Cause & Effect is an electronic fusion of cleverly crafted pop arrangements against a backdrop of layered synth textures and acoustic rhythmic flourishes. Intelligent, thought provoking lyrics and pleading melodies embedded in lush sonic soundscapes that are sure to captivate the senses of even the most discriminating listener. Cause & Effect’s Rob Rowe (co-founder) and Keith Milo return with their fifth studio album, “ARTIFICIAL CONSTRUCT.”
After developing and perfecting their own brand of electronic pop for nearly two decades, “ARTIFICIAL CONSTRUCT” marks a new level of maturity songwriting, and new way of thinking about how music is released and sold. Breaking with tradition, “ARTIFICIAL CONSTRUCT” has been designed as a three-part series to be released as individual EP’s over the course of 2010 and 2011, rather than a conventional ten to twelve-song album release.
“We wanted to try a new way of putting out our music this time around,” says Milo. “There are no rules anymore. The digital age has turned the entire industry on its head and it’s made us all rethink things. Are we artificially constructing an album by releasing it in “parts,” or is the 12 song album as we’ve come to know it just an ARTIFICIAL CONSTRUCT?
Led off by the deeply contagious first single “HAPPY?” where Milo’s sleek electronic bed of synth driven melodies lay the foundation for Rowe’s silky smooth vocals and sardonic lyrical content. “Everybody’s happy dreaming of the future,” Rowe croons seductively in a tale about finding a sense of purpose and meaning in the mundane mediocrity of corporate life. And while “HAPPY” bridges the gap sonically between previous C+E albums, it also sets the tone for the rest of the EP’s emotionally charged tracks which range in style from the electro-acoustic lover’s ballad “View of the Sea,” to the nostalgic teenage New Romantic anthem “This Is who I Am,” to the dark and brooding closer “Sleep,” which tells a deeply honest and emotional tale of love lost.
. . . . . (HAPPY?- DIRTY 8VA Remix can be downloaded for FREE at Cause and Effect’s Official Website.)
“There’s a bit of everything we love in there,” says Rowe. “We’ve never easily fit into a specific genre and that gives us the freedom to always blur the lines while being true to our roots. We can put a song like ‘HAPPY?’ right next to a song like ‘View of the Sea’ and it still feels cohesive. It still sounds like C+E.”
Cause & Effect was originally formed in Sacramento, California in 1988 by Robert Rowe and Sean Rowley. Their debut album, Another Minute, stormed onto the music scene in the early 1990’s scoring two top ten dance-pop singles and a Billboard top 20 singles hit with “You Think You Know Her.” After the tragic loss of friend, writing partner and co-founding member Sean Rowley in late 1992, singer Rowe took a step back to re-evaluate the band’s direction and the hopes he had for the future.
“Performing the tribute to Sean at the KROQ Acoustic Christmas Show in LA was a turning point,” explains Rowe, “The overwhelming support from the fans and audience made me realize that giving up just wasn’t an option.”
Determined to pick up the pieces and move forward, Rowe called upon Keith Milo, an Orange County-based electronic musician and friend to finish the remaining leg of the tour with himself and drummer Rich Shepherd (the Adored).
Although that initial tour was plagued with equipment malfunctions, thefts and travel mishaps, it was to become the start of a new beginning for C+E. Upon returning home, Rowe and Milo quickly went to work writing new material and redefining the sound of Cause and Effect.
“Coming in to Cause and Effect after Sean’s death was a scary thing to do,” says Milo, “there was so much uncertainty. Sean was a genius with melody, he was irreplaceable. I think there was solace in the fact that we became a very different band at that point and we all felt that we were doing the right thing by continuing on.”
Six months later, the three found themselves in London recording the band’s critically acclaimed sophomore album “Trip” with producer Martyn Phillips (best known for his work with Beloved, Erasure, and Jesus Jones).
A seamless integration of Rowe’s evocative vocals and economical guitar, Milo’s melodic soundscapes and Shepherd’s inventive percussion, “Trip” was an “affirmation of life and hope.” The aptly named album documents the band’s journey towards self-discovery that they made in the London flat they shared, in the studio, and in underground dance clubs they frequented between recording sessions. In addition to receiving overwhelming critical praise, the album spawned the thundering cross-over club hit, “It’s Over Now,” which respectively climbed to the #7 spot on Billboard’s modern rock charts and was C+E’s fourth release to make it onto the Billboard's Hot 100 singles chart.
Despite the success of the “Trip” album, Cause and Effect’s label Zoo Entertainment was in severe financial turmoil as a result of growing too quickly. After parent company BMG MUSIC pulled funding and distribution, the indie-run label soon folded. Rather than look for another major label contract, the band built their first Web site, formed the label, Liquefaction Records, and decided to embrace the digital DIY world brought about by the explosion of the Internet.
A year later saw the release of “INNERMOST STATION," the band’s third album. Nine extraordinary, introspective tracks including the epic single “World is Ours,” which instantly became a favorite amongst many of their adoring fans and college radio programmers alike. Soon after the recording of “INNERMOST STATION” was completed, drummer Richard Shepherd amicably left the band to pursue personal interests.
Meeting up at Milo’s LA studio for “THE SUNRISE EP” sessions marked the second major musical turning point for C+E. Sonically inspired by the laid back loungy grooves of the underground, “THE SUNRISE EP’s” lead single “Into the Light” went on to become the band’s fifth single to chart in the Billboard Club charts reaching the #20 spot in Summer 2004. The EP also featured the acoustic-driven “Stay,” which has become a fan favorite. C+E toured throughout 2004 in support of “THE SUNRISE EP” playing in 23 cities across the US and South America.
2010, today’s Cause and Effect are brimming with a renewed vigor and a surging confidence. In addition to the newly released “ARTIFICIAL CONSTRUCT PART ONE,” the duo is hard at work on the follow-up releases, “ARTIFICIAL CONSTRUCT PART TWO” is slated for release 26 July, 2011; and “ARTIFICIAL CONSTRUCT PART THREE” is to be released at a later date, with shows beginning soon after. The first track from AC2, Happiness Is Alien from was released on July 8th, 2011.
Cause and Effect is: ROB ROWE and KEITH MILO
DISCOGRAPHY: )
• Cause & Effect - CD Album (1990; Nastymix Records / Liquefaction Records)
• What Do You See - CD Single (1990, Re-Release 1992; Nastymix Records / Exile Records / Sedona Recording Company / Zoo Entertainment / BMG Music / Liquefaction Records)
• You Think You Know Her - CD Single (1990, Re-Release 1991; Nastymix Records / Exile Records / Sedona Recording Company / Zoo Entertainment / BMG Music / Liquefaction Records)
• Another Minute - Album (1991; Sedona Recording Company / Zoo Entertainment / BMG Music / Liquefaction Records)
• Another Minute (Single) - CD Single (1992; Sedona Recording Company / Zoo Entertainment / BMG Music / Liquefaction Records)
• South Paw: Zoo's Left Wing '93 - Compilation [C+E’s “hollow”] (1993; Zoo Entertainment / BMG Music)
• It's Over Now - CD Single (1994; Zoo Entertainment / BMG Music / Liquefaction Records)
• Alone - Label Promo Only (1994; Zoo Entertainment / BMG Music / Liquefaction Records)
• Inside Out - Label Promo Only (1994; Zoo Entertainment / BMG Music / Liquefaction Records)
• TRIP - Album (1994; Zoo Entertainment / BMG Music / Liquefaction Records)
• Innermost Station - Album (1997, Re-Release 1999; Liquefaction Records / Jarrett Records)
• World Is Ours - Digital Single (1999; Liquefaction Records)
• World Is Ours V2 - Digital Single (1999; Liquefaction Records)
• The Sunrise EP (2003; Liquefaction Records)
• Into The Light Remixes - EP (2004; Liquefaction Records)
• Cause & Effect - Album Digital (Re-Release 2010; Liquefaction Records)
• Happy? (Dirty 8VA Mix) FREE Single - Digital Single (2010; Liquefaction Records)
• Artificial Construct Part One - EP (April 2010; Liquefaction Records)
• Artificial Construct Part Two - EP (July 2011; Liquefaction Records)
• Artificial Construct Part Three - EP (tbd 2011; Liquefaction Records)
• Artificial Construct - Album (tbd 2011; Liquefaction Records)
Digital Albums are available for purchase at Cause and Effect’s Official Website.
OFFICIAL WEBSITES:
http://www.causeandeffect.com
http://causeandeffect.bandcamp.com
http://www.facebook.com/CauseAndEffectMusic
http://www.twitter.com/_causeandeffect
http://www.youtube.com/causeandeffectmusic
http://www.myspace.com/causeandeffectmusic
http://www.reverbnation.com/causeandeffectmusic
http://soundcloud.com/causeandeffectmusic
http://www.last.fm/music/+noredirect/Cause+and+Effect
http://www.last.fm/music/Cause%2B%2526%2BEffect
She Said
Cause & Effect Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But lock you up inside your mind
And there's a wonderful illusion
In every little thing you find
And she said
I see the gods upon the mountain
She said
She said
'Cause the sin is confusion
She said
I think I've lost my mind
She said I like to go to picure shows
And wish myself upon the screen
And what a wonderful illusion
I stole the show in every scene
And she said
You know I talked with Aristotle
She said
We even shared a body
She said
But he turned out to be awful
She said
I think I've lost my mind
She said
I'm a myth that's slowly dying
She said
And it's not through lack of trying
She said
Aphrodite's softly crying
She said
I think I've lost my mind
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
(She said)
The lyrics of Cause & Effect's She Said might initially seem confusing, but the central idea revolves around insanity and how it can be seen as both liberating and confining. The opening line, "insanity will set you free," sets the tone for the song, as it highlights the paradoxical nature of mental illness. While it might give people a sense of freedom, it can also trap them inside their own minds.
The chorus of the song follows a pattern of "She said," which suggests that the singer is quoting someone else's words or thoughts. The person being quoted seems to have a fascination with Greek mythology and philosophy. She talks about seeing gods on the mountain, talking with Aristotle, and being a dying myth herself. These allusions to ancient culture add a layer of complexity to the song and suggest that the person being quoted might be struggling to find meaning in their own life.
The overall feel of the song is dreamlike, with haunting vocals and a slow tempo. It seems to be addressing issues of mental health and self-perception, with the chorus repeating the matter-of-fact line, "I think I've lost my mind." This phrase highlights how the person might be feeling disconnected from reality, struggling to make sense of their own thoughts and emotions.
Line by Line Meaning
She said insanity will set you free
Insanity can provide a sense of liberation, but it may also trap you in your own thoughts and emotions.
But lock you up inside your mind
The sense of freedom given by insanity may come at the cost of being trapped within one's own mental state.
And there's a wonderful illusion
There is a great deception that often accompanies the experience of mental illness or insanity.
In every little thing you find
Small details and everyday experiences can take on a much greater and distorted significance when seen through the lens of mental illness or insanity.
And she said I see the gods upon the mountain
The artist seems to be experiencing delusions of grandeur, seeing themselves as capable of witnessing divine or transcendent beings.
She said that I just can't seem to please you
The singer feels unable to satisfy the expectations or desires of another person, which may relate to their own internal struggles or conflicts with reality.
She said 'Cause the sin is confusion
Confusion is seen as a kind of moral failing or sin, which may suggest that the singer feels guilt or shame about their own state of mind.
She said I think I've lost my mind
The artist is recognizing or acknowledging their own loss of mental stability or coherence.
She said I like to go to picture shows
The artist enjoys escaping into the world of movies or other forms of entertainment.
And wish myself upon the screen
The artist imagines themselves as a part of the fictional world, perhaps as a way of distancing themselves from their own reality or problems.
And what a wonderful illusion
The idea of being part of a movie or other fictional world is seen as a beautiful and attractive illusion or fantasy.
I stole the show in every scene
The artist imagines themselves as the center of attention and admiration in every part of the fictional world they envision themselves in.
You know I talked with Aristotle
The singer claims to have had a conversation with the ancient Greek philosopher Aristotle, possibly suggesting that they feel a connection to or understanding of classical ideas and concepts.
We even shared a body
The singer may be experiencing a lack of a clear sense of self, as if they are sharing a body with another person or entity.
But he turned out to be awful
The singer's experience of communicating with Aristotle was ultimately unsatisfying, perhaps implying a sense of disillusionment or disappointment.
I'm a myth that's slowly dying
The artist sees themselves as an enduring yet fading legend or idea that is coming to an end.
And it's not through lack of trying
The artist has made an effort to maintain their own identity or sense of self, but it may not have been enough to prevent their decline or loss of sanity.
Aphrodite's softly crying
The goddess of love and beauty is depicted as weeping, possibly suggesting that even transcendent or idealized concepts can be affected by the singer's diminished state of mind.
I think I've lost my mind
The singer restates their sense of confusion or loss of mental stability, reinforcing the song's theme of mental illness or instability.
Contributed by Ethan H. Suggest a correction in the comments below.
@nomanlahli4200
A haunting and beautiful and unforgettable song. It hits the heart and transports back in time to another time in life. What a life it is. Truly.
@empathconnection
Rediscovering the soundtrack to my 1994 ...25 years later. Like yesterday.
@TammyValerio
When this came out my lover and I spent hours in bed with it on repeat! Great mood music gentlemen!
@elletheauthor5158
This band, and especially this song, has been beyond instrumental in the making of me. Ungodly good music.
@mayarose852
This album and Erasure's "I Say I Say I Say" got me out of a couple of the worst years of my life when I was so depressed all I could do was lay in bed and stare at the wall. 21 years old and 84 lbs. I had no will to live until these songs helped me to realize that there were others out there who understood.
@mattbelinski7760
Maya Rose yes..both these album helped me through some hard times, along with Anthing Box's Hope.
@scottbeckstead33
I Say I Say I Say helped save my life.👍
@MeSoBlue
That show how strong you are. God gives you the belief, treasure it.
@fsol83
Both great albums. My favorite erasure album has to be “Chorus”
@prnsessj2219
What is about I Say I Say I Say...that album is magical! Helped me too along with this album from Cause and Effect.