He was born in Lubbock, Texas, to a musical family during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, and he performed in Lubbock with his friends from high school. He made his first appearance on local television in 1952, and the following year he formed the group "Buddy and Bob" with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band's style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.
Holly's recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley's control in the studio and with the sound he achieved there, he went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of "That'll Be the Day", among other songs. Petty became the band's manager and sent the demo to Brunswick Records, which released it as a single credited to "The Crickets", which became the name of Holly's band. In September 1957, as the band toured, "That'll Be the Day" topped the US "Best Sellers in Stores" chart and the UK Singles Chart. Its success was followed in October by another major hit, "Peggy Sue".
The album Chirping Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after, toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern U.S. After a show in Clear Lake, Iowa, he chartered an airplane to travel to his next show, in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing him, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as "The Day the Music Died".
During his short career, Holly wrote, recorded, and produced his own material. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. He was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, Weezer, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of "100 Greatest Artists".
My Two Timin' Woman
Buddy Holly Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You talk about a woman treatin' a good man rude
She left me talkin' to myself just a gazin' at that mean old wall.
She had another daddy waitin' down at the end of the hall.
She changes with the weather like the leaves I recall,
She blossoms in the spring but then she's gone in the fall,
A two timin' woman with a heart of solid stone.
She said she'd never leave me but she got that urge to roam,
She drifts around the country like a stream-boat on the foam,
Never changes course just travels along that same old way.
I hope she goes a-drift and rolls along back home some day.
Now, if I ever find her, gonna chain her to the floor,
Then tell her: Now sit there woman 'cause you ain't leavin' no more,
I'm gonna tame you woman till you're eatin' from my hand.
It ain't that I don't love you,
Honey it's just to make you understand.
Buddy Holly's "My Two Timin' Woman" is an upbeat rockabilly song about a woman who can't seem to settle down and stay committed. In the first verse, the singer wakes up feeling terrible because his woman has been treating him poorly. He's left talking to himself, staring at a mean old wall while she's off with another man at the end of the hall. The second verse further illustrates the woman's fickleness, comparing her to the changing weather and the seasonal cycle of leaves. She's a two-timing woman with a heart of stone who tells him she loves him but doesn't fully mean it.
Despite her inability to settle down, the singer hopes that she'll eventually drift back home. In the final verse, he expresses a desire to tame her by chaining her to the floor, not because he doesn't love her, but because he wants her to understand his commitment to her. The song ends on a somewhat optimistic note, with the singer wanting to make things work with his two-timing woman.
Line by Line Meaning
I woke up this mornin' in a terrible mood,
I woke up feeling really bad this morning
You talk about a woman treatin' a good man rude
She treated me really bad, worse than you can imagine
She left me talkin' to myself just a gazin' at that mean old wall.
She left me alone with my thoughts, staring at the wall in despair
She had another daddy waitin' down at the end of the hall.
She had another man waiting for her at the end of the hall
She changes with the weather like the leaves I recall,
Her attitude changes constantly, like how leaves change in different seasons
She blossoms in the spring but then she's gone in the fall,
She only seems happy for a short period of time before leaving
A two timin' woman with a heart of solid stone.
She's a cheating woman with no remorse
She tells me that she loves me but her heart's a little under grown.
She claims to love me but doesn't really understand the meaning of love
She said she'd never leave me but she got that urge to roam,
She promised to stay with me but couldn't resist the desire to travel
She drifts around the country like a stream-boat on the foam,
She travels aimlessly like a boat on a river
Never changes course just travels along that same old way.
She never changes her ways and always follows the same path
I hope she goes a-drift and rolls along back home some day.
I hope she travels back home one day
Now, if I ever find her, gonna chain her to the floor,
If I find her, I'll make sure she never leaves again
Then tell her: Now sit there woman 'cause you ain't leavin' no more,
I'll tell her to stay put and never leave again
I'm gonna tame you woman till you're eatin' from my hand.
I'll make her submit to me completely
It ain't that I don't love you,
I do love you
Honey it's just to make you understand.
I want you to understand that you can't hurt me anymore
Writer(s): Hank Snow
Contributed by Audrey O. Suggest a correction in the comments below.
@jonathanwhitfield2864
Buddy was already a fine guitarist at age 13. Incredible that something like this even exists at all.
@Lynd8
Showing signs of brilliance already at 13!
@annarizzo8822
He actually sounds actually so cute :,)
@lgbtqisahategroup9781
King of Rock.
@emptyspotlight
sounds way better than the one on the 2008 Not Fade Away set
@thedarkknight1357
Sounds the same
@iPollitoR
Ésta calidad está mas audible que la que colgaron en su canal oficial
@thedarkknight1357
Sounds the same
@jimmyhossen4976
I don't know about this
@JamalSteve-fl1ql
It was recorded on a wire recorder not on 45rpm