Cockburn's early albums were fairly straight ahead folk music spotlighting his brilliant guitar playing. In fact, there were a good number of instrumental guitar numbers on those early recordings. A Christian element came into his music around the time of the album Salt, Sun and Time, and over time his writing has taken on a stronger and stronger political orientation.
Perhaps the most consistent element of Cockburn's music has been his willingness to change and evolve over time. In this way, he is similar to fellow Canadians Joni Mitchell and Neil Young.
He has had a couple of radio hits in the United States, including (Wondering Where the Lions Are and If I Had a Rocket Launcher).
His albums in the 80s are considered some of his strongest, including Humans, Inner City Front, Stealing Fire, and Big Circumstance. After Big Circumstance he struggled with writer's block, and his output began to slow down; but he recovered with the formidable Nothing But a Burning Light, which led the way back to a sparer, more folk-oriented form of music. His later album The Charity of Night contains one of his most thoughtful songs, Pacing the Cage.
His 2006 album Life Short Call Now was preceded by Speechless, a collection of instrumentals, many of them from earlier albums. The album highlights Cockburn's prodigious abilities as a guitarist.
Cockburn's 31st studio album,Small Source of Comfort was released in March, 2011. BruceCockburn.com called the album "an adventurous collection of songs of romance, protest and spiritual discovery. The album, primarily acoustic yet rhythmically savvy, is rich in Cockburn’s characteristic blend of folk, blues, jazz and rock."
The Mines Of Mozambique
Bruce Cockburn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Through this African lowland
The moon is held up orange and big
See it raise its hands
And the last ferry's pulling out
With no place left to stand
For the mines of Mozambique
Waiting in the ground
But no one can remember
Where they put it down
If you're the child that finds it there
You will rise upon the sound
Of the mines of Mozambique
Some men rob the passersby
For a bit of cash to spend
Some men rob whole countries dry
And still get called their friend
And under the feeding frenzy
There's a wound that will not mend
In the mines of Mozambique
Night, like peace,
Is a state of suspension
Tomorrow the heat will rise
And mist will hide the marshy fields
The mango and the cashew trees
Which only now they're clearing brush from under.
Rusted husks of blown up trucks
Line the roadway north of town
Like passing through a sculpture gallery
War is the artist
But he's sleeping now
And somebody will be peddling vials of penicillin stolen out of all the medical kits sent to the countryside.
And in the bare workshop they'll be molding plastic into little prosthetic limbs
For the children of this artist
And for those who farm the soil that received
His bitter seed...
The all-night stragglers stagger home
Cocks begin to crow
And singing birds are starting up
Telling what they know
And after awhile the sun will come
And we'll see what it will show
Of the mines of Mozambique
The song "The Mines of Mozambique" is a powerful commentary on the exploitation and devastation caused by the mining industry in Mozambique, an African country that has been plagued by civil war and poverty. The opening lines describe a vast, winding river that marks the lowland terrain, and the moon rising above it. The imagery evokes a sense of awe and beauty, but this tranquil scene is soon contrasted with the harsh realities of the mining industry. The last ferry is pulling out, leaving no place to stand for those working in the mines. The wealth of the minerals below the ground is described as a "wealth of amputation" - a blunt yet effective way of conveying the horrific injuries and fatalities that mining can bring.
The lyrics go on to criticize the greed and corruption that often accompany the exploitation of natural resources. While some men simply rob passersby for a few dollars, others rob whole countries and get away with it. The feeding frenzy is described as causing a wound that will not heal, a reference to the long-lasting effects of colonialism and greed on African nations. The final verse offers some hope, with a sense that life perseveres despite the challenges faced by the people of Mozambique. The cock crowing and the birds singing suggest a new day, bringing new opportunities for growth and development.
Line by Line Meaning
There's a broad river winding
A large river meanders through the landscape of Mozambique
Through this African lowland
The river passes through a flat area in Africa
The moon is held up orange and big
The moon is visible and appears large and orange in the sky
See it raise its hands
The moon appears to be lifting its hands up towards the sky
And the last ferry's pulling out
The final boat is leaving the area
With no place left to stand
There is no longer a physical spot for people to remain
For the mines of Mozambique
This is due to the fact that the area is filled with mines
There's a wealth of amputation
There is an abundance of resources in the ground
Waiting in the ground
These resources are still undiscovered
But no one can remember
There is nobody left who knows where these resources are located
Where they put it down
The exact location of the resources is unknown
If you're the child that finds it there
If someone discovers this wealth, especially a young child
You will rise upon the sound
They will become successful rapidly
Of the mines of Mozambique
Due to the abundance of resources in the area
Some men rob the passersby
Some people engage in petty theft for financial gain
For a bit of cash to spend
They do this to acquire money to use for themselves
Some men rob whole countries dry
Other people exploit entire countries' resources and wealth
And still get called their friend
Despite their exploitation, they are still seen as friendly
And under the feeding frenzy
In the midst of chaos and greed
There's a wound that will not mend
A deep injury that cannot be healed
In the mines of Mozambique
This wound is a result of the exploitation of Mozambique's resources
Night, like peace,
The nighttime is similar to a peaceful state
Is a state of suspension
Time feels like it is paused or on hold
Tomorrow the heat will rise
The next day will be hot
And mist will hide the marshy fields
Mist will obscure the low-lying, damp areas
The mango and the cashew trees
These are examples of trees in the area
Which only now they're clearing brush from under.
The underbrush around these trees is only being removed now
Rusted husks of blown up trucks
Abandoned vehicles that have been destroyed
Line the roadway north of town
These vehicles line the road leading out of town, heading north
Like passing through a sculpture gallery
This scene is reminiscent of a gallery filled with sculptures
War is the artist
The destruction and decay from war creates this artistic display
But he's sleeping now
There is currently a lull in the violence
And somebody will be peddling vials of penicillin stolen out of all the medical kits sent to the countryside.
People are illicitly selling medicine that was meant for those living in rural areas
And in the bare workshop they'll be molding plastic into little prosthetic limbs
In a rudimentary manufacturing area, people are creating prosthetic limbs out of plastic
For the children of this artist
These limbs are for those who have been impacted by the violence of war
And for those who farm the soil that received
They are also made for those who grow crops in the war-torn land
His bitter seed...
This is a metaphor for the impact that the war has had on the land and its inhabitants
The all-night stragglers stagger home
Those who were out late are slowly making their way home
Cocks begin to crow
Roosters are heralding the beginning of a new day
And singing birds are starting up
Birds are beginning to sing
Telling what they know
This is a metaphor for the beginning of a new day and the potential to uncover more information
And after awhile the sun will come
The sun will rise eventually
And we'll see what it will show
This is a reflection on the unknown future in Mozambique, both good and bad
Of the mines of Mozambique
The abundance of resources in the land
Contributed by Juliana C. Suggest a correction in the comments below.
Tom
Had forgotten how great this album was!
moonlitme
Twenty years on, this song still brings tears to my eyes.