Becoming a trailblazing Country Music superstar was an improbable destiny for Pride, especially considering his humble beginnings as a sharecropper’s son on a cotton farm in Sledge, Mississippi. His unique journey to the top of the music charts includes a tumultuous detour through the world of Negro league, minor league and semi-pro baseball as well as many long years of labor alongside the vulcanic fires of a smelter. But in the end, with boldness, perseverance and undeniable musical talent, he managed to parlay a series of fortuitous encounters with Nashville insiders into an amazing legacy of hit singles and tens of millions in record sales.
Growing up, Pride was exposed primarily to Blues, Gospel and Country music. His father inadvertently fostered Charley’s love of Country music by tuning the family’s Philco radio to Nashville’s WSM-AM in order to catch Grand Ole Opry broadcasts. At 14 years of age, Pride purchased his first guitar—a Silvertone from a Sears Roebuck catalog—and taught himself how to play it by listening to the songs that he heard on that radio.
By the age of 16, Pride began emerging as a talented baseball player. He first played organized games in the Iowa State League and then professional games in the Negro American League as a pitcher and outfielder for the Memphis Red Sox. In 1953, he signed a contract with the Boise Yankees, the Class C farm team of the New York Yankees. But during that season an injury hampered his pitching. He was first sent to the Yankees' Class D team in Fond du Lac, Wisconsin and then released. Over the next several years, Charley rejoined the Memphis Red Sox, moved to the Louisville Clippers and then was traded, along with another player, to the Birmingham Black Barons for a used bus. He also played for the El Paso Kings and a team in Nogales, Mexico. Upon rejoining the Memphis Red Sox in 1956 he won 14 games as a pitcher and earned himself a position on the Negro American League All-Star Team. As an all-star player that year, Pride pitched against a group of major league all-stars that included Willie Mays, Hank Aaron, Al Smith, Gene Baker and Ernie Banks.
Between ballparks, Pride often passed the time and entertained teammates by singing and playing his guitar on the team bus. And during these travels he happily joined performers onstage whenever he was given the opportunity.
In late 1956 Pride was drafted by the US Army and ordered to report to Fort Chaffee, Arkansas for basic training. During Christmas leave from basic training, he married his wife Rozene, who he had met earlier in the year while playing baseball in Memphis. After basic training, he was stationed at Fort Carson, near Colorado Springs, Colorado, where he was assigned to quartermaster duty and the fort’s baseball team. Upon receiving his discharge from the US Army in early 1958, Pride rejoined the Memphis Red Sox and returned to doggedly pursuing his dream of becoming a major league baseball pitcher.
In 1960, Pride moved to Montana to play for the Missoula Timberjacks in the Pioneer League, but ended up working at a smelter operated by the Anaconda Mining Company and playing for its semi-pro baseball team, the East Helena Smelterites. In 1961, he was invited to try out for the Los Angeles Angels during spring training but found himself heading back home to Helena, Montana after just two weeks.
During the first half of the 1960’s, Pride continued to work at the smelter and play baseball for its semi-pro team. But he also began making a name for himself as a music performer by singing the national anthem at baseball games and performing at honky-tonks and nightclubs in the Helena, Anaconda and Great Falls areas. Sometimes he performed as a solo artist and other times as a member of a combo or group.
In 1962, with the help of Tiny Stokes, a local disc jockey, Pride was introduced to Country singers Red Sovine and Red Foley and invited to perform “Heartaches By The Numbers” and “Lovesick Blues” during one of their shows. This brief initial encounter with Red Sovine would turn out to be crucial in laying the groundwork for Charley’s future music career.
After a disastrous 1963 tryout with the New York Mets in Clearwater, Florida it became clear that a major league baseball career was not in the cards. Charley chose to return to Montana via Tennessee because Red Sovine had told him that if he ever became serious about a singing career and decided to come to Nashville, he should stop by Cedarwood Publishing, the company that booked Sovine’s shows.
From the bus station in Nashville, Pride walked straight over to Cedarwood’s office and by sheer luck ended up meeting Jack Johnson, who had been actively searching for a promising black Country singer. Johnson made a simply produced recording of Charley performing a couple of songs and then immediately drove him back to the bus station with the promise of a management contract. Johnson quickly made good on that promise and it was the beginning of a working relationship that would start off slow, but prove to be very fruitful over the next decade.
Johnson ran into significantly more resistance than he had anticipated as he shopped around the crude demo recording that he had made of Charley to the record labels in Nashville. It wasn’t until 1965 that forward progress was made. Charley came to Nashville and Johnson introduced him to producer, Jack Clement. Clement gave Charley seven songs to learn and within a week they cut three of these songs–“The Snakes Crawl At Night”, “Atlantic Coastal Line” and “Just Between You And Me”–during a three-hour studio session with top-notch session players.
Even with the professionally produced sides, Johnson and Clement continued to have a difficult time as they shopped Charley around to the Nashville labels. But finally in 1966, Chet Atkins decided to trust his ears and signed Charley to RCA Records. Atkins took Charley under his wing, nurtured his talent and figured out how to dance past the race issue, which was no small feat during mid 1960s America. Although Charley’s first couple of singles failed to jump-start his career, “Just Between You and Me” caught fire in 1967, breaking into the Top-10 Country chart and garnering Charley his first Grammy nomination.
What happened next is Country Music history. Charley Pride quickly became Country Music’s first African-American superstar. Between 1967 and 1987, he amassed no fewer than 52 Top-10 Country hits and went on to sell tens of millions of records worldwide. In 1971, Charley won two Grammy Awards related to his Gospel album Did You Think To Pray –“Best Sacred Performance, Musical (Non-Classical)” for the album, as well as “Best Gospel Performance Other Than Soul” for the single “Let Me Live.” Later that year, his #1 crossover hit “Kiss An Angel Good Mornin’” sold over a million singles and helped him to win the Country Music Association’s “Entertainer of the Year” award and the “Top Male Vocalist” awards of 1971 and 1972. It also brought him a “Best Male Country Vocal Performance” Grammy Award in 1972. Some of Charley’s hits from his 1960s, 1970s and early 1980s output include “All I Have To Offer You Is Me,” “Is Anybody Goin’ To San Antone,” “Amazing Love,” “Mississippi Cotton Pickin’ Delta Town,” “Burgers And Fries,” “Roll On Mississippi” and “Mountain Of Love.” After parting ways with RCA Records in 1986, Charley spent the remainder of the decade releasing albums on the 16th Avenue Records label.
In 1993, Charley was inducted into the Grand Ole Opry, 26 years after he had first played there as a guest. On December 9th of that year he performed at the White House for President Bill Clinton, Hillary Rodham Clinton and many others during the Lighting of the National Christmas Tree celebration at President's Park.
Pride: The Charley Pride Story, an autobiography that Charley wrote with the assistance of Jim Henderson, was published in 1994. This book covers the events of the 1960s, 1970s and 1980s in significantly more depth.
In 1994, he opened the Charley Pride Theatre in Branson Missouri where he performed for 4 years, doing nearly 200 shows yearly. Also in 1994, Pride was honored by the Academy of Country Music with its prestigious Pioneer Award. And from 1994 until 1997, Pride released several albums on the Honest Entertainment record label.
In 2000, Pride was honored with an induction into the Country Music Hall of Fame. Shortly thereafter, he began releasing new music on the Music City Records label, including his critically acclaimed A Tribute To Jim Reeves (2001) and Pride And Joy: A Gospel Music Collection (2006) albums.
Charley appeared in the 2009 documentary film, The Black List: Vol. 2, which aired on HBO. The film is a component of The Black List Project, which interviews, films and photographs prominent African Americans of various professions, disciplines and backgrounds.
On July 21, 2009 Charley performed for President Barack Obama and guests in the historic East Room of the White House. His performance was part of a concert and educational workshop event (the White House Music Series) that also featured Brad Paisley and Alison Krauss. Hosted by Michelle Obama, the purpose of the event was to support the arts and demonstrate the continuing importance of arts education in America.
As part of an investment group spearheaded by Hall Of Game pitcher, Nolan Ryan, Charley became one of the owners of the Texas Rangers major league baseball team in 2010. The investment group purchased the team in a federal bankruptcy auction just weeks before the Rangers appeared in the World Series for the first time in team history. Charley has a long history with the Texas Rangers–he was invited to work out with the team during spring training in the 1970s and has continued to do so every year since. Each February and March, Charley blocks off several weeks from his schedule so that he can work out with the team at their Arizona spring training facility. In addition, Pride was drafted in 2008 by the Rangers during Major League Baseball’s ceremonial Special Negro League Player Draft.
Charley’s latest studio album Choices will be released on March 8, 2011. It features 13 new recordings written by such songwriters as Ted Harris (who wrote “Crystal Chandeliers”) and Ben Peters (who wrote “Kiss An Angel Good Morning” and many other Pride hits) as well as tracks penned by such fellow Country music stars as Eddy Raven and Richie McDonald (Lonestar).
Charley calls Dallas, Texas home. He relocated his family from Helena to Great Falls, Montana in 1967 and then to Dallas in 1969.
As of 2011, Charley continues to play 30 to 40 concert dates a year throughout the United States, Canada and Europe. He also performs at the Grand Ole Opry several times each year and hosts an annual fan club breakfast in Nashville each June. In addition to performing, recording new music and spending spring training with the Texas Rangers, he enjoys playing golf and spending time with his family.
Charley Pride's official website is at www.charleypride.com and his official Facebook page is at www.facebook.com/charleypride
GREEN
Charley Pride Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The old home town looks the same
As I step down from the train
And there to meet me is my mamma and pappa
And down the road I look, and there runs Mary
Hair of gold and lips like cherries
It's good to touch the green, green grass of home
Arms a-reaching, smiling sweetly
It's good to touch the green, green grass of home,
The old house is still standing
'Though the paint is cracked and dry
And there's that old oak tree
That I used to play on
And down the lane I walk with my why sweet Mary
Hair of gold and lips like cherries
It's good to touch the green, green grass of home
Yes, they'll all come to meet me
Arms a-reaching, smiling sweetly
It's good to touch the green, green grass of home
Then I awake, and look around
At the grey walls that surround
And I realize that I was o-only dreaming
For there's a guard and a there's a sad old padre
Arm in arm we'll walk at daybreak
Again, I'll touch the green, green grass of home
Yes, they'll all come to see me
In the shade of that old oak tree
As they lay me 'neath the green, green grass of home
The song "Green, Green Grass of Home" by Charley Pride tells the story of a man who dreams of returning to his hometown and seeing his family and his childhood love, Mary. He describes the comfort and familiarity of the green grass and the old oak tree that he used to play on as a child. He is greeted by his parents, and Mary comes running down the road to meet him with "hair of gold and lips like cherries." He finds it good to touch the green grass of home, and everyone seems happy to see him.
However, the dream ends abruptly when he wakes up to find himself in prison, surrounded by grey walls and guarded by a sad old padre. He realizes that his dream was only a fantasy and that he won't be able to return home. The green grass will only be a memory, and he will be buried under it when he dies.
The song is a poignant commentary on the longing for home and the bittersweet reality of life. The singer wants to connect with his past, but he can only do so in his imagination. The contrast between the dream and reality underscores the power of the imagination to provide solace and escape. However, it also acknowledges that reality is ultimately what we must face, even if it is harsh or unwelcome.
Line by Line Meaning
It's good to touch the green, green grass of home
The feeling of returning to one's hometown and seeing the familiar places and faces is comforting and calming.
The old home town looks the same
The town hasn't changed much, if at all, since the singer left it. Everything is familiar.
As I step down from the train
The singer has just arrived in town by train.
And there to meet me is my mamma and pappa
The singer's parents are waiting for him at the train station.
And down the road I look, and there runs Mary
The singer sees a familiar person named Mary running towards him.
Hair of gold and lips like cherries
Mary has beautiful golden hair and cherry-red lips.
Yes, they'll all come to meet me
The singer expects to be welcomed warmly by everyone in town.
Arms a-reaching, smiling sweetly
People will hug him and greet him with smiles on their faces.
The old house is still standing
The singer's childhood home is still there, although it has seen better days.
'Though the paint is cracked and dry
The house has not been well-maintained, and the exterior shows signs of wear and tear.
And there's that old oak tree
An oak tree that the singer used to play on is still standing in the yard.
That I used to play on
The singer has fond memories of playing on the old oak tree.
And down the lane I walk with my why sweet Mary
The singer takes a walk down the street with Mary.
Then I awake, and look around
The singer realizes that the previous scene was just a dream and he is not actually home.
At the grey walls that surround
The singer is in a prison, surrounded by grey walls.
And I realize that I was o-only dreaming
The singer is disappointed to realize that he was only dreaming about going home.
For there's a guard and a there's a sad old padre
The singer is accompanied by a guard and a priest in the prison.
Arm in arm we'll walk at daybreak
The singer will be escorted to his execution by the guard and the priest.
Again, I'll touch the green, green grass of home
The sweet memories of home and the green grass will be the last thing on his mind before he dies and is buried beneath the earth.
Yes, they'll all come to see me
Even in death, the singer believes that he will be reunited with his loved ones from home.
In the shade of that old oak tree
The singer hopes to find solace and comfort in the afterlife, beneath the shade of the old oak tree.
As they lay me 'neath the green, green grass of home
The singer will be laid to rest in his hometown, beneath the very same green grass that he dreamed of touching earlier in the song.
Lyrics © Divo TV Private Limited, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Curly Putman
Lyrics Licensed & Provided by LyricFind
Pondy Hsu
It's good to touch the green, green grass of home
The old home town looks the same
As I step down from the train
And there to meet me is my mamma and pappa
And down the road I look and there runs Mary
Hair of gold and lips like cherries
It's good to touch the green, green grass of home
Yes, they'll all come to meet me
Arms a-reaching, smiling sweetly
It's good to touch the green, green grass of home,
+++++++++++++
The old house is still standing
'Though the paint is cracked and dry
And there's that old oak tree
That I used to play on
And down the lane I walk with my sweet Mary
Hair of gold and lips like cherries
It's good to touch the green, green grass of home
Yes, they'll all come to meet me
Arms a-reaching, smiling sweetly
It's good to touch the green, green grass of home
+++++++++++
Then I awake and look around
At the grey walls that surround
And I realize that I was only dreaming
For there's a guard and a there's a sad old padre
Arm in arm we'll walk at daybreak
Again, I'll touch the green, green grass of home
Yes, they'll all come to see me
In the shade of that old oak tree
As they lay me 'neath the green, green grass of home.....
DIAMOND KIVU LIVE TV
The old hometown looks the same
As I step down from the train
And there to meet me is my mama and papa
Down the road I look and there runs Mary
Hair of gold and lips like cherries
It's good to touch the green, green grass of home
Yes, they'll all come to meet me
Arms reaching, smiling sweetly
It's good to touch the green, green grass of home
The old house is still standing
Though the paint is cracked and dry
And there's that old oak tree that I used to play on
Down the lane, I walk with my sweet Mary
Hair of gold and lips like cherries
It's good to touch the green, green grass of home
Then I awake and look around me
At four grey walls that surround me
And I realize, yes, I was only dreaming
For there's a guard and there's a sad, old padre
On and on, we'll walk at daybreak
Again, I'll touch the green, green grass of home
Yes, they'll all come to see me
In the shade of that old oak tree
As they lay me
'Neath the green, green grass of home
MARIE FRENCH
Great version Charley ,my daddy loved to sing this song ,I can remember as a kid .oh how I miss my daddy and now I am gonna miss you too Charley Pride
Sharon
A legend in his own time. I love his music always will. Saw him in the Astrodome way back in the day. Voice like an angel. ☝👼
shaun patrick
A legend in any time
LuvBorderCollies
Nice version of this song. Personally I like his voice better than all the others who covered it.
Lena Austin
You know you are right. Too bad it was controversial
William Linington
I agree, he owns this song.
Brian Lawrence
@Lone Ranger Not is this case ..
Lone Ranger
All originals are usually better than remakes.
Jean Parker
same here
Eugene Horner
One of the greatest country singer ever.