George's androgynous style caught the attention of music executive Malcolm McLaren, who arranged for George to perform with the group Bow Wow Wow, featuring Annabella Lwin, at various shows. George called himself Lieutenant Lush and nearly stole the spotlight from Lwin. George and Bow Wow Wow didn't last long after that and George started his own group with bassist Mikey Craig. In Praise Of Lemmings was to be the name of the group. Jon Moss (who had drummed with The Damned, Adam and the Ants and London) came aboard. Shortly thereafter, Roy Hay came into the mix, after an association with another guitarist proved unsatifactory, and they abandoned yet another name, Sex Gang Children. After realizing that the group consisted of an Irish transvestite singer, a Jamaican-Briton on bass, a Jewish drummer, and an Englishman on guitar, they settle on the name Culture Club.
The band signed with Virgin Records in the U.K. and with Epic Records in America, as Virgin didn't have a U.S. presence at the time, and released it's debut album "Kissing To Be Clever" in 1982. The first single "White Boy" wasn't a mainstream hit and failed to chart but George was still happy because "five thousand people bought my single and didn't even know me". The next single, "I'm Afraid Of Me" also did not become a pop hit. It wasn't until the release of the third single, "Do You Really Want To Hurt Me", that the group enjoyed massive success. It hit #1 in sixteen countries (#2 U.S.) and the group became a staple on American radio and the new MTV network. This single was followed by the number two peaking "Time (Clock Of The Heart)" and the number nine "I'll Tumble 4 Ya". This gave Culture Club the distinction of being the first group since the Beatles to amass at least three top 10 hits on the Billboard Hot 100 from a debut album.
1983 and 1984 saw the group at it's peak, dominating charts, MTV, and magazine covers partly due to the release of it's next album "Colour By Numbers". First single "Church Of The Poison Mind" (featuring Helen Terry) became a Top 10 hit and "Karma Chameleon" hit #1 for four weeks in the U.S. and was the biggest selling UK single of the year, having six weeks at No.1). It also became a #1 single in numerous countries around the world and stands as the group's biggest hit. "Miss Me Blind" and "It's A Miracle" were Top 10 and Top 20 hits respectively and "Victims" was another U.K. hit. The group took home the Grammy for Best New Artist - Duo Or Group and George gave a speech to U.S audiences via satellite; "Thanks America. You've got style and taste, and you know a good drag queen when you see one". Colour By Numbers would go on to sell four million copies in the U.S. at it's time of release and millions more worldwide, making Culture Club the biggest group in the world at the time. Years later, Rolling Stone magazine would include the LP in it's list of Top 100 Albums Of All-Time.
George's striking looks inspired many Boy George look-alike contests around the world, and his face became the image of Culture Club. He became an alternative teen idol, and had the extravagant lifestyle to go with it. His appeal was due to his likeableness and his wit. He is responsible for one of the 1980's most famous quotes, which he delivered to Barbara Walters on a tv interview - "I prefer a nice cup of tea to sex" - which many years later he would say was totally untrue. The fact that he could actually sing and had a distinct soulful voice was a great attribute as well.
By 1985 Boy George had become a household name in many countries around the world. That year he appeared, redheaded, on the Band Aid single to raise money for aid to famine-stricken Ethiopia, with a lead vocal role. The worldwide success of the multi-British and Irish artist single lead to a U.S version, "We Are The World. And in 1986 he guest-starred on an episode of the A-Team entitled "Cowboy George". However, two subsequent Culture Club albums (Waking Up With The House On Fire and From Luxury To Heartache) performed poorly as the band only manage to obtain two more hits; "The War Song" and "Move Away". Throughout the years, George had been involve in a relationship with Culture Club's drummer Jon Moss and when that fizzled, he turned to drugs to ease the pain. This caused the downward spiral of the group and they eventually disbanded, as George could no longer work with Moss. One sign of the group's imminent breakup was that they didn't appear at the Live Aid event, and they were a major act.
George's addiction to heroin was severe and he began an on again-off again fight against the drug for many years. He would appear in public under the influence and even attempted to do concerts in such state. Addictions to other drugs followed and George's brother, in an attempt to save his famous sibling from death, went on U.K. national television and blew the whistle on George. Some of George's associates had died of overdoses but when an American musician he was working with was found dead at his London mansion from an overdose, this hit home for George. He finally quit using drugs.
Virgin Records had now set up a U.S. operation and George moved from Epic Records in America to Virgin worldwide. George's first solo album released after the breakup of the band was entitled "Sold". It was very successful in the U.K., spawning many hit singles (including the #1 U.K. hit "Everything I Own") but he could not duplicate that success in the U.S. He did score a moderate hit with the song "Living My Life" (#40 U.S.) from the "Hiding Out" soundtrack. His next U.S album would be "High Hat", comprised of songs from two of his solo British albums released after "Sold". As an album, "High Hat" is one of his strongest releases in America material wise, but was overlooked, although it contained the excellent R&B dance number "Don't Take My Mind On A Trip", produced by Teddy Riley. The single became a moderate R&B hit. Many of his following releases were songs to protest against the UK's restrictions on sex education relevant to the needs of homosexual students (known as Clause 28). In 1989 George formed his own label, More Protein. He also recorded under the moniker Jesus Loves You, (writing under the pseudonym Angela Dust), releasing an underground club hit "Generations Of Love" and what would become a signature song, "Bow Down Mister", inspired by his involvement in the Hare Krishna movement.
Life after Culture Club
In 1992, George scored a hit with a Pet Shop Boys produced cover version of the song "The Crying Game", which was featured on the movie of the same name, and landed in the top twenty on the Billboard Hot 100. Although he had subsequent solo hits in the U.K. since the breakup of the band, this would be his first U.S. hit since Culture Club's 1986 single "Move Away". However, he did not capitalized on his resurgence by immediately releasing an album. When he finally did release the rock-driven Cheapness And Beauty a few years later, the momentum had already died. From that album, he released his version of the Iggy Pop song "Funtime." Still, George would say that the "Crying Game" era gave him a sense of satisfaction. His former lover Jon Moss had told him, after the messy breakup of Culture Club, that George would never have another major hit in America without the band. George was more than happy to prove him wrong.
Boy George continues to remain a global pop icon and a successful music DJ. He once again started touring the world as a DJ in the late 1990s and starred in the London musical Taboo, based on his life (George didn't play himself, opting instead to take on the persona of Australian-born performance artist Leigh Bowery). Taboo was a huge success in London's West End. During 2003 he presented a weekly show on London's LBC radio for 6 months. George has been reported by fans who have met him in person to be an avid autograph signer. In August 1994, a British court tossed out a paternity suit filed against him by a Californian woman.
Harper Collins published the autobiography of Boy George, Take It Like A Man, in 1995. George wrote of his relationship with Kirk Brandon, singer with Spear of Destiny and the earlier Theatre of Hate, who began a High Court action against George.
George, taking the witness stand, faced a "malicious falsehood" charge brought against him by Brandon, now married and a father, who denied that he once had a sexual relationship with George. Brandon lost. During the trial, Boy George had claimed that Kirk Brandon had been the love of his life and that he still loved him.
In his book, George also told his side of his secret relationship with Culture Club drummer Jon Moss. He stated many of the songs he wrote for Culture Club were directed at Moss. He also alleged that Moss had broken off his engagement to be with George, and that Moss was never comfortable in a gay relationship although Moss was bisexual.
In July 1998, a reunited Culture Club performed three dates in Monte Carlo and then joined Human League and Howard Jones in a "Big Rewind" tour of the US. The following month, the band appeared on Late Night with David Letterman and made an appearance in Britain, their first in 14 years. Later that year, the band had a Top Ten hit in the UK with "I Just Wanna Be Loved".
In 1998, Boy George began writing a weekly column in The Daily Express and hosted a weekly radio show on the Galaxy Radio Network. In October 2005 he was arrested in New York City on suspicion for possession of cocaine and appeared in court in February 2006. George stated the drugs were not his and has declared his innocence.
Current activity
He's a successful DJ that occassionally tours and remains a pop icon.
Boy George has also sung "Bow Down Mister" with the Indian songstress, Asha Bhosle.
He has also recently appeared as a guest on the British comedy-talk show The Kumars at No. 42.
In 2005 he published Straight in Britain, his second autobiographical book. He lives in Manhattan.
On October 7 2005, he was arrested in Manhattan on suspicion of possessing cocaine, (BBC Online Report) and appeared in court on 1 February, 2006 (BBC Online Report) on charges of cocaine possession. On 8 March 2006 he pleaded guilty to wasting police time; the charge of possessing cocaine was dropped, and he was given a non-custodial sentence and fined. (BBC News report).
Quotes
London newspaper, 1984: "I'm not gay, and I'm not a transvestite." (At other times he has characterized himself as "bisexual", "very confused", "not confused", and "not really all that keen on sex".)
Live My Life
Boy George Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Make sacrifies, 'til there's nothing to give
Everyone says there's rules to obey
I can't follow when things never change
Holding my checkbook, got a leak in the pipe
Food on the table, but the landlord's knocked twice
I want more than the shit on my back
Satisfaction can be hard to find
I go crazy keeping it all inside
Ain't nobody's business
How I live my life
I learnt my lesson
Whether it's wrong or right
Ain't nobody baby
Gonna tell me how
I should live my life
Do live my way now
The roof is leaking, stack of pillows on my bed
No way to wake up, all the dreams in my head
Phone don't ring, got no man on the line
Things could be better but I still feel fine
Who can say what tomorrow will bring
You give nothing, expecting everything
Ain't nobody's business
How I live my life
I learnt my lesson
Whether it's wrong or right
Ain't nobody baby
Gonna tell me how
I should live my life
Do live my way now
Satisfaction can be hard to find
I go crazy keeping it all inside
Ain't nobody's business
How I live my life
I learnt my lesson
Whether it's wrong or right
Ain't nobody baby
Gonna tell me how
I should live my life
Do live my way now
The lyrics to Boy George's song "Live My Life" convey a message of individuality and self-expression that is central to the artist's identity as a gay icon and advocate. The song addresses the pressure to conform to societal expectations and the struggle to maintain a sense of personal agency and fulfillment in the face of adversity. The first verse establishes a sense of frustration with the status quo, with the singer feeling trapped by the limits of their circumstances and the expectations placed upon them. The singer longs for something more fulfilling and meaningful than the daily grind of survival, and is willing to take risks and make sacrifices to achieve their goals. The chorus asserts the singer's right to live their life on their own terms, free from outside interference or judgement. The final verse illustrates the difficulties of pursuing personal fulfillment in a world that doesn't always value or prioritize individualism, but ultimately affirms the importance of staying true to oneself in the face of adversity.
The song was released on Boy George's 1987 album "Sold", which was his second solo record after the disbandment of Culture Club. "Live My Life" was one of the album's most successful singles, reaching #20 on the UK Singles Chart and earning critical acclaim for its catchy groove and empowering lyrics. The video for the song features Boy George in a variety of colorful and eccentric outfits, performing against a surreal, dreamlike backdrop that underscores the song's themes of personal liberation and self-discovery. The song has been celebrated by fans and critics as an anthem of LGBTQ+ empowerment and one of Boy George's signature tracks.
Line by Line Meaning
I tell you baby, this is no way to live
Life is not meant to be like this
Make sacrifies, 'til there's nothing to give
By making so many sacrifices, I have nothing left to give
Everyone says there's rules to obey
There are always rules that should be followed according to people
I can't follow when things never change
I don't want to follow the rules when nothing changes
Holding my checkbook, got a leak in the pipe
I have my checkbook but my pipe is leaking
Food on the table, but the landlord's knocked twice
Even though I have food, my landlord still comes and knocks twice
I want more than the shit on my back
I desire more than what I currently have
I've worked too hard just to repeat the past
I don't want to repeat the past after working so hard to get where I am
Satisfaction can be hard to find
It's difficult to find satisfaction
I go crazy keeping it all inside
Keeping everything inside is driving me crazy
Ain't nobody's business
It is nobody else's business
How I live my life
How I choose to live my life
I learnt my lesson
I've learned my lesson from past experiences
Whether it's wrong or right
Whether it's right or wrong
Ain't nobody baby
Nobody, even if they call me 'baby'
Gonna tell me how
Cannot tell me how
I should live my life
I should live my life
Do live my way now
I am going to live my way now
The roof is leaking, stack of pillows on my bed
My roof is leaking, and I have a stack of pillows on my bed
No way to wake up, all the dreams in my head
I cannot wake up properly, as all my dreams are still in my head
Phone don't ring, got no man on the line
My phone is not ringing, and I have no man on the line
Things could be better but I still feel fine
Even though things could be better, I still feel okay
Who can say what tomorrow will bring
No one can predict what tomorrow will bring
You give nothing, expecting everything
Expecting everything from someone when you give them nothing is unfair
Lyrics © Universal Music Publishing Group
Written by: ALLEE WILLIS, DANNY SEMBELLO
Lyrics Licensed & Provided by LyricFind
@bgandmjlover2616
Live my Life lyrics
I tell you baby, this is no way to live
Make sacrifices, ‘til there’s nothing to give
I want more than this sh**t on my back
I worked too hard just to repeat the past
Satisfaction can be hard to find
I go crazy keeping it all inside
Ain’t nobody’s business
How I live my life
I learnt my lesson
Whether it’s wrong or right
Ain’t nobody baby
Gonna tell me how
I should live my life
Do live my way now
The roof is leaking, stack of pillows on my bed
No way to wake up, all the dreams in my head
Phone don’t ring, got no man on the line
Things could get better but I still feel fine
Who can say what tomorrow would bring
You give nothing, expecting everything
Ain’t nobody’s business
How I live my life
I learnt my lesson
Whether it’s wrong or right
Ain’t nobody baby
Gonna tell me how
I should live my life
Do live my way now
Satisfaction can be hard to find
I go crazy keeping it all inside
Ain’t nobody’s business
How I live my life
I learnt my lesson
Whether it’s wrong or right
Ain’t nobody baby
Gonna tell me how
I should live my life
Do live my way now.
@nickcolby1391
This is without a doubt my favourite George solo song. ,should’ve been a big hit ❤
@gkisystems
I'm surprised this song only made it to #40 on the charts. It should have been at least a top 10!
@RocStarr913
I think most of American radio and the public there already wrote off George as a has-been by this time.
@KIHHGGkkjbvfhjkkoik
A perfect pop song. Just enough meaning to still be easy to take in and a catchy melody with a sing-along chorus. Why this hasn't reached more success I will never understand.
@islandbeauty3540
Exactly!! 🙌 I remember loving this song as a 14 year old in '87! ❤ it still sounds good! 🔥
@devonalomar9012
Criminally underappreciated song.
@Aramanth
I remember when this came out. I had the 12 inch single. This should have been a monster hit, but oh well. It still deserves success!
@troydevolld9793
Allee Willis co-wrote some real sleepers in addition to her zillion or so huge hits. Try The Stallionaires' DOES SHE LOVE ME?.
@MindfulMomentsInNature
I must have been asleep under a rock when all these great songs were out how did I miss these?! 😂
@elenitacarvalho876
Boy George my star forever .adoro ouvir você cantar