound. The mono mix sounds more powerful. This sounds like early garage rock.