However, he is also known to many as ‘Crisis Mr. Swagger.’
A Hip-Hop fan turned artist since the age 10.
Music industry insider, Ronan Mc Donalds of Computer Music Magazine, U.K
says “He’s quite good without trying too hard” after reviewing music by
‘Crisis Mr. Swagger.’
On September 4th, 2010, Zambia’s very own, ‘C.R.I.$.I.$. Mr. Swagger’ had the privilege of opening for Akon and Sean Paul in Harare, Zimbabwe, courtesy of Zimbabwean based promotions company, ZimSwag www.zimswag.com with sponsorship from Zambia’s very own, Zambezi Airlines.
The stadium was packed with a crowd of over 45000 people.
Despite the competition being stiff, the artist stood his ground and got the crowd warmed up right before Sean Paul, and then Akon took the stage.
Earlier in July, 2010, he was in South Africa during the FIFA 2010 World Cup at an MTV Base event and, he was sponsored by major Zambia mobile company ‘Zain Zambia,’ and Zambia’s very own ‘Zambezi Airlines.’ The rapper has decided to keep the momentum going by filling more international performances to cater to his audiences around the world.
C.R.I.$.I.$. Mr. Swagger (Left), pictured with Zimbabwe’s Prince Tendai (Centre), Sean Paul and Alick Macheso (Far Right).
His 2009 release ‘Mr. Swagger’ is currently available on iTunes, making his
music more accessible world wide.
A vibrant and creative solo artist on stage, ‘Crisis Mr. Swagger’ has garnered a
lot of experience. Just read below:
1. 1999-Released first professional recording with Zambia’s Mondo Music
Corporation
2. 2000-Playaz Worldwide (We Taking Over) featured on South African
compilation, Harambe Dope Sessions.
3. 2005-First Zambian to perform at the Channel-O Video Music Awards and also, the first to release a Hip-Hop album in Zambia
4. 2007-Performed at Miss U.K. Zambia in Epsom, Surrey, U.K.
5. 2008-Performed at The Oxjam, a fundraising event held yearly in London,
U.K.
6. 2008-Made his U.K. debut with his album, ‘Designer’ and toured in Wales,
U.K.
7. 2009-Released his album ‘Mr. Swagger’ with video’s heavily promoted on
MTV & Channel-O
8. 2009-His song ‘Electric Boogie’ off the ‘Mr. Swagger’ album debuted at
No. 10 on YFM Hip-Hop charts with Dj. C-Live in South Africa and peaked at No.2
9. 2010-Performed at the MTV Base, Hello Africa event held during the 2010
FIFA World Cup and Signed a deal with Content Connect Africa to get his
music available for download across various mobile phone networks
across Africa and the music will soon hit various mobile service providers.
With his latest album, the artist has recruited major producers such as Young
Fyre of the United States of America, who is also working with U.S. Hip-Hop
artists, T-Pain and Young Jeezy.
Another producer on his latest project is Canadian ‘Mark Bos’ of Bos Beats who
is also working as a beat source for MTV Networks.
Crisis Mr. Swagger is currently busy getting into international performances
Entertaining audiences in and out of his home country, Zambia, and in turn
Promoting his newest album, O.G. (Original Gangsta).
With a new marketing plan, the rapper has just released his latest video
‘The Fire Inside’ to his audiences via MTV Base. It has also been scheduled to
go onto other networks such as Trace TV, Vuzu, ETV, BET and many others.
His latest project, ‘O.G. (Original Gangsta) is part of a bigger career plan to
establish himself as a force to be reckoned with on the global music market.
In his upcoming single ‘Make The Crowd Go!!’ the rapper laments
“…… Zambezi Airlines, flying business class/, and why would God give it if
I didn’t ask?..... ”
“’The Fire Inside’ is a killer tune and we will promote it to the best of our
ability. Let the world know that” says ‘Charlie Beuthin’ of MTV Base, South
Africa.
I'll Come Over
C.R.I.$.I.$. Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yeah
I think that you like to see me
Turned on
Pictures of your body
Loading in my phone
Damn
And I must admitThat I am intrigued
By the curves
In your physique
And the way
You speak to me
If you mean it
Let me see
Come and show me babe
That you want me babe
Grab your clothes
And get on the road
I think that you talk
A good game
But there ain't nothing like
The real thing
You said you'll do this
And you'll do that
When you get your hands on me
Be the best I ever had
I would like to see
But this ain't no quick hit
I made reservations
For us to go get dinner
And talk about you interest
Before I enter
Your entranceStart granting
Your wishes
When I begin swimming
Take laps 'til you finish
All night we been texting
But you don't get the message
Don't wanna seem reckless
Just wonder how your sex is
I don't wanna read words
Relax on your keyboard
I need you to show me
Come and pull up on me
Come over now
And put it down
Show me just what
You're talking bout
Come over now
And put it down
Show me just what
You're talking bout
Come over
Oh yeah
Come over
Oh yeah
I like the way you take
Your pics
I like the way you talk
Your shit
Show me if you're really
Legit
Come over let's get down
To it
Don't mean to sound impatient
But I'm tired of waiting
Girl you're driving me crazy
Bet that pussy's amazing
I love our conversation
But your body I'm craving
I'll put your feet to the ceiling
Put my face in your basement
But this ain't no quick hit
I made reservations
For us to go get dinner
And talk about your interest
Before I enter
Your entrance
Start granting
Your wishes
When I begin swimming
Take laps til you finish
All night we been texting
But you don't get the message
Don't wanna seem reckless
Just wonder how your sex is
I don't wanna read words
Relax on your keyboard
I need you to show me
Come and pull up on me
Come over now
And put it down
Show me just what
You're talking bout
Come over now
And put it down
Show me just what
You're talking bout
Come over
Oh yeah
Come over
Oh yeah
The lyrics of the song “I'll Come Over” by C.R.I.$.I.$ portrays a conversation between two individuals who have been texting each other all night. The singer of the song is intrigued by the curves in the physique of the person he is speaking to and likes the way she talks, her pics and the games she plays. He implies that he wants to have sex with her, but he wants her to show him what she is talking about. He tells her to come over, grab her clothes, and get on the road to his place, so they can finally have dinner, talk about her interest before they engage in sexual activities. He made a reservation for the dinner because he wants to make their time together special. The persona also emphasizes that he doesn’t just want a quick fling, and when they eventually have sex, he wants to swim in her until she finishes.
The lyrics of “I'll Come Over” are straightforward and revolve around lust and desire for sex. The singer admires the physique of the person he is speaking to and finds her physically attractive. He wants her to show him what she is talking about, implying that he wants her to fulfill his sexual desire. The persona emphasizes that he wants more than just a quick fling; he made a reservation for dinner, implying that he values her company and intellectual conversation as much as he desires her body.
Line by Line Meaning
Aye aye aye aye
Starting the song with an expression of excitement or anticipation
Yeah
Adding enthusiasm to the excitement already expressed
I think that you like to see me
Speculating on the other person's feelings towards the singer
Turned on
Imagining their excitement or arousal towards the artist
Pictures of your body
Referring to the photos of the other person's body that they have on their phone
Loading in my phone
Implying that they frequently look at these pictures, building sexual tension
Damn
Expressing admiration or desire for the other person
And I must admit
Acknowledging that they are attracted to the other person
That I am intrigued
Feeling curious and interested in the other person
By the curves
Referring to the physical shape of the other person's body
In your physique
Continuing to focus on the other person's appearance
And the way
Describing a specific aspect of the other person's behavior or traits
You speak to me
Referring to the other person's way of communicating with the singer
If you mean it
Suggesting that the other person should follow up on their words with actions
Let me see
Asking the other person to show their true feelings or intentions
Come and show me babe
Asking the other person to come over and demonstrate their desire
That you want me babe
Explicitly stating that the artist wants to be desired by the other person
Grab your clothes
Encouraging the other person to come over quickly
And get on the road
Asking the other person to come over to the singer's location
I think that you talk
Acknowledging that the other person is able to talk a good game
A good game
Implying that the other person has talked about their alleged skills or desirability
But there ain't nothing like
Suggesting that actions speak louder than words
The real thing
Referring to the physical interaction of the two people
You said you'll do this
Referring to something the other person has promised to do during physical intimacy
And you'll do that
Referring to another promise made by the other person
When you get your hands on me
Describing the physical interaction between the two people
Be the best I ever had
Implying that the singer is expecting exceptional physical interaction with the other person
I would like to see
Expressing a desire to witness something specific from the other person, possibly related to their physical abilities
But this ain't no quick hit
Asserting that the artist is expecting a longer and more substantial interaction with the other person
I made reservations
Indicating that the singer has prepared for the encounter and expects it to be meaningful
For us to go get dinner
Suggesting a date-like activity, further emphasizing the value placed on the interaction
And talk about your interest
Implying that the artist wants to get to know the other person on a deeper level as well
Before I enter
Acknowledging the idea of consent and mutual agreement towards physical interaction
Your entrance
A euphemism for the other person's genitals
Start granting
Beginning the physical interaction with the other person
Your wishes
Catering to the other person's desires or needs
When I begin swimming
A metaphor for physical intimacy
Take laps 'til you finish
A continuation of the swimming metaphor, suggesting that the singer wants the interaction to last until the other person has reached satisfaction
All night we been texting
Referring to a conversation that has lasted for a long time, possibly with sexual undertones
But you don't get the message
Suggesting that the other person is not fully aware of the artist's intentions or desires
Don't wanna seem reckless
Implying that the artist wants to avoid being too direct or forward with the other person
Just wonder how your sex is
Expressing curiosity and interest in the other person's physical abilities
I don't wanna read words
Stating that the singer wants physical interaction rather than just talking
Relax on your keyboard
A contrast between physical interaction and simply texting each other
I need you to show me
Reiterating that the artist wants physical interaction with the other person
Come and pull up on me
Asking the other person to come to the artist's location, reinforcing the concept of action over words
Come over now
Urging the other person to come over immediately
And put it down
Performing well during physical interaction with the artist
Show me just what
Reiterating the desire to see the other person's abilities in person
You're talking bout
Referencing the other person's promises and words regarding physical intimacy
I like the way you take
Complimenting the other person's behavior
Your pics
Referring to the photos of the other person's body
I like the way you talk
Complimenting the other person's communication style
Your shit
Using slang to emphasize the complement
Show me if you're really
Doubting the other person's authenticity or truthfulness
Legit
Stating that the artist wants to confirm the other person's authenticity
Come over let's get down
Going back to the idea of physical interaction with the other person
To it
A euphemism for sex
Don't mean to sound impatient
Acknowledging that the singer is eager but not trying to come across as pushy
But I'm tired of waiting
Expressing frustration with the lack of physical interaction thus far
Girl you're driving me crazy
Emphasizing the other person's effect on the singer
Bet that pussy's amazing
Making a bold statement about the other person's physical abilities
I love our conversation
Expressing enjoyment of the other person's company
But your body I'm craving
Reiterating the desire for physical interaction with the other person
I'll put your feet to the ceiling
Making a suggestive statement about the physical interaction
Put my face in your basement
Making another suggestive statement about the physical interaction
Come over
Reiterating the desire for the other person to come over
Oh yeah
Adding enthusiasm or emphasis to the previous line
Lyrics © O/B/O DistroKid
Written by: Nicolas Sumiel
Lyrics Licensed & Provided by LyricFind