It's tempting to say Camilla Kerslake has the kind … Read Full Bio ↴Camilla Kerslake
It's tempting to say Camilla Kerslake has the kind of voice that can hush a crowd or cause it to roar approval, one that can bring tears to the eyes or make the human heart soar. But the fact is that there isn't a 'kind of' voice like Camilla's. Hers really is that rare and elusive thing, a one-of-a-kind. "I listened to her demo and instantly was captivated by it," admits Gary Barlow. "It's a unique and powerful instrument." The singer-songwriter, Take That star and astute businessman didn't stop at pure admiration though. Certain of her potential for future success, he sought immediately to sign her to his new record label, Future, and declares himself excited to have brought her on board. Now, with Camilla's debut album scheduled for autumn release, one thing is certain - a new star is most definitely born.
More than a little daunting, perhaps, for an artist who has only just turned 21 to find herself plucked from music school and put into the recording studio with producer Mike Hedges, famed for his work with U2, the Manic Street Preachers and Dido among many highly-successful others. Luckily Camilla, while hugely grateful for the good fortune that has befallen her, is also secure in her musical gift and in her sense of self. As such, she is remaining grounded and is taking the experience in her stride. "Gary's one of the biggest talents in the whole of the British music industry and an amazing mentor. How lucky am I? Any advice he gives me is going to be incredible." Equally, she is learning daily about what does and does not suit her pure and vaulting classical voice, a coloratura soprano.
Just how wide is its range, incidentally? "On a good day and with the wind behind me, I've got about four octaves." Even so, it's not an operatic voice? "Katherine Jenkins is operatic, being a trained vocalist with a rich and fully-rounded sound. I, on the other hand, being previously untrained (Camilla is now working with the head of musical theatre at the Royal Academy Mary Hammond to strengthen and preserve her vocal chords) am more like a boy soprano, someone who can sing so lightly and so high that, in the upper ranges, I become almost like an instrument. And that's why the material we've chosen is not operatic crossover but classical, to which my voice lends itself so much better." Hence audiences will be introduced to Camilla via her interpretations of music that has been loved not just for months or years but, in many cases, for centuries.
None of which will be surprising to anyone who knows her well, not least her mother Deborah. "If anything, mum's more of a Celine Dion fan but says that strangely, when she was pregnant with me, all she ever wanted to do was sit with a big bag of oranges on her lap, listening to classical music. She like to think it was me, urging her in that direction." Born in London but brought up until the age of eight outside of Auckland on New Zealand's North Island, Camilla says she herself seemed always to gravitate towards serious music. "A teacher at my primary school told mum at a parents' evening, 'most kids come in singing nursery rhymes but your daughter sings opera.' I was five at the time." And so it went on, even after the family's return to the UK to live. No peer pressure to change, as she grew older? Camilla laughs and shakes her head.
"My mother's a psychotherapist, she raised me to be secure and happy in myself, so peer pressure wasn't really a big issue. That's not to say I didn't know it was uncool for a kid to listen to opera ... Of course I knew. It just didn't bother me because I loved it." Even so, she remembers precisely the moment at which she was made aware that she had a gift few others possess. "I was 14 and in detention in the music room after school for having chucked a pencil at a friend during lessons. Our teacher was late arriving so I started messing around on the piano, hamming up the title song from The Sound of Music. You know, 'The hills are alive...' As I went up the register, the other kids who'd been kept behind were all saying, 'Wow, that's so high!', and just for fun I went higher and higher and it was at that point the teacher walked in ...
"He'd been listening outside and said to me, 'Do you realise you've just sung half an octave higher than the highest note ever written for the human voice?' My gran and my mum both have great voices and because we'd always sung around the house I'd never thought my voice was anything special but suddenly it dawned on me how well people responded to my voice and that I might just have something different, something that shouldn't be wasted." So, semi-reluctantly, out of the window went triple science lessons and plans to be a doctor, and after 'A' levels, I auditioned for Guildford's Academy of Contemporary Music. "For the first two years the concentration was on learning to use my voice properly and on reading music. Then I went on to a two-year course on the business aspects of the music industry." But just three months in, Camilla's life changed irrevocably.
Having saved up enough money to buy studio time locally, and singing with a £2.99 backing track, Camilla recorded her own versions of two classic pieces, 'Ave Maria' and 'Pie Jesu' to show off her remarkable voice. Armed with the knowledge that Take That were recording at London's Sarm Studios at the time, Camilla turned up on an almost daily basis hoping to give Gary Barlow the demos. Having received numerous copies of Camilla's demo over a four-week period, Gary finally relented and listened. In true fairytale fashion, he loved what he heard. Soon after Camilla sang those two songs live for Gary who immediately offered to sign her to his record label.
Now begins the countdown to the release of that debut album, newly recorded in Ireland. The acclaimed Sally Herbert has provided the choral and orchestral arrangements to what is a succession of quite literally breathtaking performances, ones for which all vocal arrangements have been supplied by Camilla herself. "I've put my heart and soul into this - we all have," the new young star says. "I believe you can tell that when you listen to the album. It's very relaxing, very spiritual, but also uplifting and, I think, beautiful. I just hope that the emotions I felt while performing the songs will transmit to the listeners and make this a really inclusive experience. I want to move them in the way that I myself was moved." There's no doubt but that she is right in her summation. Camilla Kerslake has a quite extraordinary vocal gift and here and now begins what should be a remarkable career.
How Can I Keep From Singing?
Camilla Kerslake Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I hear the real though far off hymn
That hails a new creation
Through all the tumult and the strife
I hear it’s music ringing
It sounds an echo in my soul
What through the tempest loudly roarsI hear the truth it liveth
What though the darkness round me close
Songs in the night it giveth
No storm can shake my inmost calm
While to that rock I’m clinging
Since love is Lord of heaven and earth
I lift my eyes the cloud grows thin
I see the blue above it
And day by day this pathway smoothes
Since first I learned to love it
The peace and love makes fresh my heart
A fountain ever springing
All things are mine since I am his
The lyrics to Camilla Kerslake’s “How Can I Keep from Singing?” convey a message of hope and resilience in the face of adversity. The song speaks about the idea that even in the midst of life’s challenges, there is a transcendent hymn that can be heard, signifying the creation of a new world. Despite the tumultuousness of the world around us and the storms and darkness we may encounter in our own lives, the song suggests that a deep sense of inner calm and peace can be found by clinging to a “rock” which represents love. The lyrics also speak about a pathway that smoothes day by day, indicating that the struggles faced can be overcome and that the presence of love in one’s life can continually renew the heart.
Line by Line Meaning
My life flows on in endless song above earth's lamentation
My existence continues perpetually while singing a continuous song that overshadows any anguish experienced on earth.
I hear the real though far off hymn that hails a new creation
I am aware of a genuine, yet distant hymn that announces the beginning of something new.
Through all the tumult and the strife I hear it's music ringing
Despite all the pandemonium and hardship, I hear its music resounding in my ears.
It sounds an echo in my soul
It creates a reverberation deep within me.
What through the tempest loudly roars I hear the truth it liveth
Although the storm rages loudly, I hear the life of the truth behind it.
What though the darkness round me close Songs in the night it giveth
Even in complete darkness, a melody is still given to me.
No storm can shake my inmost calm While to that rock I’m clinging
My inner balance cannot be disturbed as long as I'm firmly attached to that immovable foundation.
Since love is Lord of heaven and earth
Love is the governing power over everything in heaven and on earth.
I lift my eyes the cloud grows thin I see the blue above it
I raise my gaze and observe the sky clearing, showing its blue tone above the fading clouds.
And day by day this pathway smoothes Since first I learned to love it
This journey becomes easier every day, from the very first moment I took pleasure in it.
The peace and love makes fresh my heart A fountain ever springing
My heart feels rejuvenated by both peace and love, which reliably bubble up like a fresh fountain.
All things are mine since I am his
All things belong to me due to my association with him.
Contributed by Micah G. Suggest a correction in the comments below.
@ronaldmcewan6735
Waitrose brought me here . I love this song and the ad, it makes me think of a coming home after a long journey .
@onchanal
What a beautiful Voice!! Must be on line to become another smash hit for years to come. Who said X Factor???? No comparison.
@sarachang346
Wow, amazing voice! What talent. Gary sure does have an eye!
@J1G2M3
Beautiful voice and a beautiful person!
@lisashmo
she's so freaking pretty! and i looove her voice! and that song! ok camilla...i'm a fan :)
@galsxtwo
Just so stunning, voice of pure heven xxx
@afanfromcuracao
beautiful voice the way it is. whether for classical singing or not, I cannot judge for I have no knowledge there.....but this sounds stunning and if her voice were any more classical then it wouldn't sound right, now would it? This is the genre as it is and as it should be and she does a wonderful job! Keep up the good work Camilla, I surely love it!
@SuperClint007
normally i dont like this kind of singing at all but Camilla's voice is fantastic, you cant help but look and listen, heard this song on the waitrose add at Christmas didnt know who sang it. but loved it.
@moonshdw30
Honestly! She is a beautiful girl with a voice and presence that melt your soul. Whilst there is no need for 1 person to have so much beauty in so many respects, I'm glad she looks and sounds so good - makes the world a more beautiful place. And I'm a girl and should hate her :-)
@david102westsussex
what a great voice camilla has