Calexico had its origins in 1990 when Burns, who was studying music at the University of California, Irvine, met up with Convertino, who was playing drums with Howe Gelb in Giant Sand. Burns joined them, after first playing upright bass on a European tour.
Giant Sand moved to Tucson, Arizona in 1994. John and Joey formed the Friends of Dean Martin (later the Friends of Dean Martinez) which scored a record deal with Sub Pop. However, the pair split up with Bill Elm, the co-founder of The Friends of Dean Martinez in 1996. The band subsequently became a kind of indie rhythm section for hire, working with the likes of Victoria Williams, Barbara Manning and Richard Buckner before forming Calexico.
Calexico first recorded Spoke in 1995 for German independent label Hausmusik with a limited edition of 2,000 copies. At that point the band was still called Spoke and the album was technically self-titled. After the band signed with Quarterstick Records (a subsidiary of Touch and Go Records) and changed their name to Calexico, Spoke was reissued by that label in 1997. Burns and Convertino also collaborated with Gelb and Lisa Germano on the album Slush released under the name OP8 that same year.
Their second album The Black Light was released in 1998. This was a concept album about the desert of Arizona and northern Mexico and received excellent reviews, with the critic from the Wall Street Journal rating it as one of the best records of the year.
The band built their profile by touring as support acts for bands such as Pavement, the Dirty Three and Lambchop. Calexico has regularly played festivals such as the Bonnaroo Music Festival, the Hurricane Festival and All Tomorrow's Parties. The Road Map album was a limited recording released in 1999 for sale only at Calexico's live shows.
Calexico released its third album Hot Rail in May 2000 featuring the addition of horns and violin to their sound. The duo was busy in 2000 as they also appeared on a Giant Sand record called Chore of Enchantment as well as a tour only record Travelall.
At the end of 2000, Burns and Convertino joined with two French friends Naïm Amor and Thomas Belhôm to record "Tête A Tête" (Wabana Records, 2001) released under moniker ABBC (Amor/Belhom/Burns/Convertino). Calexico released two collections of rarities during 2001. Even My Sure Things Fall Through collected outtakes from previous albums, B-sides, remixes and material previously unreleased in the US. The album also featured Mariachi Luz de Luna who frequently played live with the duo. The Aerocalexico album was sold exclusively at their gigs in 2001.
The Scraping live album was released in 2002. Their next studio recording Feast of Wire was released in 2003 and made the charts for the first time appearing on Billboard's Heatseekers and Independent album chart. They made their first video for "Quattro (World Drifts In)" which was a single from Feast of Wire. They released a live DVD in 2004 called World Drifts In: Live at the Barbican. The song "Güero Canelo", from Feast of Wire, was featured in Michael Mann's Film, Collateral, starring Tom Cruise and Jamie Foxx, in which the band appears.
Calexico contributed the song "Burnin' Down the Spark" to Nancy Sinatra's self-titled album in late 2004. The album featured artists who cited Sinatra as a musical influence. The song was released in the UK as the second single from the album in early 2005.
In 2005, Calexico joined up with Miami-based band Iron & Wine. Howard Greynolds of Overcoat Records was responsible for bringing the two bands together having previously been responsible for Tortoise and Will Oldham recording together. The In the Reins EP was released in September 2005 and received a positive reception with an MSNBC review giving it honorable mention. It also made an appearance in the Billboard 200 album charts, becoming their first recording to make the album charts, and No. 12 on the independent charts. In October 2005, they commenced a US tour with Iron & Wine to promote the record.
Released in 2006, Garden Ruin is Calexico's fifth studio album and was produced by JD Foster. The sound strays slightly from earlier works, focusing less on the horn section, and placing more emphasis on guitar and vocal tracks, giving the whole album a more mainstream sound.
In 2007, Calexico was invited by Arcade Fire to record a cover of their "Ocean of Noise." This recording was used as the B-side for Arcade Fire's "Intervention" single, originally released on vinyl on May 21, 2007. Also in 2007, Calexico recorded a revamped version of the Bob Dylan song "Goin' to Acapulco" for the Dylan biopic "I'm Not There". The song featured Jim James of My Morning Jacket on vocals and was featured on the soundtrack of the film.
Several of Calexico's songs, usually their shorter instrumental pieces, have been used as interstitial and background music on Public Radio International's This American Life. Their songs "Ballad Of Cable Hogue" and "Service And Repair" were featured in the 2001 German comedy movie Lammbock.
Their sixth studio LP is called 'Carried to Dust', featuring Sam Beam of Iron & Wine, Douglas McCombs of Tortoise and Pieta Brown. It was released in the USA via Touch & Go Records on September 9, 2008. The album enjoyed solid reviews, with hometown paper the Arizona Daily Star praising the band's "ability to sweep you into its world, taking listeners to the American Southwest. This is one of the reasons Europeans love Calexico and others in this country are beginning to come around."
On October 16, 2008, a three-song live acoustic video performance premiered on LiveDaily Sessions, featuring Joey Burns performing the songs "Two Silver Trees," "Writer's Minor Holiday" and "Man Made Lake".
In 2009, the song Banderilla was featured in an episode of AMC's Breaking Bad.
In 2010, a new album of Calexico was released: the soundtrack of the documentary "Circo". The band also spent part of 2010 touring with Arcade Fire along the west US coast.
In May 2011, their song "Slowness" was dedicated by Gabrielle Giffords to her husband astronaut Mark Kelly as the wake up song aboard the Space Shuttle Endeavour on its final flight.
Algiers was released 11 September 2012 on ANTI Records and CITY SLANG (Europe).
In April 2014, the band began referring to a new album on Twitter in posts from Mexico City, Coyoacan, Mexico, and Athens, Greece. Edge of the Sun was announced on 27 January 2015, and released on April 14, 2015. The album features guest appearances by various artists such as Sam Beam (Iron & Wine), Ben Bridwell (Band of Horses), Gaby Moreno, Carla Morrison and members of the Greek instrumental group Takim.
The current members of Calexico are:
Joey Burns – vocals, guitars, bass, cello, piano, keyboards, accordion, percussion, vibraphone
John Convertino – drums, percussion, piano, keyboards, vibraphone, marimba, accordion
Paul Niehaus – steel guitar, guitars
Jacob Valenzuela – trumpet, keyboards, vibraphone, vocals
Martin Wenk – trumpet, guitar, keyboards, accordion, glockenspiel, vibraphone, theremin (occasionally harmonica & French horn)
Volker Zander – standup bass, electric bass
Live tour 2013:
Joey Burns - vocals, guitars
John Convertino - drums, percussion
Sergio Mendoza - Keyboards
Jairo Zavala - bazouki, baritone guitar, vocals
Jacob Valenzuela – trumpet, keyboards, vibraphone, vocals
Martin Wenk – trumpet, guitar, keyboards, accordion, glockenspiel, vibraphone (occasionally harmonica & French horn)
Ryan Alfred - bass, vocals
Bloodflow
Calexico Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
She lets go of my hand and I fall into a sea of tears
Search for the trail that we were both riding
Lost sometime ago
Now I'm stranded on the mountain's edge
And there's only one way back down...
And down I go
Take root and pull me further in
Long and long and longer it takes
Good luck's gone and there's no more breaks
Just the ground beneath that shakes and gives way
Swallowed up whole, there ain't much now I can pull
No stunt man surprises
Or houdini-like disguises
For death defying escape
Avoid the tap on the shoulder
From that one in the long black cape
Just to see those eyes of hers shine
Is worth any sum or length of time
That would fill up that space
Where her love once flowed
But the more I resist
The further and further out I drift
Get swept out in the rip tide
Where part of me wants to lie
'neath the waves of sorrow and tears
Sink to the bottom and linger there
The rest of my tears
Walk amongst the mossy bones
Of my fathers, mothers, sisters, brothers
Feel their blood flow away
The song "Bloodflow" by Calexico is an emotional track about death and loss. The lyrics describe a scene where a loved one is nearing the end of their life, and the singer is left to deal with the aftermath. The opening lines paint a picture of a person on their deathbed, with their eyes closed and their final breath approaching. The singer is holding their hand, but when they let go, the singer is overcome with grief and falls into a sea of tears.
As the song progresses, the singer struggles to deal with the loss. They feel lost and stranded on a mountain's edge, searching for a trail that has been lost. The imagery of being on the edge of a mountain represents the singer's feeling of being on the edge of a precipice, about to fall into an unknown world without the person they love. The singer then finds themselves falling into the ground, where the "bad seeds are sown." This represents the inevitability of death and the idea that everyone eventually goes to the same place, regardless of their actions on Earth.
The chorus of the song talks about being swallowed up whole and pulled further in, with no escape from death. The line "there ain't much now I can pull" represents the singer's realization that they have no control over what is happening. They can only watch as their loved one slips away. The rest of the lyrics deal with the singer's struggle to come to terms with the loss and the feeling of being disconnected from the world around them, as they "drift" further and further away.
Overall, "Bloodflow" is a poignant and powerful song that deals with the universal themes of death, grief, and loss.
Line by Line Meaning
Her eyes are closed now that final breath is near
As she approaches death, the woman closes her eyes.
She lets go of my hand and I fall into a sea of tears
The singer becomes emotional as the woman dies and releases their hand.
Search for the trail that we were both riding
The singer remembers a shared journey with the woman and wants to go back to that time.
Lost sometime ago
That shared journey is now lost in the past and cannot be found again.
Now I'm stranded on the mountain's edge
Metaphorically, the artist is now in a difficult position with no easy way out.
And there's only one way back down...
Their only option is to confront the difficult situation head-on.
And down I go
The singer begins to face their challenges directly.
Into the ground where the bad seeds are sown
Their challenges lead them to a place of darkness and negativity.
Take root and pull me further in
The negativity and darkness begin to consume the artist, making it harder to break free.
Long and long and longer it takes
Their struggle feels never-ending and exhausting.
Good luck's gone and there's no more breaks
The singer feels they have run out of good fortune and opportunities to improve their situation.
Just the ground beneath that shakes and gives way
The instability of their situation becomes more apparent and unstable.
Swallowed up whole, there ain't much now I can pull
The singer becomes overwhelmed and powerless to change their circumstances.
No stunt man surprises
Even though they may have hoped for a miraculous solution, reality sets in and no such salvation appears.
Or houdini-like disguises
They cannot simply disappear or escape from their challenges like a magician.
For death defying escape
Even if a miraculous solution did appear, it may not be enough to save the artist from their struggles.
Avoid the tap on the shoulder
The artist wants to avoid the inevitable confrontation with death that may be approaching.
From that one in the long black cape
Death is personified as the figure in the cape, the Grim Reaper.
Just to see those eyes of hers shine
Despite all their struggles, the singer still values fond memories of the woman who passed away.
Is worth any sum or length of time
Their memories are priceless and worth any amount of time or effort to hold onto.
That would fill up that space
Their memories offer them solace and help fill the void left by the loss of the woman.
Where her love once flowed
The woman's love for the artist was once present in their life, but is now absent.
But the more I resist
The singer tries to resist the loss and memories of the woman, but it only causes them more pain.
The further and further out I drift
Trying to push away their memories only causes them to feel more disconnected and lost.
Get swept out in the rip tide
The singer feels like they are caught in a forceful current and cannot escape their emotions.
Where part of me wants to lie
They feel a temptation to stay in their emotions, despite the pain it causes them.
'neath the waves of sorrow and tears
Their emotions feel like waves that wash over them, causing them to feel grief and pain.
Sink to the bottom and linger there
They feel like they are drowning in their emotions and cannot get out.
The rest of my tears
The artist has already shed many tears in their grief.
Walk amongst the mossy bones
They feel like they are surrounded by the death and loss of their ancestors.
Of my fathers, mothers, sisters, brothers
Their loss is not just of the woman, but of many family members who came before them.
Feel their blood flow away
They feel a sense of finality and mourn the loss of their family's bloodline.
Lyrics © BMG Rights Management
Written by: JOEY BURNS
Lyrics Licensed & Provided by LyricFind
Markus
One of the greatest rock songs ever
BeeTheLiam
Never heard of Calexico before. I'm so addicted to them now.
sanja stojanov
..."But the more I resist the further and further I drift"...so true
shattered79
that is pretty deep, i love it. beautful!
Penny Lame
this is so fucking beautiful. I always seem to be coming right back to this song.
Colin 1984
Rough & tender, the usual Calexico sound.
Colin 1984
or raw and tender
Susan Daniels
OMG.....Her eyes are closed now
That final breath is near
SoundoftheMuzak
And.. Just to see those eyes of her shine it's worth any sum or length of time ...
SoundoftheMuzak
Just so touching...