They are commonly regarded as an important influence on the Manchester music scene, the independent record label movement and the punk rock, power pop, pop punk and indie rock genres in general. They are primarily remembered for their singles, a string of would-be hits that combined a strong grasp of pop song craftsmanship with rapid-fire punk energy. These singles were collected on Singles Going Steady, described by critic Ned Raggett as a "punk masterpiece" The widely covered "Ever Fallen in Love?" remains one of their best-known songs.
The name "Buzzcocks" partially comes from the Manchester slang term cock meaning youngster, and its use in the 1970s ITV drama serial Rock Follies which included the catch phrases "that's the buzz, cocks" and "give me a buzz, cock!"
Buzzcocks were one of the key first generation British punk rock bands to form in the wake of the Sex Pistols in 1976. They were founded by Mancunians Pete Shelley and Howard Devoto, however Devoto left soon after the group released their Spiral Scratch EP (on their own independent label), leaving Shelley to take over vocals.
They are best known for their catchy, poppy punk sound, which has been widely influential, which was adopted as Peter Shelley took over on the vocals, singing about what the whole punk rock scene opted not to sing about: love. Devoto in the meanwhile formed Magazine.
They rehearsed in a friend's kitchen and played at the all-day 100 club punk "festival", in London. At the end of 1977 the band signed to United Artists and released "Orgasm Addict", with Shelley's high-pitched vocal delivery and Ramones-esque fuzz-guitar sound ensuring the controversial single would be played over again. Later came "What Do I Get?" which hit the UK charts and showed Shelley's brilliance in songwriting.
An LP was then released, Another Music in a Different Kitchen which came with its own carrier bag, labelled "Product". In 1978-79 five chart-hitting singles were released including "Ever Fallen in Love?" and had captured a pop-loving audience by this time. Love Bites, their second LP was released later on, which had less excitement than the last album, though it did sell well, with Steve Diggle taking over lyric-writing.
October 1979 saw A Different Kind of Tension which was panned by some critics, quite unfairly, as it contains some excellent songs, the title track being the stand-out. It perhaps suffered from being the second album to be released that year, with the record company keen to capitalise on the band's chart success at the time.
3 more singles followed in 1980, but the spark had clearly gone out for a while. Musical differences and the long slog behind them led to the band splitting in early 1981. Pete Shelley embarked in a solo career..
He released three dance/electronic influenced solo albums: Homosapien, XL1 and Heaven and The Sea - all with the same fine songwriting skills. Meanwhile, Steve Diggle formed Flag of Convenience - a power pop combo - and toured with some success.
A 5 album/CD set was released in 1989 called Product, which contained all the albums to date, plus the greatest hits and B sides album, Singles Going Steady, and the last non-album singles, Why She's A Girl From the Chainstore, Airwaves Dream and Running Free, plus the B sides
In 1992 the Buzzcocks reformed, without original drummer John Maher and bassist Steve Garvey, and releasd Trade Test Transmissions in 1993, quite different from their earlier material, with nods to the power pop scene popular at the time. All Set in 1996 saw a return to form with familiar riffs and pin sharp lyrics pop-punk. Next year Chronology was released, the missing album, including outtakes from the three United Artists albums. In 1999 they released Modern, which saw Shelley in reflective mode and Steve Diggle taking over more of the vocal duties.
Then followed another brief break in 2000, with Shelley teaming up with old band-mate Howard Devoto to release a largely disappointing album, Buzzkunst. Compilations followed, including Inventory in 2003, which contained every single to date, and 30 in 2005 to celebrate 30 years performing
2005 saw the Buzzcocks back touring and in 2007 they released the superb Flat Pack Philosophy, widely agreed to rank up with the best of Buzzcocks output
2008/9 saw a short tour where the band played tracks from Another Music and Love Bites.
In August 2011 they headlined the first night of The Rhythm Festival in Bedfordshire.
In November 2011 it was announced they would be playing two shows in 2012 that would feature the original line-up as well as the classic line-up of the band reunited for the first time in many years; these shows took place on 25 May 2012 in Manchester at the O2 Apollo and on 26 May in Brixton at the O2 Academy. It was announced on 26 May 2012 that, for the first time, they would headline Thursday night in the Empress Ballroom at the Rebellion Festival in Blackpool sharing the stage with the likes of Rancid, Public Image Limited and Social Distortion.
On 1 May 2014 Buzzcocks released the album The Way via PledgeMusic. On 13 September 2014 Buzzcocks played "a brief but triumphant set" at Riot Fest 2014 in Chicago, Illinois, USA. In October 2014 Buzzcocks toured the U.K. for three weeks with The Dollyrots as main support.
In 2016, the band embarked on their 40th-anniversary tour (dubbed "Buzzcocks 40"). In 2017, "Why Can't I Touch It" was featured in the opening segment of the Telltale game 'Guardians of the Galaxy.
Buzzcocks continue to be a huge influence on many bands and are still enjoyed by a large, and very loyal, fanbase.
Pete Shelley died on 6 December 2018.
Alive Tonight
Buzzcocks Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Ahh, ahh
Object movers have done nothing on me
Take me to the party I just want to feel free
I won't pass the bastard? nightmares into another Sunday
I won't pass the bastard? nightmares into another Sunday
When they asked me want I wanted to do
I said I don't know I just want to feel alive tonight
Well I don't know I just want to feel alive tonight
Remember high life isn't won by degrees
No one understands it, just like your little sneeze???????
But there is another world where you can't see me
But there is another world where you can't see me
When they asked me want I wanted to do
What kind of job do you think we're due to
I said I don't know I just want to feel alive tonight
Well I don't know I just want to feel alive tonight
Tonight
Tonight
Well that's right
[Solo]
When they asked me want I wanted to do
What kind of job do you think we're due to
I said I don't know I just want to feel alive tonight
Well I don't know I just want to feel alive tonight
To-to-tonight
To-to-tonight
When they asked me
Well when they asked me
I just want to be alive to-
I just want to be alive to-
To-to-tonight
To-to-to-tonight
To-to-to-tonight
To-to-to-tonight
To-to-to-tonight
The Buzzcocks’ “Alive Tonight” expresses the desire to escape the weight of responsibilities and feel free. The opening lines represent the yearning for something more exciting and interesting. The mention of “object movers” signifies that the monotony of everyday life has left the singer feeling unfulfilled. They want to be taken to a party to experience the thrill of the moment without thinking of the consequences.
The second verse talks about the futility of chasing success through education and degrees. The comparison between the “high life” and a “sneeze” highlights the absurdity of the entire concept. The last two lines suggest that there’s a different world where the singer’s presence is unknown to others, possibly indicating the desire to escape the drudgery of daily life and explore a different realm.
The chorus repeats the same sentences, “What kind of job do you think we're due to? I said I don't know I just want to feel alive tonight," with the increasing emphasis on “alive tonight.” It demonstrates that the singer is adamant about their desire to live in the moment and enjoy life.
Overall, “Alive Tonight” is about embracing the present and not getting caught up in the pressures of societal expectations. It’s about letting go of constraints and living life to the fullest while one still can.
Line by Line Meaning
Ahh, ahh, ahh - tonight
Expressing excitement for the upcoming night
Ahh, ahh
Continuing the excitement with vocalizations
Object movers have done nothing on me
The mundane and predictable world has not affected the singer
Take me to the party I just want to feel free
The artist seeks escape and liberation through partying
I won't pass the bastard? nightmares into another Sunday
The artist will not let past traumas and negative feelings ruin another day
When they asked me want I wanted to do
What kind of job do you think we're due to
I said I don't know I just want to feel alive tonight
Well I don't know I just want to feel alive tonight
The singer is unsure about their future job prospects but knows they want to enjoy themselves for the night
Remember high life isn't won by degrees
No one understands it, just like your little sneeze???????
But there is another world where you can't see me
The singer comments on how success and happiness cannot be achieved through traditional means and compares it to an inconsequential event like a sneeze. They acknowledge a hidden side to themselves that others cannot see.
Tonight
Tonight
Well that's right
Reaffirming excitement and anticipation for the night ahead
[Solo]
Instrumental break
To-to-tonight
To-to-tonight
When they asked me
Well when they asked me
I just want to be alive to-
I just want to be alive to-
To-to-tonight
To-to-to-tonight
To-to-to-tonight
To-to-to-tonight
To-to-to-night
Repeating the desire to enjoy the night to the fullest when asked about future plans and emphasizing the immediacy of the moment
Lyrics © Kobalt Music Publishing Ltd.
Written by: STEPHEN DIGGLE
Lyrics Licensed & Provided by LyricFind
Ian Hart
I think this 'Alive Tonight' EP & 'Trade Test Transmissions' comeback was equally as good as stuff in late 1970's & beginning of 1980's.
Monument Pictures
Buzzcocks are one of my absolute favorite bands but this is like watching a low-grade JC Penny advert
sgtgiggles
If Johnny Marr was playing the guitar parts...still cool thoufh
M Post
that doesn't sound like Pete's voice coming out his mouth ;)
Fractalite
I can hear a backing vocal from PS there.
NEVERTEEN
Hes miming! But it was Steve singing in the studio. The magic of video eh?
Julie Brewer
Big mistake giving Diggle a free rein: bar Harmony in My Head his songs were never singles.
Fractalite
Its a great track . The tension between the two writing styles was always the attraction and mystery of Buzzcocks for me .
peter marks
Love Diggle. All my favorite songs are his.
david hegarty
Autonomy!