The Bonzo Dog Dada Band
Origin Lond… Read Full Bio ↴Also known as The Bonzo Dog Band
The Bonzo Dog Dada Band
Origin London
Genre(s) Jazz rock
Comedy rock
Psychedelic rock
Avant-garde
Years active 1962-1972
2006-present
Label(s) Liberty Records, Parlophone Records
Associated acts Grimms
The Rutles
The New Vaudeville Band
Bob Kerr's Whoopee Band
Bill Posters Will Be Band
Three Bonzos and a Piano
Website http://www.bonzodog.co.uk
Members
Neil Innes
Rodney "Rhino" Desborough Slater
Sam Spoons
Roger Ruskin Spear
Vernon Dudley Bohay-Nowell
"Legs" Larry Smith
Bob Kerr
Former members
Vivian Stanshall (founding member); too many others to list. See: Band members.
The Bonzo Dog Doo-Dah Band (also known as The Bonzo Dog Band, The Bonzo Dog Dada Band and, colloquially, as "The Bonzos") are a band created by a group of British art-school denizens of the 1960s. Combining elements of music hall, trad jazz, psychedelic rock, and avant-garde art, the Bonzos came to the attention of a broader British public through a children's television programme, Do Not Adjust Your Set.
The band's formation
Unusually for a band, the actual date of conception for the Bonzos is known: 25 September 1962. It was on that day that Vivian Stanshall (tuba, but later lead vocals along with other wind instruments) and fellow art student Rodney Slater (saxophone) bonded over a transatlantic broadcast of a boxing match between Floyd Patterson and Sonny Liston.
Rodney Slater had previously been playing in a trad jazz band at college with Chris Jennings (trombone) and Tom Parkinson (sousaphone). Roger Wilkes (trumpet) was the founder of the original band at the Royal College of Art, along with Trevor Brown (banjo). They slowly turned their style from more orthodox music towards the sound of The Alberts and The Temperance Seven. Vivian was their next recruit and on that day in 1962, he and Rodney christened the band, The Bonzo Dog Dada Band. Bonzo the dog was a popular British cartoon character created by artist George Studdy in the 1920s and Dada after the early 20th century art movement.
Not long after Vivian, Rodney and Tom were evicted from their shared flat, the band added two more faces to the line-up: Goldsmiths College lecturer Vernon Dudley Bohay-Nowell and his lodger, songwriter/pianist, Neil Innes. According to Neil Innes' website,[1] the Bohay-Nowell was added to Vernon Dudley's name by Vivian Stanshall. The band had been working with drummer Tom Hedges before Rodney found Martin Ash, who later took the stage name of Sam Spoons and shortly afterwards got them their first pub gig, where they were noticed by Roger Ruskin Spear.
Ruskin Spear, the son of the British artist Ruskin Spear, claimed, "I couldn't believe anyone was that bad." He eventually changed his mind and, with his interest in the manufacture of early electronic gadgets/objets d'art and sound-making systems soon became an integral part of the band.
The line-up changed again with the departure of Roger Wilkes and John Parry, the trombonist. The two were replaced by, respectively, Bob Kerr and "Big" Sid Nichols. The final 'classic' band member, "Legs" Larry Smith joined in 1963, as a tuba player and tap-dancer (but later as a drummer), on Vivian's invitation.
The band's fortunes began to increase when their manager, Reg Tracey, secured them a deal with Parlophone Records in April 1966. Their first single, a cover of the 1920s classic, "My Brother Makes The Noises For The Talkies" was backed with "I'm Going To Bring A Watermelon To My Girl Tonight" which was rather too risqué for radio.
A second single, "Alley Oop", backed with "Button Up Your Overcoat" followed in October of that year.
[edit] A move from jazz to rock
Although the Bonzos had started out playing jazz, they decided to embrace rock in order to counter claims that they were beginning to sound like The Temperance Seven and The New Vaudeville Band. (In fact Geoff Stephens asked the Bonzos to perform as the New Vaudeville Band. They declined. Former Bonzo Bob Kerr joined The New Vaudeville Band and went on to create his own band, Bob Kerr's Whoopee Band, which combined the lunacy of the early Bonzo sound with music having a great deal in common with the Temperance Seven).
As the Bonzo Dog band's fame increased, they appeared as the resident band on Do Not Adjust Your Set, a children's show notable for having several future members of Monty Python's Flying Circus (Eric Idle, Terry Jones and Michael Palin) and David Jason in the cast.
Moving over to Liberty Records, the Bonzos released their first album, Gorilla, which included "Jazz, Delicious Hot, Disgusting Cold" which savagely parodied their early "trad" jazz roots and featured some of the most deliberately inept jazz playing ever recorded--the record company only allowed two hours of studio time per track, so it was completed in a single take to allow for the far more complex "The Intro and the Outro" in which every member of the band was introduced and played a solo, starting with genuine band members[2].:
Hi there, nice to be with you, happy you could stick around.
Like to introduce "Legs" Larry Smith, drums
And Sam Spoons, rhythm pole
And Vernon Dudley Bohay-Nowell, bass guitar
And Neil Innes, piano.
Come in Rodney Slater alto saxophone
With Roger Ruskin Spear on tenor sax.
Hi, Vivian Stanshall, trumpet. (Stanshall is the narrator on this track)
before including such improbable members as:
Big hello to big John Wayne, xylophone
And Robert Morley, guitar.
Billy Butlin, spoons.
Looking very relaxed Adolf Hitler on vibes. Nice.
"Adolf Hitler on vibes" sample from "The Intro And The Outro"
10 second sample from the album "The History of the Bonzos"
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Problems listening to this file? See media help.
Princess Anne on sousaphone. Mmm.
Introducing Liberace on clarinet
With Garner Ted Armstrong on vocals
Lord Snooty and his pals tapdancing
In the groove with Harold Wilson, violin
And Franklyn MacCormack on harmonica
Over there Eric Clapton on ukulele [it actually was Clapton playing a ukulele], Hi Eric
On my left, Sir Kenneth Clark, bass sax. Great honour, sir
And specially flown in for us, the session's gorilla on vox humana. [loud angry growl]
Nice to see Incredible Shrinking Man on euphonium.
Drop out with Peter Scott on duck call. [sound of duck call]
Hearing from you later, Casanova on horn.
Yeah! Digging General de Gaulle on accordion. [brief accordion solo] Really wild, General! Thank you, sir.
Roy Rogers on Trigger [sound of flowing liquid].
Tune in Wild Man of Borneo on bongos
Count Basie Orchestra on triangle. [a single note is played] Thank you.
Great to hear the Rawlinsons on trombone
Back from his recent operation, Dan Druff harp
And, representing the Flower people, Quasimodo on bells,
Wonderful to hear Brainiac on banjo,
We welcome Val Doonican as himself. [Irish voice repeats "Hello there!"].
Very appealing, Max Jaffa. Mmm... that's nice, Max.
What a team, Zebra Kid and Horace Batchelor on percussion.
A great favourite and wonderful performer for all of us here, J. Arthur Rank on gong
This number was recorded on a four-track tape deck - most of the non-band "personnel" are simply faded in and out, and few notice they are absent in the later stages of the track.
Much later, Stanshall was to provide an introduction on Mike Oldfield's first instrumental album, Tubular Bells, which echoed the style of The Intro and the Outro, but without the blatant absurdities.
[edit] Urban Spaceman and beyond
They had a hit single in 1968 with "I'm the Urban Spaceman" produced by Paul McCartney and Gus Dudgeon under the collective pseudonym "Apollo C. Vermouth". The Beatles were great fans of the group and featured them performing the song "Death Cab for Cutie" in their film Magical Mystery Tour. The anarchic twelve bar blues "Trouser Press" — featuring a solo by Roger Ruskin Spear on a genuine trouser press he had fitted with a pickup — gave its name to an American anglophiliac rock magazine Trouser Press. "Can Blue Men Sing the Whites?" lampooned the British blues boom, and tap dancer/drummer "Legs" Larry Smith was an onstage hit with his lubricious dancing. Many of their songs parodied parochial suburban British attitudes, notably "My Pink Half of the Drainpipe" on the album The Doughnut in Granny's Greenhouse (a euphemism for an outside toilet, still common in the United Kingdom at the time).
In 1969 they released their third album Tadpoles. Most of the songs on this album were also performed by the group on Do Not Adjust Your Set. The same year they also released their fourth album Keynsham and appeared at the Isle of Wight Festival. Keynsham is a small town near Bristol in south-west England. The name of the album was almost certainly derived from an advertisement on Radio Luxembourg for a dubious method of forecasting results for football matches (and using these results in football pools). In the advertisement, which was of great length, Horace Batchelor, inventor of 'the amazing Infra Draw method', would repeatedly spell K-E-Y-N-S-H-A-M for those listeners who wished to purchase his secret.
The Bonzos toured the United States with The Who and also appeared at the Fillmore East with The Kinks. Introduced as a "warm-up act" for the real show, the Bonzos rushed out and did a series of frenetic calisthenics. True to the dada spirit, Stanshall performed a mock striptease and Roger Ruskin Spear, with a platoon of robots (including one that sang "I'm Forever Blowing Bubbles" while actually blowing bubbles), did whatever he did without regard for what the rest of the band was doing. As for "The Canyons of Your Mind", it featured such an incredibly bad guitar solo it drove audiences to open-mouthed delight.
While the group formally disbanded in 1970 their record company compelled them to reunite in 1971 to record a final album titled Let's Make Up And Be Friendly released in 1972.
One of the Bonzos' song titles, "Cool Britannia", was revived as a media label for late 1990s United Kingdom under Tony Blair.
[edit] Band members
The core members of the group for most of the band's career were:
Vivian Stanshall (1943 - 1995): trumpet, lead vocals
Neil Innes (b. 1944): piano, guitar, lead vocals
Rodney "Rhino" Desborough Slater (b. 1944): saxophone
Roger Ruskin Spear (b. 1943): tenor sax and various contraptions
"Legs" Larry Smith (b. 1944): drums
However, the band's onstage line-up varied, sometimes on a weekly basis, and they also invited a number of guest musicians into the recording studio. Additional members of various duration include: Vernon Dudley Bohay-Nowell, Martin "Sam Spoons" Ash, "Happy" Wally Wilks, Tom Parkinson, Chris Jennings, Claude Abbo, Trevor Brown, Tom Hedge, Eric Idle, Eric Clapton, Elton John, Paul McCartney, Leon Williams, John Parry, Raymond Lewitt, Sydney "Big Sid" Nicholls, James "Jim Strobes" Chambers, Bob Kerr, Dave Clague, Joel Druckman, "Borneo" Fred Munt, Chalky Chalkey, Dennis Cowan, Aynsley Dunbar, Jim Capaldi, Anthony 'Bubs' White, Andy Roberts, Dave Richards, Pete Currie, Dick Parry, Hughie Flint and Glen Colson.
Stanshall and Innes were the band's principal songwriters. After the band's demise, both became founding members of Grimms along with the members of The Scaffold.
[edit] Reunion
On 28 January 2006 many surviving members of the band played a concert at the London Astoria. Neil Innes, "Legs" Larry Smith, Roger Ruskin Spear, Rodney Slater, Bob Kerr, Sam Spoons and Vernon Dudley Bohay-Nowell appeared. There were also a number of special guests attempting with various degrees of success to be Vivian Stanshall, one of two members of the band not still living (the other being bass player Dennis Cowan), including Stephen Fry, Ade Edmondson, Phill Jupitus and Paul Merton. Their stage antics were very much in evidence including performances on the Theremin Leg and Trouser Press. The show was filmed and was broadcast on BBC Four and also released on DVD in May 2006.
A countrywide tour, with Ade Edmondson and Phill Jupitus, followed during November 2006, starting in Ipswich and ending with two nights at the Shepherds Bush Empire, where Paul Merton and Bill Bailey joined in for a handful of songs. David Catlin-Birch (lead guitar and vocals) from alternative pop group World Party and a member of The Bootleg Beatles joined the band for the tour.
Officially calling themselves The Bonzo Dog Doo-Dah Band again, they released a live double CD of the Astoria concert titled Wrestle Poodles... And Win! on 13 November 2006.
The reunited lineup were due to perform again in 'The Bonzo Dog Doo-Dah Band Christmas Show' on Friday 21 December and Saturday 22 December 2007 at the Shepherds Bush Empire in London, but these shows have been postponed without explanation. Since this second breakup of the band, Rodney Slater, Roger Spear, Sam Spoons and pianist David Glasson (ex Whoopee Band) have been performing regularly in Brighton as "Three Bonzos and a Piano" [[2]]
In 10 December 2007, the band released their first new studio album in 35 years, a 28-track album titled Pour l'Amour des Chiens ("For the Love of Dogs" in French).
[edit] Discography
[edit] Studio albums
1967 Gorilla (as The Bonzo Dog Doo-Dah Band)
1968 The Doughnut in Granny's Greenhouse (chart #40) (released as Urban Spaceman in the US.) (as Bonzo Dog Band)
1969 Tadpoles (chart #36) (as Bonzo Dog Band)
1969 Keynsham (as Bonzo Dog Band)
1972 Let's Make Up and Be Friendly (as Bonzo Dog Band)
2007 Pour l'Amour des Chiens (as The Bonzo Dog Doo-Dah Band)
[edit] Singles
1966 "My Brother Makes the Noises for the Talkies" / "I'm Going To Bring A Watermelon To My Girl Tonight" (Parlophone R5430)
1966 "Alley Oop" / "Button Up Your Overcoat" (Parlophone R5499)
1967 "Equestrian Statue" (Liberty LBF 15040)
1968 "I'm the Urban Spaceman" (UK Singles Chart: #5) (Liberty LBF 15144)
1969 "Mr Apollo" (Liberty LBF 15201)
1969 "I Want To Be With You" (Liberty LBF 15273)
1972 "King of Scurf" (U.S.) / "Slush" (UK)
1992 "No Matter Who You Vote For the Government Always Gets In (Heigh Ho)"
[edit] Compilations and miscellaneous
The Alberts, The Bonzo Dog Doo Dah Band, The Temperance Seven (album)
1970 The Best of the Bonzos
1971 Beast of the Bonzos
1974 The History of the Bonzos
1983 Some of the Best of The Bonzo Dog Band
1984 The Very Best of the Bonzo Dog Doo-Dah Band
1990 The Bestiality of the Bonzos
1990 The Best of the Bonzo Dog Band
1992 Cornology
1995 Unpeeled
1996 Everybody Loves Irony
1997 Buddha Is On Mars
1999 Anthropology: The Beast Within
2000 New Tricks
2002 The Peel Sessions
2006 Wrestle Poodles... And Win! (newly recorded live album)
[edit] See also
The Alberts
The Rutles
Spike Jones
[edit] References
^ [1] Words of Innespiration - The Lyrics & Unplanned Career of Neil Innes
^ "'The Intro and The Outro', a song by The Bonzo Dog Doo Dah Band". BBC. 14 February 2005. http://www.bbc.co.uk/dna/h2g2/A3647630.
[edit] External links
Official Bonzo Dog Band 40th Anniversary Tour web site
The Viv Stanshall Appreciation Society & Archive
The Bonzo Dog Doo-Dah Band by Ian Kitching
The Bonzo Dog Band at The Trouser Press
The Bonzo Dog Doo-Dah Band Revisited
Review, The Times, 31 January 2006.
Words Of Innespiration - The Lyrics & Unplanned Career of Neil Innes
Doo Dah Diaries
The Bonzo Dog Band discography at MusicBrainz
Bad Blood
Bonzo Dog Band Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Not long ago in a one-horse town
Down south of Santa Fe
A one-eyed half-breed amputee
Sat thinkin' of the way
He'd settle the score with that runnin' sore
Who had left him the way he is
And he, that amputee, could not forgive
He swore to kill the stranger
For this one bad thing he'd done
For three long years he'd practised
Until he could use the gun
Heart of stone, he lived alone
And he lived on beans and eggs
Folks could tell what time it was
By the gravy running down his legs
Bad blood will drive you crazy
Bad blood, I've heard men say
Bad blood is like an egg stain on your chin
You can lick it but it still won't go away
Four more years he roamed the land
'Til his legs was worn away.
Then he bummed around from town to town
"Has a stranger passed this way?
The man I'm lookin' for has two eyes
But he's a one-breed dirty dog.
When I find him I'm gonna shoot him!
Don't you laugh at me!
Man, I'm really pissed."
The stagecoach jingle-jangled into town
One hot mid-afternoon.
He saw the stranger get off near
the Seborrhea Saloon
And just as he was easin' in
A lumberjack rolled out
and shot him dead then One-eye said:
"Hey you, mutton-head, I've been lookin' for that particular son-of-a-bitch for nearly seven years, man! You've just spoiled everything! I could have been a doctor or an architect!"
Bad blood will drive you crazy
Bad blood, I've heard men say
Bad blood is like an egg stain on your chin
You can lick it but it still won't go away
The Bonzo Dog Band's "Bad Blood" tells the story of an amputee, a one-eyed half-breed, who seeks vengeance on the person who caused his disability. The lyrics describe his intense desire for revenge, and how it consumes him to the point of obsessiveness. He spends years practising his shooting skills, determined to kill the man responsible for his misfortunes. His hatred and bitterness towards his enemy eventually lead him to ruin his own life. He becomes a lonely, isolated figure, living off a diet of beans and eggs, with his physical health deteriorating. The song ends with him finally coming face-to-face with his nemesis, but instead of exacting his revenge, the stranger is killed by someone else, leaving the amputee to lament his lost opportunity for revenge.
The song uses vivid imagery to convey the sense of obsession and bitterness that the amputee experiences. The phrase "bad blood" is repeated throughout the song, acting as a metaphor for the powerful emotions that drive him. The lyrics also use humour and irony to subvert the traditional Western narrative of revenge. The amputee is portrayed as an anti-hero rather than a heroic figure, and his ultimate failure to achieve his goal highlights the futility and destructive nature of vengeance.
Line by Line Meaning
Not long ago in a one-horse town
Recently, in a small and unimportant town
Down south of Santa Fe
Located below the city of Santa Fe
A one-eyed half-breed amputee
A person of mixed race with one eye and amputated limb
Sat thinkin' of the way
He sat down and contemplated
He'd settle the score with that runnin' sore
He would take revenge against the person who had wronged him
Who had left him the way he is
The person who had caused his physical disabilities
One-armed, half-blind and crippled in his mind
He had lost an arm, partly lost his vision, and had psychological trauma
And he, that amputee, could not forgive
He was unable to forgive the person who had harmed him
He swore to kill the stranger
He vowed to murder the person responsible
For this one bad thing he'd done
Because of the one wrongdoing he had committed
For three long years he'd practised
For an extended period, he trained and prepared himself
Until he could use the gun
Until he was proficient with firearms
Heart of stone, he lived alone
He was emotionally unfeeling and lived without companionship
And he lived on beans and eggs
His diet consisted mainly of beans and eggs
Folks could tell what time it was
People could determine the time based on his bodily functions
By the gravy running down his legs
By the liquid excrement running down his thighs
Four more years he roamed the land
For another four years, he wandered the country
'Til his legs was worn away.
Until his legs had become exhausted and useless
Then he bummed around from town to town
He moved from place to place with no real destination
"Has a stranger passed this way?
He asked if there had been any unfamiliar individuals around
The man I'm lookin' for has two eyes
The person he sought had eyesight in both eyes
But he's a one-breed dirty dog.
Although of one race, he was a contemptible person
When I find him I'm gonna shoot him!
He planned to murder the person he despised
Don't you laugh at me!
He demanded to be taken seriously
Man, I'm really pissed."
He expressed strong anger and frustration
The stagecoach jingle-jangled into town
A stagecoach with noisy bells arrived in town
One hot mid-afternoon.
During a hot afternoon
He saw the stranger get off near
He observed the person he hated disembarking near
the Seborrhea Saloon
A drinking establishment named Seborrhea
And just as he was easin' in
As he was approaching
A lumberjack rolled out
A lumber worker stumbled out
and shot him dead then One-eye said:
And killed the person he was after, leading to a statement from the amputee
"Hey you, mutton-head,
An insult addressed to the logger
I've been lookin' for that particular son-of-a-bitch
I have been searching for that specific and unpleasant individual
for nearly seven years, man!
For almost seven years
You've just spoiled everything!
You have ruined my plans
I could have been a doctor or an architect!"
I could have had a successful career if not for this incident
Bad blood will drive you crazy
When holding a grudge, your emotional state will deteriorate
Bad blood, I've heard men say
I have heard other people refer to resentment as bad blood
Bad blood is like an egg stain on your chin
Holding a grudge is unattractive and leaves a noticeable mark
You can lick it but it still won't go away
Trying to hide or erase your resentment will not work
Contributed by Brody G. Suggest a correction in the comments below.