1) Catch 22 (ska):
Catch 22 is a third-wave ska band based in New Jersey. The band was formed in 1995 by drummer Chris Greer and vocalist Tomas Kalnoky. They released a self-produced demo tape, Rules of the Game, in 1996. All 2000 copies of the tape quickly sold out. The band mailed several copies to labels they were interested in working with, including Gainesville, Florida's Toybox Records (which had previously released a 7" by Less Than Jake). Toybox was owned and operated by Sean Bonner, who had recently moved to Chicago, Illinois to work at Victory Records. Sean brought the tape to the Victory office and suggested the band be signed.
The band then signed to Victory and produced their first studio album, 1998's Keasbey Nights. Ansley left and was replaced by Pat Calpin. Kalnoky left the band shortly thereafter, having decided to continue his education rather than tour. Catch 22 continued on with Pat Calpin moved to guitar, Pat "Mingus" Kays on bass, and Jeff Davidson on vocals. The band tested out their new lineup with the 1999 EP Washed Up!. Egan left to continue teaching. Alone in a Crowd followed in 2000 with Mike Soprano on trombone. During this time, the band began touring heavily on a national scale, appearing with Mustard Plug, Reel Big Fish, and other third-wave ska, hardcore, and punk acts. Davidson and Soprano left the band in 2001 to pursue other projects, and for a while the band actively courted new vocalists, even putting an advertisement on their website. The group also recruited Ian Mckenzie, formerly of Long Island, New York ska band Edna's Goldfish, on trombone/vocals.
After a fruitless search, the band decided to continue on as it was, with Ryan Eldred and Kevin Gunther sharing vocal duties. Washed Up and Through the Ringer, an expansion of the Washed Up! EP, was released in 2001, featuring two new songs, three rarities from the Alone In A Crowd era, and a handful of live tracks recorded in October 2000 at Club Laga in Pittsburgh and Euclid Tavern in Ohio. The band released its third full-length album, Dinosaur Sounds, in 2003. This was roughly the same time that Streetlight Manifesto, a band founded by former Catch 22 frontman Tomas Kalnoky and featuring Josh Ansley and Jamie Egan (as well as former members of the NJ ska band One Cool Guy) released their debut, Everything Goes Numb. Both albums featured veiled attacks on each other, suggesting to many fans that there was some sort of disagreement or heat between Catch 22 and Streetlight Manifesto. This was true, although the two parties have since reconciled their differences. Given that Catch 22's Kevin Gunther is in charge of Streetlight Manifesto's tour booking, and members of both bands have said in conversations with fans that there is no "beef" between the two, it is safe to assume that any disagreement is firmly behind them.
In 2004, Catch 22 released Live, a combination CD and DVD recording of a show performed in Farmingdale, New York earlier that year.
Several bands who opened for Catch 22 in the past have gone on to find fame on the mainstream, including Sum 41, Bowling For Soup, Thursday, and Taking Back Sunday.
Catch 22's fourth studio album, titled Permanent Revolution, was released on June 27, 2006. The album can be classified as a concept album, centering around the life of Leon Trotsky (1879 - 1940); the title represents a theorum called Permanent Revolution that Trotsky had been associated with.
2) CATCH 22 (metal):
GENRE:
US Power/Thrash Metal
ORIGIN:
USA (Marietta, Ohio), 1992
CURRENT LINE-UP:
T.J. Berry (vocals, lead and rhythm guitar)
Jesse Forrest (rhythm guitar, backing vocals)
Hank Ramage (bass, backing vocals)
Joe Bailey (drums, backing vocals)
BIOGRAPHY
CATCH 22 was formed by T.J. Berry (vocals, guitar) in 1992 in Marietta, Ohio. When grunge was hitting it big, CATCH 22 stayed true to their art form (metal) and treaded on.
In 1994 their first 6 song demo tape, "Crazier Than Life", was released. One song from this demo, "Fate Keeps On Happening", scored a spot on the Rodell Records compilation "Sounds From The Underground". That was a brave move from Rodell Records because at that time CATCH 22 were considered very uncool as anything metal was labeled uncool.
In 1995 they recorded a 3 song tape, that gained them some national exposure and encouraged them to record a full length CD entitled "Through Eyes Of Pain" in 1997. They scored distribution and a Metal Edge magazine ad from Perris Records, that is known for glam metal, but saw the potential of the band and couldn't resist it.
In 1998 CATCH 22 released their second album, "Time Reveals All", to rave reviews from all over the world. Songs such as "Burn" and "Think For Yourself" still pop up at the band's live shows. CATCH 22 played at the March Metal Meltdown in New Jersey. The year was 2000 and they were surrounded by death metal cookie monster vocals and the outcast once again, waving the flag of true metal loud and proud.
The following year saw the beginning of a great relationship for CATCH 22 with the Classic Metal Festival series. They went to Kalamazoo (Michigan) to play the first annual CMF. At CMF 2 they met J.B. Mestad which led to his label Molten Metal, releasing CATCH 22 third album, "Awaken", in 2003.
CATCH 22 played at Classic Metal Festivals 1, 2, 4 and 5 and have shared the stage with TESTAMENT, EXCITER, ANVIL, OMEN, ATTACKER, HALLOWS EVE, S.O.D., SEVEN WITCHES, CAGE, DORO and many other well known acts.
CATCH 22 were featured on four tribute CDs released by Dwell Records, performing songs of KING DIAMOND, TESTAMENT, WHITE ZOMBIE and SUICIDAL TENDENCIES.
In December 2006 CATCH 22 entered the studio again to record songs for the new album. The sessions resulted in 22 heavy and diverse power/thrash metal cuts, however due to the limited budget only half of these songs saw the light of day, being released by the band under the title "Soulreaper Vol. 1" in 2007. This CD got many great reviews from all over the globe, however it was more of a promo without the booklet, so Metal On Metal Records decided to release "Soulreaper" the way it was planned by the band in the first place: as a double CD with all the songs, lyrics plus a lot of additional artwork in the booklet.
3. Catch 22
Catch 22 is a UK Hip Hop artist signed to Sugar Free. Catch 22 released his debut feature length album "The Harlequins Monologue" in 2009 on Sugar Free.
Keasby Nights
Catch 22 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
in the backyard, shaving the old plies.
Feeling so strong (strong!), something went wrong (wrong!).
Straight into my finger, what a stinger, it was so long.
I still remember that day
like the day that I said that I swear
I'll never hurt myself again,
but it seems that I'm deemed to be wrong,
Gotta keep holding on...
they always played a slow song.
When they come for me,
I'll be sitting at my desk,
with a gun in my hand, wearing a bulletproof vest,
singing "my, my, my, how the time does fly,
when you know you're gonna die by the end of the night."
I still remember when we were young and fragile then.
No one gave a shit about us because times were tougher then.
Feeling so good (good!), cruising the hood (hood!),
straight into the real world, rich kids never understood.
But I don't care. I can fade away to anywhere.
Don't stop because you might get dropped! and if
you do, who's going to pick you up? Well I won't.
Well, I won't... they always played a slow song.
When they come for me,
I'll be sitting at my desk,
with a gun in my hand, wearing a bulletproof vest,
singing "my, my, my, how the time does fly,
when you know you're gonna die by the end of the night."
When they come for me,
I'll be sitting at my desk,
with a gun in my hand, wearing a bulletproof vest.
My, my, my, how the time does fly,
when you know you're gonna die by the end of the night.
When they come for me,
I'll be sitting at my desk,
with a gun in my hand, wearing a bulletproof vest.
My, my, my, how the time does fly,
when you know you're gonna die by the end of the night.
When they come for me,
I'll be sitting at my desk,
with a gun in my hand, wearing a bulletproof vest.
My, my, my, how the time does fly,
when you know you're gonna die by the end of the night.
The lyrics to the Catch 22 song "Keasby Nights" depict a sense of hopelessness and despair in the face of harsh realities. The opening verse describes a moment of mundane, everyday life, shaving old plies in the backyard when an accident occurs, causing pain and frustration. The idea of being deemed to be wrong when trying to avoid self-harm is a theme that carries throughout the song. The chorus describes a bleak scenario in which the singer is awaiting their inevitable death, describing a moment of finality and resignation.
The second verse touches on the idea of being young and vulnerable in a harsh world, and the feeling of not being understood. The singer seems to be searching for meaning in their existence, but ultimately concludes that it doesn't matter. The repeated line, "they always played a slow song," emphasizes the feeling of being stuck in time, unable to progress or escape.
Overall, the lyrics paint a picture of a person struggling to find their place in the world, while being confronted with challenges at every turn. The repeated imagery of death and hopelessness adds to a sense of despair, while the upbeat tempo of the song creates an interesting contrast.
Line by Line Meaning
It was the summer of '95 (so what?!)
Narrator sets the scene, establishing a dismissive attitude, as this point in their life has little significance to the story to unfold.
In the backyard, shaving the old plies.
Narrator was doing a mundane task, harmless but not without risk.
Feeling so strong (strong!), something went wrong (wrong!)
Narrator expresses confidence and self-assurance that soon becomes shaken by a mishap.
Straight into my finger, what a stinger, it was so long.
Narrator accidentally hurt themselves and felt the consequences acutely.
I still remember that day, like the day that I said that I swear, I'll never hurt myself again, but it seems that I'm deemed to be wrong, to be wrong, to be wrong.
Narrator recalls an earlier promise to themselves after a similar incident, but despite their intentions, they experience setbacks and make mistakes.
Gotta keep holding on... they always played a slow song.
Narrator resolves to persevere despite setbacks, but comparison to a slow song implies a looming sense of dread or foreboding.
When they come for me, I'll be sitting at my desk, with a gun in my hand, wearing a bulletproof vest, singing "my, my, my, how the time does fly, when you know you're gonna die by the end of the night."
Narrator envisions a future confrontation, where they are prepared to defend themselves against anticipated threats, and paradoxically expresses the fast passage of time in a dire moment.
I still remember when we were young and fragile then. No one gave a shit about us because times were tougher then.
Narrator recalls their own and/or their community's vulnerable past and describes a challenging environment.
Feeling so good (good!), cruising the hood (hood!), straight into the real world, rich kids never understood.
Narrator relishes a sense of freedom and empowerment in their reality, in contrast to the insulated and privileged surroundings of others.
But I don't care. I can fade away to anywhere. Don't stop because you might get dropped! and if you do, who's going to pick you up? Well I won't.
Narrator asserts their individuality and self-sufficiency, rejecting social pressures or expectations that might hold them back.
When they come for me, I'll be sitting at my desk, with a gun in my hand, wearing a bulletproof vest, singing "my, my, my, how the time does fly, when you know you're gonna die by the end of the night."
Narrator reiterates their earlier vision of a dangerous yet imminent future, perhaps almost taunting any possible opponents.
When they come for me, I'll be sitting at my desk, with a gun in my hand, wearing a bulletproof vest. My, my, my, how the time does fly, when you know you're gonna die by the end of the night.
Repeated chorus underscores the inevitability of a tense situation and the rapid pace of events leading up to it.
When they come for me, I'll be sitting at my desk, with a gun in my hand, wearing a bulletproof vest. My, my, my, how the time does fly, when you know you're gonna die by the end of the night.
Repeated chorus underscores the inevitability of a tense situation and the rapid pace of events leading up to it.
When they come for me, I'll be sitting at my desk, with a gun in my hand, wearing a bulletproof vest. My, my, my, how the time does fly, when you know you're gonna die by the end of the night.
Repeated chorus underscores the inevitability of a tense situation and the rapid pace of events leading up to it.
Contributed by Michael B. Suggest a correction in the comments below.
@pippobrandelli7292
It was the summer of 95 (so what!)
In the backyard, shaving the old plies
Feeling so strong (strong!), something went wrong (wrong!)
Straight into my finger, what a stinger, it was so long
I still remember that day, like the day that I said that I swear
"I'll never hurt myself again", but it seems that I'm deemed to be wrong
To be wrong, to be wrong
Gotta keep holding on...they always played a slow song
[Chorus]
When they come for me, I'll be sitting at my desk
With a gun in my hand, wearing a bulletproof vest singing
"My, my, my, how the time does fly, when you know you're going to die
By the end of the night." And said hey
I still remember when we were young and fragile then
No one gave a shit about us because times were tougher then
Feeling so good (good!) cruisin’ the hood (hood!)
Straight into the real world where rich kids never understood
But I don't care
I can fade away to anywhere don't stop
Because you might get dropped
And if you do who's going to pick you up
Well I won’t, well I won't...
They always played a slow song
[Chorus]x4
HEY, HEY, HEY
@stoopidgaming2728
It was the summer of 95 (so what!)
In the backyard, shaving the old plies
Feeling so strong (strong!), something went wrong (wrong!)
Straight into my finger, what a stinger, it was so long
I still remember that day, like the day that I said that I swear
"I'll never hurt myself again", but it seems that I'm deemed to be wrong
To be wrong, to be wrong
Gotta keep holding on...they always played a slow song
[Chorus]
When they come for me, I'll be sitting at my desk
With a gun in my hand, wearing a bulletproof vest singing
"My, my, my, how the time does fly, when you know you're going to die
By the end of the night." And said hey
I still remember when we were young and fragile then
No one gave a shit about us because times were tougher then
Feeling so good (good!) cruisin’ the hood (hood!)
Straight into the real world where rich kids never understood
But I don't care
I can fade away to anywhere don't stop
Because you might get dropped
And if you do who's going to pick you up
Well I won’t, well I won't...
They always played a slow song
[Chorus]x4
HEY, HEY, HEY
@highschoolidiots3772
Me over here loving the fact that my parents grew up with the artist of this song 😂
@AllThatRemains5
me over here realizing that that means I'm old enough to be your dad 😆 🤣
@echopryme
I want this chorus printed on my tombstone. 💯😎🤣
@gregorymitarsarovich113
How many ska kids does it take to change a lightbulb?
Four. One to drop it and three to, "pick it up, pick it up, pick it up!"
@DarkstarthenightwingSUBSCRIBE
+Mi Tar you are funny
@saucybeagle7257
heh I lost my shit
@britneycarter3571
bahahah love it
@cainthekilla717uh2
Mi Tar fucking glorious man
@benjamincraw4413
Mi Tar hehe
@christinepascarella4202
Ahh the nostalgia! This song makes my heart happy ❤