Calloway was a master of energetic scat singing and led one of the United States' most popular big bands, Cab Calloway and his Orchestra, from the start of the 1930s through to the late 1940s. Calloway's band featured performers including trumpeters Dizzy Gillespie and Doc Cheatham, saxophonists Ben Webster and Chu Berry, New Orleans guitar ace Danny Barker and bassist Milt Hinton. Calloway continued to perform until his death in 1994 at the age of 86.
Calloway was born to a middle-class family in Rochester, New York, and lived there until 1918. He later lived in Baltimore, Maryland. His father, Cabell Calloway II, was a lawyer, and his mother, Martha Eulalia Reed, was a teacher and church organist. His parents recognised their son's musical talent, and he began private voice lessons in 1922. He continued to study music and voice throughout his formal schooling. Despite his parents' and vocal teachers' disapproval of jazz, Calloway began frequenting and eventually performing in many of Baltimore's jazz clubs, where he was mentored by drummer Chick Webb and pianist Johnny Jones.
After graduating from high school, Calloway joined his older sister, Blanche, in a touring production of the popular black musical revue Plantation Days (Blanche Calloway herself went on to become an accomplished bandleader before her brother did, and he often credited his inspiration to enter show business to her). Calloway attended Lincoln University, Pennsylvania , and left in 1930 without graduating.
When the tour ended in Chicago in the autumn, Cab decided to remain in Chicago with his sister, who had an established career as a jazz singer in that city. His parents had hopes of their son becoming a lawyer like his father, so Calloway enrolled in Crane College. His main interest, however, was in singing and entertaining, and he spent most of his nights at the Dreamland Cafe, the Sunset Cafe, and the Club Berlin, performing as a drummer, singer, and emcee. At the Sunset Cafe he met and performed with Louis Armstrong who taught him to sing in the scat style.
The Cotton Club was the premier jazz venue in the country, and Cab Calloway and his Orchestra (he had taken over a brilliant but failing band called "The Missourians" in 1930) were hired as a replacement for the Duke Ellington Orchestra while they were touring. Calloway quickly proved so popular that his band became the co-house band with Ellington's, and he and his group began touring nationwide when not playing at the Cotton Club. Their popularity was greatly enhanced by the twice-weekly live national radio broadcasts on NBC at the Cotton Club. Calloway also appeared on Walter Winchell's radio program and with Bing Crosby in his show at the Paramount Theatre. As a result of these appearances, Calloway, together with Ellington, broke the major broadcast network colour barrier.
Unlike many other bands of comparable commercial success, Calloway's gave ample soloing space to its lead members, and, through the varied arrangements of Walter 'Foots' Thomas, provided much more in the way of musical interest.
In 1931, he recorded his most famous song, "Minnie the Moocher". That song, together with "St James Infirmary Blues" and "The Old Man of the Mountain", were performed for the Betty Boop animated shorts Minnie the Moocher, Snow White, and The Old Man of the Mountain respectively. Through rotoscoping, Cab not only gave his voice to these cartoons but his dance steps as well. Cab took advantage of this and timed his concerts in some communities with the release of the films in order to make the most of the attention. As a result of the success of "Minnie the Moocher" he became identified with its chorus, gaining the nickname "The Hi De Ho Man". He also performed in a series of short films for Paramount in the 1930s (Calloway and Ellington were featured on film more than any other Jazz Orchestra of the era). In 1943 he appeared in the high-profile 20th Century Fox musical film, Stormy Weather.
In his later career, Calloway became a popular personality, appearing in a number of films and stage productions that utilised both his acting and singing talents. In 1952, he played the prominent role of Sportin' Life in a production of the Gershwin opera Porgy and Bess. Another notable role was Yeller in The Cincinnati Kid (1965). In 1967 Calloway co-starred as Horace Vandergelder in an all-black revival of Hello, Dolly! (even though the original production was still running) starring Pearl Bailey. This was a major success, and led to a cast recording released by RCA. In 1973-1974 he was featured in an unsuccessful Broadway revival of The Pajama Game.
Calloway attracted renewed interest in 1980 when he appeared as a supporting character in the film The Blues Brothers, performing "Minnie the Moocher", and again when he sang "The Jumpin' Jive" with the Two-Headed Monster on Sesame Street. This was also the year in which the cult film Forbidden Zone was released, which included rearrangements and parodies of Cab Calloway songs written by Danny Elfman, a Calloway fan.
On 18th November 1994 Calloway died, having suffered a major stroke six months earlier. In 1998, The Cab Calloway Orchestra (directed by Cab's grandson C. "CB" Calloway Brooks) was formed to honour Cab Calloway's legacy nationally and internationally.
Down-Hearted Blues
Cab Calloway Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When that someone don't love you;
I'm so disgusted, heart-broken, too
I've got those down-hearted blues.
I was crazy 'bout a gal,
She mistreated me all the time,
Next gal I get, she's got to promise to
'Cause she mistreated me,
And she drove me from her door;
Yes, she mistreated me,
She drove me from her door,
But the Good Book says,
She'll reap just what she'll sow.
I ain't never loved but three women in all my life,
I never loved but three women in all my life,
That was my mother, my sister, and the gal that wrecked my life.
[Heavily scatted]
All the dirt you done to me
Is bound to come back to you.
In Cab Calloway's "Down-Hearted Blues," the singer feels disheartened because he loves someone who doesn't return his love. He expresses his feeling of disgust and heartbreak, clearly stating that he has those down-hearted blues. The lyrics suggest that the singer has been mistreated by the person he loves, making him feel betrayed and hurt. He then talks about how he was crazy about a woman who mistreated him all the time, and for his next lover, he wants someone who will promise to be his all.
Furthermore, the song suggests that the woman who mistreated the singer will ultimately get what she deserves for treating him so poorly. The Good Book says, "she'll reap just what she'll sow." The lyrics highlight the singer's pain and frustration with love and his experiences with women. He claims that he has only loved three women in his life, his mother, his sister, and the woman who "wrecked his life."
Overall, Cab Calloway's "Down-Hearted Blues" discusses the emotional toll that unrequited love can take on an individual. The lyrical content depicts the singer's feelings of rejection, betrayal, and heartbreak that come with being in love with someone who doesn't love you back.
Line by Line Meaning
Gee, but it's hard to love someone
It's incredibly difficult to love someone
When that someone don't love you;
Especially when that person doesn't love you back
I'm so disgusted, heart-broken, too
So much so, that I'm completely disgusted and brokenhearted as well
I've got those down-hearted blues.
I'm suffering from a deep depression and sadness
I was crazy 'bout a gal,
I was absolutely infatuated with a woman
She mistreated me all the time,
However, she treated me very poorly and disrespectfully consistently
Next gal I get, she's got to promise to
Therefore, the next woman I pursue must solemnly swear to
Be mine, all mine.
Be committed and loyal to only me
'Cause she mistreated me,
The reason being, the previous woman mistreated me
And she drove me from her door;
In fact, she forced me to leave and broke off the relationship
Yes, she mistreated me,
Just to reiterate, she was cruel and unkind to me
She drove me from her door,
Leading to me being kicked out of her life
But the Good Book says,
Nevertheless, good teachings suggest that
She'll reap just what she'll sow.
She will ultimately face the consequences of her actions
I ain't never loved but three women in all my life,
Only three women have ever caught my heart and attention
I never loved but three women in all my life,
I have never had strong romantic feelings for more than those three women
That was my mother, my sister,
The three women being my mother, my sister,
and the gal that wrecked my life.
And the woman who was the cause of my downfall and misery
[Heavily scatted]
Sung ad-lib with a jazz-inspired vocalization
All the dirt you done to me
All the harm and hurtful actions you caused towards me
Is bound to come back to you.
Will inevitably come back to haunt and affect you similarly
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: LOVIE AUSTIN, ALBERTA HUNTER
Lyrics Licensed & Provided by LyricFind