This group consisted also of his partner Webb. Following a fallout with his partner, Canibus pursued a solo career and began infiltrating the mix-tape circuit. By 1997, he had approached the brink of the major-label rap game, guesting regularly on high-profile releases: He contributed to "Uni-4-orm," an inclusion on the Rhyme & Reason soundtrack also featuring Heltah Skeltah and Rass Kass; "Love, Peace & Nappiness," an inclusion on the Lost Boyz's Love, Peace & Nappiness also featuring Redman and A+; "Making a Name for Ourselves," an inclusion on Common's One Day It'll All Make Sense; the non-album remix of Wyclef Jean's "Gone Till November."
And most famously, "4, 3, 2, 1," an inclusion on LL Cool J's Phenomenon also featuring Redman, DMX, and Method Man.
Of the several guest appearances, "4, 3, 2, 1" certainly meant the most, as it brought together many of New York's preeminent hardcore rappers and thus ushered Canibus into that same elite class. At the same time, however, Canibus lashed out shortly afterward with the Mike Tyson-featuring "Second Round K.O.," where he rhymed, "So I'ma let the world know the truth, you don't want me to shine/You studied my rhyme, then you laid your vocals after mine."
In fact, the entirety of the song directed barbed rhymes at LL: "You walk around showin' off your body cause it sells/Plus to avoid the fact that you ain't got skills/Mad at me 'cause I kick that sh*t real niggaz feel/While 99 percent of your fans wear high heels," and so on. Shortly thereafter, LL sought his revenge, releasing "The Ripper Strikes Back" on the Survival of the Illest soundtrack (1998) and thus channeling even more attention toward Canibus.
From the track's chorus ("Can-I-bus? Yes you can!") to practically every line of the verses ("You soft as a newborn baby takin' a nap/Make my dick hard with that bitch-ass track/Where you at? smokin' in some one-room flat/Suckin' on Clef's dick hopin' to come back"), LL unleashed a fury of insults and threats. The media, of course, elevated the battle to grand heights, as even MTV gave the story headlines. In the aftermath of 2Pac's and Biggie's deaths, such confrontations fascinated the rap community, and Canibus certainly capitalized on his newfound publicity.
As for his debut full-length, Can-i-bus (1998), though, the response was sobering. Critics expressed little support, and sales quickly dropped as listeners also felt genuinely disappointed. Executive produced by Wyclef, the album suffered on many levels, both production-wise and rhetorically as well (critics targeting Canibus' delivery more than his lyrics or themes). The momentum that "Second Round K.O." had generated simmered almost immediately, and it didn't help that LL's "Ripper Strikes Back" found substantial acceptance at the time as well.
In the two years following the release of Can-i-bus, the rapper maintained an extremely low profile, much in contrast to the regular guest appearances he had made leading up to his debut. As a result, when he finally did return with his follow-up album, 2000 B.C. (2000), few noticed, it came and went generally unheard, and Canibus returned to the underground after parting ways with Universal. He continued to record albums and release them on the independent circuit (including 2002's Mic Club, 2003's Rip the Jacker, and 2005's Mind Control); furthermore, he retained a small base of fans as well, yet his days as the next-big-thing had clearly come and gone, as they similarly had for so many other talented rappers.
Salute
Canibus Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
For an entire month
Can-I-Bus?
You know you can
Can-I-Bus?
You know you can
Can-I-Bus?
You know you can
You know you can
Involuntary muscle spasm assassin busts with a passion
Listen to how Canibus re-enact this
Poor rappers fall victim to the metaphor master
Drill your ass raw for ice core data
An earthquake machine being powered by a crystal
Scalene in hydro, no pulse signal
Lyrically wave-theory like Timothy Leary
So you don't have to understand me to hear me, you feel me?
Barely, the quickening happens in between
In the Elohim Lord Lizard King with the Ripper conditioning
Partitioning with the Fischer King eating chicken wings
My fingertips are glistening but I'm listening
Yeah, the master observes how rappers use vernacular
To fail to capture the meaning attached to the words
Hip-Hop ? career suicide
Killer Ripper spits to the sustained pitch mixed and chopped
To add a counter point, mix a master that drops
Complex and confusing, I'm laughing because it's hot
The super duper uber music conductor producer from the future
Stuff tubas with gun powders to improvise bazookas
Colder than killer cobras over Jehovah
Delta soldiers in blimp balloon gondolas with stealth motors
They watch over us, told me where to go
But I can only take both of us so you better soldier up
Size, activity, location, unit
Time and equipment: What you going to do with it?
Salute, that's what they do when I rip it
I proved it, I did it, "D-R Period" was in the booth when I spit it
Bread and Butter, Nigga
Beyond Canibus motherfucker, broken Language the hustler
Starboard rudder, the Coast Guard Cutter
I'm the studio night-owl, stress give me white eyebrows
Who the fuck I got to fight with now?
Yeah, conspicuous characters creep through America
With a killer chemical in a canister called Canibus
Crazy as crystal communicate correct signal
They call it criminal, I call it lyrical
Call the Commissioner I'm going to crucify the Christian Caligula
Like they crucified M.C. Christopher
I cast the Canibus symbol in the crowd
If there's beef on the ground, I'm going to carve the cow
Now, smuggle contraband through the canal
I check my clip on my chamber, sharpshooter style
La Costa Nostra, deep like Deepak Chopra
I kick your door down in loafers
.45 in the holster, A.K. in the baby stroller
Babies with baking soda, my lady in the Rover
A midget with dreadlocks down to his toes
With flows I expose what nobody knows
In the song Salute, Canibus describes himself as an "involuntary muscle spasm assassin." His flow is characterized by a rapid-fire delivery, with each bar seemingly coming from a different direction. He brags about his metaphorical prowess, claiming to drill his opponents raw for "ice core data." The song's title, Salute, is a command he gives to his listeners, signifying that they should show him respect and acknowledge his skill. Throughout the song, Canibus references a number of different subjects, including science (an earthquake machine powered by crystals), music production (adding a counterpoint to a mix), and military tactics (smuggling contraband through a canal).
The song also contains a number of internal rhymes and clever wordplay. For example, he says he is a "warrior of words," and comments on how rappers fail to capture the true meaning of their lyrics. Canibus's flow is often described as "complex and confusing," as he seemingly jumps from topic to topic with little explanation or transition.
Line by Line Meaning
The war drums sound like a hundred guns fired at once
The intensity of the drums resembles a barrage of gunfire
For an entire month
This intensity is sustained for a lengthy period
Can-I-Bus?
Asking if his skill is doubted
You know you can
Affirming his ability
Involuntary muscle spasm assassin busts with a passion
His witty punchlines are delivered with a fervor beyond his control
Listen to how Canibus re-enact this
Challenging his audience to pay close attention to his lyrical delivery
Poor rappers fall victim to the metaphor master
Lesser rappers are unable to keep up with his clever comparisons
Drill your ass raw for ice core data
He'll dig deep into his subject matter, getting to the core of things
An earthquake machine being powered by a crystal
His powerful impact is fueled by a rare and precious source
Scalene in hydro, no pulse signal
He operates in a unique manner, undetectable by normal means
Lyrically wave-theory like Timothy Leary
He uses complex and unconventional techniques to convey his message
So you don't have to understand me to hear me, you feel me?
His passion is palpable even if you don't fully comprehend his message
Barely, the quickening happens in between
The magic occurs in the spaces between his words
In the Elohim Lord Lizard King with the Ripper conditioning
He assumes the persona of a powerful and deadly force
Partitioning with the Fischer King eating chicken wings
Drawing inspiration from a chess champion and enjoying a casual snack
My fingertips are glistening but I'm listening
He's honing his craft while staying aware of his surroundings
Yeah, the master observes how rappers use vernacular
He studies his peers to improve his own skills
To fail to capture the meaning attached to the words
He sees others misusing language and failing to convey their intended message
Hip-Hop ? career suicide
He acknowledges the risks associated with a career in music
Killer Ripper spits to the sustained pitch mixed and chopped
He delivers his bars with consistency and precision
To add a counter point, mix a master that drops
He balances his delivery with the overarching structure of the song
Complex and confusing, I'm laughing because it's hot
He revels in the excitement of pushing boundaries and challenging his listeners
The super duper uber music conductor producer from the future
He's positioning himself as a visionary and master of his craft
Stuff tubas with gun powders to improvise bazookas
He's resourceful and inventive in creating his art
Colder than killer cobras over Jehovah
He's more ruthless and powerful than even the deadliest snakes
Delta soldiers in blimp balloon gondolas with stealth motors
He's taking on a military persona, engaging in covert operations
They watch over us, told me where to go
His superiors guide him in his mission
But I can only take both of us so you better soldier up
He can only do so much, so his followers better pick up the slack
Size, activity, location, unit
He's reciting military jargon associated with planning a mission
Time and equipment: What you going to do with it?
He's questioning how effectively his followers will use their resources
Salute, that's what they do when I rip it
He's commanding the respect of his followers with his skills
I proved it, I did it, "D-R Period" was in the booth when I spit it
He's bragging about his accomplishments and the big names he's worked with
Bread and Butter, Nigga
A victory cry, emphasizing his success
Beyond Canibus motherfucker, broken Language the hustler
He's more than just his stage name, he's a skilled lyricist
Starboard rudder, the Coast Guard Cutter
He's mixing nautical terms with an air of authority
I'm the studio night-owl, stress give me white eyebrows
He's hard-working and dedicated to perfecting his craft
Who the fuck I got to fight with now?
He's constantly challenging himself and seeking new rivals
Yeah, conspicuous characters creep through America
He's painting a picture of nefarious elements invading society
With a killer chemical in a canister called Canibus
He's referencing his own power as a potent force
Crazy as crystal communicate correct signal
His insanity makes him more effective at communicating his message
They call it criminal, I call it lyrical
His words may be considered dangerous, but he sees them as art
Call the Commissioner I'm going to crucify the Christian Caligula
He's proclaiming his power and laying waste to his enemies
Like they crucified M.C. Christopher
He's drawing parallels between himself and Jesus, who was also persecuted for his message
I cast the Canibus symbol in the crowd
He's marking his territory and asserting his dominance over his followers
If there's beef on the ground, I'm going to carve the cow
He's unafraid to confront his detractors with a brutal response
Now, smuggle contraband through the canal
He's describing a covert operation, perhaps in the drug trade
I check my clip on my chamber, sharpshooter style
He's preparing for combat and ensuring he's ready for whatever comes his way
La Costa Nostra, deep like Deepak Chopra
He's making references to organized crime and spirituality
I kick your door down in loafers
He's confident in his abilities, even when he's not fully equipped for battle
.45 in the holster, A.K. in the baby stroller
He's prepared for violence in any situation, even while looking after a child
Babies with baking soda, my lady in the Rover
He's painting a picture of a drug-dealing lifestyle, with his partner and child caught up in it
A midget with dreadlocks down to his toes
He's introducing a new character, odd yet intriguing
With flows I expose what nobody knows
He's confident in his abilities to uncover hidden truths and convey them to his audience
Lyrics © Spirit Music Group
Written by: DARRYL PITTMAN
Lyrics Licensed & Provided by LyricFind
IceManLEgend
this album saved my life in 11 thanks bis
HipHopReacts
Partitioning with the Fisher King, eating chicken wings, my fingertips are glistening but I'm listening!
Walter Black
Salute
IceManLEgend
delta soldiers in blimp balloon gondolas with stealth motors
reggie d rock reg
Thought dude in the hook was lil Fame from MOP
Would of been a nice feature though
Senior Shimhanda
la Costra Nostra deep like Deepak Chopra
Dr. Inkwell
0:46
Tris 87 Don
Canibus beats aren’t good 😄 jokers
YoBoZo
I mean ok but His Album 2000 B.C. and Rip The Jacker have great beats imo i think you will be pleasantly surprised.
Olgierd OLO
@YoBoZo He didn't mean this, it was ironic and aimed at people criticising Bis' beats.