Buffalo Daughter is a Japanese rock group formed in 1993 in Tokyo. The thre… Read Full Bio ↴Buffalo Daughter is a Japanese rock group formed in 1993 in Tokyo. The three main members are suGar Yoshinaga (ex-Havana Exotica) on guitar, Yumiko Ohno (ex-Havana Exotica) on bass, and MoOog Yamamoto on turntables and graphic design. The group originally had a drummer, Chika Ogawa, but after her departure they've had no permanent drummer and have hired different people to fill in as needed. In addition, the band is well known for using a number of electronic instruments, such as the TB-303, TR-606, Minimoog, shortwave radio, etc.
Though less well-known to most of the world than bands such as Pizzicato Five or Cibo Matto, Buffalo Daughter is considered to be the linchpin of the so-called "cut-and-paste" rock Shibuya-kei (Wikipedia) movement from Japan. The band had its beginnings in the early 1990s signed to independent Japanese label Cardinal. Seeking wider exposure, they continued under the Beastie Boys' now-defunct music label Grand Royal, bringing their discography up to a total of four full-length album releases, an EP, and a handful of remixes. The band's style, always a variety grab-bag of different sounds and genres, evolved slowly but surely into a more cohesive and restrained melodic style. In 2002, Buffalo Daughter released their fifth full-length effort, I, in the United States on Los Angeles-based label Emperor Norton Records.
According to band member Ohno, "We call ourselves Buffalo Daughter because our sound is very strong. And the buffalo is strong." In a 1998 interview, the group explained that "Buffalo" projects a pleasing image of American culture and countryside and at the time of the group's original formation, all the members were girls, so "Daughter" was appropriate. Also, the sound of name itself appeals to the group.
It was announced that in 2006 Buffalo Daughter would collaborate with pop-star Ami Suzuki. They released the single "O.K. Funky God" together on February 28, 2007, and it was later included on Suzuki's Connetta album.
www.buffalodaughter.com
Though less well-known to most of the world than bands such as Pizzicato Five or Cibo Matto, Buffalo Daughter is considered to be the linchpin of the so-called "cut-and-paste" rock Shibuya-kei (Wikipedia) movement from Japan. The band had its beginnings in the early 1990s signed to independent Japanese label Cardinal. Seeking wider exposure, they continued under the Beastie Boys' now-defunct music label Grand Royal, bringing their discography up to a total of four full-length album releases, an EP, and a handful of remixes. The band's style, always a variety grab-bag of different sounds and genres, evolved slowly but surely into a more cohesive and restrained melodic style. In 2002, Buffalo Daughter released their fifth full-length effort, I, in the United States on Los Angeles-based label Emperor Norton Records.
According to band member Ohno, "We call ourselves Buffalo Daughter because our sound is very strong. And the buffalo is strong." In a 1998 interview, the group explained that "Buffalo" projects a pleasing image of American culture and countryside and at the time of the group's original formation, all the members were girls, so "Daughter" was appropriate. Also, the sound of name itself appeals to the group.
It was announced that in 2006 Buffalo Daughter would collaborate with pop-star Ami Suzuki. They released the single "O.K. Funky God" together on February 28, 2007, and it was later included on Suzuki's Connetta album.
www.buffalodaughter.com
Airport Rock
Buffalo Daughter Lyrics
We have lyrics for these tracks by Buffalo Daughter:
1 I Feel FIne FIne fIne FIne fIne fIne I Feel FIne …
A Completely Identical Dream One morning I woke up and found myself Sitting in a…
Cold Summer Cold summer Cold, cold summer Cold summer Cold, cold summer …
Cyclic We're going into the light The age of white Thousands of del…
Earth Punk Rockers Will we survive Will we be alive and see new days We…
Eirth Punk Rockers Will we survive Will we be alive and see new days We…
Five Minutes I'm only asking for Five minutes of heaven I'm only demandin…
I I Feel FIne FIne fIne FIne fIne fIne I Feel FIne FIne fIn…
I Know I know...…
Mirror Ball Sound of sphere Floating in the air Perfect sphere Spin…
Moog Stone Tatta ichido dake Tatta icko dake Hikari hanatte Pulse no…
Peace He said "We are at war We¥re in the middle of…
Pshychic A-Go-Go Pshychedelic Psymultaneous Pshybernetic Pshychic…
Robot Sings My dear love Tell me why your heart is so empty. Won't…
socks drugs & rock n' roll 50 centimeter circle of perfect liberty, that's all we're gi…
Volcanic Girl Extraordinary beauty She's an all-boys school desire The gir…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Trouble Brother
I can't get over the craziness of the Shibuya-Kei genre. Track 1 gives fairly straightforward alternative/indie rock vibes, but with a hint of dissonance (ala Slint). Track 2 gives you classic acid/tech house vibes and experimentalism. Track 3 is back to rock/jam stuff with a hint of lo-fi/experimental/turntablism. Track 4-5 gives you a DJ Shadow plunderphonics vibe (crazy breaks)! Track 6 is like Air and Cake had a baby. Track 7-8 is like crazy post-rock/experimental vibes like The Mercury Program and Tortoise had a jam session. I could see these being used for Trigger Happy TV scenes. Track 9 has some blues rock licks with a weird tempo and sadness to the vocal delivery that reminds you of something like Bauhaus. Track 10 and 11 is like a hyper-charged Prince track after a few too many vodka tonics. Track 12 is back to a post-rock trance, but has the weird experimental "synthiness" that reminds me of The Enkindels or The Aquabats (sans horns). Then we top it off with track 13 and 14: an underwater João Gilberto performance after hanging out with Kraftwerk. Crazy shit. God bless.
Julia Roshambo
this is such a thoughtful/accurate comment.
Galdor Wotansson
Brilliant album. Like to hear it again and again. After all those years unbelievable fresh. Thanks for sharing.
yum yab
I love this album
Moldbug
Great band
Pentex Sucks
Where shibuya kei ends, the final boss of the genre
nql29250
な、懐かしい😂
shinya sato
いいですね
バンドやってた頃を思いだす
Teijiro Nishii
Good Rhythm ！！
utsukushii
buffalodaughter