Beginning as a solo recording project by Toledo in 2010, Car Seat Headrest self-released 12 albums on the music platform Bandcamp, before signing to Matador Records in 2015. Car Seat Headrest would begin touring as a full band the following year.
History
2010–2014: Lo-fi and solo releases, from 1 to How to Leave Town
Car Seat Headrest began as the solo project of singer/songwriter and multi-instrumentalist Will Toledo (born William Barnes) shortly after he graduated high school. Toledo had previously released music under the alias Nervous Young Men, but after struggling to establish an audience, he decided to change tactics, choosing to try and release more experimental songs anonymously. Toledo chose the name "Car Seat Headrest" as he would often record the vocals to his early albums in the back seat of his car for privacy.
Throughout the summer of 2010, Toledo released his first four albums under the Car Seat Headrest name: 1, 2, 3, and 4. 1 and 2 incorporated less traditional song structures, with stream-of-consciousness lyrics, whereas 3 and 4 would begin to cement his lo-fi indie rock style. Following the numbered albums, Toledo began attending classes at Virginia Commonwealth University, releasing the Sunburned Shirts EP during his first semester. The Sunburned Shirts EP would later be partially combined with his fifth LP, 5, to create his first titled album, My Back Is Killing Me Baby, released in March 2011. Songs culled from 5 would later appear on the b-sides compilation album Little Pieces of Paper with "No" Written on Them.
After a difficult and lonely semester at VCU, Toledo transferred to the College of William & Mary, where he would release his next project, Twin Fantasy, a concept album centered on a relationship he was in at the time. Twin Fantasy would later be followed up by 2012's Monomania and Starving While Living EP.
Around this time, Toledo began performing live shows with fellow students Katie Wood, Austin Ruhf, and Christian Northover, recording and releasing a short live album in July 2013 entitled Live at WCWM: Car Seat Headrest at the university's studio. Toledo would release his next project the following month; a two-hour long double album entitled Nervous Young Man. Three of the songs, and the title of the album, were taken from his original project, Nervous Young Men, but had been heavily reworked and re-recorded. Released alongside Nervous Young Man, for those who paid $5 or more, was the outtakes compilation album Disjecta Membra.
Toledo's final solo release was 2014's How to Leave Town, an hour long EP with heavy electronic instrumentation and more ambitious song structures.
2015–2017: Matador Records, Teens of Style and Teens of Denial
Ethan Ives.
In September 2015, Car Seat Headrest announced on Facebook that he had signed an album deal with Matador Records. Toledo, who had recently graduated and moved to Seattle, recruited bassist Jacob Bloom and drummer Andrew Katz through Craigslist to record and tour his next album. In October 2015, Car Seat Headrest released the compilation album Teens of Style, their first to not be self-released exclusively via Bandcamp. Shortly after the album's release, Bloom left the group to attend medical school, and was replaced by bassist Ethan Ives.
Ives played bass throughout most of the recordings for the band's following release, but would later switch to guitar and other instruments, with Seth Dalby taking over on bass. Ives and Dalby were later cemented in these positions during live shows and future releases. The new album, created with traditional studio processes, Teens of Denial, was released on May 20, 2016. The album received universal acclaim, and brought the band a new wave of popularity.
In 2017, Car Seat Headrest released an alternate mix of their single, "War Is Coming (If You Want It)" through Bandcamp for one day, with profits going to the Transgender Law Center. The original mix of the track was released ten days later.
On December 13, 2017, the band released a re-recorded version of "Beach Life-In-Death", the second track on Twin Fantasy, through Spotify without prior announcement. This sparked fan rumors that the album would be re-recorded and released the following year. On December 27, 2017, an Amazon listing detailing a re-recorded version of Twin Fantasy was found by fans, and subsequently uploaded to the Car Seat Headrest subreddit. This was followed up by a listing on SRCVinyl.com with the date February 16, 2018.
2018–2019: Twin Fantasy (Face to Face) and Commit Yourself Completely
On January 9, 2018, Matador Records formally announced the release of the re-recording, entitled Twin Fantasy (Face to Face), alongside a re-release of the original album. Twin Fantasy (Face to Face) was released via Matador on February 16. The original, which has been re-titled Twin Fantasy (Mirror to Mirror), was released on vinyl as a part of Record Store Day on April 21. On February 15, 2018, the band released a cover of "Fallen Horses" by Smash Mouth, who returned the favor by covering "Something Soon". Around the same time, they began touring with fellow Seattle-based band, Naked Giants, as a part of the group's expanded live lineup.
In August 2018, when asked about new material, Toledo confirmed that he was “demoing out stuff in Ableton,” adding “there might be some stuff that surprises people who only know us as a rock band, but I don’t think it will come as a surprise to people who are checking out all the deep cuts.” In January 2019, Andrew Katz confirmed the band was recording new music through a video uploaded on Instagram.
Following the tease of new music, the band began experimenting with new material at various live shows in December 2018, debuting the tracks "Weightlifters", "Hollywood", "Stop Lying To Me", and "You Know There's Someone Out There", soon followed by "Can't Cool Me Down" in February and March 2019 performances. All were officially released on the next album except for "Stop Lying To Me" and "You Know There's Someone Out There".
On June 12, 2019, Car Seat Headrest announced a new live album titled Commit Yourself Completely, featuring official recordings of performances from the Twin Fantasy tour from 2018. It was released the following week on June 17.
2020–present: Making a Door Less Open
On February 26, 2020, Car Seat Headrest announced their first studio album consisting of wholly new material since 2016's Teens of Denial, Making a Door Less Open. This announcement coincided with the release of "Can't Cool Me Down", the first single and second track off the album, and a release date of May 1, 2020. It marks a stylistic divergence from previous material, Toledo describing the album as containing elements of EDM, hip hop, futurism, doo-wop, soul and rock and roll. Three more singles were released to promote the album between March and April of that year: "Martin", "Hollywood" and "There Must Be More Than Blood". The release also coincided with the introduction of Trait, an alternative persona of Toledo's, featured prominently wearing a modified gas mask with blinking LED lights for eyes. The character had originally been created for the group's "comedic" side project, 1 Trait Danger, featuring Toledo alongside drummer Andrew Katz.
Making a Door Less Open was released with three separate versions across different formats: vinyl, CD and streaming, each with variations in track-list and specific musical elements. The album received a mixed reaction from fans, which pointed out the many divergences from the band's previous works, but received an overall score of 77 on review aggregate site Metacritic. Toledo noted that he and the band were working on a companion album for their latest release, while also looking for ways to improve the Trait mask to incorporate it into live performances.
Style
AllMusic biographer Mark Deming wrote that Car Seat Headrest created "moody and introspective lo-fi pop tunes that are melodic but structurally ambitious at once." Writing for Pitchfork, Jeremy Gordon stated that on Teens of Denial, "Will Toledo reaffirms that he is ahead of the pack as an imaginative singer-songwriter, capable of crafting dynamic indie rock." Ian Cohen of Pitchfork also described Toledo's music as "dense, confounding music that most often captures the giddy thrill of having access to recording equipment, of finally put a sound to the voice in your head."
Car Seat Headrest's influences include Radiohead, Pink Floyd, the Beatles, the Beach Boys, Daniel Johnston, Destroyer, Kendrick Lamar, Frank Ocean, Leonard Cohen, of Montreal, Modest Mouse, Neutral Milk Hotel, Sufjan Stevens, Swans, They Might Be Giants, Why?, R.E.M., the Who, Nirvana, the Blackout, Neil Diamond, William Onyeabor, the Clash, the Cars, James Brown, DEVO, Queen, Rod Stewart, and Green Day.
The Gun Song
Car Seat Headrest Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
behind every great love story lies a great suicide
you can't give yourself completely and keep the man inside
all the sentences I climbed halfway
saw the heights of what I wanted to say
and crawled from word to word
the unending realization that it's never gonna end
I spend half the day exhaling and the other half holding my breath
Cause living underwater was never my strength
In the depths you reside, the sun never sinks
So let's float to the bottom for one final drink
There's time for one more tonight
it's time to forget while the forgetting's good
I'll burn all the promises I carved out of your woulds
you said won't you come into arm's reach
abandon your clothes and modes of speech
an infant reborn you shall be
helpless and afraid
I'm waving goodbye every time you go to the store
I hope you break your hand the next time you slam the door
Because I burned my fingers every night
When your own shaking hands wouldn't give you a light
And I said "Jesus Christ, my parents were right
I never should've smoked you out"
I'd hate to amputate this artificial limb
But staring at you, my glass eyes are growing dim
I can't even blame you for looking so smug
I have to admit you're a hell of a drug
So pack up the boxes, roll me up with the rug
I'm not moving out, I'm just moving
(Kissed) I kissed you, yes, but never on the mouth
(masochist) you held the north while I conquered the south
but I don't want a territorial breach
so at the edge of the bed we'll meet
and I want you to fuck me in your sleep
it's the only way I'll know that you love me
(cause there's always gotta be a new angle)
Guns are loaded with silver bullets tonight
But it's useless, you kept me waiting until it was light
But you can't go out the way you came in
In the arms of someone unaware of your sins
Because I've been recording this whole fucking thing
Now you can never use the same chord changes again
(The first time was too fast
The second time was just sad)
If you're wondering why I'm still willing to take the fall
If I'm not getting fucked over, I'm not getting fucked at all
But I never asked for immunity
That's the difference between you and me
All I wanted was someone who was just like me
And I hate myself for that
It's getting hard to talk about the past
When you've copyrighted the present, no questions asked
You can do whatever you want with my name
But my body's never been public domain
So if you're looking for somebody to blame
Blame Walt Disney Studios
I remember, I was walking around outside, talking to you on the phone
We were both avoiding the parties we attended alone
And I looked up at the drunken moon
It was round and it was grey and it looked like the moon
And I said "at least we've both got the moon"
And you said "I'm inside"
so I'll try loving again
and you'll try living alone
and we'll meet at the end of this lifetime
and compare notes
(if bitterness is all that I have left
I'll be better at being bitter than anybody else)
I hate your receptionist
She looks at me like I'm retarded
When I'm filling out your forms
I see your form behind the frosted glass
But she says that you're not there
I'll have to be content to wait
If you felt some kind of stirring
Against interpretation
Why write these songs at all?
Why not become didactic
Tell everyone on the planet
In plain English what you are
But I am the gentle cannibal
I promise to eat you softly
You won't notice a thing
(Mariamme)
you're taking advice from Lady Macbeth
(William, one shot two shots)
when it's out of your hands, you try to forget
Mariamme, hold me tight
I still wish you hadn't listened to me
I ain't been right since the execution
(if I could transfer your desires into belongings and then snoop through your belongings, you know I'd do it in a second)
William, one shot two shots
Whoever you are, just hold me tight
I lost my love, my life, that -
All I know is, one of us was supposed to kill the other
Isn't that what they mean when they say ‘lovers'?
But murder is dirty, and peace comes cheap
So here's my new number, tell me when you're free
Down by the river
I shot my baby
Down by the river
The lyrics to Car Seat Headrest's song The Gun Song are complex and can be interpreted in a variety of ways. At its core, the song is about the end of a romantic relationship that has led to a sense of disillusionment and loss. The singer is no longer "hung up" on their former partner, but they still have deep feelings and emotions that they need to process. Throughout the song, the lyrics shift from bitterness and anger to sadness and regret as the singer grapples with the pain of lost love.
The opening lines, "I'm not hung up on you anymore, but here's why I hung up," set the tone for the rest of the song. The singer is moving on, but they are still holding onto the past and trying to make sense of it. The line "behind every great love story lies a great suicide" is particularly poignant, as it suggests that love and loss are inextricably linked. The singer is struggling to come to terms with the fact that they can't give themselves completely to someone else without losing a part of themselves in the process.
Line by Line Meaning
I'm not hung up on you anymore, but here's why I hung up
I have moved on from being emotionally attached to you, but I ended the call because of these reasons
behind every great love story lies a great suicide
The intensity of love often coincides with the pain and anguish that comes with it
you can't give yourself completely and keep the man inside
You cannot fully give yourself to someone while still preserving your own identity
all the sentences I climbed halfway
I started to express myself in words, but could never fully articulate my thoughts
saw the heights of what I wanted to say
I glimpsed the potential power and impact of my words
and crawled from word to word
I struggled to piece together my thoughts and communicate effectively
trying to get back down
Attempting to return to a state of simplicity and clarity
the unending realization that it's never gonna end
The constant understanding that the pain and struggle will always persist
I spend half the day exhaling and the other half holding my breath
My emotional state fluctuates between relief and anxiety
Cause living underwater was never my strength
Existing in a suffocating and submerged state was never something I excelled at
In the depths you reside, the sun never sinks
In your presence, darkness and negativity always persist
So let's float to the bottom for one final drink
Let's embrace our despair and indulge in one last moment of solace
There's time for one more tonight
We have one final opportunity to find temporary relief
it's time to forget while the forgetting's good
It's time to let go and move on before the pain becomes too overwhelming
I'll burn all the promises I carved out of your woulds
I will destroy all the commitments I made to you, which were built upon pain and suffering
you said won't you come into arm's reach
You requested that I become physically and emotionally close to you
abandon your clothes and modes of speech
Strip away the barriers and pretenses that separate us
an infant reborn you shall be
We will start anew, with a sense of vulnerability and dependency
helpless and afraid
Feeling defenseless and full of fear
I'm waving goodbye every time you go to the store
I bid you farewell each time you leave my presence
I hope you break your hand the next time you slam the door
I wish for you to experience pain and regret for causing me anguish
Because I burned my fingers every night
I suffered the consequences of my actions and choices every evening
When your own shaking hands wouldn't give you a light
Even when you were struggling, you couldn't offer me solace
And I said "Jesus Christ, my parents were right
I realized that my parents were correct in their warnings and advice
I never should've smoked you out"
I should never have allowed you to enter my life and influence me
I'd hate to amputate this artificial limb
I am reluctant to sever ties with this artificial connection
But staring at you, my glass eyes are growing dim
Observing you causes my emotional state to deteriorate
I can't even blame you for looking so smug
I cannot hold you responsible for your confident and self-satisfied demeanor
I have to admit you're a hell of a drug
I must acknowledge that you have a strong and addictive influence over me
So pack up the boxes, roll me up with the rug
Prepare to leave and take me along, as if I were a forgotten possession
I'm not moving out, I'm just moving
I am not simply changing physical locations, but experiencing personal growth and transformation
_Kissed_ I kissed you, yes, but never on the mouth
I engaged in physical affection with you, but not in a romantic or intimate manner
_masochist_ you held the north while I conquered the south
While I explored new experiences and territories, you remained stagnant and unchanged
but I don't want a territorial breach
I do not desire to invade or disrupt your personal boundaries
so at the edge of the bed we'll meet
We will find a middle ground and come together despite our differences
and I want you to fuck me in your sleep
I crave a deep and intimate connection with you, even if it is unconscious
it's the only way I'll know that you love me
I can only feel reassured of your love when we are physically connected
(cause there's always gotta be a new angle)
Because relationships always require a fresh perspective or approach
Guns are loaded with silver bullets tonight
There is potential for profound impact or harm in the current situation
But it's useless, you kept me waiting until it was light
Your actions or lack thereof left me waiting in anticipation until morning
But you can't go out the way you came in
You cannot exit this relationship without consequences or changes
In the arms of someone unaware of your sins
You will seek comfort in someone who is ignorant of your wrongdoings
Because I've been recording this whole fucking thing
I have been documenting and remembering every moment of this tumultuous experience
Now you can never use the same chord changes again
You can no longer manipulate the same tactics or patterns to deceive me
The first time was too fast
Our initial encounter was rushed and lacked depth
The second time was just sad
Our second attempt was filled with sorrow and disappointment
If you're wondering why I'm still willing to take the fall
If you're curious about why I am still willing to endure the pain and blame
If I'm not getting fucked over, I'm not getting fucked at all
If I am not experiencing betrayal or mistreatment, then I am not truly engaged in a relationship
But I never asked for immunity
I never requested exemption from the consequences of our actions
That's the difference between you and me
This is what sets us apart from each other
All I wanted was someone who was just like me
All I desired was a partner who shared my qualities and values
And I hate myself for that
And I despise myself for having such expectations
It's getting hard to talk about the past
Discussing our shared history is becoming increasingly difficult
When you've copyrighted the present, no questions asked
You have claimed exclusive ownership over our current circumstances without considering my perspective
You can do whatever you want with my name
You have control and authority over my reputation
But my body's never been public domain
My physical being should never be subject to public scrutiny or ownership
So if you're looking for somebody to blame
If you are seeking someone to hold accountable
Blame Walt Disney Studios
Direct your accusations towards a larger and more powerful entity
I remember, I was walking around outside, talking to you on the phone
I recall a specific moment when we conversed over the phone while I roamed outside
We were both avoiding the parties we attended alone
We both chose to avoid social gatherings where we felt isolated
And I looked up at the drunken moon
I gazed at the moon, which seemed distorted and disoriented
It was round and it was grey and it looked like the moon
It possessed the familiar qualities of a moon, despite its altered appearance
And I said "at least we've both got the moon"
I found solace in the fact that we shared a common experience of observing the moon
And you said "I'm inside"
You replied with a cryptic statement, implying that you were physically present somewhere
so I'll try loving again
I will make another attempt at experiencing love and emotional connection
and you'll try living alone
Meanwhile, you will aim to live independently without relying on others
and we'll meet at the end of this lifetime
Eventually, we will reunite and reflect on our experiences once our time on Earth is over
and compare notes
We will share our insights and observations
(if bitterness is all that I have left
If bitterness is the only emotion remaining within me
I'll be better at being bitter than anybody else)
I will excel at embodying bitterness more than anyone else can
I hate your receptionist
I strongly dislike the person who greets me when I visit you
She looks at me like I'm retarded
Her gaze towards me conveys disdain and disrespect
When I'm filling out your forms
During the process of completing your paperwork
I see your form behind the frosted glass
I catch a glimpse of your figure through the opaque surface
But she says that you're not there
However, she informs me that you are unavailable
I'll have to be content to wait
I must accept the situation and patiently wait for your return
If you felt some kind of stirring
If you experienced a flicker of emotion
Against interpretation
Without attempting to analyze or interpret it
Why write these songs at all?
Why bother composing these songs if you choose not to delve deeper into their meaning
Why not become didactic
Why not adopt a direct and instructional approach
Tell everyone on the planet
Inform every individual on Earth
In plain English what you are
Express your true identity in a straightforward manner
But I am the gentle cannibal
Instead, I embody a contradictory nature of being both compassionate and consuming
I promise to eat you softly
I assure you that my consumption of your being will be delicate and tender
You won't notice a thing
You will be completely unaware of my actions
(Mariamme)
An invocation or declaration of the name 'Mariamme'
you're taking advice from Lady Macbeth
You are heeding guidance from a character known for manipulation and deceit
(William, one shot two shots)
An interjection invoking the names 'William' and referring to firing shots
when it's out of your hands, you try to forget
When a situation is beyond your control, you attempt to erase it from your memory
Mariamme, hold me tight
Mariamme, embrace me firmly
I still wish you hadn't listened to me
I still have regrets about the influence I had over you
I ain't been right since the execution
I have not been emotionally or mentally stable since the event's occurrence
(if I could transfer your desires into belongings and then snoop through your belongings, you know I'd do it in a second)
If I had the ability to transform your desires into tangible items and then explore them covertly, I would do so without hesitation
William, one shot two shots
William, both of those shots were fired
Whoever you are, just hold me tight
Regardless of your identity, simply embrace me firmly
I lost my love, my life, that -
I have suffered the loss of my love and my entire existence
All I know is, one of us was supposed to kill the other
It was expected that one of us would cause harm or destruction to the other
Isn't that what they mean when they say ‘lovers'?
Isn't that the implication of the term ‘lovers'?
But murder is dirty, and peace comes cheap
Murder is a gruesome act, while finding peace is a far simpler task
So here's my new number, tell me when you're free
Here is my new contact information, inform me when you have the opportunity to meet
Down by the river
In a location near the river
I shot my baby
I inflicted harm or caused the demise of my loved one
Down by the river
In a location near the river
Contributed by Taylor P. Suggest a correction in the comments below.
@msicouldntthinkofafunnynam4770
Lyrics
[What Joe said]
(I’m not hung up on you anymore, but here’s why I hung up)
Behind every great love story
Lies a great suicide
You can't give yourself completely
And keep the man inside
All the sentences I climbed halfway
Saw the heights of what I wanted to say
And crawled from word to word
Trying to get back down
The unending realization
That it's never gonna end
I spend half the day exhaling
And the other half holding my breath
Cause living underwater was never my strength
In the depths you reside, the sun never sinks
So let’s float to the bottom for one final drink
There’s time for one more tonight
It’s time to forget while the forgetting’s good
I’ll burn all the promises I carved out of your woulds
You said won't you come into arm's reach
Abandon your clothes and modes of speech
An infant reborn you shall be
Helpless and afraid
I’m waving goodbye every time you go to the store
I hope you break your hand the next time you slam the door
Because I burned my fingers every night
When your own shaking hands wouldn’t give you a light
And I said “Jesus Christ, my parents were right
I never should’ve smoked you out”
I’d hate to amputate this artificial limb
But staring at you, my glass eyes are growing dim
I can’t even blame you for looking so smug
I have to admit you’re a hell of a drug
So pack up the boxes, roll me up with the rug
I’m not moving out, I’m just moving
(Kissed) I kissed you, yes, but never on the mouth
(Masochist) You held the north while I conquered the south
But I don't want a territorial breach
So at the edge of the bed, we'll meet
And I want you to fuck me in your sleep
It's the only way I'll ever know that you love me
(Cause there's always gotta be a new angle)
Guns are loaded with silver bullets tonight
But it’s useless, you kept me waiting until it was light
(These things are yours)
But you can’t go out the way you came in
In the arms of someone unaware of your sins
Because I’ve been recording this whole fucking thing
Now you can never use the same chord changes again
(The first time was too fast
The second time was just sad)
If you’re wondering why I’m still willing to take the fall
If I’m not getting fucked over, I’m not getting fucked at all
But I never asked for immunity
That’s the difference between you and me
All I wanted was someone who was just like me
And I hate myself for that
It’s getting hard to talk about the past
When you’ve copyrighted the present, no questions asked
You can do whatever you want with my name
But my body’s never been public domain
So if you’re looking for somebody to blame
Blame Walt Disney Studios
I remember I was walking around outside, talking to you on the phone
We were both avoiding the parties we attended alone
And I looked up at the drunken moon
It was round and it was grey and it looked like the moon
And I said, “at least we’ve both got the moon”
And you said, “I’m inside”
So I’ll try loving again
And you’ll try living alone
And we’ll meet at the end of this lifetime
And compare notes
(If bitterness is all that I have left
I’ll be better at being bitter than anybody else)
[What Joe’s Baby said]
I hate your receptionist
She looks at me like I’m retarded
When I’m filling out your forms
I see your form behind the frosted glass
But she says that you’re not there
I’ll have to be content to wait
If you felt some kind of stirring
Against interpretation
Why write these songs at all?
Why not become didactic
Tell everyone on the planet
In plain English what you are
But I am the gentle cannibal
I promise to eat you softly
You won’t notice a thing
Hold me tight
You’re taking advice from Lady Macbeth
William, one shot two shots
When it’s out of your hands, you try to forget
Mariamme, hold me tight
I still wish you hadn’t listened to me
(If I could transfer your desires into belongings)
I ain’t been right since the execution
(And then snoop through your belongings, you know I’d do it in a second)
William, one shot two shots
Whoever you are, just hold me tight
I lost my love, my life, that night-
All I know is, one of us was supposed to kill the other
Isn’t that what they mean when they say ‘lovers’?
But murder is dirty, and peace comes cheap
So here’s my new number, tell me when you’re free (703)
[The Conclusion]
Down by the river
I shot my baby
Down by the river
Down by the river
I shot my baby
Down by the river
Down by the river
I shot my baby
Down by the river
Down by the river
I shot my baby
I shot my baby
Down by the river
I shot my baby
Down by the river...
@zeybani
"all i wanted was someone who was just like me and i hate myself for that" NOOOOOOOOOOOOOOOOO
@dinamitev7230
Zeybani, you get it
@zeybani
@@dinamitev7230 thanks dinamite v
@apollogeist8513
Future generations will study these lyrics like a psalm.
@oisinoc8533
The ancients saw it coming...
@kovici7226
you can see that they tried to warn us@@oisinoc8533
@zeybani
i want will to explain every single line in this song to me in person in great detail
@Imaweirdnormalist
same
@burgerwithcurlyfries
now, where's the fun in that
@j4key888
me too