Often thought of as a cross between Black Sabbath (due to their plodding, molten-heavy riffs) and Rush (due to their singer's high-pitched, Geddy Lee-esque wail), the somewhat obscure British metal outfit Budgie has influenced countless outfits, despite enduring countless lineup shifts throughout their history. The group originally formed in 1967 in Cardiff, Wales, comprised of members Burke Shelley (vocals, bass), Tony Bourge (guitar), and Raymond Phillips (drums), and by the early '70s, they'd inked a deal with MCA Records. This early lineup remains Budgie's most definitive, due to the fact that it spawned three of the group's finest albums — 1971's self-titled debut, 1972's Squawk, and 1973's Never Turn Your Back on a Friend — while the group's quirky song titles became somewhat of a trademark for the trio (such ditties as Nude Disintegrating Parachutist Woman, Hot as a Docker's Armpit, In the Grip of a Tyrefitter's Hand, and You're the Biggest Thing Since Powdered Milk). For fans of early Sabbath, the aforementioned three discs are a must-have.
Despite building a sizeable following in their homeland (while never breaking out of cult status stateside), Phillips left the group prior to their fourth album, 1974's In for the Kill!, replaced by newcomer Pete Boot, which would in turn set off a flurry of steady lineup changes over the years for the group (the only constant Budgie member from the beginning was Shelley). Further releases were issued throughout the '70s, including 1975's Bandolier, 1976's If I Were Brittania I'd Wave the Rules, and 1978's Impeckable, but each appeared to be less inspired than its predecessor. With the emergence of the New Wave of British Heavy Metal movement (Judas Priest, Iron Maiden, Motörhead, etc.), interest in Budgie appeared to be rekindled once more in England, as Budgie headlined the Reading Festival in 1980 and 1982, in addition to issuing such albums as 1980's If Swallowed Do Not Induce Vomit and Power Supply, 1981's Nightflight, and 1982's Deliver Us from Evil.
Shelley and company would remain together for a few more years before splitting up quietly by the mid-'80s (ex-members Bourge and Phillips would unite in a new group called Tredegar, issuing a lone self-titled release in 1985). But almost as soon as they disbanded, several high-profile groups began covering Budgie classics, including Metallica ("Crash Course in Brain Surgery" and "Breadfan"), Iron Maiden ("I Can't See My Feelings"), and Soundgarden ("Homicidal Suicidal"), while back in their early club days Van Halen was known to cover the title track from In for the Kill! Budgie reunited for sporadic live gigs throughout the '90s (while past members formed the similarly styled outfits Six Ton Budgie and Boot66), resulting in several archival collections being issued: the best-of compilations An Ecstasy of Fumbling: The Definitive Anthology (a double-disc set) and Best of Budgie (a single disc), as well as the live sets Heavier Than Air: Live on the BBC and We Came We Saw (the latter of which featured selections from both of their Reading Festival appearances in the early '80s). ~ Greg Prato
Band biography on Wikipedia https://en.wikipedia.org/wiki/Budgie_(band)
There are other artists withe same name:
2) Peter Edward Clarke, (born 21 August 1957, in St Helens, Lancashire), better known as Budgie, is an English drummer. He began his career with the Spitfire Boys and Big in Japan before playing with The Slits on the album Cut. In September 1979, Budgie joined Siouxsie and the Banshees and became a permanent member of the band until they split up in 1996.
3) Budgie - a Glasweigen Punk, Acoustic punk rock.
4) Budgie is a London, Los Angeles based hip-hop producer influenced strongly by Gospel, Soul and Funk music collaborating with artist such as The Alchemist, Action Bronson and others. With notable releases..
[ album artist=Budgie ]Holy Ghost Zone, [ album artist=Budgie ]Holy Ghost Zone II, [ album artist=Budgie ]The Good Book - Sweet Sweet Spirit [ album artist=Budgie ]The Good Book II - Chuuch Preach Tabernacle, [ album artist=Budgie ]The Ballad Of A Dopehead, [ album artist=Budgie ]Panty Soakers 0,[ album artist=Budgie ]Panty Soakers 6, [ album artist=Budgie ]Panty Soakers 5,[ album artist=Budgie ]Panty Soakers 3, [ album artist=Budgie ]Panty Soakers 2, [ album artist=Budgie ]Late Summer Soakers DX
N.O.R.A.D.
Budgie Lyrics
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Early warning, flash of a light in the sky
A long black cavern, Cheyenne Mountain
Minutes counting, warning to keep you alive
Fade out! One of the names for killing the masses
Fade out! It's your fault
Fade out! Extreme in demise, we can't take a chance
Look at the world through the eyes of NORAD
Look at the world through the eyes of NORAD
Wait, before reason, now the season
Changes to the coldest of all in the fall
There, down below, that they were told to
Take a loaded gun to be held at the head
Fade out! You cannot be saved so blow up the world
Fade out like defcom
Fade out! We must be insane it's really a drill
Fade out like defcom
(A sycophant is not what you think
I feel helpless and practically double dictated)
Look at the world through the eyes of NORAD
Look at the world through the eyes of NORAD
Look what you've done to the world
The lyrics of Budgie's song "N.O.R.A.D." touch upon themes of war, destruction, and the dangers of nuclear weapons. The song begins with a sense of impending doom, as a missile approaches and the sun rises. It references Cheyenne Mountain, where the North American Aerospace Defense Command (NORAD) is located, suggesting that the events described are happening in close proximity to the organization responsible for monitoring and defending North American airspace.
The chorus, "Fade out! One of the names for killing the masses, It's your fault," implies that the responsibility for the destructive actions lies with those in power. The lyrics criticize the extreme measures taken, presenting them as a fault that could have dire consequences. The song then encourages the listener to view the world through the eyes of NORAD, perhaps suggesting a need for awareness and understanding of the potential consequences of global conflicts.
The second verse delves deeper into the irrationality of the situation, as reason gives way to a harsh season, symbolizing the coldness of war. The lyrics suggest that someone has been instructed to hold a loaded gun to their head, highlighting the desperate and dangerous nature of the situation. The song continues to emphasize that the actions that have led to this destructive scenario are the fault of those in power.
Overall, "N.O.R.A.D." serves as a critique of the military-industrial complex and the potential for self-destruction that arises from the pursuit of power and conflict.
Line by Line Meaning
Light, missile coming, sun is dawning
As the sun rises, a missile approaches, signaling impending danger.
Early warning, flash of a light in the sky
A warning signal appears in the form of a bright flash in the sky, indicating the need for immediate action.
A long black cavern, Cheyenne Mountain
Within the depths of Cheyenne Mountain lies a hidden shelter, a symbol of protection and safety.
Minutes counting, warning to keep you alive
Time is of the essence, and every minute counts as the warning aims to ensure your survival.
Fade out! One of the names for killing the masses
In this critical situation, where countless lives are at stake, the concept of fading out represents a grim euphemism for mass casualties.
Fade out! It's your fault
Accepting responsibility for the impending devastation rests upon your shoulders.
Fade out! Extreme in demise, we can't take a chance
The dire consequences of this event demand extreme measures, leaving no room for chance or error.
Look at the world through the eyes of NORAD
Shift your perspective and view the world from the standpoint of NORAD, gaining a unique insight into the gravity of the situation.
Wait, before reason, now the season
Prior to rationality, at this particular time of year,
Changes to the coldest of all in the fall
the season transitions to its coldest state during autumn, symbolizing the frigidity of the impending crisis.
There, down below, that they were told to
Deep underground, where they were instructed,
Take a loaded gun to be held at the head
They are directed to bear the burden of an inescapable and life-threatening situation, akin to someone pointing a loaded gun to their head.
Fade out! You cannot be saved so blow up the world
Acknowledging the impossibility of salvation, the only remaining course of action is to bring about the destruction of the entire world.
Fade out like defcom
Similar to the fading of DEFCON (Defense Readiness Condition) levels, indicating an escalating threat and need for immediate action.
Fade out! We must be insane, it's really a drill
This dire scenario seems too absurd to be true, leading to the realization that it might merely be a simulated practice exercise.
Fade out like defcom
Once again, alluding to the fading of DEFCON levels, signifying the need for increased preparedness and vigilance.
(A sycophant is not what you think
The term 'sycophant' carries a different connotation than you may initially believe,
I feel helpless and practically double dictated)
expressing a sense of powerlessness and being subject to two opposing influences.
Look at the world through the eyes of NORAD
Continuing to emphasize the significance of adopting NORAD's perspective to truly comprehend the global impact.
Look what you've done to the world
Reflecting upon the devastating consequences of one's actions, as they have contributed to the state of chaos present in the world.
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Nader Iranfar
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