Raitt began playing guitar at an early age, something not a lot of her high school girlfriends did. "I had played a little at school and at camp," she later recalled in a July 2002 interview. "My parents would drag me out to perform for my family, like all parents do, but it was a hobby—nothing more...I think people must wonder how a white girl like me became a blues guitarist. The truth is, I never intended to do this for a living. I grew up...in a Quaker family, and for me being Quaker was a political calling rather than a religious one."
In 1967 Raitt continued her pursuit in that path when she entered Harvard's Radcliffe College as a freshman, majoring in African Studies. "My plan was to travel to Tanzania, where President Julius Nyerere was creating a government based on democracy and socialism," Raitt recalled. "I wanted to help undo the damage that Western colonialism had done to native cultures around the world. Cambridge was a hotbed of this kind of thinking, and I was thrilled."
One day, Raitt was notified by a friend that blues promoter Dick Waterman was giving an interview at WHRB, Harvard's college radio station. An important figure in the blues revival of the 1960s, Waterman was also a resident of Cambridge. Raitt went to see Waterman, and the two soon became friends, "much to the chagrin of my parents, who didn't expect their freshman daughter to be running around with 65-year-old bluesmen," recalled Raitt. "I was amazed by his passion for the music and the integrity with which he managed the musicians."
During Raitt's sophomore year, Waterman relocated to Philadelphia, and a number of local musicians he counted among his friends went with him. Raitt had become a strong part of that community, recalling that "these people had become my friends, my mentors, and though I had every intention of graduating, I decided to take the semester off and move to Philadelphia...It was an opportunity that young white girls just don't get, and as it turns out, an opportunity that changed everything."
Raitt eventually went back to school, but her time performing in Philadelphia had encouraged her to pursue music as a career. When Waterman contacted her and invited her to tour with The Rolling Stones, she made a second trip to the admissions office at Radcliffe and told them, "I'm going to take a leave of absence, but this is only going to last a year." As Raitt would later recall, "Imagine being 20 in 1970—wouldn't you have gone on tour with the Rolling Stones?"
By now, Raitt was also playing both folk as well as rhythm and blues clubs in the Boston area, performing alongside established blues legends like Howlin' Wolf, Sippie Wallace, and Mississippi Fred McDowell, all of whom she met through Waterman. In the fall of 1970, while opening for Fred McDowell at the Gaslight Cafe in New York, a reporter from Newsweek Magazine saw her and began to spread word of her performance. Scouts from major record companies were soon attending her shows to watch her play. She eventually accepted an offer with Warner Bros. who soon released her eponymously titled debut in 1971. The album was warmly received by the music press, many of which praised her skills as an interpreter and as a bottleneck guitarist; at the time, very few women in popular music had strong reputations as guitarists.
While admired by those who saw her perform, and respected by her peers, Raitt gained little public acclaim for her work. Her critical stature continued to grow but record sales remained modest. Her second album, Give It Up, was released in 1972 to universal acclaim, and though many critics still regard it as her best work, it did not change her commercial fortunes. 1973's Takin' My Time was also met with critical acclaim, but these notices were not matched by the sales.
Raitt was beginning to receive greater press coverage, including a 1975 cover story for Rolling Stone Magazine, but with 1974's Streetlights, reviews for her work were becoming increasingly mixed. By now, Raitt was already experimenting with different producers and different styles, and she began to adopt a more mainstream sound that continued through 1975's Home Plate.
In 1976, Raitt made a notable appearance on Warren Zevon's self-titled album with Warren Zevon's friend Jackson Browne and Fleetwood Mac's Lindsey Buckingham and Stevie Nicks.
1977's Sweet Forgiveness gave Raitt her first commercial breakthrough when it yielded a hit single in her cover of Del Shannon's "Runaway." Recast as a heavy r&b recording based on a rhythmic groove inspired by Al Green, Raitt's version of "Runaway" was disparaged by many critics, but its commercial success prompted a bidding war between Warner Bros. and Columbia Records. "There was this big Columbia – Warner war going on at the time," recalled Raitt in a 1990 interview. "James Taylor had just left Warner Bros. and made a big album for Columbia...And then, Warners signed Paul Simon away from Columbia, and they didn't want me to have a hit record for Columbia — no matter what! So, I renegotiated my contract, and they basically matched Columbia's offer. Frankly the deal was a really big deal."
Warner Bros. held higher expectations for Raitt's next album, 1979's The Glow, but it was released to poor reviews as well as modest sales. Raitt would have one commercial success in 1979 when she helped organize the five MUSE (Musicians United for Safe Energy) concerts at Madison Square Garden. The shows spawned a three-record gold album as well as a Warner Bros. feature film, No Nukes. The shows featured co-founders Jackson Browne, Graham Nash, John Hall, and Raitt as well as Bruce Springsteen, Tom Petty and the Heartbreakers, The Doobie Brothers, James Taylor, Gil Scott-Heron, and numerous others.
For her next record, 1982's Green Light, Raitt made a conscious attempt to revisit the sound of her earlier records, but to her surprise, many of her peers and members of the press would compare her new sound to the burgeoning New Wave movement. The album received her strongest reviews in years, but her sales did not improve and this would have a severe impact on her relationship with Warner Bros.
In 1983, as Raitt was finishing work on her follow-up album, titled Tongue & Groove, Warner Bros. cleaned house, dropping a number of major artists from their roster. Van Morrison and Arlo Guthrie were two of the most high-profile cases, and the day after mastering was completed on Tongue & Groove, Raitt was notified that she was to be dropped too. The album was shelved indefinitely, and Raitt was left without a label. By now, Raitt was also struggling with alcohol and drug abuse.
Despite her personal and professional problems, Raitt continued to tour and participate in political activism. In 1985, she sang and appeared in the video of "Sun City," the anti-apartheid record written a produced by Steven Van Zandt. Along with her participation in Farm Aid and Amnesty International concerts, Raitt would later travel to Moscow in 1987 as part of the first joint Soviet/American Peace Concert later shown on Showtime television. Also in 1987, Raitt would organize a benefit in Los Angeles, for Countdown '87 to Stop Contra Aid, featuring herself, Don Henley, Herbie Hancock, Holly Near and others.
Two years after dropping her from their label, Warner Bros. notified Raitt of their plans to release Tongue & Groove. "I said it wasn't really fair," recalled Raitt. "I think at this point they felt kind of bad. I mean, I was out there touring on my savings to keep my name up, and my ablility to draw was less and less. So they agreed to let me go in and recut half of it, and that's when it came out as Nine Lives." A critical and commercial disappointment, 1986's Nine Lives would be Raitt's last new recording for Warner Bros.
In late 1987 she joined k.d. lang and Jennifer Warnes as female background vocals for Roy Orbison's television special, Roy Orbison and Friends, A Black and White Night. By now, Raitt was clean and sober, having broken her substance abuse — for which she would credit Stevie Ray Vaughan in a Minnesota State Fair concert[1] the night after Vaughan's 1990 death. Following this highly acclaimed broadcast, she began working on new material. During this time, Raitt considered signing with Prince's own label, Paisley Park, but negotiations would ultimately fall through. Instead she began recording a bluesy mix of pop and rock under the production guidance of Don Was at Capitol Records.
Raitt had met Was through Hal Wilner, who was putting together Stay Awake, a tribute album to Disney music for A&M. Was and Wilner both wanted Raitt to sing lead on an adult-contemporary arrangement created by Was for "Baby Mine," the lullaby from Dumbo. Raitt was very pleased with the sessions, and she asked Don to produce her next album.
After more than twenty years of singing and recording popular music, Bonnie Raitt achieved immense success with her 10th album. Released in 1989, Nick of Time went to the top of the U.S. charts and won three Grammy Awards. At the same time, she walked away with a fourth Grammy Award for her duet "In the Mood" with John Lee Hooker on his album "The Healer".
She followed up this success with three more Grammy Awards for her 1991 album, Luck of the Draw, then, in 1994 she added two more Grammy's with her album Longing in Their Hearts. Both of these albums were multiplatinum successes. Raitt's collaboration with Was would amicably come to an end with 1995's live release, Road Tested. Released to solid reviews, it sold well enough to be certified gold.
For her next studio album, Raitt hired Mitchell Froom and Tchad Blake as her producers. "I loved working with Don Was but I wanted to give myself and my fans a stretch and do something different," Raitt said. Her work with Froom and Blake was released on Fundamental in 1998.
In March of 2000, Raitt was inducted into the Rock and Roll Hall of Fame.
Silver Lining was released in 2002 while Souls Alike was released in September of 2005.
I Will Not Be Broken
Bonnie Raitt Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Is hard to find
Can't get no rest
Got no peace of mind
You say you gave
Your heart to me
You put me down
You set me free
You said you're deadly
Everybody said you was deadly
I guess you know he is because
Deadly
Comes in every shape and size
Deadly
Always takes you by surprise
There you was
The only one
Coming on me and ruining my fun
Leave me setting
At home all alone
Waitin' on your call by the telephone
You said you're deadly
Everybody said you was deadly
Guess you know you always was deadly
Comes in every shape and size
Deadly
Finally made me realize
That I tried and tried
But you just cant get enough
So you lied, and lied, and lied, and lied
I will not be denied
I'm gonna plant a seed
I will not be denied
Of the man and the love I need
Said you're deadly
Everybody said you was deadly
Guess you know you are because
Deadly
Comes in every shape and size
Deadly
Always takes you by surprise
It's a sad situation
Yes it's true
I can say it baby
I'm through with you
It's over now
And in the past
Gonna find me a man
With a love that'll last
You know he's deadly
Everybody said you was deadly
Guess you know you always been
Deadly
Comes in every shape and size
Deadly
Finally made me realize
That I tried and tried
But you just couldn't get enough
And so you
So you lied, and lied, and lied, and lied
I will not be denied
I will not be
I will not be denied (I will not be denied)
When your hill is high
All the love I needed
I will not be
I will not be denied
I said I will not be
Will not be denied
Will not be denied
I will not be
I will not be denied
I'll tell you one more time
I will not be de'
I will not be denied
I will not be denied
(Yeah) I will not be
I will not be denied
In "I Will Not Be Broken," Bonnie Raitt sings about a love story gone wrong. She's been with a man who has caused her nothing but pain and heartache, and she's now determined to move on from him. The song is an anthem of empowerment, encouraging listeners to stand up for themselves and not allow others to bring them down.
The lyrics describe the difficulties of finding true love and the toll that a toxic relationship can take on a person's mental and emotional health. Raitt sings about feeling restless and having no peace of mind after giving her heart to someone who ultimately betrayed her. She acknowledges that everyone warned her about the man's dangerous side, but she ignored the warnings and suffered the consequences of his deceitful ways.
The chorus of the song emphasizes the danger of this man, with the repeated word "deadly" underscoring the weight of his actions. Raitt sings that "deadly comes in every shape and size" and "always takes you by surprise," implying that anyone can be capable of causing harm in a relationship.
Despite the pain this man has caused her, Raitt refuses to be denied the love and happiness she deserves. She declares that she will find someone who can give her the love and support she needs, and she won't allow anyone to stand in her way.
Overall, "I Will Not Be Broken" is a powerful song of determination and resilience. It acknowledges the difficulties of moving on from a toxic relationship but encourages listeners to stand up for themselves and believe that they deserve better.
Line by Line Meaning
A true love story
True love is hard to find.
Is hard to find
Finding true love is difficult.
Can't get no rest
Cannot find any peace.
Got no peace of mind
Unable to have a calm and clear state of mind.
You say you gave
You claim to have given.
Your heart to me
You claim to have given me your heart.
You put me down
You let me down.
You set me free
You set me free from your hold.
You said you're deadly
You claimed to be dangerous.
Everybody said you was deadly
Everyone spoke of your dangerous nature.
I guess you know he is because
I suppose you know that to be true.
Deadly
Dangerous.
Comes in every shape and size
Danger can occur in any form.
Always takes you by surprise
Dangerous situations can arise unexpectedly.
There you was
There you were.
The only one
You were the only one.
Coming on me and ruining my fun
You were making advances towards me and ruining my enjoyment.
Leave me setting
Left me sitting.
At home all alone
At home by myself.
Waitin' on your call by the telephone
Waiting for your call on the phone.
Finally made me realize
I finally came to the realization.
That I tried and tried
I tried very hard.
But you just cant get enough
But you always wanted more.
So you lied, and lied, and lied, and lied
So you kept lying.
I will not be denied
I will not be prevented.
I'm gonna plant a seed
I'm going to take action to make something grow.
Of the man and the love I need
I'm going to find the man and love that I need.
It's a sad situation
It's a sad predicament.
Yes it's true
It is true.
I can say it baby
I can tell you truthfully.
I'm through with you
I'm done with you.
It's over now
It is finished now.
And in the past
It is in the past.
Gonna find me a man
I'm going to find a man.
With a love that'll last
Whose love will endure.
You know he's deadly
You know that he's dangerous.
Guess you know you always been
I suppose you know you have always been that way.
I will not be
I will not be.
When your hill is high
When the obstacle is large.
All the love I needed
All the love that I need.
I said I will not be
I said that I will not be.
Will not be denied
Won't allow to be prevented.
I'll tell you one more time
I'll explain it to you again.
I will not be de'
I will not be denied.
(Yeah) I will not be
Yes, I will not be.
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: Jerry Lynn Williams
Lyrics Licensed & Provided by LyricFind