As a youngster, Buju would often watch his favourite artists perform at outdoor shows and local dancehalls. At the tender age of 13 he picked up the microphone for himself and began toasting under the monicker of "Gargamel". His first single, "The Ruler" was released not long afterwards in 1987 under the production of Robert French at Penthouse Studios.
In 1991, Buju joined Donovan Germain's Penthouse Label and began a fruitful partnership with producer Dave Kelly. Buju is one of the most popular musicians in Jamaican history, having burst onto the charts there suddenly in 1992, with "Bogle" and "Love Me Browning/Love Black Woman", both massive hits in Jamaica. Controversy erupted over Love Me Browning which spoke of Banton's preference for light-skinned women: "Mi love mi car mi love mi house mi love mi money and ting, but most of all mi love mi browning." Some accused Banton of promoting a colonialist attitude and denigrating the beauty of black women. In response, he released "Black Woman" which spoke of his love for dark-skinned beauties: "Stop cry, fi all black woman, respect all the gyals with dark complexion." 1992 was an explosive year for Buju as he broke the great Bob Marley's record for the greatest number of number one singles in a year. Beginning with "Man fi Dead", Buju's gruff voice dominated the Jamaican airwaves for the duration of the year. Banton's debut album, Mr. Mention, includes his greatest hits from that year.
1992 was also the year in which the controversy over Buju's homophobic "Boom Bye Bye" exploded. The media in Great Britain picked up on Buju's less than admirable promotion of violence against homosexuals. Myrie, who had recently signed with Mercury records, refused to back down from his stance against homosexuals, claiming his religious beliefs prevented him from accepting homosexuality. Banton downplayed the violent content of his song, claiming that it was metaphorical. Gay Rights groups campaigned against Buju as well as Shabba Ranks who, when asked about the controversy on the British show The Word, stated, "God created Adam and Eve, not Adam and Steve." Shabba later apologized, but Buju refused to back down which drew the ire of various homosexual advocacy groups who continue to campaign against him.
Banton released the hard-hitting Voice of Jamaica in 1993. The album included a number of conscious tracks. These tracks included "Deportees" a song which criticized those Jamaicans who went abroad but never sent money home, a remix of Little Roy's "Tribal War", a sharp condemnation of political violence, and "Willy, Don't Be Silly" which promoted condom use. The conscious spin of this disc did little to stop the attacks of gay rights groups who felt that his continued performance of "Boom Bye Bye" was a slap in their faces. Some dancehall fans felt that Banton could have exploded onto the American scene if his homophobic song hadn't held him back. Nevertheless, Buju was adopted by many new fans who appreciated his gravelly vocals and cared little about his homophobia.
Til Shiloh (1995) was a very influential album, using a studio band instead of synthesized music, and marking a slight shift away from dancehall towards roots reggae for Banton. Buju turned Rasta and his new album reflected his new beliefs. Til Shiloh is one of the greatest dancehall albums of all time and successfully blended conscious lyrics with a hard-hitting dancehall vibe. The album included a single called "Murderer" which condemned the violence in Jamaican dancehall music, inspired by the murders of dancehall musicians Panhead and Dirtsman. The song inspired several clubs to stop playing songs with excessively violent subject matter. This conscious album had a large impact on dancehall music and showed the hunger the dancehall massive had for conscious lyrics. Dancehall music did not move away from slack and violent lyrics, but the album did pave the way for a greater spirituality within the music.
Inna Heights (1997) substantially increased Banton's international audience as Buju explored his singing ability and recorded a number of roots-tinged tracks. Banton covered The Silvertones' "Destiny" and recorded songs with such artists as Beres Hammond and the legendary Toots Hibbert. The album was well-received but had distribution problems. Also, some fans were disappointed, having hoped for another ground-breaking album like "Til Shiloh." Still, Buju's experimentation and soaring vocals impressed many fans and this album remains a highly regarded work.
In 1998, Buju met the punk band Rancid and recorded two tracks with them: "Misty Days" and "Life Won't Wait." The latter became the title track of Rancid's 1999 album, Life Won't Wait. Subsequently, Buju signed with Rancid's eclectic Anti, a subsidiary of Epitaph and released Unchained Spirit in 2000.
In March 2003 he released Friends for Life, which featured more sharply political songs, including "Mr. Nine", an anti-gun song that further verified his status as one of reggae's most anti-confrontational artists.
Banton's 2006 album Too Bad got him nominated for a second Grammy but despite the album's brilliance and artistic excellence "Too Bad" did not garner the award. "Too Bad" brings us back to the Buju of the nineties with his rough phenomenal voice backed by hypnotic beats and conscious lyrics that seem to stay on repeat in your head. "Too Bad" is a complete listen from start to finish and is an extra success because the Gargamel executive produced the album on his own label.
On April 21, 2009, Buju released the often delayed album Rasta Got Soul. This is Banton's ninth album and features the hit single Magic City. This release sees Buju returning to roots and culture reggae. The album received a Grammy nomination in the Best Reggae Album category.
As of December 2009, Buju allegedly attempted to buy cocaine from an undercover officer in Miami and faces up to life in prison if convicted. The trial of Banton began on September 20, 2010 in Tampa, Florida.
Vigilante
Buju Banton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
While the old men get to praying
And the children try to sleep
Just another promise they don't really care
'Cause the movement on the borders
Got the people running scared
Standing on the corner never got things done
You'll be the foolish one
No misunderstanding no honor among thieves
It's a sorry situation
When a gun is all you need
Go call the vigilante
He'll turn this place upside down
Go call the vigilante
He don't get kicked around
Hold on there's a new way a comin'
Looks like it's arriving tonight
There's no more hiding or running
There's no more walking on ice
Racing in the shadows pounding of the feet
While the old men get to praying
And the children try to sleep
Just another promise they don't really care
'Cause the movement on the borders
Got the people running scared
Go call the vigilante
He'll turn this place upside down
Go call the vigilante
He don't get kicked around
Hold on there's a new way a comin'
Looks like it's arriving tonight
There's no more hiding or running
There's no more walking on ice
Hold on there's a new way a comin'
Looks like it's arriving tonight
There's no more hiding or running
There's no more walking on ice
Hold on there's a new way a comin'
Looks like it's arriving tonight
There's no more hiding or running
There's no more walking on ice
Vigilante vigilante man
Vigilante call the vigilante man
The lyrics of Buju Banton's song "Vigilante" depict a scene of chaos and fear in a community where people are constantly threatened by violence and crime. The first verse describes the frenzy and noise of people trying to escape danger, while the old men turn to prayer and the children try to find refuge in sleep. The second verse highlights the futility of standing idly by and waiting for change to happen, suggesting that action is necessary to break the cycle of violence and fear. There is no trust among criminals, and even leaving one's door open is a dangerous mistake. The "movement on the borders" is likely a reference to drug trafficking or other criminal activity that is spilling over into the community and making life dangerous for everyone.
The chorus speaks of calling upon a vigilante to bring justice to the situation. The vigilante is portrayed as a powerful force that can turn things upside down and is not easily intimidated. However, a new way is coming that offers hope for change. The repetition of the last four lines of the chorus underscores the message that something needs to be done to break through the cycle of fear and violence. The lyrics are a reflection of the realities of life in many urban areas, where crime and violence are everyday occurrences and people feel powerless to change the situation.
Line by Line Meaning
Racing in the shadows pounding of the feet
People are running and hiding in fear
While the old men get to praying
Elderly people are praying for safety and protection
And the children try to sleep
Children are trying to rest despite the danger around them
Just another promise they don't really care
People don't trust the empty promises made by those in power
'Cause the movement on the borders got the people running scared
The situation at the borders is causing people to flee in terror
Standing on the corner never got things done
Standing idle won't solve any problems
If you leave your front door open you'll be the foolish one
Being vulnerable invites trouble
No misunderstanding no honor among thieves
Dishonest people can't be trusted
It's a sorry situation when a gun is all you need
Violence is sometimes the only solution in dire circumstances
Go call the vigilante
Ask for the help of someone who will take action
He'll turn this place upside down
The vigilante will create change, even if it means disrupting the status quo
He don't get kicked around
The vigilante won't be intimidated or bullied
Hold on there's a new way a comin'
A different solution to the problem is on the horizon
Looks like it's arriving tonight
Change is imminent
There's no more hiding or running
The time for hiding and fleeing has passed
There's no more walking on ice
People must take bold steps to move forward
Vigilante vigilante man
The vigilante is the hero who is willing to take action
Vigilante call the vigilante man
Ask for the help of someone who will make a difference
Lyrics © Universal Music Publishing Group
Written by: CLEMENT DODD, MARK ANTHONY MYRIE
Lyrics Licensed & Provided by LyricFind
Yuran Ricardo
on Fake Smile
with your cynical green
you leave no action
If there’s a choking problem she a reach with everyone
why acting dumb. second verse:
with your cynical green
you leave no action
If you have a choking problems she a reach with everyone
why acting dumb
Kern Rodney
on Fake Smile
If there's ah joke in progress share it with everyone, why acting dumb?