The group's trademark violin-coated melodies and their ironic take on American culture put them one step away from being a novelty act in the eyes of many critics. But as the band would move from irreverently playful to experimental with their intricate, psychedelic pop meanderings they carved out their own niche in the music world. CVB consciously played with building a mystique about the band, using articles, liner notes and press interviews to weave a bizarre mythology about the band, to the point where it is still often difficult to distinguish fact from fiction.
CVB had roots in the earlier projects Sitting Duck and Estonian Gauchos, proto-CVB projects from which some of the earliest CVB songs originated. Original bandmembers from CVB's early recordings, including 'Telephone Free Landslide Victory,' included David Lowery, Chris Molla, and Anthony Guess, all of whom also did time in Eric Curkendall's project Box O'Laffs.
The core touring and recording contingent of this band consisted of David Lowery, Victor Krummenacher, Jonathan Segel and Greg Lisher with Anthony Guess on drums from early 1985 to fall 1985 for their first album, 'Telephone Free Landslide Victory'. Guess left the band in late 1985 following the tour and went on to collaborate with numerous other musicians and bands, including Pile of Disaster, World Entertainment War, Calm Down Juanita, the Hollywood Lightweights, Billy Dwayne & the Creepers, Travis Morrissey & The Good Ship, and his current project, I Die Everyday.
Chris Pedersen took over drumming in the late 80's and since reformation in 2000, with Cracker drummer, Frank Funaro. After signing to Virgin Records in 1988 and releasing two eclectic yet slightly more accessible LPs, they disbanded in 1990; singer David Lowery went on to found the band Cracker (with guitarist Johnny Hickman, a former member of Estonian Gauchos), while the other members - guitarists Greg Lisher and David Immerglück, bassist Victor Krummenacher and drummer Chris Pedersen - devoted themselves full-time to the Monks of Doom, which had begun several years earlier as a non-Lowery side project. Violinist Jonathan Segel went on to play with Granfaloon Bus, Dieselhed, Hieronymus Firebrain, Jack & Jill and more. Segel and Krummenacher also continue to release solo recordings. More recently Segel has been involved in experimental music, including collaborations with Fred Frith and Joelle Leandre. Krummenacher and Segel collectively run their own record label, Magnetic. Chris Pedersen moved to Australia and currently plays drums for the dub band Daktari.
In 2000, ex-members regrouped to compile the experimental rarity set Camper Van Beethoven Is Dead. Long Live Camper Van Beethoven. In 2002, they released Tusk. Allegedly recorded in 1987, it had all the same tracks as the Fleetwood Mac album of the same name, and a parody of the original album's cover art. A series of reunion tour dates followed with many of the band's former members. The group officially reformed in 2004 to record New Roman Times, their first official studio album in 15 years. A live concert disc was also released entitled In The Mouth of the Crocodile, capturing a 2004 reunion performance in Seattle. Also, segments of a 2004 performance in Chicago were released the following year as Discotheque CVB: Live In Chicago, which was only available at a limited number of record stores. The band continue to play live and co-host the Annual Cracker Camper Van Beethoven Campout, a 3-day alternative music festival in Pioneertown, CA held every September.
CVB's 1985 staple "Take the Skinheads Bowling" was covered by Teenage Fanclub and used as the title track for the 2002 Michael Moore film Bowling for Columbine. A portion of the original Camper Van Beethoven recording can be heard as an introduction to the DVD release of the film. The song has also been covered by many other artists, most notably Manic Street Preachers and Sugarlust, who play it in every show they do; they all have skinheads and it has become their signature cover song.
Members of Camper Van Beethoven collaborated with Eugene Chadbourne on a number of records under the name Camper Van Chadbourne.
The band's official site is campervanbeethoven.com
I Love Her All the Time
Camper Van Beethoven Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Twisting through my nerve
I don't understand
A word she says
She's on my side
I love her all the time
I love her all the time
The opening lines of the song ‘I Love Her All the Time’ by Camper Van Beethoven paint an image of a woman who is invasive but irresistible. The woman is characterized as being present in the singer's mind and constantly creeping their nerves. However, despite being unable to comprehend her words, the singer asserts that he is on her side, and further declares his undying love for her through repeated lyrics of "I love her all the time". The choice of words, ‘twisting through my nerve’, seems to suggest that the woman's hold over the singer is intense and dizzying, as if it's almost like a drug-induced trance.
The song could be interpreted in many ways, especially when one considers the chorus’s repeated declaration of love. It could be a testament to a new love that is consuming, impossible to comprehend and explains the singer's intense emotions. The song could also be interpreted from the perspective of addiction or obsession, where the woman is a metaphor for something that the singer can't let go of, despite it causing him pain. However, the love that the singer professes could be taken literally, where he really does love this woman, even if she is hard to understand or causes him grief. Overall, the song is a compelling piece of work, due to its ambiguous nature and the singer's ability to intensely convey his emotions.
Line by Line Meaning
She comes into my mind
Her image appears in my thoughts effortlessly
Twisting through my nerve
She affects me emotionally and physically
I don't understand
I find it hard to grasp what she's saying
A word she says
Her words are enigmatic and puzzling
She's on my side
She supports me mentally and emotionally
I love her all the time
My feelings for her are constant and unchanging
I love her all the time
My love for her knows no bounds and endures forever
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: KIM A. GORDON, LEE M. RANALDO, ROBERT BERT, THURSTON J. MOORE
Lyrics Licensed & Provided by LyricFind