Yan (Jan Scott Wilkinson) - Vocals, guitar
Noble (Martin Noble) - Guitar
Hamilton (Neil Hamilton Wilkinson) - Bass, vocals, guitar
Wood (Matthew Wood) - Drum
Phil Sumner - Cornet, Keyboards
Abi Fry - Viola
Yan, Hamilton and Wood are school friends from Kendal in Cumbria. They were in a number of bands together while at school, but after finishing his exams Yan moved to study at Reading University, where he met guitarist Noble. A few years later Hamilton and Wood moved down to join them and form a band.
They played some gigs and produced a 4 track demo in Reading as British Air Powers, before relocating to Brighton in search of a more vibrant music scene. "British Sea Power" was actually the name of one of these demo tracks, and was eventually reworked into Carrion. In Brighton, BSP amassed a strong local following, due mainly to their own club night called "Club Sea Power". The club nights featured many different support bands, and other forms of entertainment such as a 1930s fashion show, and were most frequently hosted at the Freebutt and the Lift (the latter has now closed down).
Their debut single, Fear of Drowning, was issued in limited numbers of their own Golden Chariot label. The artwork for the B side "A Wooden Horse" borrows heavily from the dust cover of the 1950 book "The Wooden Horse" that details the escape of Allied POWs during WWII. Geoff Travis of Rough Trade Records saw the band live and in September 2001 signed them to his label. A number of singles were issued on the label, and Eamon (Eamon Hamilton) was recruited to play live keyboards in autumn 2002.
The Decline of British Sea Power, the band's debut album, was released in June 2003 to critical acclaim. A single from the album, "Carrion", became the band's first Top 40 single. The album only charted in the lower reaches of the UK Album Chart, but turned out to be a word of mouth success, shipping well over 60,000 copies over the following two years and allowing them to play sell-out UK tours to venues of over 1,000 people.
The follow-up, Open Season, was released in early April 2005, and also enjoyed wide critical praise. It showcased a more accessible, produced sound and charted at #13 in the UK Albums Chart. Lead single It Ended on an Oily Stage charted at #18 in the UK Singles Chart a week earlier.
British Sea Power have a reputation for elaborate and well-thought out live shows and won the 2004 Time Out London Live Band of the Year award. The stage is often decorated with foliage and plastic birds and sets generally finish with a semi-improvised song called "Rock in A", which sometimes lasts for over 20 minutes. Various members often climb riggings and tear down the foliage, Eamon walks around the audience beating his marching drum, and a ten-foot bear, Ursine Ultra, occasionally makes an appearance - often taking a beating from various band members. This has become one of the signatures of the band. Their tours often include unusual venues such as the Scillonian Club on the Isles of Scilly, Grasmere Village Hall, the St. John Boste Social Club in Kendal, Cumbria and Carnglaze Caverns in Cornwall.
The band have built up an eccentric image in interviews and press releases; some of which is based on fact, other times merely whimsical building of outward personas. This has included giving journalists grid references at which to meet them, and expressing obsessions with Field Marshal Montgomery and bird watching.
The band has a fiercely loyal and devoted hardcore fanbase, sometimes referred to as the Third Battalion.
At the beginning of 2006, it was announced that Eamon had left British Sea Power to concentrate on his own band Brakes. The group spent part of late 2006 working on new material in Montréal, and are preparing a DVD.
In 2007, American Laundromat Records announced that British Sea Power would record a version of the Pixies' "Caribou" for an album called "Dig For Fire - A Tribute To Pixies."
In October 2007, the band went on tour throughout the east coast of America to showcase their new 5-track EP, Krankenhaus EP. In November 2007, they toured a variety of unusual locations in the UK including a seaside cafe in Saltdean, East Sussex; a ferry across the River Mersey, Liverpool; the Tan Hill Inn, the UK's highest inn; All Saints Church in Newcastle-upon-Tyne; and White Mischief, an indoor festival mixing live bands with unusual vaudeville acts.
Their Krankenhaus? EP was released digitally for purchasable download in October 2007 and was released on CD and vinyl on November the 20th. Their third album, Do You Like Rock Music? was released on 14th January 2008 in the U.K. and scheduled for release on 12th February 2008 in the U.S. Prior to their tour in support of Do You Like Rock Music? (visiting Ireland, UK, Belgium, Holland, Germany and US), Wood injured his back and had to be temporarily replaced by Tom White of Electric Soft Parade and Brakes fame.
In January 2008 the keyboard and cornet player ended up in hospital after being knocked unconscious when he attempted a stage dive. The crowd at Leeds Irish Centre failed to catch Phil Sumner, who jumped off a 12-foot PA system landing head first. The press department at Rough Trade Records reported "The impact knocked him out. Thankfully an ambulance was quickly summoned and he was whisked away, bloody and unconscious and despite a concussion, a broken molar and a maze of stitches in his chin, a very groggy Phil is expected to make a full recovery." In spite of this, he returned to the stage with the rest of the band a day later in Kendal.
In February 2008, the band appeared on Later with Jools Holland, playing Waving Flags, Canvey Island and No Lucifer. They were ably accompanied by a small number of the London Bulgarian Choir and a display of Cumbrian wrestling. The band are also scheduled to play at Glastonbury, Reading and Leeds, Latitude, T in the Park and Bestival.
In May 2009, British Sea Power released their fourth album, Man of Aran. Several tracks on this album are remakes of older songs, such as the main riff from North Hanging Rock which features in the new track Boy Vertiginous. The album comes paired with a DVD containing the Robert J. Flaherty film 'Man of Aran', a silent film with music from the album dubbed in.
In October 2010, British Sea Power released the seven track 'Zeus' ep and announced the release of their next album, 'Valhalla Dancehall' in January 2011.
In November 2011, the band started hosting a regular club evening in Brighton called "Krankenhaus" that recalled some of their Club British Sea Power events. DJ sets, friends of the band and general BSP hijinx.
On 9 August 2021, British Sea Power announced they were changing their name to Sea Power. In a statement the band explained:
"In recent times there’s been a rise in a certain kind of nationalism in this world – an isolationist, antagonistic nationalism that we don’t want to run any risk of being confused with. It’s become apparent that it’s possible to misapprehend the name British Sea Power, particularly if someone isn’t familiar with the band or their recordings. We’ve always been internationalist in our mindset, something made clear in songs like Waving Flags, an anthem to pan-European idealism. We always wanted to be an internationalist band but maybe having a specific nation state in our name wasn’t the cleverest way to demonstrate that. We very much hope the band’s audience won’t be affronted by this adjustment to the name. We’d like to make it clear that removing the word “British” does NOT indicate any aversion to the British Isles whatsoever. We all feel immensely fortunate to have grown up in these islands. Several or our songs are filled with love and awe for this place. We do love these lands. We all still live within the British Isles, but we are now just Sea Power. We feel the name change comes in part from the band’s audience – who at a good show will shout out, “Sea Power! Sea Power!” Maybe this name change has been there for years, shouted in our ears. It’s just taken us this long to realise – to hear what was there in front of us… "
Moley and Me
British Sea Power Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
So we went out for a walk
Where we have always loved, those dells and guns
Where they cannon off everything
In the factory yards
Just two weasels
We were born without hearts
And they don't treat us so well any more
No, they don't treat us so well any more
Any more
We would spend our time
Moley and me
Killing everybody
We would spend our time
Killing everybody
Grey water, mud flats, filled us with emptiness here
Close your eyes and disappear
Can you hear a noise?
This is a noise we could easily stop
An echo of a diesel train, grey overcast days
But now we're digging for bones in the mire
In the mire
We would spend our time
Moley and me
Killing everybody
We would spend our time
Killing everybody
The opening lyrics of British Sea Power's song "Moley and Me" are full of nostalgic imagery, painting a picture of an industrial town where the factories have fallen silent and the once-bustling docks are now empty. The reference to "fins and curves" suggests the heyday of car manufacturing, while the mention of "dells and guns" implies a history of industry and warfare. Against this backdrop, the singer (presumably one of the titular "weasels") reflects on a time when they "were born without hearts" and spent their days "killing everybody". It's not clear whether this is meant to be taken literally - perhaps the weasels are actually predators who prey on their fellow creatures - or whether it's a metaphorical exploration of a more violent, aggressive state of mind.
As the song progresses, the imagery takes on a more bleak and desolate tone. The "grey water" and "mud flats" suggest a polluted environment, while the reference to "digging for bones in the mire" brings to mind a sense of hopelessness and decay. Even the sound of a "diesel train" is portrayed as an unwelcome intrusion into this dreary world. Throughout it all, the two weasels remain a mystery: are they the victims of the industrial decline, or are they agents of destruction who revel in the devastation around them? The ambiguity of the lyrics allows the listener to draw their own conclusions, but whatever the case, there's a sense of sadness and loss that permeates the song.
Line by Line Meaning
The fins and the curves, they don't make them like that anymore
The design and craftsmanship of old cars are no longer present in modern cars
So we went out for a walk
The singer and another person took a walk
Where we have always loved, those dells and guns
The two individuals enjoy spending time in nature and being around firearms
Where they cannon off everything
The loud bang of a gun is a familiar sound to them
In the factory yards
The industrial areas that surround them
Just two weasels
The two individuals see themselves as small rodents
We were born without hearts
Metaphorically, they feel empty inside
And they don't treat us so well any more
They feel unappreciated by the people around them
Even though we know it's all there
Despite knowing that everything they need is present around them
No, they don't treat us so well any more
Their sense of neglect is further reinforced
Any more
Emphasizing the lack of attention they receive from others
We would spend our time
The two individuals would use their time for
Moley and me
Refers to the two individuals
Killing everybody
Violent activities, both metaphorically and literally
Grey water, mud flats, filled us with emptiness here
Their surroundings, consisting of murky water and muddy land, make them feel empty
Close your eyes and disappear
A desire to escape reality and stop existing
Can you hear a noise?
An auditory stimulation that caught their attention
This is a noise we could easily stop
They could easily put an end to the noise if they wanted to
An echo of a diesel train, grey overcast days
The noise they hear is reminiscent of a train, and the weather is bleak
But now we're digging for bones in the mire
They have now turned to morbid activities, such as scavenging in the mud
In the mire
Emphasizing the disgusting environment they are in
Lyrics © Sony/ATV Music Publishing LLC, BMG Rights Management
Written by: MARTIN NOBLE, JAN SCOTT WILKINSON, NEIL HAMILTON WILKINSON, MATTHEW JAMES WOOD
Lyrics Licensed & Provided by LyricFind