With more than 64 million albums sold worldwide, 18 #1 singles, with seven as co-writes, Seven Grammys, and countless other accolades---all achieved with four albums in less than eight years---some artists might feel as though they’d earned the right to rest on their laurels, but not Carrie Underwood. Fueled by a restless creative spirit, good-natured competitive streak and abundance of God-given talent, Carrie unleashes her most ambitious project yet with Blown Away.
Teaming again with producer Mark Bright, Carrie delivers a 14-song collection that covers a particularly vast expanse of emotional territory. She celebrates the understated pleasures of small town living in “Thank God for Hometowns” and explores the exquisite fragility of life in “Forever Changed.” She’s not averse to tackling abuse and betrayal then doling out a little sweet revenge with such compelling tracks as “Blown Away” and “Two Black Cadillacs.” Musically the songs range from rollicking up-tempo anthems, such as the hit first single “Good Girl” to the island-flavored escape of “One Way Ticket” and the steel guitar-laced country lament of “Wine After Whiskey.”
Such musical and lyrical diversity is the foundation of Carrie’s artistry. After all, this is a young woman who has performed with Steven Tyler on a top-rated edition of CMT’s “Crossroads,” scored a No. 1 country hit with good friend Brad Paisley on “Remind Me,” and sang with the iconic Tony Bennett on the 2012 Grammy telecast, delivering the classic “It Had to be You,” their collaboration on Bennett’s Duets II album.
The Oklahoma native is a fan of all types of music, yet she’s purposefully planted herself in the country format, even while her eclectic tastes have influenced her creative output. She’s been careful to not get pigeonholed and prides herself on not being predictable. “I feel like I’ve taken all of my albums into as many different directions as possible while still keeping them cohesive,” she says. “I love this album from start to finish and love every song on it. There’s not one single song that’s like another song I’ve ever done. I think it’s my best album. I really do think there’s something for everyone.”
Her ability to be unique yet accessible has been crucial to Carrie’s career from the beginning. She became America’s sweetheart in 2005 when she won the fourth season of American Idol, a vehicle that transformed her from a shy Oklahoma girl with a great voice to a budding superstar. Since then she’s become the popular franchise’s most successful alumni.
She’s won a vast array of awards including three female vocalist awards from both the Country Music Association (CMA) and the Academy of Country Music (ACM). In 2010, when Carrie garnered her second win as ACM Entertainer of the Year, she became the first female artist to win the award twice, and only the 7th female to take the award in the 40-year history of the ACM category, among Loretta Lynn, Dolly Parton, Barbara Mandrell, Reba McEntire, Shania Twain, and the Dixie Chicks. Carrie also received the ACM Triple Crown Award, thanks to her past wins for the categories of Entertainer of the Year, Top Female Vocalist and Top New Female Vocalist, which has been won by only one other female artist – Barbara Mandrell in 2004. In addition to the above, Carrie’s won 7 American Music Awards, 6 People’s Choice Awards, 9 CMT Music Awards, 9 American Country Awards, and 7 BMI Songwriter Awards. Carrie also received a Golden Globe nomination in 2010 for “Best Original Song” for “There’s A Place For Us” from Chronicles of Narnia: Voyage of the Dawn Treader which she both recorded and co-wrote.
Carrie’s 2005 debut Some Hearts topped Billboard’s Country Albums chart for 27 weeks, has sold over 7 million copies, and was voted #1 Country Album of the Decade by Billboard. Both her 2007 sophomore album, Carnival Ride and 2009’s Play On debuted at No. 1. Her current album, Blown Away, debuted atop the all-genre Billboard 200 chart, where it held the No. 1 spot for two consecutive weeks. Over the course of four albums, she’s saturated country radio with such hits as “Jesus, Take the Wheel,” “Before He Cheats,” “So Small,” “Last Name,” “Just A Dream,” “Cowboy Casanova,” “Temporary Home,” “All-American Girl,” “Undo It,” “Mama’s Song,” “Good Girl,” and “Blown Away.”
Carrie’s highly acclaimed concert tours have further helped to establish her into the elite status of the country music community, or in any genre of music, with her stellar performances. In 2008, after wrapping her “Carnival Ride Tour” she became the top selling country female touring artist of the year selling out many of the 137 shows before 1.2 million fans. In that year, Carrie also became the most-heard artist at country radio and was named the #1 Hot Country Songs Artist by Billboard and #1 Top Country Artist by Radio & Records. In 2010, her next headline arena tour, the “Play On Tour,” played 108 shows with one million fans attending which resulted in Carrie being named again as the top-ranked female country touring artist of the year. Carrie is currently on her critically-acclaimed international “Blown Away Tour”, which began at London’s historic Royal Albert Hall, and continued throughout Australia, before launching in North America in September of 2012.
Carrie is a proud member of the Grand Ole Opry and expanded her resume making her acting debut in the 2011 film “Soul Surfer.” She can be seen in print and TV ads as the North American face of Olay beauty products, and has a long-running deal with vitaminwater®. One of Country Music’s most respected young ambassadors, Carrie has served as co-host of the CMA Awards with Brad Paisley the past five years.
Yet for those who think they know Carrie, Blown Away is likely to catch them by surprise, particularly the cinematic title track with its swirling, atmospheric production and intense lyric about abuse and revenge. “I got chills,” she says of the first time she heard the Josh Kear/Chris Tompkins penned stunner. “I remember where I was when I heard it and called my manager and said, ‘Do not let anyone else have this song. It’s my song’ . . . It’s such a visual song. You listen to it and you can see everything that is happening. It’s so dramatic. I’m not a drama person, but when you can make a movie in song form in 3 ½ minutes, it’s surreal.”
“Blown Away” finds a daughter getting revenge on an abusive, alcoholic father and the next song, “Two Black Cadillacs,” also has a larger-than-life cinematic quality which makes both tunes feel like mini-movies set to music. “Two Black Cadillacs” relates the story of a wife and mistress who conspire to get even with the man who betrayed them both. “It’s just more drama,” says Carrie, who co-wrote the tune with Josh Kear and Hillary Lindsey. “It was so much fun creating all this drama and singing about it. That’s the great thing about being an entertainer; you’re just a big actor. When we start sitting down and writing songs, you just never know what’s going to come out.”
Carrie co-wrote eight of the 14 songs on Blown Away, including the first single, Good Girl" which reached number 1 on the country airplay charts and is certified platinum. ‘Good Girl’ was one of the last ones I wrote for the album,” she says of the tune she penned with Chris DeStefano and Ashley Gorley. “We wanted something a little more fun and up-tempo. Chris DeStefano is just a mad scientist with his Pro Tools and he can play every instrument. We walked out of that writing session with a demo. It sounded awesome. It was ready to go. We let everybody hear it and everybody was so excited.”
“Cupid’s Got a Shotgun” is another of the album’s high-energy tracks and it gets an extra kick from Paisley contributing his signature guitar licks. “Once we got into the studio, I was like Brad Paisley HAS to play on this. He’ll make the song,” Carrie says of the tune, she wrote with Kear and Tompkins. “We left so much space in the song for him to come in and play. He did his thing and sounded awesome. He added that last piece of the puzzle and it’s just so country. It’s really cool.”
In addition to being musically inventive, Carrie has long been known for delivering songs with substance, and the new album delivers its share of potent messages. “Nobody Ever Told You,” which Carrie wrote with Luke Laird and Hillary Lindsey, boasts an empowering lyric and a breezy, engaging melody. “People need to hear compliments more,” she says of the song’s life-affirming lyric. “People need to hear ‘I love you’ more. People need to hear ‘You are beautiful’ more.”
“Good in Goodbye,” co-written by Carrie, Lindsey and Ryan Tedder, is a bittersweet look at life beyond heartbreak that offers tender truth in the lines “As bad as it was/As bad as it hurt/I thank God I didn’t get what I thought I deserved.” On the other end of the emotional spectrum, “Thank God for Hometowns” is a sweet salute to small town life. “I heard that one when I was going back to my 10 year high school reunion,” the Checotah, OK native says. “I listened to the demo when I was driving in to go stay with my parents. It was just very fitting in my heart at that time.”
“Forever Changed” is a beautiful ballad that brings tears to Carrie’s eyes as she discusses it. “I had a hard time recording it and I still have a hard time listening to it,” she says of the Tom Douglas/Hillary Lindsey/James T. Slater penned ballad. “That is the most wonderfully well written song I’ve ever heard in my life. There’s this young girl meeting the love of her life, getting married and having a baby. It takes you back in time and there is something old fashioned about it. At the end, the mom’s obviously slipping a way a little bit. It is a sad song, but it’s not meant to be a sad song. It’s about love, being forever changed, forever loved.”
In a few short years, Carrie has seen the power music has to change lives---to incite dialog, to instill hope, and to simply entertain. She’s aware of the platform she’s been given. She respects it and appreciates every moment. “I’m very happy in my life and I count my blessings every day,” she says. “Seven years ago when I decided to try out for American Idol, my life changed completely in the blink of an eye. I went down a different train track and took off at about a million miles per hour. I feel like I’m still learning. In the beginning, it was like, ‘Oh, I have a No. 1. That’s awesome!’ I didn’t really understand what that meant. ‘Jesus, Take The Wheel’ and ‘Before He Cheats’ were No. 1 for several weeks, and that doesn’t happen often, but I had no idea. I realize now what hard work it actually is and I feel like I can appreciate those victories even more. Touring is more fun because I know what it’s like to headline a tour. I feel like I’m able to be more and more creative all the time. I always feel like I’m taking steps forward.”
I Ain't in Checotah Anymore
Carrie Underwood Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's a single-stoplight town
And back when I was really young
A part of that burned down
On any given Friday night
We'd drive a hundred miles
Between the Sonic and the grocery store
Laughing all the while
In my daddy's Ford
But I ain't in Checotah anymore
My hotel in Manhattan
Holds more people than our town
And what I just paid for dinner
Would be a down payment on a house
I'd rather be tipping cows in Tulsa
Than hailing cabs here in New York
But I ain't in Checotah anymore
I'm in a world so wide
It makes me feel small sometimes
I miss the big blue skies
The Oklahoma kind
In a world of long red carpets
The bright lights of Hollywood
All the paparazzi flashing
Could make a girl feel pretty good
You can get anything you want here
Except a Wal-Mart store
But I ain't in Checotah anymore
I'm in a world so wide
It makes me feel small sometimes
I miss the big blue skies
The Oklahoma kind
Where the Wildcats beat the Iron heads
Old Settler's Day and the Okra Fest
After prom, down at the bowling lanes
Catching croppy fish in Eufala lake
I ain't in Checotah anymore
Oh, yeah
I'm in a world so wide
It makes me feel small sometimes
I miss the big blue skies
The Oklahoma kind
But I ain't in Checotah
No, I ain't in Checotah
Oh, there's nothing like Oklahoma
Where sixty-nine meets forty
There's a single-stoplight town
In Carrie Underwood's song "I Ain't in Checotah Anymore," she sings about leaving her small hometown of Checotah, Oklahoma and moving on to bigger and brighter things. The first verse is a nostalgic reflection of her teenage years spent cruising around town with friends and causing mischief. She reminisces about the burnt-down part of town and driving a hundred miles between the Sonic and the grocery store while laughing all the while with her friends. This verse shows the innocence and carefree lifestyle that comes with small-town living. However, as she grows up, she leaves this behind and moves on to bigger things. She acknowledges that her hotel in Manhattan holds more people than her hometown, and what she just paid for dinner would be a down payment on a house. Although she's grateful for her new life, she still misses the wide open skies and small-town living of Checotah, Oklahoma.
The second verse contrasts her new life of wealth and fame with her small-town roots. She's now in a world where paparazzi are constantly flashing, and she can get anything she wants except for a Wal-Mart store. She longs for the simplicity of tipping cows in Tulsa and catching fish in Eufala lake rather than the hustle and bustle of New York City. The chorus repeats the line "I'm in a world so wide; it makes me feel small sometimes" emphasizing the overwhelming feeling of being lost in a large world. She misses the comfort of her hometown and the Oklahoma kind of big blue skies that she once took for granted.
Overall, "I Ain't in Checotah Anymore" is a heartfelt tribute to the small town where Carrie Underwood grew up. She acknowledges the challenges and blessing that come with leaving home and embracing her new life but will always have a soft spot for her roots.
Line by Line Meaning
Where sixty-nine meets forty
In the location where Highway 69 intersects with Highway 40
There's a single-stoplight town
There's a small town with only one stoplight
And back when I was really young
At a time in my life when I was still a child
A part of that burned down
A section of the town was destroyed by fire
On any given Friday night
During any Friday night, regardless of the date
We'd drive a hundred miles
We would travel for a distance of one hundred miles
Between the Sonic and the grocery store
Between two specific locations, the Sonic fast-food restaurant and the grocery store
Laughing all the while
While doing this, we were constantly laughing
With as many friends as I could pack
With all of my friends who could fit
In my daddy's Ford
In the vehicle we were driving, which happened to be my father's Ford
But I ain't in Checotah anymore
But now I am in a different place, and not in Checotah anymore
My hotel in Manhattan
The place where I am currently staying in Manhattan
Holds more people than our town
The hotel can house more people than the entire population of our small town
And what I just paid for dinner
The amount of money I spent on dinner
Would be a down payment on a house
Is equivalent to the amount of money one would use for the initial payment on a house
I'd rather be tipping cows in Tulsa
I would prefer to be in Tulsa, where I could tip cows over, a form of mischief that I enjoy
Than hailing cabs here in New York
Rather than hailing taxis here in New York, a common activity for city-dwellers
But I ain't in Checotah anymore
But now I am somewhere far away from Checotah
I'm in a world so wide
I am currently in a very big and expansive world
It makes me feel small sometimes
As a result, I may feel insignificant or unimportant at times
I miss the big blue skies
I long for the vast and beautiful skies of Oklahoma
The Oklahoma kind
The unique and beautiful type of sky that is present in Oklahoma
In a world of long red carpets
In a world full of glamour and Hollywood events
The bright lights of Hollywood
Referring to the city lights of Hollywood, a place of film industry and entertainment events
All the paparazzi flashing
With cameras flashing all around from the paparazzi present
Could make a girl feel pretty good
Being in the midst of all this glamor and attention can make a girl feel quite good
You can get anything you want here
Referring to the abundance of choices and conveniences that one can access in this city
Except a Wal-Mart store
Feeling nostalgic as there are no Walmart stores around here, a store she might have visited frequently back in her hometown
But I ain't in Checotah anymore
But now I am far away from my hometown in Checotah
Where the Wildcats beat the Iron heads
The high school sports event between the Wildcats and the Iron heads that took place in her hometown
Old Settler's Day and the Okra Fest
Referring to the annual cultural festivals celebrated in her hometown
After prom, down at the bowling lanes
Meaning the typical post-prom party or hanging out at the bowling lanes that happened every year after prom night in her hometown
Catching croppy fish in Eufala lake
A unique and fun pastime that involved catching a particular type of fish that is present in the Eufala Lake in Oklahoma
Oh, yeah
An exclamation of acknowledgement and agreement
No, I ain't in Checotah
No, I am no longer present in my hometown of Checotah
Oh, there's nothing like Oklahoma
Expressing strong feelings of fondness and nostalgia towards her home state of Oklahoma
Lyrics © BMG Rights Management, Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: TREY EDWIN BRUCE, ANGELO T. PETRAGLIA, CARRIE UNDERWOOD
Lyrics Licensed & Provided by LyricFind