Born in Omaha, Nebraska in 1943, Calvin Keys' musical legacy began early wi… Read Full Bio ↴Born in Omaha, Nebraska in 1943, Calvin Keys' musical legacy began early with his father Otis Keys, a man who is still described as Omaha's greatest natural drummer. Early on in his own musical career Calvin auditioned and played guitar with such greats as Eddie Cleanhead Vinson and bassist Gerald Holts. At age 17, he first hit the road with sax player Little Walkin' Willie and then followed in his father's footsteps to Kansas City, where his first gigs were with Preston Love of the Count Basie Orchestra and The Frank Edwards Organ Trio. That foundation led to working with one of the greatest organ trios of all time‚ The Jimmy Smith Trio, and then on to working with several other organ greats: Jimmy McGriff, Jack McDuff, and Groove Holmes.

In 1969, Keys headed for Los Angeles. In 1971, he cut his first album, Shawn Neeq, on what was then Gene Russell's new highly acclaimed Blackjazz record label. Soon afterwards, he was hired to record and tour with Ray Charles. It was then that Calvin's career began blossoming in full swing as he toured Europe for the first time as the guitarist for Ray's Big Band.

In 1973, Blackjazz released his second solo album, Proceed With Caution. At this time, Calvin also began also using his newly given African name, Ajafika. Appearing on the album cover in an African robe and holding a spear, Calvin was in step with the African- American independence movement with a new identity and a raw roots musical direction. Shortly thereafter, Keys was called to work with legendary pianist Ahmad Jamal. Keys spent most of the next seven years recording six albums and performing with Ahmad.

By 1975, Keys had relocated to the San Francisco Bay Area and become an avid participant in its local jazz community, working on a regular basis with John Handy, Bobby Hutcherson, Eddie Marshall, Leon Williams, Bob Braye, Ed Kelley, Eddie Duran, Bruce Forman, Junius Simons, Eddie Moore and others. In the 80's, Calvin performed with big name players such as Tony Bennett, Pharoah Saunders, and Sonny Stitt. By this time, Keys realized he wanted to reestablish his solo career, so he returned to the studio to record. In 1985, Olive Branch Records released tracks from these sessions as the album entitiled, Full Court Press. The album that followed, Maria's First, featured samples of the first cries of his newborn daughter, Marela.

Working with his own trio, Calvin released Standard Keys on Lifeforce Records in 1992. After undergoing quadruple heart bypass surgery in 1997, Keys bounced back with a memorable debut on dissent's eponimous release on Wide Hive Records. A year later, Keys followed up with his widely heralded solo album on Wide Hive Records, Detours Into Unconscious Rhythms. Since then, he has performed with Blue Note Records organist Big John Patten, Dr. Lonnie Smith, and most recently, Taj Mahal. In 2005, Calvin's latest release, Calvinesque, rose to #30 on the Jazz charts.

On Vertical Clearance, Calvin is reunited with Blackjazz compatriot Doug Carn, as well as many other noteworthy musicians including: Phil Ranelin, Sonny Fortune, Roger Glen, and Babatunde. Also featured on the record are Wide Hive staples, keyboardist Kat Ouano, bassist Matt Montgomery, and composer/producer Gregory Howe.

(2) Jazz guitarist Calvin Keys is a legend among soul-jazz fans for his appearances as a session musician and his small catalog of releases under his own name. Known for his lean, muscular single-string solo style, Keys was born in 1943 in Omaha, Nebraska. His first musical influence was his father Otis, a well-known drummer on the city's music scene. He passed the music bug on to Calvin, who picked up the guitar early. Keys eventually landed his first notable gig as a member of Eddie "Cleanhead" Vinson's band when he was 17. He first hit the road with sax player Little Walkin' Willie during his that same year, before moving on to Kansas City. There his first gigs were with Preston Love (of the Count Basie Orchestra) and later the Frank Edwards Organ Trio. After woodshedding with Edwards, he landed a spot in organist Jimmy Smith's road trio. After leaving Smith, Keys worked the rest of the 1960s with Jimmy McGriff, Jack McDuff, and Richard "Groove" Holmes.

Keys moved to Los Angeles in 1970. In 1971, he signed to Gene Page's fledgling Black Jazz label and cut his debut album, the now legendary Shawn-Neeq. He gigged on his own before auditioning for the Ray Charles Orchestra. Keys' unique phrasing and his ability to balance sophisticated jazz harmonics with tough R&B and soul grooves were showcased nightly in the Charles band. In 1973, Black Jazz released Keys' second offering, Proceed with Caution. He toured briefly before being snapped up by Ahmad Jamal. Keys spent the next seven years with the pianist, recording six albums and touring the globe.

By 1975, Keys had relocated to the San Francisco Bay Area, where he became -- and remains -- an avid participant in its jazz community. He worked in live settings and recording sessions with John Handy, Bobby Hutcherson, Eddie Marshall, Leon Williams, Bob Braye, Ed Kelly, Eddie Duran, Bruce Forman, Junius Simmons, and Eddie Moore. In 1976, he played on Doug and Jean Carn's Ovation album Higher Ground. The 1980s proved similarly fruitful; Keys was an in-demand studio and live sideman, with credits including appearances with Tony Bennett, Pharoah Sanders, and Sonny Stitt. Keys began recording another solo album in 1984. In 1985, Olive Branch Records released tracks from these sessions as the album entitled Full Court Press; it was followed a year later by Maria's First.

Keys continued playing sessions and performing with touring acts in the Bay Area and the occasional Los Angeles gig. In 1991 he was part of the band that recorded film composer James Newton Howard's original score for the film Dying Young. Working with his own trio, Keys released Standard Keys on Lifeforce Records in 1992; his session and live work continued at a relentless pace, which eventually took its toll. Some of his work included reuniting with Jamal for the pianist's 1994 album Night Song for Motown's MoJazz imprint, and a tour of Europe that resulted in Jamal's Live in Paris 1996. An Evening with Calvin Keys, taken from a radio broadcast, was released that same year.

He was sidelined in 1997 by heart surgery, undergoing a quadruple bypass. Undaunted, he released the widely acclaimed Detours into Unconscious Rhythms on Wide Hive Records. The large cast included organist Chester Thompson (Ray Charles, Santana) and upright bassist Kenneth Nash (from Jamal's band). After the album's release, Keys toured regionally in the U.S. and in Europe before returning to the Bay Area, where he performed with organists Big John Patton and Dr. Lonnie Smith, and Taj Mahal. In 2005 Keys recorded Calvinesque for Silverado. The album hit number 30 on the jazz charts.

His second Wide Hive release, Vertical Clearance, was issued in 2006. It reunited Keys with Doug Carn, and included Phil Ranelin, Sonny Fortune, Roger Glenn, and Babatunde in its lineup. In 2007 Keys released Hand-Made Portrait on Silverado, and received a tribute from fellow Midwesterner -- and fan -- Pat Metheny, who composed and included the tune "Calvin’s Keys" on his album Day Trip. Keys appeared on Ranelin's Living a New Day for Wide Hive and on organist Gloria Coleman's Sweet Missy for Doodlin in 2009. In 2012 Tompkins Square Records re-released Shaw-Neeq exclusively on 180-gram vinyl. Keys supported it by touring with a band, performing the album in its entirety. ~ Thom Jurek, Rovi