Bonnie Raitt, (born November 8, 1949) is an American blues and R&B singer, … Read Full Bio ↴Bonnie Raitt, (born November 8, 1949) is an American blues and R&B singer, songwriter, and guitarist who was born in Burbank, California, the daughter of Broadway musical star John Raitt.
Raitt began playing guitar at an early age, something not a lot of her high school girlfriends did. "I had played a little at school and at camp," she later recalled in a July 2002 interview. "My parents would drag me out to perform for my family, like all parents do, but it was a hobby—nothing more...I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living. I grew up...in a Quaker family, and for me being Quaker was a political calling rather than a religious one."
In 1967 Raitt continued her pursuit in that path when she entered Harvard's Radcliffe College as a freshman, majoring in African Studies. "My plan was to travel to Tanzania, where President Julius Nyerere was creating a government based on democracy and socialism," Raitt recalled. "I wanted to help undo the damage that Western colonialism had done to native cultures around the world. Cambridge was a hotbed of this kind of thinking, and I was thrilled."
One day, Raitt was notified by a friend that blues promoter Dick Waterman was giving an interview at WHRB, Harvard's college radio station. An important figure in the blues revival of the 1960s, Waterman was also a resident of Cambridge. Raitt went to see Waterman, and the two soon became friends, "much to the chagrin of my parents, who didn't expect their freshman daughter to be running around with 65-year-old bluesmen," recalled Raitt. "I was amazed by his passion for the music and the integrity with which he managed the musicians."
During Raitt's sophomore year, Waterman relocated to Philadelphia, and a number of local musicians he counted among his friends went with him. Raitt had become a strong part of that community, recalling that "these people had become my friends, my mentors, and though I had every intention of graduating, I decided to take the semester off and move to Philadelphia...It was an opportunity that young white girls just don't get, and as it turns out, an opportunity that changed everything."
Raitt eventually went back to school, but her time performing in Philadelphia had encouraged her to pursue music as a career. When Waterman contacted her and invited her to tour with The Rolling Stones, she made a second trip to the admissions office at Radcliffe and told them, "I'm going to take a leave of absence, but this is only going to last a year." As Raitt would later recall, "Imagine being 20 in 1970—wouldn't you have gone on tour with the Rolling Stones?"
By now, Raitt was also playing both folk as well as rhythm and blues clubs in the Boston area, performing alongside established blues legends like Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell, all of whom she met through Waterman. In the fall of 1970, while opening for Fred McDowell at the Gaslight Cafe in New York, a reporter from Newsweek Magazine saw her and began to spread word of her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer with Warner Bros. who soon released her eponymously titled debut in 1971. The album was warmly received by the music press, many of which praised her skills as an interpreter and as a bottleneck guitarist; at the time, very few women in popular music had strong reputations as guitarists.
While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal acclaim, and though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales.
Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone Magazine, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate.
In 1976, Raitt made a notable appearance on Warren Zevon's self-titled album with Warren Zevon's friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.
1977's Sweet Forgiveness gave Raitt her first commercial breakthrough when it yielded a hit single in her cover of Del Shannon's "Runaway." Recast as a heavy r&b recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics, but its commercial success prompted a bidding war between Warner Bros. and Columbia Records. "There was this big Columbia – Warner war going on at the time," recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warners signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia — no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."
Warner Bros. held higher expectations for Raitt's next album, 1979's The Glow, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden. The shows spawned a three-record gold album as well as a Warner Bros. feature film, No Nukes. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, The Doobie Brothers, James Taylor, Gil Scott-Heron, and numerous others.
For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records, but to her surprise, many of her peers and members of the press would compare her new sound to the burgeoning New Wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Bros.
In 1983, as Raitt was finishing work on her follow-up album, titled Tongue & Groove, Warner Bros. cleaned house, dropping a number of major artists from their roster. Van Morrison and Arlo Guthrie were two of the most high-profile cases, and the day after mastering was completed on Tongue & Groove, Raitt was notified that she was to be dropped too. The album was shelved indefinitely, and Raitt was left without a label. By now, Raitt was also struggling with alcohol and drug abuse.
Despite her personal and professional problems, Raitt continued to tour and participate in political activism. In 1985, she sang and appeared in the video of "Sun City," the anti-apartheid record written a produced by Steven Van Zandt. Along with her participation in Farm Aid and Amnesty International concerts, Raitt would later travel to Moscow in 1987 as part of the first joint Soviet/American Peace Concert later shown on Showtime television. Also in 1987, Raitt would organize a benefit in Los Angeles, for Countdown '87 to Stop Contra Aid, featuring herself, Don Henley, Herbie Hancock, Holly Near and others.
Two years after dropping her from their label, Warner Bros. notified Raitt of their plans to release Tongue & Groove. "I said it wasn't really fair," recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there touring on my savings to keep my name up, and my ablility to draw was less and less. So they agreed to let me go in and recut half of it, and that's when it came out as Nine Lives." A critical and commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Bros.
In late 1987 she joined k.d. lang and Jennifer Warnes as female background vocals for Roy Orbison's television special, Roy Orbison and Friends, A Black and White Night. By now, Raitt was clean and sober, having broken her substance abuse — for which she would credit Stevie Ray Vaughan in a Minnesota State Fair concert[1] the night after Vaughan's 1990 death. Following this highly acclaimed broadcast, she began working on new material. During this time, Raitt considered signing with Prince's own label, Paisley Park, but negotiations would ultimately fall through. Instead she began recording a bluesy mix of pop and rock under the production guidance of Don Was at Capitol Records.
Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary arrangement created by Was for "Baby Mine," the lullaby from Dumbo. Raitt was very pleased with the sessions, and she asked Don to produce her next album.
After more than twenty years of singing and recording popular music, Bonnie Raitt achieved immense success with her 10th album. Released in 1989, Nick of Time went to the top of the U.S. charts and won three Grammy Awards. At the same time, she walked away with a fourth Grammy Award for her duet "In the Mood" with John Lee Hooker on his album "The Healer".
She followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw, then, in 1994 she added two more Grammy's with her album Longing in Their Hearts. Both of these albums were multiplatinum successes. Raitt's collaboration with Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews, it sold well enough to be certified gold.
For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to give myself and my fans a stretch and do something different," Raitt said. Her work with Froom and Blake was released on Fundamental in 1998.
In March of 2000, Raitt was inducted into the Rock and Roll Hall of Fame.
Silver Lining was released in 2002 while Souls Alike was released in September of 2005.
Raitt began playing guitar at an early age, something not a lot of her high school girlfriends did. "I had played a little at school and at camp," she later recalled in a July 2002 interview. "My parents would drag me out to perform for my family, like all parents do, but it was a hobby—nothing more...I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living. I grew up...in a Quaker family, and for me being Quaker was a political calling rather than a religious one."
In 1967 Raitt continued her pursuit in that path when she entered Harvard's Radcliffe College as a freshman, majoring in African Studies. "My plan was to travel to Tanzania, where President Julius Nyerere was creating a government based on democracy and socialism," Raitt recalled. "I wanted to help undo the damage that Western colonialism had done to native cultures around the world. Cambridge was a hotbed of this kind of thinking, and I was thrilled."
One day, Raitt was notified by a friend that blues promoter Dick Waterman was giving an interview at WHRB, Harvard's college radio station. An important figure in the blues revival of the 1960s, Waterman was also a resident of Cambridge. Raitt went to see Waterman, and the two soon became friends, "much to the chagrin of my parents, who didn't expect their freshman daughter to be running around with 65-year-old bluesmen," recalled Raitt. "I was amazed by his passion for the music and the integrity with which he managed the musicians."
During Raitt's sophomore year, Waterman relocated to Philadelphia, and a number of local musicians he counted among his friends went with him. Raitt had become a strong part of that community, recalling that "these people had become my friends, my mentors, and though I had every intention of graduating, I decided to take the semester off and move to Philadelphia...It was an opportunity that young white girls just don't get, and as it turns out, an opportunity that changed everything."
Raitt eventually went back to school, but her time performing in Philadelphia had encouraged her to pursue music as a career. When Waterman contacted her and invited her to tour with The Rolling Stones, she made a second trip to the admissions office at Radcliffe and told them, "I'm going to take a leave of absence, but this is only going to last a year." As Raitt would later recall, "Imagine being 20 in 1970—wouldn't you have gone on tour with the Rolling Stones?"
By now, Raitt was also playing both folk as well as rhythm and blues clubs in the Boston area, performing alongside established blues legends like Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell, all of whom she met through Waterman. In the fall of 1970, while opening for Fred McDowell at the Gaslight Cafe in New York, a reporter from Newsweek Magazine saw her and began to spread word of her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer with Warner Bros. who soon released her eponymously titled debut in 1971. The album was warmly received by the music press, many of which praised her skills as an interpreter and as a bottleneck guitarist; at the time, very few women in popular music had strong reputations as guitarists.
While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal acclaim, and though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales.
Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone Magazine, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate.
In 1976, Raitt made a notable appearance on Warren Zevon's self-titled album with Warren Zevon's friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.
1977's Sweet Forgiveness gave Raitt her first commercial breakthrough when it yielded a hit single in her cover of Del Shannon's "Runaway." Recast as a heavy r&b recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics, but its commercial success prompted a bidding war between Warner Bros. and Columbia Records. "There was this big Columbia – Warner war going on at the time," recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warners signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia — no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."
Warner Bros. held higher expectations for Raitt's next album, 1979's The Glow, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden. The shows spawned a three-record gold album as well as a Warner Bros. feature film, No Nukes. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, The Doobie Brothers, James Taylor, Gil Scott-Heron, and numerous others.
For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records, but to her surprise, many of her peers and members of the press would compare her new sound to the burgeoning New Wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Bros.
In 1983, as Raitt was finishing work on her follow-up album, titled Tongue & Groove, Warner Bros. cleaned house, dropping a number of major artists from their roster. Van Morrison and Arlo Guthrie were two of the most high-profile cases, and the day after mastering was completed on Tongue & Groove, Raitt was notified that she was to be dropped too. The album was shelved indefinitely, and Raitt was left without a label. By now, Raitt was also struggling with alcohol and drug abuse.
Despite her personal and professional problems, Raitt continued to tour and participate in political activism. In 1985, she sang and appeared in the video of "Sun City," the anti-apartheid record written a produced by Steven Van Zandt. Along with her participation in Farm Aid and Amnesty International concerts, Raitt would later travel to Moscow in 1987 as part of the first joint Soviet/American Peace Concert later shown on Showtime television. Also in 1987, Raitt would organize a benefit in Los Angeles, for Countdown '87 to Stop Contra Aid, featuring herself, Don Henley, Herbie Hancock, Holly Near and others.
Two years after dropping her from their label, Warner Bros. notified Raitt of their plans to release Tongue & Groove. "I said it wasn't really fair," recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there touring on my savings to keep my name up, and my ablility to draw was less and less. So they agreed to let me go in and recut half of it, and that's when it came out as Nine Lives." A critical and commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Bros.
In late 1987 she joined k.d. lang and Jennifer Warnes as female background vocals for Roy Orbison's television special, Roy Orbison and Friends, A Black and White Night. By now, Raitt was clean and sober, having broken her substance abuse — for which she would credit Stevie Ray Vaughan in a Minnesota State Fair concert[1] the night after Vaughan's 1990 death. Following this highly acclaimed broadcast, she began working on new material. During this time, Raitt considered signing with Prince's own label, Paisley Park, but negotiations would ultimately fall through. Instead she began recording a bluesy mix of pop and rock under the production guidance of Don Was at Capitol Records.
Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary arrangement created by Was for "Baby Mine," the lullaby from Dumbo. Raitt was very pleased with the sessions, and she asked Don to produce her next album.
After more than twenty years of singing and recording popular music, Bonnie Raitt achieved immense success with her 10th album. Released in 1989, Nick of Time went to the top of the U.S. charts and won three Grammy Awards. At the same time, she walked away with a fourth Grammy Award for her duet "In the Mood" with John Lee Hooker on his album "The Healer".
She followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw, then, in 1994 she added two more Grammy's with her album Longing in Their Hearts. Both of these albums were multiplatinum successes. Raitt's collaboration with Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews, it sold well enough to be certified gold.
For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to give myself and my fans a stretch and do something different," Raitt said. Her work with Froom and Blake was released on Fundamental in 1998.
In March of 2000, Raitt was inducted into the Rock and Roll Hall of Fame.
Silver Lining was released in 2002 while Souls Alike was released in September of 2005.
Digital Booklet: Bonnie Raitt And Friends
Bonnie Raitt Lyrics
We have lyrics for these tracks by Bonnie Raitt:
06 I Can't Make You Love Me Turn down the lights Turn down the bed Turn down these…
A Stór Mo Chroí A Stor Mo Chroi, when you're far away From the house…
About to Make Me Leave Home I never thought that a love could be so strong It…
Ain't Gonna Let You Go Love came and hit me Straight on the lips The longer we're…
Ain't Nobody Home Once upon a time, a long long time ago Wherever you…
All Alone with Something to Say Like a heartbeat, timing is everything I took a look at…
All At Once Had a fight with my daughter She flew off in a…
Angel I am an old woman Named after my mother An old man…
Ängel I've had my dreams And they're all about you What will I…
Any Day Woman If you don't love her, you'd better let her go You'll…
Baby Come Back Come back, baby, come back Come back, baby, come back This …
Baby I Love You I don't know what's wrong with me I've been foolish as…
Back Around Turning into something Drifting off to old ways Got to…
Been In Love Too Long Girls, you've been in love too long (You're a fool…
Best Old Friend Fate is mighty cruel Where true love is concerned It seems y…
Big Road Well I ain't goin' down that big long lonesome road Pretty…
Blame it On Me Blame it on me Hold up my faults for all to…
Blue For No Reason When I was a girl, my favorite thing In the…
Bluebird Listen to my bluebird laugh She can't tell you why Deep with…
Bluebird [Remastered Version] Listen to my bluebird laugh, she can tell you why Deep…
Burning Down the House Watch out, you might get what you're after Cool baby, you'r…
Bye Bye Baby Well, you know you took my heart And you broke it…
Can Where were you when I was fallin' down Buzzin' round…
Can't Find My Way Home LISTEN OTHER RECORDINGS PEOPLE ALSO SEARCH FOR 1 of 5 Can′t …
Can't Get Enough Come on so tough When you think you got a right Make…
Can't Make You Love Me Turn down the lights Turn down the bed Turn down these voice…
Change Sleepless nights aren't so bad I'm staying up, I'm staying s…
Circle Dance I don't' know why it should be so hard Givin' up…
Come To Me All I ever wanted Was a love to be true More than…
Cool Clear Water I want to feel my earth turn over, baby In this…
Crime of Passion My body is the only place Where we meet anymore Thought that…
Crooked Crown I could say what I mean (or I could dance around…
Cry Like a Rainstorm Life isn't easy Love never lasts You just carry on And keep …
Cry On My Shoulder I know it's hard sometimes And things seem larger than they…
Cure For Love You bring me roses You give me kisses You bring…
Danger Heartbreak Ahead When you give more than you get, you're in danger…
Darlin' Darlin', I'm feeling pretty lonesome I'd call you on the ph…
Deep Water There are angels singing low inside my head Cool tango blue…
Dimming Of The Day This old house is falling down around my ears I'm drowning…
Don't Fight It Well, I've been gone for so long, feels so good…
Down The Hall I had the flu in the prison infirmary My last day,…
Down To You Come around cryin' that you just can't win You thought this…
Everybody's Cryin' Mercy I don't believe the things I'm seein' I've been wonderin' '…
Everybody's Crying Mercy I don't believe the things I'm seein' I've been wonderin' 'b…
Everything That Touches You You say you're all alone With visions all your own The thing…
Excited I met you on a Monday But Tuesday you stole my…
Fearless Love Come my love Come bravely to me Let your heart…
Feeling Of Falling Sometimes I miss that feelin' of fallin' Fallin' on over the…
Feels Like Home Something in your eyes, makes me want to lose myself, Makes…
Finest Lovin' Man The man I'm lovin' don't worry 'bout me runnin' around You…
Fool Yourself Lookout boy your bound to change You can't ever stay the…
Fool's Game Bad mistake, crying shame Get on playing that damn fool's g…
Fundamental Good Man Good Woman Hey, Hey, Hey, Hey, Hey Midnight, I'm wound up tight Slowly …
Gamblin' Man Their eyes are down and the track looks slow It don't…
Give It Up or Let Me Go Well, I told you pretty baby, such a long time…
Gnawin On It I'm down here workin' at my job But I just can't…
God Only Knows Darkness settles on the ground Leaves the day stumbling blin…
God Was In The Water God was in the water that day Pickin' through the roots…
Good Enough The first time I brought you home My mama said he…
Good Man Good Woman Hey, Hey, Hey, Hey, Hey Midnight, I'm wound up tight Slowly …
Got You on My Mind By Joe Thomas & Howard Biggs This is Eric Clapton's version …
Green Lights Any old time You got your tuned in Baby by your side And…
Guilty Yeah baby, I've been drinking, And I shouldn't come by I…
Gypsy In Me Well, that highway moon is calling like some lover from…
Have A Heart Hey! Shut up Don't lie to me You think I'm blind but I…
have_a_heart Hey! Shut up Don't lie to me You think I'm blind but I…
Hear Me Lord Hear me Lord Hear me I pray Help me now, help me…
Hell To Pay Hey Mister, we want you to know We think, you've taken…
Here Comes Love Whoa, oh Yeah, yeah, yeah, baby Mmm-mmm Well, in the beginn…
Home I never thought that a love could be so strong It…
I I don't know what's wrong with me I've been foolish as…
I Ain't Blue There ain't no use in me trying to tell you…
I Believe I'm in Love With You I don't know what's wrong with me I've been foolish as…
I Believe I'm in Love With You (feat. Kim Wilson) I believe I'm in love with you - kim wilson…
I Can Where were you when I was fallin' down Buzzin' round…
I Can't Help You Now Where were you when I was fallin' down Buzzin' round…
I Can't Make You Love Me Turn down the lights Turn down the bed Turn down these voice…
I Can't Make You Love Me (edit) Turn down the lights, turn down the bed Turn down these…
I Cant Make You Love Me Turn down the lights Turn down the bed Turn down these voice…
I Can`t Help You Now Where were you when I was fallin' down Buzzin' round…
I Can’t Make You Love Me Turn down the lights Turn down the bed Turn down these voice…
I Don't Want Anything To Change Sleepless nights aren't so bad I'm staying up, I'm staying s…
I Feel the Same Say goodbye, Well I know it's true. I know you're leaving me…
I Gave My Love a Candle Bonnie Raitt I gave my love a candle A promise at life And…
I Knew Time, time ain't never healed the wound Can't think of anyth…
I Know I know you don't love me no more No, no more,…
I Need Love I need love And I search it everyplace I go…
I Sho Do You took my love and ran away What did you expect…
I Thank You You didn't have to love me like you did But you…
I Thought I Was A Child It's such a clever innocence With which you do your sorcery …
I Will Not Be Broken A true love story Is hard to find Can't get no rest Got…
I'm Blowin Away I've been romanced and dined and danced Crazy nights and wil…
I'm In The Mood (w I'm in the mood I'm in the mood for love, yes,…
I'm On Your Side Baby, won't you come and tell me Tell me what…
If You Gotta Make A Fool Of Somebody If you got to make a fool of somebody If you…
If You Need Somebody I hate to see you bumming But boy, I saw it…
IM ON YOUR SIDE Baby, won't you come and tell me Tell me what…
Introduction Spoken Intro…
Just Like That I watched him circle 'round the block Finally stopped at min…
Keep This Heart in Mind I heard you say Life can't go on this way And you…
Kisses Sweeter Than Wine (performed by jackson browne and bonnie raitt on the pete…
Let Me In Well, I told you pretty baby, such a long time…
Let's Keep It Between Us Let's keep it between us These people meddling in our affair…
Life Without You There is an aching in my head From the bed I…
Livin' for the Ones I can barely raise my head off the pillow Some days,…
Longing In Their Hearts Let me tell you 'bout a friend of mine He's a…
Louise Well they all said Louise was not half bad It was…
Love Has No Pride I've had bad dreams too many times, To think that they…
Love Letter Sittin' in front of your house Like rain in early dawn Worki…
Love Me Like A Man The men that I've been seeing, baby Got their soul up…
Love On One Condition I might forgive, but I won't forget Believe me, baby You swe…
Love Sneakin Up On You All right, let's give it to 'em! Rainy night and I'm…
Love Sneakin Up On You All right, let's give it to 'em! Rainy night and I'm…
Love Sneakin' Up On You All right, let's give it to 'em! Rainy night and I'm…
Love So Strong Every day, you say That you wish that I could go…
Lover's Will Who'll take the only hearts they got And throw them…
Love_Sneakin_Up_On_You All right, let's give it to 'em! Rainy night and I'm…
Luck Of The Draw You dust the bottles on the bar counter You're writing scree…
Made Up Mind It starts out slow With go ahead and go Pretty soon, the…
Make You Love Me Turn down the lights Turn down the bed Turn down these voice…
Marriage Made in Hollywood Jimmy's not a high concept guy But he's front page news,…
Matters Of The Heart Broken heart, bloodshot stare Signs of a fool who cared too…
Me and the Boys Just a bunch of guys getting in the car No matter…
Meet Me Half Way You come home late from work, baby You wonder why…
Merry Christmas Baby Merry Christmas baby, you sure did treat me nice Ooh, merry…
Mighty Tight Woman I come to you, sweet man And I'm, I'm fallin' on…
Mighty Tight Woman [Remastered Version] I come to you, sweet man and I'm, I'm fallin'…
Million Miles You took a part of me that I really miss I…
Monkey Business Someone's up to monkey business Someone just ain't acting r…
My First Night Alone Without You There is an aching in my head From the bed I…
My Opening Farewell A lady stands before an open window Looking so far away She…
Need You Tonight All you got is this moment The twenty-first century's yester…
Never Make Your Move Too Soon Three days of snow in a burnin' hell, Bet you're wonderin'…
Nick Of Time A friend of mine she cries at night And she calls…
No Business Yes, I'm lonely- hope you didn't catch it Don't want to…
No Gettin Over You One two, one two three Well, I went and gave away…
No Way to Treat a Lady You can please me You can sweet talk and lead me…
Nobody She don't need anybody to tell her she's pretty She's heard…
Nobody's Girl She don't need anybody to tell her she's pretty She's heard…
Nobody´s Girl She don't need anybody to tell her she's pretty She's heard…
Not Cause I Wanted To Well I'm calling you 'Cause you deserve to know You are not…
Not The Only One I was in a daze, movin' in the wrong direction Feelin'…
Not the Only One (edit) i was in a daze, movin in the wrong direction feelin…
Nothing Seems To Matter Seems like such a long time, since I held you…
One Belief Away Last night I thought I found you I saw it…
One Part Be My Lover When he looks into her eyes He sees only the truth Telling…
Papa Come Quick Papa come quick, Joy's gone to the city What we gonna…
Pleasin You remind me, you remind me That it's a trick to…
Pride and Joy You've heard about love givin' sight to the blind My baby's…
Rainy Day Man What good is that happy lie All you wanted from the…
Real Man Don't want no secret agent Don't need no long Cadillac Don't…
Right Down the Line You know that I need your love You've got that hold…
Right Place Wrong Time I been in the right place but it must have…
River Of Tears I guess you got me in a sentimental mood Never thought…
River Of Tears [Remastered version] I guess you got me in a sentimental mood Never thot…
Rock Steady You need a man that'll treat you like the woman…
and many more tracks by Bonnie Raitt.
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Thank you!!!!!!
@matteg490
This boring redundancy should never have been heard in English.
@maggiecoffey4352
Let me save 13 minutes of your life: He's wearing a wedding band from a male ex he was still seeing... You're welcome.😂
@r.joseph8911
Oh, THANK GOD. I was afraid he’d been sexually abusing his daughter. 😅 Thankfully, the kids are safe.
@cordon172
Thank you
@carollewis5072
Thanks lol now I can go and do something else , this guy know how to say the story and not get ever get to the end