After his parents, a Muslim father from Oyo State, Nigeria and a Christian mother from the United States, separated in his early teenage years, Chamillionaire settled into a notoriously dangerous inner-city neighborhood in North Houston called Acres Homes, which he elaborated upon during an interview with Houston's 104.9 KPTY on October 3. Rap and other forms of secular music, which his parents had highly opposed in their household, became very appealing to the young Hakeem Seriki. Inspired by local rap acts such as The Geto Boys, 8 Ball & MJG, and UGK, as well as other national acts such as N.W.A. and Public Enemy, Chamillionaire began to compose his own ponies.
At a young age, Chamillionaire along with fellow rap music artist and childhood friend Paul Wall, had decided to make music their careers. One day while promoting themselves at a Texas event, Paul Wall and Chamillionaire ran into Michael 5000 Watts, a popular mixtape DJ from the Northside. After proposing to do promotions for Watts' company, the Swishahouse, Chamillionaire and Paul Wall came to Watts' studio and convinced Watts to allow them freestyle on an intro to Watts' radio show on Houston’s 97.9 The Box. Watts, who himself was convinced to rap on the record, enjoyed the freestyle so much that he put the verses on one of his mixtapes. The freestyle became so popular in the streets that Chamillionaire and Paul Wall became regular staples on Houston's mixtape circuit, appeared on several of Watts' mixtapes, and became permanent members of Swishahouse.
Although Paul Wall and Chamillionaire were making much noise in the streets by rapping on Watts' mixtapes, they, along with several other members of the Swishahouse, became frustrated with the lack of money they were receiving from the mixtapes. After fellow member Slim Thug left the label, Chamillionaire and Paul Wall followed and started their own mixtape group known as The Color Changin' Click. Each successive mixtape released by The Color Changin' Click led to more business opportunities; the most notable of which being a contract to do a full album for Paid in Full Records. A one album contract was then negotiated between the Color Changin' Click and Paid in Full's label head, DJ Madd Hatta from 97.9 The Box, and the CCC's first album, Get Ya Mind Correct, would go on to sell over 100,000 copies.
The sale of all these albums without the backing of a major deal caught the attention of several major labels wanting to sign Chamillionaire and Paul. Chamillionaire and his labelmates decided to remain independent, however, until the right deal came along. While working on his second album with the Color Changin' Click, Chamillionaire began to have creative differences with Paul Wall, so much so that it was decided that the two emcees should each release solo albums that would be packaged together. When Chamillionaire became dissatisfied with how things were being resolved, he left Paid in Full and his almost complete album after fulfilling his contractual obligations to focus on promoting his mixtape label Chamillitary instead. As a kid, Chamillionaire was a big fan of MANKind, also known as Big June.
Chamillionaire's Myspace
This kid from Houston, Texas has some nerve. That's what came to mind as you watched an MTV special in early 2005 showcasing H-Town's commercial and artistic re-emergence on the rap scene. Following his brazen freestyle, the focused and much-heralded MC known as Chamillionaire faced a national audience and launched a swagger-filled proclamation on camera: "I'm the truth from Texas..." While such boasting may seem par-for-the-course in the prideful 25-year-plus history of hip-hop, the latter ambitious statement aptly describes Chamillionaire. It's the reason why he earned the lofty alias "The Mixtape Messiah," a title Cham was crowned after independently selling over 100,000 copies of the Get Ya Mind Correct album, and by selling thousands of his numerous mix tapes. It's why the former member of Houston's legendary mix-tape power Swisha House garnered coverage in such major hip-hop publications as Source and XXL without the backing of a major deal. When the Houston lyricist set off a major label bidding war to distribute his Chamillitary Records, it became abundantly clear throughout the 'hood and the music industry Chamillionaire is indeed the truth.
With his major-label debut The Sound Of Revenge set for release on Universal Records, Chamillionaire is poised to take his place among Houston's current hip-hop elite, including the new generation of rhyme-spitters such as Lil' Flip, Slim Thug, Mike Jones and Paul Wall, as well respected vets UGK and Scarface. "You call out a lot of rappers and ask them why they are the best and they are going to tell you everything but the music," Cham laughs. "They will tell you that they are the best because they have some nice rims, a chain, and a mansion." He then adds in a straight-no-chaser tone, "You've heard all the hype about Chamillionaire; that he's sick with the lyrics, sings hooks, and represents the streets and the clubs. But I just want to come as close as possible to living up to my reputation."
Chamillionaire recruits an impressive list of talent on his debut effort, including Lil' Flip, Bun B, Scarface, and Krayzie Bone, as well as in-demand producers Scott Storch (50 Cent), Mannie Fresh (Lil' Wayne, Baby, Juvenile) and Cool & Dre (The Game). But, it's his work with Atlanta studio kings The Beat Bullies (1Big Boi/OutKast) that sets the tone for much of The Sound Of Revenge's diverse platform. "They understand me," Cham says of the in-house producers. "There are a lot of producers that have dope beats, but they don't know me as an artist. [The Beat Bullies] being from Atlanta, can take it to the strip clubs, the streets and to the radio."
The name Chamillionaire represents the unique style that defines the talented urban artist, and his ability to change and adapt on the fly, forcing people to respect the true breadth of his talent. And just as this MC moniker exemplifies, Chamillionaire is anything but predictable and most certainly versatile. "Picture Perfect" featuring Bun B comes off as a lyrical nod to the classic 'hood swagger of UGK, while the Beat Bullies'-anchored "Radio Interruption" showcases Cham's prowess for walking the blurred line between street praise and mass appeal. The storytelling brilliance of "No Snitching" (Cool & Dre), finds Cham detailing the unwritten laws of 'hood politics. On the Scott Storch produced "Turn It Up," Cham tag-teams with freestyle king Lil' Flip as they spit over an infectious track that is Houston's answer to a summer club banger. And the soulful "Here Comes The Rain" finds Chamillionaire exploring the daily struggles of life with heartfelt lyricism and ghetto angst.
"It's a very personal song and the title says it all," Cham says of the revealing track. "In a person's life the rain symbolizes the struggles we all go through. Whether you are dealing with losing a loved one or your rent is due on the 1st, but it's the 3rd and you don't have it. I'm just talking about surviving the tough times."
Chamillionaire has definitely seen his share of struggles on his road to redemption. Born to a Muslim father and Christian mother, secular music was banned in his household. Chamillionaire was barely a teenager when he moved to a low-income neighborhood in the notorious North Side of Houston, following the separation of his parents. By the early '90s, however, rap rebels such as NWA, Public Enemy, as well as hometown heroes The Geto Boys, 8-Ball & MJG and UGK would inspire a young Hakeem to write his own rhymes.
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Chamillionaire's Myspace
I Mean That There
Chamillionaire Lyrics
Jump to: Overall Meaning ↴
And I mean that there, and I mean that there
And I mean that there, yeah-yeah
Yeah-yeah-yeah, and I mean that there
And I mean that there, and I mean that there yeah-yeah
Not a angel I'm filled with anger, to the industry I'm a danger
They make friends with dick suckers, said they tell you that I'm a stranger
I'm the next to blow, so they put me on punishment for bad behavior
They said I should of went major, but I'm a procrastinator
I get the job done playa, but I'm busy now ask me later
Stay with a calculator, my lawyer get a grand retainer
Why cause I'm a better business man, than your average hater
But now I want to ask a favor, don't talk to me like I'm stupid
Got no love for you haters, so send that message to cupid
Give a shout out to Who Kid, (why give a shout out to Who Kid)
Cause I'm wearing something, that match the size of a G-Unit shoe kid
What's that a nine stupid, you do the math why
I tried to be nice to the dyke, but that was my last try
And since it seems the industry, is infatuated with the bad guy
I'm spitting and pissing on gimmick niggaz, when they pass by
Get mad that I get green, you dealing with the Hulk
I put my anger in the music, nigga this is the result
Did a hundred thousand independent, now I move c.d.'s in bulk
Check on Chamillionaire.com, my fan base is a cult
I'm that nigga that'll spot you, see you in the streets and box you
You acting like you a problem, I bet I do something bout you
Run the South when it come to making mix tapes, I'm a monster
Napster crashed, but I want to give a special shout out to Kazaa
Long as Lil' Jon, and Manny keep making beats
Chamillionaire gon be a ghetto millionaire, in these streets
I speak my mind, so stop acting so sentimental
You soft, if you go to jail you'll get used for a prison pillow
You scared, shooting slugs behind the bushes and not a brick
Like a bush is gon protect you, you know who you dealing with
Chamillitary hideous mood, and I pity the fool
If I walk in I bet every sissy, in the city'd move
Ain't got to walk a city for food, like Diddy did dude
If you hungry for drama, I'll see that my Semi get chewed
Give me the tool I'm from Texas, but I ain't no damn bammer
Mess with Killa Mike, Ron Thomas that Quo down in Atlanta
Lil' Flip and my man Banner, come here and get man handled
By Slim, E.S.G., OG Ron see fix your damn channel
If you think we all right thurr, and speaking with bad grammar
I know Bun be , Lil' O and S.U.C. ain't no damn bammers
Rasaq ain't no damn bammer, Play-N-Skillz ain't no damn bammers
The clip in the hand jammer, to use it for a damn hammer
Hit you on top of your head, and leave humps like a tan camel
Keep a couch with a full house, like Dan Tanner
That's plenty of bricks, that's plenty of chips
There's plenty of fine groupies, there's plenty of chicks
Like dominatrix chicks, there's plenty of whips
So you bricks can do a flip, off the end of my dick
Get off the end of my tip, nigga you a crash test dummy
You album dropped you smile and frown, after the math get funny
I'm getting all my publishing, never had that kept from me
I'm buying Color Changin' vehicles, with my ass cap money
Promises that they gave you, made you feel like you major
Navigator and two-way pager, they gave you then made you
Go lie about how they paid you, and never will play you
You's a puppet go get a refund, I think that they played you
You album was whack huh, it's still on the rack huh
Repo man hopped in your vehicle, they took it back huh
You go get a dagger, then hop in a cab huh
You looking for a A&R or CEO, you can stab huh
Did a hundred thousand independent, ain't really nothing to prove
I make a million disappear, quicker than Nelly with jewels
See the industry wouldn't listen, so I stopped being a humble guy
Now I'm the come get it, if you ready to royal rumble guy
And I mean that there, and I mean that there
And I mean that there jeah, (throw you out the game)
The lyrics to Chamillionaire's song "I Mean That There" are a reflection of his anger towards the music industry and those who have doubted him. He talks about how he is a better businessman than his average hater and how he has made his own success independently, despite being told he should have gone major. He also discusses how he is above getting caught up in gimmicks and fake personas, and instead puts his anger into his music. He takes aim at those who act tough but are really just "soft" and also gives shoutouts to those who have supported him along the way.
Throughout "I Mean That There," Chamillionaire uses a lot of powerful metaphors and wordplay to emphasize his points. He talks about his anger as something that can be put in his music, and says that he will "spit and piss" on those who use gimmicks. He also uses metaphors of hunger to describe how he is always looking to improve and move forward, and even compares himself to the Hulk when talking about his success. He is not afraid to call out those who he feels have wronged him and also is proud of his independent success.
Overall, "I Mean That There" is a strong statement from Chamillionaire about his place in the industry and his determination to succeed on his own terms. He is not afraid to speak his mind and uses his lyrics as a way to channel his anger and frustration into something positive.
Lyrics © O/B/O APRA/AMCOS
Lyrics Licensed & Provided by LyricFind
@masteraddi
I think I still have this CD.
@Riotheoriginal
What a time to be alive
@unitedstudiorecordings1716
best rapper alive.period
@dixztube
i was just saying this. maaaaaaayne lol
@hehey292
this shit still badass
@jflood6952
this still goes harder than this new rap bull shit
@presenceofthefinest
Absolutely true
@KCKCraig
Get mad, and I get green. You dealing with The Hulk, I put my anger into music nigga this is the result!
@madhungry98B
Good looking fa da upload steph curry
@iiMAGINExThis
"Chamillitary Hideous mood and i pity the fool
If I walk in I bet every sissy, in the city'd move ;"
Bars!