1) Catch 22 (ska):
Catch 22 is a third-wave ska band based in New Jersey. The band was formed in 1995 by drummer Chris Greer and vocalist Tomas Kalnoky. They released a self-produced demo tape, Rules of the Game, in 1996. All 2000 copies of the tape quickly sold out. The band mailed several copies to labels they were interested in working with, including Gainesville, Florida's Toybox Records (which had previously released a 7" by Less Than Jake). Toybox was owned and operated by Sean Bonner, who had recently moved to Chicago, Illinois to work at Victory Records. Sean brought the tape to the Victory office and suggested the band be signed.
The band then signed to Victory and produced their first studio album, 1998's Keasbey Nights. Ansley left and was replaced by Pat Calpin. Kalnoky left the band shortly thereafter, having decided to continue his education rather than tour. Catch 22 continued on with Pat Calpin moved to guitar, Pat "Mingus" Kays on bass, and Jeff Davidson on vocals. The band tested out their new lineup with the 1999 EP Washed Up!. Egan left to continue teaching. Alone in a Crowd followed in 2000 with Mike Soprano on trombone. During this time, the band began touring heavily on a national scale, appearing with Mustard Plug, Reel Big Fish, and other third-wave ska, hardcore, and punk acts. Davidson and Soprano left the band in 2001 to pursue other projects, and for a while the band actively courted new vocalists, even putting an advertisement on their website. The group also recruited Ian Mckenzie, formerly of Long Island, New York ska band Edna's Goldfish, on trombone/vocals.
After a fruitless search, the band decided to continue on as it was, with Ryan Eldred and Kevin Gunther sharing vocal duties. Washed Up and Through the Ringer, an expansion of the Washed Up! EP, was released in 2001, featuring two new songs, three rarities from the Alone In A Crowd era, and a handful of live tracks recorded in October 2000 at Club Laga in Pittsburgh and Euclid Tavern in Ohio. The band released its third full-length album, Dinosaur Sounds, in 2003. This was roughly the same time that Streetlight Manifesto, a band founded by former Catch 22 frontman Tomas Kalnoky and featuring Josh Ansley and Jamie Egan (as well as former members of the NJ ska band One Cool Guy) released their debut, Everything Goes Numb. Both albums featured veiled attacks on each other, suggesting to many fans that there was some sort of disagreement or heat between Catch 22 and Streetlight Manifesto. This was true, although the two parties have since reconciled their differences. Given that Catch 22's Kevin Gunther is in charge of Streetlight Manifesto's tour booking, and members of both bands have said in conversations with fans that there is no "beef" between the two, it is safe to assume that any disagreement is firmly behind them.
In 2004, Catch 22 released Live, a combination CD and DVD recording of a show performed in Farmingdale, New York earlier that year.
Several bands who opened for Catch 22 in the past have gone on to find fame on the mainstream, including Sum 41, Bowling For Soup, Thursday, and Taking Back Sunday.
Catch 22's fourth studio album, titled Permanent Revolution, was released on June 27, 2006. The album can be classified as a concept album, centering around the life of Leon Trotsky (1879 - 1940); the title represents a theorum called Permanent Revolution that Trotsky had been associated with.
2) CATCH 22 (metal):
GENRE:
US Power/Thrash Metal
ORIGIN:
USA (Marietta, Ohio), 1992
CURRENT LINE-UP:
T.J. Berry (vocals, lead and rhythm guitar)
Jesse Forrest (rhythm guitar, backing vocals)
Hank Ramage (bass, backing vocals)
Joe Bailey (drums, backing vocals)
BIOGRAPHY
CATCH 22 was formed by T.J. Berry (vocals, guitar) in 1992 in Marietta, Ohio. When grunge was hitting it big, CATCH 22 stayed true to their art form (metal) and treaded on.
In 1994 their first 6 song demo tape, "Crazier Than Life", was released. One song from this demo, "Fate Keeps On Happening", scored a spot on the Rodell Records compilation "Sounds From The Underground". That was a brave move from Rodell Records because at that time CATCH 22 were considered very uncool as anything metal was labeled uncool.
In 1995 they recorded a 3 song tape, that gained them some national exposure and encouraged them to record a full length CD entitled "Through Eyes Of Pain" in 1997. They scored distribution and a Metal Edge magazine ad from Perris Records, that is known for glam metal, but saw the potential of the band and couldn't resist it.
In 1998 CATCH 22 released their second album, "Time Reveals All", to rave reviews from all over the world. Songs such as "Burn" and "Think For Yourself" still pop up at the band's live shows. CATCH 22 played at the March Metal Meltdown in New Jersey. The year was 2000 and they were surrounded by death metal cookie monster vocals and the outcast once again, waving the flag of true metal loud and proud.
The following year saw the beginning of a great relationship for CATCH 22 with the Classic Metal Festival series. They went to Kalamazoo (Michigan) to play the first annual CMF. At CMF 2 they met J.B. Mestad which led to his label Molten Metal, releasing CATCH 22 third album, "Awaken", in 2003.
CATCH 22 played at Classic Metal Festivals 1, 2, 4 and 5 and have shared the stage with TESTAMENT, EXCITER, ANVIL, OMEN, ATTACKER, HALLOWS EVE, S.O.D., SEVEN WITCHES, CAGE, DORO and many other well known acts.
CATCH 22 were featured on four tribute CDs released by Dwell Records, performing songs of KING DIAMOND, TESTAMENT, WHITE ZOMBIE and SUICIDAL TENDENCIES.
In December 2006 CATCH 22 entered the studio again to record songs for the new album. The sessions resulted in 22 heavy and diverse power/thrash metal cuts, however due to the limited budget only half of these songs saw the light of day, being released by the band under the title "Soulreaper Vol. 1" in 2007. This CD got many great reviews from all over the globe, however it was more of a promo without the booklet, so Metal On Metal Records decided to release "Soulreaper" the way it was planned by the band in the first place: as a double CD with all the songs, lyrics plus a lot of additional artwork in the booklet.
3. Catch 22
Catch 22 is a UK Hip Hop artist signed to Sugar Free. Catch 22 released his debut feature length album "The Harlequins Monologue" in 2009 on Sugar Free.
Alma Ata
Catch 22 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He spoke of engineering. It's obvious he'd never built a thing.
I had to smile and think a while.
I finally shook my head and said,
"Men like you can't build your peace."
His personality, while charming, still betrayed an air of confidence
inconsistent with criminal political dissent.
I finally shook my head and said,
"Men like you can't fake your peace."
A man came by this evening, we spoke about my future in this place.
He asked if the party and the opposition could ever reconcile.
I had to smile and think awhile.
I finally shook my head and said,
"Men like you can't make your peace."
The song "Alma Ata" by Catch 22 is an intriguing political commentary on the idea of peace-building in a tumultuous environment. The lyrics describe a man who comes to the singer, dancing like a puppet on strings and speaking of engineering, but who has never actually built anything. The singer recognizes that this man, who exudes confidence but lacks the practical skills to back it up, is incapable of building peace in their community. Later, another man comes to the singer, asking about their future in the area and whether the party and opposition could ever reconcile. Again, the singer recognizes that this man, who seems charming but lacks true conviction, cannot create peace.
The repeated phrase, "Men like you can't build/fake/make your peace," emphasizes the idea that peace is not something that can be easily constructed or fabricated. It requires true dedication, hard work, and, most importantly, a deep belief in the worth of peaceful coexistence. The use of the word "men" highlights the societal structures that often block women and other marginalized groups from taking a leading role in peace-building efforts.
Overall, "Alma Ata" is a powerful commentary on the challenges facing those who seek to build a more peaceful world. It acknowledges the complexity of the task, and calls attention to the need for genuine commitment and action in pursuit of this goal.
Line by Line Meaning
A man came by this evening, dancing like a puppet on his strings.
A man who appeared to lack real control over his life came to visit.
He spoke of engineering. It's obvious he'd never built a thing.
He talked about engineering, but it was apparent he had no experience in the field.
I had to smile and think a while.
I had to take a moment to contemplate his words and behavior.
I finally shook my head and said, "Men like you can't build your peace."
In the end, I responded by noting that he could not build a peaceful life due to his lack of control and experience.
His personality, while charming, still betrayed an air of confidence inconsistent with criminal political dissent.
Despite his charming veneer, his behavior did not match someone who would engage in political dissent or criminal activity.
I had to smile and think awhile.
Once again, I had to take a moment to process his actions and words.
I finally shook my head and said, "Men like you can't fake your peace."
In the end, I replied by noting that he could not pretend to have peace.
A man came by this evening, we spoke about my future in this place.
Another man visited that evening, and we discussed my future in this location.
He asked if the party and the opposition could ever reconcile.
He wondered if the two political sides could ever come to an agreement.
I had to smile and think awhile.
I paused and considered his question.
I finally shook my head and said, "Men like you can't make your peace."
Ultimately, I responded by noting that someone like him could not achieve a peaceful resolution between political parties.
Contributed by Isabella L. Suggest a correction in the comments below.