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Caetano Veloso (born 7 August 1942) is one of the most popular and influential Brazilian composers and singers. He was born in Santo Amaro da Purificação, Bahia, Brasil, the fifth of the seven children born to José Telles Veloso ("Seu Zezinho") and Claudionor Vianna Telles Veloso ("Dona Canô"). His younger sister, Maria Bethânia, preceded him to fame as a singer in the mid-1960s.
He began his career around 1965 singing bossa nova and he has cited his greatest musical influences from his early period as João Gilberto and Dorival Caymmi. Read Full BioCaetano Veloso (born 7 August 1942) is one of the most popular and influential Brazilian composers and singers. He was born in Santo Amaro da Purificação, Bahia, Brasil, the fifth of the seven children born to José Telles Veloso ("Seu Zezinho") and Claudionor Vianna Telles Veloso ("Dona Canô"). His younger sister, Maria Bethânia, preceded him to fame as a singer in the mid-1960s.
He began his career around 1965 singing bossa nova and he has cited his greatest musical influences from his early period as João Gilberto and Dorival Caymmi. (João Gilberto would say later about Caetano's contribution that it added an intellectual dimension to brazilian popular music.) But with such musical collaborators Gilberto Gil, Gal Costa, Tom Zé, Chico Buarque, and Os Mutantes, and greatly influenced by the later work of The Beatles, developed tropicalismo, which fused Brazilian pop with rock and roll and avant garde art music resulting in a more international, psychedelic, and socially aware sound. Veloso's politically active stance, unapologetically leftist, earned him the enmity of Brazil's military dictatorship which ruled until 1985; his songs were frequently censored, and some were banned. Veloso was also alienated from the socialist left in Brazil becasue of his acceptance and integration of non-nationalist influences (like rock and roll) in his music. Veloso and Gilberto Gil spent several months in jail for "anti-government activity" in 1968 and eventually exiled themselves to London. Caetano Veloso's work upon his return in 1972 was often characterized by frequent appropriations not only of international styles, but of half-forgotten Brazilian folkloric styles and rhythms as well. In particular, his celebration of the Afro-Brazilian culture of Bahia can be seen as the precursor of such Afro-centric groups as Timbalada.
In the 1980s, Veloso's popularity outside Brazil grew, especially in Israel, Portugal, France and Africa. By 2004, he was one of the most respected and prolific international pop stars, with more than fifty recordings available, including songs in soundtracks of movies such as Pedro Almodovar's Hable con Ella (Talk to Her), and Frida. In 2002 Veloso published an account of his early years and the Tropicalia movement, Tropical Truth: A Story of Music and Revolution in Brazil.
His first all-English CD was A Foreign Sound (2004), which covers Nirvana's "Come as You Are" and compositions from the Great American Songbook. Five of the six songs on his third eponymous album, released in 1971, were also in English.
He began his career around 1965 singing bossa nova and he has cited his greatest musical influences from his early period as João Gilberto and Dorival Caymmi. Read Full BioCaetano Veloso (born 7 August 1942) is one of the most popular and influential Brazilian composers and singers. He was born in Santo Amaro da Purificação, Bahia, Brasil, the fifth of the seven children born to José Telles Veloso ("Seu Zezinho") and Claudionor Vianna Telles Veloso ("Dona Canô"). His younger sister, Maria Bethânia, preceded him to fame as a singer in the mid-1960s.
He began his career around 1965 singing bossa nova and he has cited his greatest musical influences from his early period as João Gilberto and Dorival Caymmi. (João Gilberto would say later about Caetano's contribution that it added an intellectual dimension to brazilian popular music.) But with such musical collaborators Gilberto Gil, Gal Costa, Tom Zé, Chico Buarque, and Os Mutantes, and greatly influenced by the later work of The Beatles, developed tropicalismo, which fused Brazilian pop with rock and roll and avant garde art music resulting in a more international, psychedelic, and socially aware sound. Veloso's politically active stance, unapologetically leftist, earned him the enmity of Brazil's military dictatorship which ruled until 1985; his songs were frequently censored, and some were banned. Veloso was also alienated from the socialist left in Brazil becasue of his acceptance and integration of non-nationalist influences (like rock and roll) in his music. Veloso and Gilberto Gil spent several months in jail for "anti-government activity" in 1968 and eventually exiled themselves to London. Caetano Veloso's work upon his return in 1972 was often characterized by frequent appropriations not only of international styles, but of half-forgotten Brazilian folkloric styles and rhythms as well. In particular, his celebration of the Afro-Brazilian culture of Bahia can be seen as the precursor of such Afro-centric groups as Timbalada.
In the 1980s, Veloso's popularity outside Brazil grew, especially in Israel, Portugal, France and Africa. By 2004, he was one of the most respected and prolific international pop stars, with more than fifty recordings available, including songs in soundtracks of movies such as Pedro Almodovar's Hable con Ella (Talk to Her), and Frida. In 2002 Veloso published an account of his early years and the Tropicalia movement, Tropical Truth: A Story of Music and Revolution in Brazil.
His first all-English CD was A Foreign Sound (2004), which covers Nirvana's "Come as You Are" and compositions from the Great American Songbook. Five of the six songs on his third eponymous album, released in 1971, were also in English.
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Superbacana
by Caetano Veloso
Toda essa gente se engana
Ou então finge que não vê que eu nasci
Pra ser o superbacana
Eu nasci pra ser o superbacana
Superbacana Superbacana
Superbacana Super-homem
Superflit, Supervinc
Superist, Superbacana
Estilhaços sobre Copacabana
O mundo em Copacabana
Tudo em Copacabana Copacabana
O mundo explode longe, muito longe
O sol responde
O tempo esconde
O vento espalha
E as migalhas caem todas sobre
Copacabana me engana
Esconde o superamendoim
O espinafre, o biotônico
O comando do avião supersônico
Do parque eletrônico
Do poder atômico
Do avanço econômico
A moeda número um do Tio Patinhas não é minha
Um batalhão de cowboys
Barra a entrada da legião dos super-heróis
E eu superbacana
Vou sonhando até explodir colorido
No sol, nos cinco sentidos
Nada no bolso ou nas mãos
Um instante, maestro
Super-homem Superflit
Supervinc, Superist
Superviva, Supershell
Superquentão
Lyrics © TERRA ENTERPRISES, INC.
Written by: Caetano Veloso
Lyrics Licensed & Provided by LyricFind
by Caetano Veloso
Toda essa gente se engana
Ou então finge que não vê que eu nasci
Pra ser o superbacana
Eu nasci pra ser o superbacana
Superbacana Superbacana
Superbacana Super-homem
Superflit, Supervinc
Superist, Superbacana
Estilhaços sobre Copacabana
O mundo em Copacabana
Tudo em Copacabana Copacabana
O mundo explode longe, muito longe
O sol responde
O tempo esconde
O vento espalha
E as migalhas caem todas sobre
Copacabana me engana
Esconde o superamendoim
O espinafre, o biotônico
O comando do avião supersônico
Do parque eletrônico
Do poder atômico
Do avanço econômico
A moeda número um do Tio Patinhas não é minha
Um batalhão de cowboys
Barra a entrada da legião dos super-heróis
E eu superbacana
Vou sonhando até explodir colorido
No sol, nos cinco sentidos
Nada no bolso ou nas mãos
Um instante, maestro
Super-homem Superflit
Supervinc, Superist
Superviva, Supershell
Superquentão
Lyrics © TERRA ENTERPRISES, INC.
Written by: Caetano Veloso
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
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