You Got It
Carl Cox Lyrics

Hot 98.7 Kiss FM, it's the world famous dial to pay countdown
This is the introduction to the popular radio show, where listeners can call in and win prizes.

I'm Wendy Williams
The radio show host, Wendy Williams, introduces herself as the host of the show.

So we have $98 in Kiss Cash and the new CD by Jodeci
The prizes for the countdown are $98 in Kiss Cash and the new CD by Jodeci.

Let's go to the phones and see who's gonna win tonight's countdown
They will now take calls from listeners to determine the winner of the countdown.

Hello, (Hello) ha ha ha, who is this, (Shaunita Laquan)
Wendy Williams answers a call from a listener named Shaunita Laquan.

What's goin' on girl, (Nothin' much what's goin' on)
Wendy asks Shaunita how she's doing and Shaunita responds casually.

Nothin' where you callin' from, (New Jersey)
Wendy asks Shaunita where she is calling from and she says New Jersey.

OK, I got the loop for you, go ahead and do your shout-out
Wendy tells Shaunita that she can give a shout-out to someone before they move on to the countdown.

And then we'll get to the countin'
After the shout-out, they will proceed with the countdown.

(OK, I'd like to make a shout-out to Boo-Boo and to Marquesha)
Shaunita gives a shout-out to Boo-Boo and Marquesha.

(And to my homegirl Tasha) OK one simple question for the countdown
Shaunita also gives a shout-out to her friend Tasha and then asks a question for the countdown.

The money and the CD What was song number 1, (Come and Talk to Me) Ah Jodeci
Shaunita asks what the number one song on the countdown was and it was Jodeci's song 'Come and Talk to Me.'

Ha, he uh oh damn girl, oh shit, ha ha oh shit
Wendy Williams is surprised by something that happened, possibly related to the previous conversation.

(OK come on guys let's get back to this interview)
Wendy tries to refocus the conversation and continue with the interview.

Yeah, yeah alright what's up
The interview resumes and Wendy asks what's happening.

(OK I have another question) Yeah
Wendy has another question for the interview and asks if they're ready.

(I wanna know what you guys think about these groups dissing Jodeci?)
Wendy wants to know their thoughts on other groups criticizing Jodeci.

We don't think, now why don't you get out those pants
The members of Jodeci dismiss the criticism and make a suggestive comment to Wendy.

(No, people are saying that you guys cannot make it again)
Wendy mentions that people are doubting Jodeci's ability to succeed again.

You know what, maybe we can't, why don't you take it off
Jodeci sarcastically agrees with the criticism and suggests that Wendy takes off her pants.

(No they are saying you cannot do it)
Wendy reiterates that people are saying Jodeci can't make a comeback.

Take that shit off, lipstick and all girl
Jodeci continues to mockingly tell Wendy to remove her clothes and makeup.

(Well let's talk about the album) Get naked baby damn ha ha ha
Wendy tries to redirect the conversation to the album, but Jodeci continues with their explicit comments.

Baby take it off for Jo-Jo
Jodeci asks a girl, referred to as baby, to undress for Jo-Jo, one of their members.

Baby take it off for Mr. Dal (Baby you got it)
They ask her to undress for another member of Jodeci, Mr. Dal, and compliment her by saying 'baby you got it.'

Baby take it off for K-Ci (Baby you got it)
They ask her to undress for K-Ci, another member of Jodeci, and again compliment her by saying 'baby you got it.'

Now baby take it off for me (Baby you got it)
They ask her to undress for themselves and continue to compliment her by saying 'baby you got it.'

So baby take it off take it off (Baby you got it)
They encourage her to continue undressing and tell her she's got it.

Can you make me hard cause I'm soft (Baby you got it)
They suggest that her actions can arouse them because they're currently feeling soft or lacking arousal.

So baby take it off take it off (Baby you got it)
They continue to urge her to undress and repeat that she's got it.

Your body make me pull off the trigger, Redman
They remark that her body is so enticing it makes them want to pull the trigger, possibly indicating arousal. They mention Redman, who is a rapper known for his explicit and provocative lyrics.

Here comes the stick up, pick up pick up
They use a metaphor to describe their desire for her as a 'stick up,' indicating that they want her and 'pick up' is a slang term for calling someone on the phone.

Comin' from Jersey my brain was spliffed up
They mention they're from New Jersey and suggest that their minds are altered, possibly from smoking marijuana ('spliffed up').

Before that cha' picked up
They mention that before the phone call was answered ('picked up'), they were in a certain state of mind.

The Funkadelic 2-01 super pandama
They describe themselves as the Funkadelic 2-01 super pandama, which could refer to their unique and funky style.

Is there another (NO!)
They ask if there is another phone call, and the response is 'no.'

I make condoms run for cover
They boast about their sexual prowess and suggest that condoms are scared of them.

Hey yo, who wanna have an orgy y'all
They provocatively ask who wants to engage in a group sexual encounter.

Let's see y'all
They express their curiosity and encourage people to participate in the orgy.

I slap so many punans you would think I'm made of bee-ba
They boast about having sexual encounters with multiple women and compare themselves to a mythical creature made of attractiveness ('bee-ba').

Stop if ya guard extra-large
They indicate that someone should stop if they have a large guard, possibly referring to a condom size as a metaphor for sexual prowess.

Better keep my guns tight
They warn others to be cautious and prepared ('keep my guns tight'), possibly referring to their readiness for sexual encounters.

For my jimi in case my bullets have to take flight
They reference a condom (jimi) and imply that they need to be protected ('bullets have to take flight') during sexual activity.

I'm cooler than gang
They assert that they are cooler than a gang, implying their confidence and popularity.

When I rock hits, kick raps in vain
They claim to excel at making successful songs and delivering impressive rap verses in a boastful manner.

Place boxed up so keep ya glocks up
They advise others to keep their guns ('glocks') ready and prepared because the situation is tense or dangerous ('place boxed up').

Ya damn skippy, I rap on Jodeci tracks
They confidently affirm that they rap on tracks by Jodeci, which is a popular R&B group, suggesting their talent and collaboration.

Their records platinum, so next year my records sell like that then
They note that Jodeci's albums have reached platinum status, meaning they have sold a significant number of copies. They anticipate that their own albums will sell similarly well in the future.

I don't wanna be rude babe, but you really turn me on
They express their attraction to the girl and admit that she genuinely arouses them.

I don't wanna be cool baby, as if I told ya what I want
They communicate that they don't want to be distant or reserved; instead, they would rather express their desires openly and directly to the girl.

They way you groove is so fly, and I won't front
They acknowledge that the way she dances or moves is impressive and cool, and they don't want to lie or pretend otherwise ('won't front').

If yout take off your clothes babe that's really all I want
They suggest that the girl taking off her clothes is their primary desire and it's all they really want from her.

Let me see it
They ask the girl to show them her body, presumably by undressing.

Give it up, give it up you got it
They ask her to give up her clothes and show them what she's got.

Show we what you got, you got it
They encourage her to display her body and showcase her talent or attractiveness.

Take it off, take it off you got it
They tell her to remove her clothes since she's got what they desire.

Keep it goin' baby, like that like that
They motivate her to continue and maintain a certain level of performance, likely referring to her dancing or undressing.

The rap Funkadelic, yo Redman
They introduce themselves as the rap Funkadelic, which refers to their unique and funky style. They mention Redman, who is a rapper known for his explicit and provocative lyrics.

When I tear the frame out, I feel OK now
They mention that when they perform or deliver their rap verses with intensity ('tear the frame out'), they feel satisfied or alright.

My style is way out, spaced out
They assert that their style is unique and unconventional ('way out,' 'spaced out').

Ya wanna taste now, because my name out
They imply that people are interested or attracted to them because of their reputation or fame ('my name out').

Who's the Funkadelic
They question who is the Funkadelic, implying that they are the ones with a unique and funky style.

Hey yo, G it's me smell it, inhale it
They humorously introduce themselves as the Funkadelic, referring to their unique smell or presence, and suggest that others inhale and experience it.

And drop ya draws for the cause if ya felt it
They ask others to remove their pants in support or acceptance of their unique style ('the cause').

Now do you feel good honey dip then drop ya draws quick
They ask if the person feels good or excited, and if so, they should quickly remove their pants ('drop ya draws').

I see you, there's that tatoo I G'd you
They indicate that they see the person and notice their tattoo, implying that they have recognized or acknowledged them ('I G'd you').

A small world, I fucked a bunch a black, fat and tall girls
They remark that it's a small world and boast about having sexual encounters with multiple black, fat, and tall women.

Smoke a Marlboro when shack tales like Erick Bell
They mention smoking a brand of cigarettes ('Marlboro') and make a reference to the musician Eric Bellinger, suggesting that they enjoy smoking while listening to his music ('shack tales').

Now pardon my French I ain't with that bull they pulled on Tyson
They apologize for using coarse language ('pardon my French') and express that they don't support the negative actions done to Tyson, likely referring to his controversial moments.

I got my ghetto license and I'm drivin'
They assert that they have acquired their 'ghetto license,' indicating their familiarity and success in street or urban culture, and they are in control ('drivin').

The homies dive in when the girl take off her size tens
They imply that their friends or crew members are eager to engage in sexual activity when a girl removes her shoes ('size tens').

Whoomp there it is, that's what I mean with the tag team
They reference the popular phrase 'Whoomp there it is' and suggest that it aligns with their style of collaborating as a team ('tag team').

Then jest like 95 South when ya look out
They compare themselves to the rap duo 95 South and suggest to be cautious or alert when dealing with them ('look out').

And then maybe next year maybe I show her that ya played out
They insinuate that they might prove to someone, possibly the girl they're talking about, that they are not obsolete or boring ('played out').

Redman from the 94' from the hood drop
They mention Redman, the rapper known for explicit lyrics and provocative style. They also state that they come from the year 1994 and the neighborhood ('hood') they represent.

Got mad skills that cop feels
They claim to possess impressive skills that even law enforcement ('cop') recognizes and appreciates ('feels').

Plus my crew still good
They assert that their crew is still doing well and thriving, possibly referring to their team of collaborators or friends.

Keep it goin' baby, like that like that
They encourage the girl to continue and maintain a certain level of performance, likely referring to her dancing or undressing.

Keep it goin', like that
They motivate the girl to continue with her performance.

Keep it goin' baby, like that like that
They continue to encourage the girl to maintain a certain level of performance.

Keep it goin', like that
They continue to motivate the girl to continue with her performance.

Keep it goin' baby, like that like that
They once again urge the girl to maintain a certain level of performance.

Keep it goin', like that
They continue to motivate the girl to continue with her performance.

Give it up, give it up you got it
They ask her to give up her clothes and show them what she's got.

Show we what you got, you got it
They encourage her to display her body and showcase her talent or attractiveness.

Take it off, take it off you got it
They tell her to remove her clothes since she's got what they desire.

Give it up, give it up you got it
They ask her to give up her clothes and show them what she's got.

Show we what you got, you got it
They encourage her to display her body and showcase her talent or attractiveness.

Give it up, give it up you got it
They ask her to give up her clothes and show them what she's got.

Take it off, take it off you got it
They tell her to remove her clothes since she's got what they desire.