Drowning
CORSAK Lyrics

CORSAK's "Drowning" is a Mandarin-language song that speaks about a feeling of being completely overwhelmed by something that one cannot escape from. The singer compares the object of their obsession -- which, like water, is formless and yet all-encompassing -- to a crystal, beautiful and deadly in its power to destroy anything in its path. The singer describes the feeling of being surrounded by this endless force as like drowning, unable to breathe, but also unable to escape from the thing that they have come to desire so intensely.

The beginning of the song introduces the two contrasting elements -- the object of the singer's desires, which is described as being formless and yet all-encompassing, and the singer themselves, who is described as being soft and pliable. The singer admits that they cannot fully understand or grasp the thing they are so drawn to, and that it seems to have a power that they can never hope to possess. In the songs' chorus, the singer describes the feeling of being enveloped by this force, and how the deeper they sink into it, the more inescapable it becomes.

The second verse takes on a more metaphorical tone, describing the object of the singer's obsession as being like a filling substance that permeates every part of their being. It is compared to something transparent and colourful, like a rainbow or a cloud, and described as being both intimately close and infinitely vast. The singer admits to wanting to drown in this force, no longer needing oxygen to survive, and compares it to a motherly embrace that makes all their troubles disappear.

Overall, the song seems to be about the feeling of being overcome by something all-consuming, whether it be another person, an addiction, or an emotion like love or passion. The object of the singer's desires is never fully explained or named, leaving the interpretation open to the listener. The imagery of drowning is used throughout the song to convey the intensity of the feeling, and the contrast between the formlessness of the obsession and the tangible presence of the singer is a recurring motif.