In 1984 Hornsby formed Bruce Hornsby & the Range, who were signed to RCA Records in 1985. Besides Hornsby, Range members were David Mansfield (guitar, mandolin, violin), George Marinelli (guitars and backing vocals), Joe Puerta (bass guitar and backing vocals), and John Molo (drums).
During the 1990s he toured with the Grateful Dead, and released four albums, including A Night on the Town (1990) after which he split from The Range. Harbor Lights (1993) was his first solo album and signaled Hornsby was moving in a new jazz-influenced direction, whilst retaining elements of rock and pop. Later releases include Hot House (1995) and Spirit Trail (1998).
His experimental album Big Swing Face (2002) attracted much criticism as it veered away from his piano-based style. Despite these criticisms, he returned with his next studio album, shrugging off RCA and signing to Sony Music Entertainment. Halcyon Days, released in 2004, saw a return to the piano as the key instrument; this album also became the premise for his world tour the same year.
Hornsby continues to tour with his live band "The Noisemakers", in addition to solo shows and his progressive bluegrass performances with Ricky Skaggs.
In 2007 he released Camp Meeting, his first total jazz album as The Bruce Hornsby Trio, which involved jazz giants, Jack DeJohnette and Christian McBride with whom he made live appearances with throughout 2007.
In March 2007 Hornsby teamed with bluegrass player Ricky Skaggs to produce a bluegrass album, Ricky Skaggs & Bruce Hornsby, and played several tour dates together. The seeds for the album had been sown in 2000 when the pair collaborated on "Darlin' Cory", a track on the Big Mon Bill Monroe bluegrass tribute album and then proposed recording an album together. Ricky Skaggs & Bruce Hornsby, featuring the duo backed by Skaggs's band Kentucky Thunder, combined bluegrass, traditional country, "a tinge of Hornsby's jazzy piano and a splash of humor" on a spectrum of songs from the traditional to new compositions such as the opening track "The Dreaded Spoon," "a humorous tale of a youthful ice cream heist. The pair also reinvented Hornsby's hit "Mandolin Rain" as a minor key acoustic ballad and "give his cautionary tale of backwoods violence", "A Night On the Town," a treatment highlighting the "Appalachian storytelling tradition that was always at the song's heart. The album ended with a surprise cover of Rick James's funk hit "Super Freak" in a bluegrass arrangement. Ricky Skaggs & Bruce Hornsby topped Billboard's bluegrass charts for several weeks. The album showed Hornsby carving out a place for piano within traditional bluegrass, disproving the notion that the piano is not compatible with "string-oriented" bluegrass.
Concurrently with the bluegrass project, Hornsby recorded a jazz album, Camp Meeting. with Christian McBride (bass) and Jack DeJohnette (drums). Alongside original compositions by Hornsby, the trio delivered "newly reharmonized versions" of tunes by John Coltrane, Miles Davis, Thelonious Monk and Bud Powell, a previously unrecorded Ornette Coleman work ("Questions and Answers") and an early Keith Jarrett composition ("Death and the Flower.") The trio made a series of appearances in the summer of 2007, including the Playboy Jazz Festival, the Newport Jazz Festival and at the Hollywood Bowl.
On January 4, 2007, former Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart reunited along with Hornsby, Mike Gordon (of Phish and the Rhythm Devils) and Warren Haynes to play two sets. including Dead classics, at a post-inauguration fundraising party for Nancy Pelosi, the first woman to serve as Speaker of the House in the United States Congress.
Hornsby wrote songs for a Broadway Musical, titled "SCKBSTD"; one song from this project, a playful biographical tune about real-estate tycoon Donald Trump titled "The Don of Dons," made several appearances in setlists during his early-2007 solo piano performances. He also composed the score for Spike Lee's ESPN documentary, Kobe Doin' Work, about NBA star Kobe Bryant and his MVP season.
Outside of music composition and performance, Hornsby has taken an ownership interest in Williamsburg area radio station "The Tide," WTYD 92.3 FM, and he has endowed the Bruce Hornsby Creative American Music Program at University of Miami's Frost School of Music, encouraging the study of songwriting broadly across traditional genres. Hornsby played himself in a cameo role in the Robin Williams movie World's Greatest Dad, in which Williams' character is a Bruce Hornsby fan.
He has also been honored by piano makers Steinway & Sons with their Limited Edition Signature Piano Series. Hornsby selected ten Model B Steinway Grands to be featured in this collection, each one personalized with his signature. Hornsby owns three 9-foot Model D Steinway Grands himself.
The Changes
Bruce Hornsby Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Two chairs filled for every five gone to waste
Pantsuit girl gives me a nasty gaze
She says play that on your own time
Walk to the bandstand blow my horn
Nobody knows what we're really here for
Let's take it out hard till they show us the door
It's us against them tonight
Play the changes
Make the changes
Hear the changes
Take it out hard till they show us the door
A girl with a nose ring said to me
She said where's the joy in your delivery
I said maybe there's not supposed to be
Any real joy at all here
She sat there with that plaster smile
As we sit jiving but in a little while
Holding her hair she joined the single file
And walked on down the hall
Play the changes
Make the changes
Hear the changes
Us against them tonight
The owner says he thinks we need some work
Got a place for you, got some roadwork
Laying asphalt on the interstate
Nobody cares and why should they
A white girl in a dashiki says you're all the rage
My friends and I think you're quite the sage
Wear a kofu and a finger gauge
To see which way the wind blows today
Play the changes
Make the changes
Hear the changes
To see which way the wind blows today
Old friend Dave with the silver spoon
Says why don't you play those good old tunes
Give it up now you could fill the room
I say there's nothing like a good Trane tune
Changes
These things called changes
Where do we go from here?
"The Changes" by Bruce Hornsby is a song about the challenges faced by musicians in the music industry. The song describes a scene in which the band is performing in front of people who don't appreciate their music. In the first stanza, the singer talks about the chairs filled with people who don't appreciate the music and the pantsuit girl who gives him a nasty look. The band is determined to take it out hard until they are shown the door, and in the chorus, the band members encourage each other to play, make, and hear the changes during their performance.
In the second stanza, the singer talks to a girl with a nose ring who questions there not being any real joy in their delivery. The singer explains that maybe there is no joy at all in the performance. This part of the song highlights the idea that making music is not always about providing entertainment or pleasing the audience. The song concludes with Old Friend Dave suggesting that the band should play the good old tunes, and the singer responds with the rhetorical question, "Where do we go from here?" it is a reflection of the challenge faced by musicians in staying relevant, finding new ways to create, and finding a balance between staying rooted in the past and exploring new ideas.
Line by Line Meaning
The scene is set, everybody's in place
The people and instruments are all set for their performance.
Two chairs filled for every five gone to waste
The place is not entirely occupied, hence most of the chairs remain empty.
Pantsuit girl gives me a nasty gaze
A girl wearing a pantsuit looks at me with disapproval.
She says play that on your own time
She wants me to stop playing the music.
Walk to the bandstand blow my horn
I walk towards the stage to play the saxophone.
Nobody knows what we're really here for
No one really knows or understands the purpose of our performance.
Let's take it out hard till they show us the door
Let's play our music really well until we're forced to leave.
It's us against them tonight
We are playing against the crowd or audience tonight.
A girl with a nose ring said to me
A girl wearing a nose ring came up to me and said,
She said where's the joy in your delivery
She asked why I'm not playing the music with much enthusiasm or much joy.
I said maybe there's not supposed to be
I replied that perhaps the music doesn't require me to feel joy or enthusiasm while playing it.
Any real joy at all here
There is no real joy that can be found here in playing the music.
She sat there with that plaster smile
She sat there without showing any signs of her true emotions, like a plastered smile on her face.
As we sit jiving but in a little while
As we play the music and dance, but soon it will all be over.
Holding her hair she joined the single file
She held her hair and got into a line along with many others.
And walked on down the hall
They walked away from the performance to end the night.
The owner says he thinks we need some work
The owner of the venue thinks that we need to improve our skills.
Got a place for you, got some roadwork
He has arranged for us to practice on the road.
Laying asphalt on the interstate
We will be playing music while the roads are being built.
Nobody cares and why should they
No one seems to be concerned about this practice, and it's not important.
A white girl in a dashiki says you're all the rage
A white girl wearing a dashiki compliments me by saying that my music is popular.
My friends and I think you're quite the sage
Her friends and she see me as a wise person.
Wear a kofu and a finger gauge
She suggests I wear a kind of Japanese robe and a ring to get an idea of how the music will fare.
To see which way the wind blows today
To test which type of music is more popular today.
Old friend Dave with the silver spoon
My wealthy old friend Dave comes up and speaks to me.
Says why don't you play those good old tunes
Dave tells me to play the traditional music that is popular in our culture.
Give it up now you could fill the room
He advises me to stop playing my kind of music, and play something that will appeal to the general crowd.
I say there's nothing like a good Trane tune
I disagree with him, saying that nothing compares to a good composition by John Coltrane.
Changes
The nature of music is always changing and evolving.
These things called changes
These 'changes' referred to in the song are the constant evolution of music.
Where do we go from here?
The future of music is uncertain and it's difficult to predict where it is headed from here.
Lyrics © Sony/ATV Music Publishing LLC, Universal Music Publishing Group
Written by: BRUCE HORNSBY, TUPAC AMARU SHAKUR, DEON EVENS
Lyrics Licensed & Provided by LyricFind
@Digman77
Anybody listening in 2024
@robertlinear2698
Yesss always! This NEVER goes out of style ❤
@robertlinear2698
He killed those 88s!
@mikamydog
Bought a $55 concert ticket for September. Excited to see him perform
@Digman77
@@mikamydog that’s awesome!!
@mikamydog
@@Digman77Can't believe he's only charging that much as opposed to current acts less talented than he is.
@user-qn3eo4hx7z
I'm black and my 25 year old son asked me why I was listening to this. I said its great music and the base of alot of the hip-hop you are listening to. He told me I was old and crazy.
I then played Tupac's changes. And asked him how crazy am I. 🤣
@wutang6020
Try Pete and bas 😉 everything you just said there in a nut shell 👌😊
@karensweeden5038
Music is color blind,just the way it is,God bless you
@HitsFromThePast
@@karensweeden5038 Not to MTV in the early 1980s but that was the way it was.