José António Carlos de Seixas (Coimbra, 11 June 1704 - Lisbon, 25 August 17… Read Full Bio ↴José António Carlos de Seixas (Coimbra, 11 June 1704 - Lisbon, 25 August 1742) was a Portuguese composer, the son of the cathedral organist, Francisco Vaz and Marcelina Nunes.
When he was fourteen, he succeeded his father as organist in 1718 and two years later moved to Lisbon, where he gave harpsichord lessons and met Domenico Scarlatti, who lived in Portugal, from 1721 to 1728. It is claimed that when the king's son, Dom António, arranged for Scarlatti to give Seixas harpsichord lessons, Scarlatti replied that it was Seixas who should give him lessons. Seixas later became organist in the court chapel and Lisbon cathedral as well as court composer. He was knighted in 1738 by John V of Portugal.
Much of his work was destroyed in the earthquake which devastated Lisbon in 1755. Only three orchestral pieces and around 100 keyboard sonatas survive, plus a handful of choral works for liturgical use (much more conservative than what one would expect from his instrumental music).
Macario Santiago Kastner published collections of the sonatas in Portugaliae Musica.
When he was fourteen, he succeeded his father as organist in 1718 and two years later moved to Lisbon, where he gave harpsichord lessons and met Domenico Scarlatti, who lived in Portugal, from 1721 to 1728. It is claimed that when the king's son, Dom António, arranged for Scarlatti to give Seixas harpsichord lessons, Scarlatti replied that it was Seixas who should give him lessons. Seixas later became organist in the court chapel and Lisbon cathedral as well as court composer. He was knighted in 1738 by John V of Portugal.
Much of his work was destroyed in the earthquake which devastated Lisbon in 1755. Only three orchestral pieces and around 100 keyboard sonatas survive, plus a handful of choral works for liturgical use (much more conservative than what one would expect from his instrumental music).
Macario Santiago Kastner published collections of the sonatas in Portugaliae Musica.
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Clarines y Trompetas
Carlos Seixas Lyrics
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Luthval
@passingbynight Read the wiki article about flamenco, very interesting, with comparaison of rythms of Zarabanda and Jacaras with later flamenco rythms... V.
mandolineslover
Lovely !!! !!! !!!
Luthval
@mandolineslover Thanks a lot ;-)
C6H12B26
Ce Sanz n'a pas les " Portugaises ensablées " !!!! Joli ! Bien à Mye ... Rog.
Luthval
@passingbynight Does flameco exist in the XVIIth century ? V. ;-)
C6H12B26
En argot français " les portugaises " sont les oreilles ... une métaphore liée aux excellentes huîtres portugaises, bien sûr ! Il n' a donc aucune critique contre les Portugais dans cette expression. Je ne me le serais pas permis. Quant aux instruments de musique ... C'est là un autre sujet. Bien amicalement vôtre
Mario Valente
il n'y a pas que du sable au portugal, il y a aussi les instruments baroques qui existent encore de nos jours et que tout le monde peut acheter dans n'importe quel marchant d'instruments portugais , contrairement a la france qui a tout casser dans son pays, avec les instrument made in china.