Bailecito
Carlos Guastavino, born in Santa Fe Province, Argentina, was one of the for… Read Full Bio ↴Carlos Guastavino, born in Santa Fe Province, Argentina, was one of the foremost Argentine composers of the 20th century. His production amouts to over 200 works, most of them songs for piano and voice. An accomplished pianist with an intense gift for melody, Guastavino wrote very effectively for his instrument. His style is quite conservative, always tonal and lusciously romantic. His compositions are clearly influenced by Argentine folk music. His reputation is based, virtually entirely, on his songs, which are qickly becoming part of the standard vocal repertoire.
Guastavino's musical style, firmly rooted in the late nineteenth-century Romantic Nationalist tradition, marks a stark contrast with the works of his contemporaries, such as Alberto Ginastera (1916-1983). Guastavino's stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians of the '60's.
Guastavino studied music in Santa Fe with Esperanza Lothringer and Dominga Iaffei, and in Buenos Aires with Athos Palma. A talented pianist, he performed his piano works in London in 1947, 1948, and 1949, invited by the BBC, and as a recipient of a scholarship from the British Council. During these years, the BBC Symphony Orchestra premiered the orchestral version of his “Tres Romances Argentinos”, under the baton of Walter Goehs. Later, in 1956, Guastavino toured the USSR and China, performing his pieces for voice and piano.
Guastavino’s style is clearly inherited from the luminaries of nineteenth-century Argentina's nationalist composers, such as Alberto Williams, Francisco Hargreaves, Eduardo García Mansilla and Julián Aguirre. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino.
Guastavino's output includes: more than a hundred and fifty songs for voice and piano, numerous piano solo pieces, choral works, school songs, and chamber music. His poets include: Rafael Alberty, Leon Benaros, Hamlet Lima Quintana, Atahualpa Yupanqui, Pablo Neruda, Gabriela Mistral, and Jorge Luis Borges among others. A small number of his songs are settings of his own texts. His works for orchestra include “Divertissement; fue una vez”, commissioned by Colonel de Basil for his original Ballet Russe, and premiered at the Teatro Colón, in Buenos Aires, in 1942; and “Suite Argentina” which was performed in London, Paris, Barcelona, and Havana by the Ballet Español of Isabel Lopez. He has also written three Sonatas for guitar.
Guastavino has received important awards and recognitions throughout his life, such as the Municipal Prize from the city of Buenos Aires for his chamber songs, a prize from the Justice Ministry of Argentina, Prize of the Cultural Commission of Santa Fe Province for his songs, “Vosotras” magazine Prize for his “Canción de Navidad”, and a Prize from the Organization of American States and the Inter-American Music Council as recognition of his outstanding creative activity.
(Source: Fundación Ostinato / http://ostinato.tripod.com)
Guastavino's musical style, firmly rooted in the late nineteenth-century Romantic Nationalist tradition, marks a stark contrast with the works of his contemporaries, such as Alberto Ginastera (1916-1983). Guastavino's stylistic isolation from the modernist and avant-garde movements going on around him, and the self-consciously nationalist content of his songs made him a model for Argentine popular and folk musicians of the '60's.
Guastavino studied music in Santa Fe with Esperanza Lothringer and Dominga Iaffei, and in Buenos Aires with Athos Palma. A talented pianist, he performed his piano works in London in 1947, 1948, and 1949, invited by the BBC, and as a recipient of a scholarship from the British Council. During these years, the BBC Symphony Orchestra premiered the orchestral version of his “Tres Romances Argentinos”, under the baton of Walter Goehs. Later, in 1956, Guastavino toured the USSR and China, performing his pieces for voice and piano.
Guastavino’s style is clearly inherited from the luminaries of nineteenth-century Argentina's nationalist composers, such as Alberto Williams, Francisco Hargreaves, Eduardo García Mansilla and Julián Aguirre. Aguirre’s delicate and intimate piano writing is an especially evident influence on Guastavino.
Guastavino's output includes: more than a hundred and fifty songs for voice and piano, numerous piano solo pieces, choral works, school songs, and chamber music. His poets include: Rafael Alberty, Leon Benaros, Hamlet Lima Quintana, Atahualpa Yupanqui, Pablo Neruda, Gabriela Mistral, and Jorge Luis Borges among others. A small number of his songs are settings of his own texts. His works for orchestra include “Divertissement; fue una vez”, commissioned by Colonel de Basil for his original Ballet Russe, and premiered at the Teatro Colón, in Buenos Aires, in 1942; and “Suite Argentina” which was performed in London, Paris, Barcelona, and Havana by the Ballet Español of Isabel Lopez. He has also written three Sonatas for guitar.
Guastavino has received important awards and recognitions throughout his life, such as the Municipal Prize from the city of Buenos Aires for his chamber songs, a prize from the Justice Ministry of Argentina, Prize of the Cultural Commission of Santa Fe Province for his songs, “Vosotras” magazine Prize for his “Canción de Navidad”, and a Prize from the Organization of American States and the Inter-American Music Council as recognition of his outstanding creative activity.
(Source: Fundación Ostinato / http://ostinato.tripod.com)
Bailecito
Carlos Guastavino Lyrics
We have lyrics for these tracks by Carlos Guastavino:
Pampamapa Yo no soy de estos pagos pero es lo mismo, he robado…
Se Equivoco La Paloma Se equivoco la paloma Se equivocaba Por ir al norte fue al…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@guto1953
Belíssimo!!!!!!!!!
@guillermomezaluzuriaga3700
Bella interpretación.
@leonardochanu2672
Excelente interpretación, muy apegada a la partitura.
@sergiofasan8591
Beautiful, do you have the score to share?
@ZODERmusicscores
Great that you're back! Do you know which year this piece was composed in?
@GNGianopoulos
Glad to be back, but missing the subscribers I had before! Please share the channel on your social media here: https://www.youtube.com/gngianopoulos
Apologies, I couldn't find the date on this one. If anyone has it I'd be glad to update it!
@ericdavid1988
1960
@AzulSierraFilmscoring
Hola, qué tal. Podría decirme de qué año es esta obra? Gracias
@leonardochanu2672
Fue compuesta en 1937 en Santa Fe.
@sevinjaliyeva
Great