Sea Power, previously known as British Sea Power, are a six-piece indie roc… Read Full Bio ↴Sea Power, previously known as British Sea Power, are a six-piece indie rock band based in Brighton, England, although three of the band hail originally from Kendal in Cumbria. Their style encompasses sweeping and often epic guitar pop with more visceral, angular and esoteric noises and instruments. Critics have likened their sound to a variety of groups, from The Cure to Pixies. They have released five albums and a number of EPs (most on Rough Trade) since they formed in 2000. The band is currently comprised of:

Yan (Jan Scott Wilkinson) - Vocals, guitar
Noble (Martin Noble) - Guitar
Hamilton (Neil Hamilton Wilkinson) - Bass, vocals, guitar
Wood (Matthew Wood) - Drum
Phil Sumner - Cornet, Keyboards
Abi Fry - Viola

Yan, Hamilton and Wood are school friends from Kendal in Cumbria. They were in a number of bands together while at school, but after finishing his exams Yan moved to study at Reading University, where he met guitarist Noble. A few years later Hamilton and Wood moved down to join them and form a band.

They played some gigs and produced a 4 track demo in Reading as British Air Powers, before relocating to Brighton in search of a more vibrant music scene. "British Sea Power" was actually the name of one of these demo tracks, and was eventually reworked into Carrion. In Brighton, BSP amassed a strong local following, due mainly to their own club night called "Club Sea Power". The club nights featured many different support bands, and other forms of entertainment such as a 1930s fashion show, and were most frequently hosted at the Freebutt and the Lift (the latter has now closed down).

Their debut single, Fear of Drowning, was issued in limited numbers of their own Golden Chariot label. The artwork for the B side "A Wooden Horse" borrows heavily from the dust cover of the 1950 book "The Wooden Horse" that details the escape of Allied POWs during WWII. Geoff Travis of Rough Trade Records saw the band live and in September 2001 signed them to his label. A number of singles were issued on the label, and Eamon (Eamon Hamilton) was recruited to play live keyboards in autumn 2002.

The Decline of British Sea Power, the band's debut album, was released in June 2003 to critical acclaim. A single from the album, "Carrion", became the band's first Top 40 single. The album only charted in the lower reaches of the UK Album Chart, but turned out to be a word of mouth success, shipping well over 60,000 copies over the following two years and allowing them to play sell-out UK tours to venues of over 1,000 people.

The follow-up, Open Season, was released in early April 2005, and also enjoyed wide critical praise. It showcased a more accessible, produced sound and charted at #13 in the UK Albums Chart. Lead single It Ended on an Oily Stage charted at #18 in the UK Singles Chart a week earlier.

British Sea Power have a reputation for elaborate and well-thought out live shows and won the 2004 Time Out London Live Band of the Year award. The stage is often decorated with foliage and plastic birds and sets generally finish with a semi-improvised song called "Rock in A", which sometimes lasts for over 20 minutes. Various members often climb riggings and tear down the foliage, Eamon walks around the audience beating his marching drum, and a ten-foot bear, Ursine Ultra, occasionally makes an appearance - often taking a beating from various band members. This has become one of the signatures of the band. Their tours often include unusual venues such as the Scillonian Club on the Isles of Scilly, Grasmere Village Hall, the St. John Boste Social Club in Kendal, Cumbria and Carnglaze Caverns in Cornwall.

The band have built up an eccentric image in interviews and press releases; some of which is based on fact, other times merely whimsical building of outward personas. This has included giving journalists grid references at which to meet them, and expressing obsessions with Field Marshal Montgomery and bird watching.

The band has a fiercely loyal and devoted hardcore fanbase, sometimes referred to as the Third Battalion.

At the beginning of 2006, it was announced that Eamon had left British Sea Power to concentrate on his own band Brakes. The group spent part of late 2006 working on new material in Montréal, and are preparing a DVD.

In 2007, American Laundromat Records announced that British Sea Power would record a version of the Pixies' "Caribou" for an album called "Dig For Fire - A Tribute To Pixies."

In October 2007, the band went on tour throughout the east coast of America to showcase their new 5-track EP, Krankenhaus EP. In November 2007, they toured a variety of unusual locations in the UK including a seaside cafe in Saltdean, East Sussex; a ferry across the River Mersey, Liverpool; the Tan Hill Inn, the UK's highest inn; All Saints Church in Newcastle-upon-Tyne; and White Mischief, an indoor festival mixing live bands with unusual vaudeville acts.

Their Krankenhaus? EP was released digitally for purchasable download in October 2007 and was released on CD and vinyl on November the 20th. Their third album, Do You Like Rock Music? was released on 14th January 2008 in the U.K. and scheduled for release on 12th February 2008 in the U.S. Prior to their tour in support of Do You Like Rock Music? (visiting Ireland, UK, Belgium, Holland, Germany and US), Wood injured his back and had to be temporarily replaced by Tom White of Electric Soft Parade and Brakes fame.

In January 2008 the keyboard and cornet player ended up in hospital after being knocked unconscious when he attempted a stage dive. The crowd at Leeds Irish Centre failed to catch Phil Sumner, who jumped off a 12-foot PA system landing head first. The press department at Rough Trade Records reported "The impact knocked him out. Thankfully an ambulance was quickly summoned and he was whisked away, bloody and unconscious and despite a concussion, a broken molar and a maze of stitches in his chin, a very groggy Phil is expected to make a full recovery." In spite of this, he returned to the stage with the rest of the band a day later in Kendal.

In February 2008, the band appeared on Later with Jools Holland, playing Waving Flags, Canvey Island and No Lucifer. They were ably accompanied by a small number of the London Bulgarian Choir and a display of Cumbrian wrestling. The band are also scheduled to play at Glastonbury, Reading and Leeds, Latitude, T in the Park and Bestival.

In May 2009, British Sea Power released their fourth album, Man of Aran. Several tracks on this album are remakes of older songs, such as the main riff from North Hanging Rock which features in the new track Boy Vertiginous. The album comes paired with a DVD containing the Robert J. Flaherty film 'Man of Aran', a silent film with music from the album dubbed in.

In October 2010, British Sea Power released the seven track 'Zeus' ep and announced the release of their next album, 'Valhalla Dancehall' in January 2011.

In November 2011, the band started hosting a regular club evening in Brighton called "Krankenhaus" that recalled some of their Club British Sea Power events. DJ sets, friends of the band and general BSP hijinx.

On 9 August 2021, British Sea Power announced they were changing their name to Sea Power. In a statement the band explained:

"In recent times there’s been a rise in a certain kind of nationalism in this world – an isolationist, antagonistic nationalism that we don’t want to run any risk of being confused with. It’s become apparent that it’s possible to misapprehend the name British Sea Power, particularly if someone isn’t familiar with the band or their recordings. We’ve always been internationalist in our mindset, something made clear in songs like Waving Flags, an anthem to pan-European idealism. We always wanted to be an internationalist band but maybe having a specific nation state in our name wasn’t the cleverest way to demonstrate that. We very much hope the band’s audience won’t be affronted by this adjustment to the name. We’d like to make it clear that removing the word “British” does NOT indicate any aversion to the British Isles whatsoever. We all feel immensely fortunate to have grown up in these islands. Several or our songs are filled with love and awe for this place. We do love these lands. We all still live within the British Isles, but we are now just Sea Power. We feel the name change comes in part from the band’s audience – who at a good show will shout out, “Sea Power! Sea Power!” Maybe this name change has been there for years, shouted in our ears. It’s just taken us this long to realise – to hear what was there in front of us… "

It Ended on an Oily Stage
British Sea Power Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Everything you said was true
Everything you did was you
Everything I started with her
Ended on an oily stage where
I wrote elegiac stanzas for you
I hope and pray that they come true

He found God

In a parking lot
And you did not
I, I headed for the coastal reef
Regions of mind
To see what I'd find
But I do understand
Why they're looking at you
As if you ever really cared

All across the Eastern Board
Languages were being lost
You look so elegantly bored now
Totally at ease with it all, yeah
Whilst you were drunk, oh, you let it all slip
I hope and pray that it's okay

He found God
In a Wiltshire field
Whilst you did not
I, I headed for the coastal reef
Regions of mind
To see what I'd find
But I do understand
Why they're looking at you
As if you ever really cared

He found God
In a Wiltshire field
And you did not
I, I headed for the coastal reef

Regions of mind
To see what I'd find

Overall Meaning

The lyrics of British Sea Power's "It Ended on an Oily Stage" explore themes of disillusionment and disappointment in relationships, set against a backdrop of environmental destruction and spiritual searching. The opening lines suggest that the subject of the song acted authentically, with the lines "Everything you said was true / Everything you did was you." However, the relationship ultimately failed, ending on an "oily stage" - a metaphor for the destruction of nature and the environment. The singer of the song seems to be grappling with the aftermath of the breakup, writing "elegiac stanzas" - mournful poetry - for their former partner, hoping that they will come true.

The lyrics "He found God in a parking lot / And you did not" and "He found God in a Wiltshire field / Whilst you did not" suggest that the singer is comparing themselves to their ex-partner, who seems to have found some kind of spiritual fulfillment while they did not. The line "Regions of mind / To see what I'd find" also hints at the singer's own spiritual searching. However, the final lines of the song "Why they're looking at you / As if you ever really cared" suggests a certain level of bitterness and distrust towards the ex-partner, implying that they may not have really been as genuine as they seemed.

Line by Line Meaning

Everything you said was true
Acknowledgment that everything the subject said was truthful

Everything you did was you
Recognition that the subject was true to themselves in their actions

Everything I started with her
Relationship with an unnamed partner has come to a close

Ended on an oily stage where
Relationship ended in a negative fashion, reminiscent of a polluted or tainted environment

I wrote elegiac stanzas for you
Poetic mourning for the end of the relationship

I hope and pray that they come true
Wishing that the poetic elegy comes to fruition

He found God In a parking lot And you did not
Comparison of a religious awakening between two individuals showing division in experience

I, I headed for the coastal reef Regions of mind To see what I'd find But I do understand Why they're looking at you As if you ever really cared
The subject went on a journey of self-discovery but recognizes that others view their partner as indifferent or uncaring

All across the Eastern Board Languages were being lost You look so elegantly bored now Totally at ease with it all, yeah
The subject observes societal changes and notes their partner seems unaffected and disinterested

Whilst you were drunk, oh, you let it all slip I hope and pray that it's okay
The subject's partner revealed something while inebriated, hoping that the consequence is positive

He found God In a Wiltshire field Whilst you did not
Another comparison of religious awakening with divided experiences

I, I headed for the coastal reef Regions of mind To see what I'd find But I do understand Why they're looking at you As if you ever really cared
Repeating previous chorus highlighting self-discovery journey and general perception of partner's apathy

Lyrics © Sony/ATV Music Publishing LLC
Written by: JAN SCOTT WILKINSON, MARTIN NOBLE, MATTHEW JAMES WOOD, NEIL HAMILTON WILKINSON

Lyrics Licensed & Provided by LyricFind

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Everything you said was true
Everything you did was you
Everything I started with her
Ended on an oily stage where
I wrote elegiac stanzas for you
I hope and pray that they come true

He found God
In a parking lot
And you did not
I, I headed for the coastal reef
Regions of mind
To see what I'd find
But I do understand
Why they're looking at you
As if you ever really cared

All across the Eastern Board
Languages were being lost
You look so elegantly bored now
Totally at ease with it all, yeah
Whilst you were drunk, oh, you let it all slip
I hope and pray that it's okay

He found God
In a Wiltshire field
Whilst you did not
I, I headed for the coastal reef
Regions of mind
To see what I'd find
But I do understand
Why they're looking at you
As if you ever really cared

He found God
In a Wiltshire field
And you did not
I, I headed for the coastal reef
Regions of mind
To see what I'd find