He played all kinds of instruments, but mostly piano. He had a raw voice. The themes of his songs vary from philosophical (De Steen for example) to simple (like Een Doodgewone Jongen). His lyrics have the eerie feel of 1960s suburbs with misted windows, potatoes on the dinner table and hard-working parents who lost all joy in life. He also tackled serious themes like domestic abuse (Bont & Blauw), divorce (Rode Wijn), modern parenting (Pauline) and teenage anxiety (De wedstrijd), while songs like Klein Liedje and 1+1=1 contrastingly deal with the sheer joy of life and love.
In 1968 he started his career in music with Neerlands Hoop in Bange Dagen, a cabaret group consisting of Bram Vermeulen and Freek de Jonge. But when Freek went solo, Bram decided to do the same. In an interview Bram said: "Neerlands Hoop was Freek's development, after the split my development started." He started the group Bram Vermeulen en de Toekomst.
Bram Vermeulen is seen as one of the first people to truly make 'nederpop' (Dutch pop music) after he split with Freek de Jonge. On a musical level, Dutch pop music was initially just English pop music with Dutch lyrics. Bram Vermeulen is credited as being one of the first - if not the first - to actually create pop music that accommodates for the use of Dutch lyrics.
A theme running through his later work is his belief in reincarnation. After presenting a documentary on the First World War, Vermeulen became convinced that he was in fact a French lieutenant in a previous life. This resulted in the album Oorlog aan den Oorlog.
Although he had a steady following in the Netherlands, his popularity and solo success was notably bigger in Belgium.
Bram died of a heart attack in his sleep on September 4th 2004 when he was in Tuscany, Italy.
Polka
Bram Vermeulen Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Van rond en rond en rond, die gaat
Iedereen danst in zijn eigen maat
De een noemt het liefde
Voor de ander is het haat
Je kan zo raar niet verzinnen of het bestaat
Je moet mij niet vertellen wat ik voelen moet
De een noemt het smerig
Voor de een is het pijn
Voor de ander genot
Changez, en iedereen doet mee
Van rond en rond en rond en door
Je hoeft mij niet te vertellen
Wat verkeerd is of wat hoort
De een noemt het liefde
Voor de ander is het moord
Het feest is al ten einde
Maar toch dansen we voort
Changez, en iedereen doet mee
(c) Bram Vermeulen
Bram Vermeulen's song "Polka" is a commentary on the complexity and diversity of human emotions and experiences. The lyrics describe a polka dance, in which everyone is dancing to their own rhythm and interpretation of the music. The first verse highlights the variety of feelings and attitudes that exist in the world, from love to hate, and emphasizes that even the most unusual emotions can be real and valid. The second verse emphasizes the importance of individuality and self-expression, suggesting that there are no right or wrong ways to feel and that people should not be judged for their emotions. The repetition of the word "changez" suggests that the dance is symbolic of life itself, with its ever-changing rhythms and moods. In the end, despite the impermanence of the dance and the transience of human experience, people continue to dance and celebrate life.
One interesting fact about "Polka" is that it was written and composed by Bram Vermeulen in collaboration with the Belgian author and playwright Hugo Claus. The song was first performed in the 1970s and quickly gained popularity among young people in the Netherlands and Belgium, largely because of its progressive and experimental style. Another interesting fact is that Bram Vermeulen was not only a musician but also a poet, actor, and visual artist, and many of his songs combine a strong social or political message with complex musical arrangements and innovative instrumentation. "Polka" is a good example of this, with its use of unconventional rhythms and harmonies to mirror the diversity and complexity of human emotion.
Other interesting aspects of "Polka" include the fact that it was initially banned from Dutch radio for its "subversive" message, and that it was later reinterpreted by other artists in a variety of styles and genres, including ska, reggae, and rock. The song has also been covered in different languages, including French and German. As for the chords, the song is primarily based on a simple chord progression featuring G, C, and D, with the rhythm alternating between 2/4 and 3/4 time. This simple yet effective structure allows the lyrics and melody to take center stage, creating a powerful and evocative portrait of human emotion and experience.
Chords (capo on 3rd fret):
Verse: G C G D
Chorus: G D G D G D G D G D
Note: The original key of the song is F#m but the chords provided are transposed with the capo on the 3rd fret to make it easier to play.
Line by Line Meaning
Van rond en rond en rond, die gaat
Life keeps moving in circles, without stopping or changing
Iedereen danst in zijn eigen maat
Everyone follows their own rhythm in life
De een noemt het liefde
Voor de ander is het haat
People interpret things differently, what is love to one may be hate to another
Je kan zo raar niet verzinnen of het bestaat
Everything that one can imagine, exists in the world
Je moet mij niet vertellen wat ik voelen moet
Don't tell me what I should feel, I'll figure it out on my own
De een noemt het smerig
De ander vindt het goed
What might seem dirty to someone, might be perfectly acceptable to another person
Voor de een is het pijn
Voor de ander genot
What might be painful to someone, might be pleasurable to another person
Changez, en iedereen doet mee
Van rond en rond en rond en door
Life keeps changing and everyone evolves along with it, continuously moving in circles
Je hoeft mij niet te vertellen
Wat verkeerd is of wat hoort
I don't need someone to tell me what is right or wrong, what is expected or not
De een noemt het liefde
Voor de ander is het moord
What is love to one, might be murder to another person
Het feest is al ten einde
Maar toch dansen we voort
Even though the party is over, life goes on and we keep dancing
Changez, en iedereen doet mee
Life keeps evolving and everyone adapts accordingly
Contributed by Logan H. Suggest a correction in the comments below.
@patrickbooten9149
Bram , je raakt mij in mijn ziel.❤ Dank je voor je nalatenschap ❤. En die zal nog heel Lang bestaan . Ik ben wakker ❤
@Ziziline
Een schitterend Nummer van BVermeulen en vooral mooie Beelden. Vele twinckelende Sterren XXXXXXX Angeline
@rainydaycats
Een mooi lied met prachtige beelden! xxx
@ItsWaldo
Veel te jong overleden....maar gelukkig heeft Bram vele meesterwerkjes nagelaten. Mooie videocompilatie :-) Groetjes,Waldo
@nathaliedupont427
machtig nummer!! waarom kende ik dit niet eerder!? dit mag op mijn crematiedienst gespeeld worden!
@MD-kg1kq
Bij mij ook
@exaltica
wat prachtig
@Apreciador77
Onverslijtbaar mooi......
@hommersoon
super gaaf
@iersesessie6592
mooi, vind de rauwe (heb even geen betere omschrijving) manier waarop Bram zingt altijd erg puur overkomen.