1) - Chad Smith play… Read Full Bio ↴There are two drummers with the name Chad Smith
1) - Chad Smith plays the drums for the Red Hot Chili Peppers and super group Chickenfoot.
He was born Chad Gaylord Smith on Oct 25, 1961. Chad joined Red Hot Chili Peppers in 1989, when the band needed a drummer. Many drummers tested, but only Chad would fit the band perfectly. Flea, the bassist, says Chad was the best and the loudest drummer he had ever seen.
2) - Chad Smith is also the name of the former drummer of Anacrusis and GZR.
St. Louis drummer Chad began playing at 12 and by 14 was performing professionally. In 1985, he began working with Heaven's Flame, in 1987 he was with Mary Burns, in 1990 with Anacrusis, in 1992 with London Calling, in 1994 with Pavlov’s Dog. In 1997 he replaced Deen Castronovo in G//Z/R, who had moved on to Ozzy’s band, and then later Journey. Chad’s playing is a combination of influences ranging from John Bonham and Tommy Aldridge to Clyde Stubblefield and Steve Gadd.
Nights In White Satin
Chad Smith Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
Cuz I love you
Yes, I love you
Oh, how, I love you
I love you
Gazing at people
Some hand in hand
Just what I'm going thru
I can't understand
Some try to tell me
Thoughts they cannot defend
Just what you want to be
You will be in the end
And I love you
Yes, I love you
Oh, how, I love you
Oh, how, I love you
Nights in white satin
Never reaching the end
Letters I've written
Never meaning to send
Beauty I'd always missed
With these eyes before
Just what the truth is
I can't say anymore
Cuz I love you
Yes, I love you
Oh, how, I love you Oh, I love you
I love you
Yes, I love you
Oh, I love you
I really do
I love you
The lyrics of Chad Smith's song "Nights in White Satin" are quite poetic and melancholic. The song is about a person who is experiencing a range of emotions - from love and longing to confusion and despair. The opening lines, "Nights in white satin, never reaching the end," describe a feeling of being stuck in a moment, in a state of limbo. This is followed by, "Letters I've written, never meaning to send," which suggests that the person is struggling with expressing themselves and their emotions.
The next lines, "Beauty I'd always missed with these eyes before, just what the truth is I can't say anymore," indicate a sense of regret and loss. The person realizes that they had missed out on something beautiful before, but they are unsure of what that is now. The chorus, "Cuz I love you, yes I love you, oh how I love you," further reinforces the emotion of love that they are feeling.
However, amidst this love, there is confusion and uncertainty. The lines, "Gazing at people, some hand in hand, just what I'm going thru I can't understand," suggest that the person is watching others in love, but they do not know how to navigate their own feelings. The next lines, "Some try to tell me thoughts they cannot defend, just what you want to be, you will be in the end," are reflective of the advice that the person may be receiving, but it is of no use to them.
Overall, the song portrays a melancholic but beautiful picture of a person trying to navigate their emotions, particularly love, amidst confusion and uncertainty.
Line by Line Meaning
Nights in white satin
The singer is reminiscing about a dream-like state in which they wore white satin and felt pure and ethereal.
Never reaching the end
The feeling of being stuck in this dream-like state with no resolution or conclusion in sight.
Letters I've written
The singer has written letters, but hasn't sent them, indicating that they have something they want to say but are holding back.
Never meaning to send
The letters were never meant to be sent, possibly because the artist doesn't want to risk vulnerability or rejection.
Beauty I'd always missed
The artist reflects on how they've overlooked beauty in their life, either due to being blinded by personal struggles or a lack of awareness.
With these eyes before
The singer has seen this beauty before but didn't recognize its significance until now.
Just what the truth is
The singer is unsure of what the truth is, possibly regarding their feelings or the nature of reality.
I can't say anymore
The artist is at a loss for words or has reached a point where they are unable to articulate what they are feeling or thinking.
Cuz I love you
The artist expresses a deep love for someone, possibly the subject of the unsent letters or for someone they can't be with.
Yes, I love you
The artist reiterates their love, emphasizing its strength and sincerity.
Oh, how, I love you
The singer's love is overpowering and all-encompassing, filling them with a sense of longing and admiration.
Gazing at people
The artist is observing others around them.
Some hand in hand
Some people are holding hands, indicating a closeness or intimacy that the singer possibly desires.
Just what I'm going thru
The singer is struggling or experiencing something difficult, possibly related to unrequited love or feelings of loneliness.
I can't understand
The singer is unable to comprehend why they are going through this difficult experience or how to alleviate it.
Some try to tell me
Other people are attempting to give the artist advice or direction.
Thoughts they cannot defend
Despite their attempts to help, other people are unable to defend their advice or provide meaningful solutions to the artist's problems.
Just what you want to be
The singer reflects on the idea that people become what they want to be, suggesting the importance of personal desire and determination.
You will be in the end
The singer believes that one's true self will ultimately manifest in their life, regardless of external factors or the opinions of others.
Lyrics © Universal Music Publishing Group
Written by: Justin Hayward
Lyrics Licensed & Provided by LyricFind
@olivershagnasty7704
+Vimti Gasta Give Peace A Chance (John Lennon - with various artists, produced by Lenny Kravitz, 1991)
New Dawn Fades (Joy Division - with New Order, Moby and Billy Corgan, 2001)
Today Your Love, Tomorrow The World (Ramones - solo on a tribute album, 2003)
Heart Of Gold (Neil Young - with Johnny Cash, 2003)
We'll Meet Again (Vera Lynn - with Johnny Cash, 2003)
Personal Jesus (Depeche Mode - with Johnny Cash, 2005)
Nights in White Satin (Moody Blues - with Glenn Hughes and Chad Smith, 2005)
Things Behind The Sun (Nick Drake - with The Mars Volta, 2007)
Let The Good Times Roll (Shirley and Lee - with George Clinton, Kim Manning, Flea and Chad Smith, 2008)
Red Money (David Bowie - with Swahili Blonde, 2010)
Scoundrel Days (A-ha - with Swahili Blonde, 2011)
@irenahalder
So happy Frusciante still picks up a guitar now and again 😍
@irenahalder
Roger Salmerón oh, before he put it down, you mean 🙁
@irenahalder
Roger Salmerón Indeed. Actually I’m quite pleased he didn’t pick up his guitar for this type of thing 😉
@superLSD
Frusciante still picks up his guitar on a lot of his recent music
@brunacruz4132
He has his own projects now and shares art with us quite regularly
@OneGoodBite
@Roger Salmerón It is. The song is also on Glenn Hughes' album "Music for the divine" that was released in 2006. John Frusciante plays on two tracks, Nights in white satin and This is how I feel. Chad Smith plays drums on the entire record that was recorded at his home.
@davidcowell5722
Up until now I believed that the Nirvana version of Bowie' The Man Who Sold The World was the best cover of all time. This song just changed my mind.
@JLAT2
That riff <3
@drwrevoltar
definitely john's guitar tone
@masterofbears1948
and backing vocals