Charles Edward "Charlie" Haden (August 6, 1937 – July 11, 2014) was an Amer… Read Full Bio ↴Charles Edward "Charlie" Haden (August 6, 1937 – July 11, 2014) was an American jazz double bass player, known for his long association with saxophonist Ornette Coleman, pianist Keith Jarrett, and his Liberation Music Orchestra, a group he co-led with pianist Carla Bley.
Haden was born in Shenandoah, Iowa, and was raised on a farm. His family was exceptionally musical; they performed together frequently on the radio, playing country music and American folk songs as the Haden Family Band. Haden was musical from an early age, and made his professional debut as a singer, when he was two years old, on the Haden Family's radio show. He continued singing with his family until he contracted a bulbar form of polio around his throat and facial muscles when he was 15. The polio damaged his throat muscles and vocal cords, and as a result, Haden was unable to control his pitch while singing. At age 14, before he had contracted polio, Haden had become interested in jazz, and began playing his older brother's double bass. He developed this interest after he lost the ability to sing. Haden's interest in the instrument was not sparked by jazz bass alone, but by the classical bass he heard frequently on the radio. He was particularly fascinated by the bass he heard in compositions by Bach. Eventually he set his sights on Los Angeles, and to save money for the trip took a job as house bassist for ABC-TV's Ozark Jubilee in Springfield, Missouri.
Haden moved to Los Angeles in 1957 in search of pianist Hampton Hawes. He turned down a scholarship at Oberlin College, which did not have an established jazz program at the time, to attend Westlake College of Music in Los Angeles. His first recordings were made that year with Paul Bley, with whom he worked until 1959. He also played with Art Pepper for four weeks in 1957, and with Hampton Hawes from 1958-1959.
He began recording with Ornette Coleman shortly after, including the important The Shape of Jazz to Come. Haden's folk-influenced style complemented the microtonal, Texas blues elements of Coleman. In 1959, the Coleman Quartet moved to New York City and secured a residency at the Five Spot Café. This residency lasted six weeks, and represented the beginnings of free, or avant-garde jazz. The Ornette Coleman Quartet played everything by ear, as Haden explained: “At first when we were playing and improvising, we kind of followed the pattern of the song, sometimes. Then, when we got to New York, Ornette wasn’t playing on the song patterns, like the bridge and the interlude and stuff like that. He would just play. And that’s when I started just following him and playing the chord changes that he was playing: on-the-spot new chord structures made up according to how he felt at any given moment.” Haden’s narcotics addiction forced him to leave Coleman’s band in August, 1960. He went to rehabilitation in September, 1963 at Synanon houses in Santa Monica, California and San Francisco, California.
He resumed his career in 1964, working with John Handy and Danny Zeitlin’s trio, and performing with Archie Shepp in California and Europe. He also did freelance work from 1966 to 1967, performing with Henry “Red” Allen, Pee Wee Russell, Attila Zoller, Bobby Timmons, Tony Scott, and the Thad Jones—Mel Lewis Orchestra. He recorded with Roswell Rudd in 1966, and returned to Ornette Coleman’s group in 1967. This group remained active until the early 1970s. Haden was known for being able to follow the shifting directions and modulations of Coleman’s improvised lines skillfully.
Haden joined Keith Jarrett's trio and his 'American Quartet' from 1967 to 1976 with Paul Motian and Dewey Redman. The group also consisted of percussionist Guilherme Frano. He also played in the collective Old and New Dreams, which consisted of Don Cherry, Dewey Redman, and Ed Blackwell, who were members of Coleman’s band. These musicians believed they understood and could perform Coleman’s improvisational concept, and applied it to their work in this band, continuing to play Coleman’s music in addition to their own original compositions.
Haden went on to lead the Liberation Music Orchestra in the 1970s. Largely arranged by Carla Bley, their music was very experimental, exploring the realms of free jazz and political music at the same time; the first album focused specifically on the Spanish Civil War. Carla Bley’s arrangements underscore compositions by Antonín Dvořák, Samuel Barber, Bill Frisell, and Pat Metheny. They also quote lines from songs such as “Dixie,” “The Star Spangled Banner,” and “Battle Hymn of the Republic,” which the LMO intentionally satirized and portrayed ironically. The LMO has had a shifting membership comprising a "who's who" of jazz instrumentalists, and consisted of twelve members from multicultural backgrounds. Some of the members included Ahnee Sharon Freeman (French horn), Joe Daley (tuba), Michael Rodriguez (trumpet), Miguel Zenón (alto saxophone), Chris Cheek (tenor saxophone), Curtis Fowlkes (trombone), Steve Cardenas (guitar), and Matt Wilson (drums). Through Bley's arranging, they have concentrated on a wide palette of brass instruments, including tuba, French horn, and trombone, in addition to the more standard trumpet and reed section. The group won multiple awards in 1970, including France’s Grand Prix du Disque from the Académie Charles Cros, and Japan’s Gold Disc Award from Swing Journal.
In 1971, while on tour with the Ornette Coleman Quartet in Portugal (at the time under a fascist dictatorship), Haden decided to dedicate a performance of his "Song for Che" to the anticolonialist revolutionaries in the Portuguese colonies of Mozambique, Angola, and Guinea-Bissau. The following day, he was detained at Lisbon Airport, jailed, and interrogated by the DGS (the Portuguese secret police). He was promptly released the same day after the intervention of the American cultural attaché, though he was later interviewed by the FBI in the United States about his choice of dedication.
The LMO's 1982 album The Ballad of the Fallen commented again on the Spanish Civil War as well as the political instability and United States involvement in Latin America. Haden’s involvement with the LMO began at the height of the Vietnam War, out of his frustration that so much of the government’s energy was spent on the war (in which there were many fatalities), while so many internal problems in the United States (such as poverty, civil rights, mental illness, drug addiction, and unemployment), were neglected. Haden’s goal was to use the LMO to amplify unheard voices of oppressed people. He wanted to express his solidarity with progressive political movements from around the world by performing music that made a statement about how to initiate and celebrate liberating change. The LMO toured most extensively throughout the 1980s and 1990s. In 1990, the orchestra returned with Dream Keeper, a more heterogeneous album which drew on American gospel music and South African music to comment on politics in Latin America and apartheid in South Africa. The album featured choral contributions from the Oakland Youth Chorus. Haden performed with Carla Bley and the Jazz Composer’s Orchestra through the 1980s and 1990s as well. Following Dream Keeper, LMO released the album Not In Our Name. Unlike the previous albums, the material on Not In Our Name came solely from American composers, and was intended to convey a sense of patriotism towards the United States, while simultaneously stressing the necessity for political reform.
Thematic exploration of genres not typically considered to be jazz standards became one of the signature approaches of the "Quartet West". Started in 1987, the Quartet consists of Ernie Watts on sax, Alan Broadbent on piano, and Larance Marable on drums. Quartet West's albums feature lush, romantic arrangements by Broadbent, often with strings, of music from the 1930s and 1940s, often music associated with films of that period. Haden’s vision for Quartet West was the beginning of modernism in jazz. Their work combined forties pop ballads and originals by Haden or Alan Broadbent, and they played a noir infused, bop-oriented style. The group has been together for over twenty years and is one of the rare groups in jazz that has performed together for so long.
A brief collaboration with Joe Henderson and Al Foster, players not normally associated with Haden or his immediate circle, showcased Haden's playing in a more hard-driving jazz context. In 1982, Haden established the jazz studies program at California Institute of the Arts. His program emphasized smaller group performance and the spiritual connection to the creative process. He encouraged students to discover their individual sounds, melodies, and harmonies. Haden was honored by the Los Angeles Jazz Society as “Jazz Educator of the Year” for his educational work in this program. Haden’s students have included the tenor saxophonist Ravi Coltrane, the trumpeter Ralph Alessi, and the bassist Scott Colley.
In 1989, Haden was featured at the Montreal Jazz Festival, and performed in concert every night of the festival, with different combos and bands. Each of these events was recorded, and most have been released in the series The Montreal Tapes. In 1995, Haden released Steal Away: Spirituals, Hymns and Folk Song with pianist Hank Jones, an album based on traditional spirituals and folk songs. Haden both played on the album and produced it. In late 1996, he collaborated with Pat Metheny on the album Beyond the Missouri Sky (Short Stories), exploring the music that influenced them in their childhood experiences in Missouri with what they call "contemporary impressionistic Americana". Haden was awarded his first Grammy award for the album, for Best Jazz Instrumental Performance.
In 1997, classical composer Gavyn Bryars wrote an extended adagio for Charlie Haden. Instrumentation included strings, bass clarinet, and percussion. The piece was recorded with the English Chamber Orchestra on the album Farewell to Philosophy, and is a synthesis of jazz and classical chamber music, featuring resonant pizzicato notes and gut strings in imitation of Haden’s bass sound.
In 2001, Haden won the Latin Grammy Award for Best Latin Jazz CD for his album Nocturne, which contains boleros from Cuba and Mexico. In 2003 he won the Latin Grammy Award for Best Latin Jazz Performance for his album Land of the Sun. Haden reconvened the Liberation Music Orchestra in 2005, with largely new members, for the album Not In Our Name, released on Verve Records. The album dealt primarily with the contemporary political situation in the United States.
Haden's 2008 release, Rambling Boy, features several members of his immediate family, along with Béla Fleck, Pat Metheny, Elvis Costello, Rosanne Cash, Bruce Hornsby, and several others. The album consists his co-producer Ruth Cameron, and instrumentalists Haden, his wife Ruth Cameron, his four children (Petra, Rachel, Tanya, and Josh Haden), and his son-in-law Jack Black (each of whom have careers in music). The album, released on 23 September 2008, hearkens back to his days of playing Americana and bluegrass music with his parents on their radio show. The idea came to Haden when his wife Ruth Cameron gathered the Haden family together for his mother's 80th birthday, and they all sang "You Are My Sunshine" in the living room. This reunited Haden with an idea that was in his mind for a long time, and reminded him of his country and bluegrass roots. Rambling Boy was intended to connect music from his early childhood in the Haden family band to the new generation of the Haden family as well. The album includes songs made famous by the Stanley Brothers, the Carter Family, and Hank Williams, in addition to fabled traditional songs and original compositions. A concert tour with Quartet West (with a new drummer) took place in the late summer of 2008, the year the album was released.
In 2009, Swiss film director Reto Caduff released a film about Haden’s life, entitled Rambling Boy. It premiered at Telluride and Vancouver International Film Festivals festivals in 2009. In the summer of 2009, Haden performed many concert reunions with Ornette Coleman at the Meltdown Festival in Southbank, London. He also performed and produced duet recordings with Hank Jones on the album Steal Away, and with Kenny Baron on the album Kenny Baron Night and the City. In February 2010, Haden and Hank Jones recorded a companion to Steal Away: Spirituals, Hymns and Folk Songs called Come Sunday. Jones died three months after the recording of the album. In 2012, Haden was a recipient of the NEA Jazz Masters Award. The award was given to him and four other honorees at Lincoln Center in New York City.
While he did not orient himself with a specific religious orientation, Haden was interested in spirituality, especially in association with music. His teaching method relied heavily on spirituality. He believed that in order to establish an individual musical voice, one must first establish a spiritual posture. This physical and mental position will allow the individual to find their own unique musical voice and bring it to their instrument. He also encourages his students to enter a meditative state when they play, one in which they focus solely on the present moment: “there’s no yesterday or tomorrow, there’s only right now,” he claims. In order to find this state, and ultimately to find one’s spiritual self, Haden urged that one must have humility and respect for beauty; they must be thankful for the ability to make music, and to give back to the world with the music they create. He claimed that music taught him this process of exchange, so he teaches it to his students in return. Music, Haden believed, also teaches incredibly valuable lessons about life: "I learned at a very young age that music teaches you about life. When you're in the midst of improvisation, there is no yesterday and no tomorrow — there is just the moment that you are in. In that beautiful moment, you experience your true insignificance to the rest of the universe. It is then, and only then, that you can experience your true significance."
Haden viewed jazz as the “music of rebellion,” and felt it was his responsibility and mission to challenge the world through music, and through artistic risks that expressed his own individual artistic vision. He believed that all music originates from the same place, and because of this, he resisted the tendency to divide music into categories. He was democratic in his tastes and musical partners, and interested in musical collaboration with any individual who shares his views on music and life. His music (especially his music created with the LMO), was frequently political, and intended to help the oppressed find a voice, and ultimately improve the political state of the world around him. Haden spoke to this in reference to his 2002 album American Dreams, stating: “I always dreamed of a world without cruelty and greed, of a humanity with the same creative brilliance of our solar system, of an America worthy of the dreams of Martin Luther King, and the majesty of the Statue of Liberty...This music is dedicated to those who still dream of a society with compassion, deep creative intelligence, and a respect for the preciousness of life -- for our children, and for our future.”
Haden was known for his warm tone and subtle vibrato on the double bass, in addition to his lyrical playing. He focused on simplicity and melodic playing rather than intricate bass lines, or complicated, horn-like solos. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet; he frequently improvised melodic responses to Coleman’s free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.
Haden owned one three-quarter sized bass, and one seven-eighths sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs that are in close proximity to his home so he does not damage it in transit. He attributed the bass’s special and valuable nature to the varnish used by Villaume, which is similar to Italian varnish.
Haden suffered from tinnitus, a ringing in both ears that he believed he received from an extremely loud free jazz concert he played with tenor saxophonist Archie Shepp and trombonist Roswell Rudd in the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.
His son Josh Haden is a bass guitarist and singer. His triplet daughters, Petra, Tanya and Rachel Haden, are all musicians, collectively the Haden Triplets. Petra and Rachel were in that dog.; Petra was a member of progressive folk group The Decemberists, Rachel played in the rock band The Rentals, and Tanya is married to actor Jack Black.
Haden died in Los Angeles on July 11, 2014 after a prolonged illness.
Haden was born in Shenandoah, Iowa, and was raised on a farm. His family was exceptionally musical; they performed together frequently on the radio, playing country music and American folk songs as the Haden Family Band. Haden was musical from an early age, and made his professional debut as a singer, when he was two years old, on the Haden Family's radio show. He continued singing with his family until he contracted a bulbar form of polio around his throat and facial muscles when he was 15. The polio damaged his throat muscles and vocal cords, and as a result, Haden was unable to control his pitch while singing. At age 14, before he had contracted polio, Haden had become interested in jazz, and began playing his older brother's double bass. He developed this interest after he lost the ability to sing. Haden's interest in the instrument was not sparked by jazz bass alone, but by the classical bass he heard frequently on the radio. He was particularly fascinated by the bass he heard in compositions by Bach. Eventually he set his sights on Los Angeles, and to save money for the trip took a job as house bassist for ABC-TV's Ozark Jubilee in Springfield, Missouri.
Haden moved to Los Angeles in 1957 in search of pianist Hampton Hawes. He turned down a scholarship at Oberlin College, which did not have an established jazz program at the time, to attend Westlake College of Music in Los Angeles. His first recordings were made that year with Paul Bley, with whom he worked until 1959. He also played with Art Pepper for four weeks in 1957, and with Hampton Hawes from 1958-1959.
He began recording with Ornette Coleman shortly after, including the important The Shape of Jazz to Come. Haden's folk-influenced style complemented the microtonal, Texas blues elements of Coleman. In 1959, the Coleman Quartet moved to New York City and secured a residency at the Five Spot Café. This residency lasted six weeks, and represented the beginnings of free, or avant-garde jazz. The Ornette Coleman Quartet played everything by ear, as Haden explained: “At first when we were playing and improvising, we kind of followed the pattern of the song, sometimes. Then, when we got to New York, Ornette wasn’t playing on the song patterns, like the bridge and the interlude and stuff like that. He would just play. And that’s when I started just following him and playing the chord changes that he was playing: on-the-spot new chord structures made up according to how he felt at any given moment.” Haden’s narcotics addiction forced him to leave Coleman’s band in August, 1960. He went to rehabilitation in September, 1963 at Synanon houses in Santa Monica, California and San Francisco, California.
He resumed his career in 1964, working with John Handy and Danny Zeitlin’s trio, and performing with Archie Shepp in California and Europe. He also did freelance work from 1966 to 1967, performing with Henry “Red” Allen, Pee Wee Russell, Attila Zoller, Bobby Timmons, Tony Scott, and the Thad Jones—Mel Lewis Orchestra. He recorded with Roswell Rudd in 1966, and returned to Ornette Coleman’s group in 1967. This group remained active until the early 1970s. Haden was known for being able to follow the shifting directions and modulations of Coleman’s improvised lines skillfully.
Haden joined Keith Jarrett's trio and his 'American Quartet' from 1967 to 1976 with Paul Motian and Dewey Redman. The group also consisted of percussionist Guilherme Frano. He also played in the collective Old and New Dreams, which consisted of Don Cherry, Dewey Redman, and Ed Blackwell, who were members of Coleman’s band. These musicians believed they understood and could perform Coleman’s improvisational concept, and applied it to their work in this band, continuing to play Coleman’s music in addition to their own original compositions.
Haden went on to lead the Liberation Music Orchestra in the 1970s. Largely arranged by Carla Bley, their music was very experimental, exploring the realms of free jazz and political music at the same time; the first album focused specifically on the Spanish Civil War. Carla Bley’s arrangements underscore compositions by Antonín Dvořák, Samuel Barber, Bill Frisell, and Pat Metheny. They also quote lines from songs such as “Dixie,” “The Star Spangled Banner,” and “Battle Hymn of the Republic,” which the LMO intentionally satirized and portrayed ironically. The LMO has had a shifting membership comprising a "who's who" of jazz instrumentalists, and consisted of twelve members from multicultural backgrounds. Some of the members included Ahnee Sharon Freeman (French horn), Joe Daley (tuba), Michael Rodriguez (trumpet), Miguel Zenón (alto saxophone), Chris Cheek (tenor saxophone), Curtis Fowlkes (trombone), Steve Cardenas (guitar), and Matt Wilson (drums). Through Bley's arranging, they have concentrated on a wide palette of brass instruments, including tuba, French horn, and trombone, in addition to the more standard trumpet and reed section. The group won multiple awards in 1970, including France’s Grand Prix du Disque from the Académie Charles Cros, and Japan’s Gold Disc Award from Swing Journal.
In 1971, while on tour with the Ornette Coleman Quartet in Portugal (at the time under a fascist dictatorship), Haden decided to dedicate a performance of his "Song for Che" to the anticolonialist revolutionaries in the Portuguese colonies of Mozambique, Angola, and Guinea-Bissau. The following day, he was detained at Lisbon Airport, jailed, and interrogated by the DGS (the Portuguese secret police). He was promptly released the same day after the intervention of the American cultural attaché, though he was later interviewed by the FBI in the United States about his choice of dedication.
The LMO's 1982 album The Ballad of the Fallen commented again on the Spanish Civil War as well as the political instability and United States involvement in Latin America. Haden’s involvement with the LMO began at the height of the Vietnam War, out of his frustration that so much of the government’s energy was spent on the war (in which there were many fatalities), while so many internal problems in the United States (such as poverty, civil rights, mental illness, drug addiction, and unemployment), were neglected. Haden’s goal was to use the LMO to amplify unheard voices of oppressed people. He wanted to express his solidarity with progressive political movements from around the world by performing music that made a statement about how to initiate and celebrate liberating change. The LMO toured most extensively throughout the 1980s and 1990s. In 1990, the orchestra returned with Dream Keeper, a more heterogeneous album which drew on American gospel music and South African music to comment on politics in Latin America and apartheid in South Africa. The album featured choral contributions from the Oakland Youth Chorus. Haden performed with Carla Bley and the Jazz Composer’s Orchestra through the 1980s and 1990s as well. Following Dream Keeper, LMO released the album Not In Our Name. Unlike the previous albums, the material on Not In Our Name came solely from American composers, and was intended to convey a sense of patriotism towards the United States, while simultaneously stressing the necessity for political reform.
Thematic exploration of genres not typically considered to be jazz standards became one of the signature approaches of the "Quartet West". Started in 1987, the Quartet consists of Ernie Watts on sax, Alan Broadbent on piano, and Larance Marable on drums. Quartet West's albums feature lush, romantic arrangements by Broadbent, often with strings, of music from the 1930s and 1940s, often music associated with films of that period. Haden’s vision for Quartet West was the beginning of modernism in jazz. Their work combined forties pop ballads and originals by Haden or Alan Broadbent, and they played a noir infused, bop-oriented style. The group has been together for over twenty years and is one of the rare groups in jazz that has performed together for so long.
A brief collaboration with Joe Henderson and Al Foster, players not normally associated with Haden or his immediate circle, showcased Haden's playing in a more hard-driving jazz context. In 1982, Haden established the jazz studies program at California Institute of the Arts. His program emphasized smaller group performance and the spiritual connection to the creative process. He encouraged students to discover their individual sounds, melodies, and harmonies. Haden was honored by the Los Angeles Jazz Society as “Jazz Educator of the Year” for his educational work in this program. Haden’s students have included the tenor saxophonist Ravi Coltrane, the trumpeter Ralph Alessi, and the bassist Scott Colley.
In 1989, Haden was featured at the Montreal Jazz Festival, and performed in concert every night of the festival, with different combos and bands. Each of these events was recorded, and most have been released in the series The Montreal Tapes. In 1995, Haden released Steal Away: Spirituals, Hymns and Folk Song with pianist Hank Jones, an album based on traditional spirituals and folk songs. Haden both played on the album and produced it. In late 1996, he collaborated with Pat Metheny on the album Beyond the Missouri Sky (Short Stories), exploring the music that influenced them in their childhood experiences in Missouri with what they call "contemporary impressionistic Americana". Haden was awarded his first Grammy award for the album, for Best Jazz Instrumental Performance.
In 1997, classical composer Gavyn Bryars wrote an extended adagio for Charlie Haden. Instrumentation included strings, bass clarinet, and percussion. The piece was recorded with the English Chamber Orchestra on the album Farewell to Philosophy, and is a synthesis of jazz and classical chamber music, featuring resonant pizzicato notes and gut strings in imitation of Haden’s bass sound.
In 2001, Haden won the Latin Grammy Award for Best Latin Jazz CD for his album Nocturne, which contains boleros from Cuba and Mexico. In 2003 he won the Latin Grammy Award for Best Latin Jazz Performance for his album Land of the Sun. Haden reconvened the Liberation Music Orchestra in 2005, with largely new members, for the album Not In Our Name, released on Verve Records. The album dealt primarily with the contemporary political situation in the United States.
Haden's 2008 release, Rambling Boy, features several members of his immediate family, along with Béla Fleck, Pat Metheny, Elvis Costello, Rosanne Cash, Bruce Hornsby, and several others. The album consists his co-producer Ruth Cameron, and instrumentalists Haden, his wife Ruth Cameron, his four children (Petra, Rachel, Tanya, and Josh Haden), and his son-in-law Jack Black (each of whom have careers in music). The album, released on 23 September 2008, hearkens back to his days of playing Americana and bluegrass music with his parents on their radio show. The idea came to Haden when his wife Ruth Cameron gathered the Haden family together for his mother's 80th birthday, and they all sang "You Are My Sunshine" in the living room. This reunited Haden with an idea that was in his mind for a long time, and reminded him of his country and bluegrass roots. Rambling Boy was intended to connect music from his early childhood in the Haden family band to the new generation of the Haden family as well. The album includes songs made famous by the Stanley Brothers, the Carter Family, and Hank Williams, in addition to fabled traditional songs and original compositions. A concert tour with Quartet West (with a new drummer) took place in the late summer of 2008, the year the album was released.
In 2009, Swiss film director Reto Caduff released a film about Haden’s life, entitled Rambling Boy. It premiered at Telluride and Vancouver International Film Festivals festivals in 2009. In the summer of 2009, Haden performed many concert reunions with Ornette Coleman at the Meltdown Festival in Southbank, London. He also performed and produced duet recordings with Hank Jones on the album Steal Away, and with Kenny Baron on the album Kenny Baron Night and the City. In February 2010, Haden and Hank Jones recorded a companion to Steal Away: Spirituals, Hymns and Folk Songs called Come Sunday. Jones died three months after the recording of the album. In 2012, Haden was a recipient of the NEA Jazz Masters Award. The award was given to him and four other honorees at Lincoln Center in New York City.
While he did not orient himself with a specific religious orientation, Haden was interested in spirituality, especially in association with music. His teaching method relied heavily on spirituality. He believed that in order to establish an individual musical voice, one must first establish a spiritual posture. This physical and mental position will allow the individual to find their own unique musical voice and bring it to their instrument. He also encourages his students to enter a meditative state when they play, one in which they focus solely on the present moment: “there’s no yesterday or tomorrow, there’s only right now,” he claims. In order to find this state, and ultimately to find one’s spiritual self, Haden urged that one must have humility and respect for beauty; they must be thankful for the ability to make music, and to give back to the world with the music they create. He claimed that music taught him this process of exchange, so he teaches it to his students in return. Music, Haden believed, also teaches incredibly valuable lessons about life: "I learned at a very young age that music teaches you about life. When you're in the midst of improvisation, there is no yesterday and no tomorrow — there is just the moment that you are in. In that beautiful moment, you experience your true insignificance to the rest of the universe. It is then, and only then, that you can experience your true significance."
Haden viewed jazz as the “music of rebellion,” and felt it was his responsibility and mission to challenge the world through music, and through artistic risks that expressed his own individual artistic vision. He believed that all music originates from the same place, and because of this, he resisted the tendency to divide music into categories. He was democratic in his tastes and musical partners, and interested in musical collaboration with any individual who shares his views on music and life. His music (especially his music created with the LMO), was frequently political, and intended to help the oppressed find a voice, and ultimately improve the political state of the world around him. Haden spoke to this in reference to his 2002 album American Dreams, stating: “I always dreamed of a world without cruelty and greed, of a humanity with the same creative brilliance of our solar system, of an America worthy of the dreams of Martin Luther King, and the majesty of the Statue of Liberty...This music is dedicated to those who still dream of a society with compassion, deep creative intelligence, and a respect for the preciousness of life -- for our children, and for our future.”
Haden was known for his warm tone and subtle vibrato on the double bass, in addition to his lyrical playing. He focused on simplicity and melodic playing rather than intricate bass lines, or complicated, horn-like solos. His approach to the bass stemmed from his belief that the bassist should move from an accompanying role to a more direct role in group improvisation. This is particularly clear in his work with the Ornette Coleman Quartet; he frequently improvised melodic responses to Coleman’s free-form solos instead of playing previously written lines. He frequently closed his eyes while performing, and assumed a posture in which he bent himself around the bass until his head was almost at the bottom of the bridge of the bass.
Haden owned one three-quarter sized bass, and one seven-eighths sized bass. The larger bass is one of a small number of basses made by Jean-Baptiste Vuillaume, a French luthier, in the mid nineteenth century. He greatly valued this bass, playing it only at recording sessions and jobs that are in close proximity to his home so he does not damage it in transit. He attributed the bass’s special and valuable nature to the varnish used by Villaume, which is similar to Italian varnish.
Haden suffered from tinnitus, a ringing in both ears that he believed he received from an extremely loud free jazz concert he played with tenor saxophonist Archie Shepp and trombonist Roswell Rudd in the late 1960s. He also suffered from hyperacousis, or sensitivity to loud noises. As a result, when he played with a drummer, he had to play behind a Plexiglass divider.
His son Josh Haden is a bass guitarist and singer. His triplet daughters, Petra, Tanya and Rachel Haden, are all musicians, collectively the Haden Triplets. Petra and Rachel were in that dog.; Petra was a member of progressive folk group The Decemberists, Rachel played in the rock band The Rentals, and Tanya is married to actor Jack Black.
Haden died in Los Angeles on July 11, 2014 after a prolonged illness.
Anna
Charlie Haden Lyrics
We have lyrics for 'Anna' by these artists:
-AL- (يحكى أن (أن إيه (يحكى أن (أن إيه (أن جيشاً (جيشاً إيه (الجي…
2002 GR I will always remember The day you kissed my lips Light as…
A.K.A Gelbart Cammina come un campione Parla come un campione Diva per la …
Agua Bendita Siempre a la espera de una señal Desde tu mirada Buscando mi…
Al Stewart Anna, turns out the light Sits down alone The echo of his…
Alfian Anna ku kan bertanya Sebelum kau pergi Cintakah hatimu pada …
Alston I took the bus So I can take some time…
Alter E.G.O. Ils prétendent combattre le racisme Montrant en eux qu'il y …
Andrea Bonomo Anna vede lungo anche se ha occhiali spessi a fa…
Anna Oxa (R.Vecchioni - M.Lavezzi) Ricordi e nebbia dentro il cuor…
Anna Tatangelo Non dirmi devi stare calma Anna di far la guerra è…
Antje Duvekot Anna stares out of the window It's her eighty-fifth spring…
Apo Hiking Society I long to tell you How much I need you If I…
Art Sorority Anatomically Correct She used that body like a cashier's ch…
Arthur Alexander Anna You come an ask me, girl To set you free, girl You…
ATMO Music feat. Roseck Čau, to jsem já, Anna, čistá holka, která ti život…
Bad Company I got a sweet little angel and I love her…
BAP Do bess janz für mich do Su wie en Mann für…
Basshunter Jag kдnner en bott, hon heter Anna, Anna heter hon Och…
Beatles Anna You come and ask me, girl To set you free, girl You…
Blackie Swart Anna, sal jy by my bly? Anna, daar's niemand soos jy Anna,…
Blankass On peut parler à coeur fermé On peut se remettre à…
Bobby Kimball All I wanna do when I wake up in the…
Brian Setzer & The Tomcats Anna, You come and ask me, girl, To set you…
Butler Will Hey, little Anna, you're the one Rising before the lazy sun …
Camel Power Club It's late, Daddy just came home, so drunk, Who knows…
Caterina Valente Vacilei, ela pegou meu celular E descobriu que eu tinha uma…
Cende Anna Anna Its hard to find Find a way to get back Its hard…
Charlotte Gainsbourg Anna Take me back To the home Anna Once I knew It’s getting …
Claude King This old house is falling down the board is rotten…
Claude Nougaro Ca fait cent vingt jours Que je tourne autour D'une nuit…
Clouseau Anna, when I'm with you I can hardly hold my fire Anna,…
Clouseau - Close Encounters Anna, when I'm with you I can hardly hold my fire Anna,…
Colton Avery Midnight freeway Cold floor suit case I've got no time to wa…
Connie Francis Tengo gana de bailar el nuevo compass Dicen todos cuando me…
Creeping Weeds Anna, You come and ask me, girl, To set you…
CS-Jay Pensieri come nuvole, ah-ah, ye Il vento le allontana e poi,…
D-Pulse Anna dagli occhi panna Anna noi sulla Senna Un temporale est…
Daphné Anna un lit de roses autour de toi j'ai mis Un…
Davide Van De Sfroos Occhi come ghiaccio, bocca come gesso, mano sulla canna, di…
De Sfroos Occhi come ghiaccio, bocca come gesso Mano sulla canna, dito…
Desingly It's late, Daddy just came home, so drunk, Who knows…
Die Schröders Ehrlich das wird mir jetzt zu heiß hier und außerdem gefähr…
Doctor Ed & Friends When I met Anna, she could charm But I, myself impregnable …
ElisaDay When I was a little child, My mommy said to me If…
Ellery She was falling asleep with the light on, waiting With her…
F.M. Academia Quand tu danses toute la nuit Tu t'attires des ennuis Tu jou…
Feu! Chatterton Je n'ai pas vu les fontanelles Mais Anna toute nue à…
Fish Fingers Klockan är mycket, det är dags att ge sig av Jag…
Fokko Sinds je chagrijnig naar me zweeg Hangend aan de bar Boos …
Francesco Renga Anna Qualcosa di te Resta In modo indelebile Sento Qual…
Francesco-c Anna che piange e lui, Luca non ride più Era già…
Frank Ciampi Through the hills up to the clouds you'd See us holding…
Freundeskreis Immer wenn es regnet muss ich an dich denken Wie wir…
Freundeskreis feat. Donato Wharton Immer wenn es regnet, muss ich an dich denken Wie wir…
gainsbourg charlotte Anna Take me back To the home Anna Once I knew It’s getting …
George Martin Anna, You come and ask me, girl, To set you…
Gerrie Pretorius O Anna ek weet dat daar baie manne is Maar nie…
Glykeria Λεσ και τ' αρώματα Ξάφνου αποκτήσαν σώματα Και γίναν όλα ένα…
Goldjungs Als ich sie zum ersten Mal sah Da war mir eines…
Grupo Pegasso Ana Escucha Lo Que Digo No Dejes A Tu Amigo Si Lo Haces…
Hank Locklin Anna stand beside me lift your eyes to the window…
Harry Styles I don't know where you're layin' Just know it's not with…
Harvey Andrews Anna, my love, it′s time now I'm sure There, hear the…
Heavy Bones It was just another day, She woke up and looked out…
Helge Borglund Jeg var ung og forelsket i en pike Hun min Anna…
Hello Saferide You know, we could have had a daughter. And we…
Herbert Grönemeyer Anna, es fällt mir furchtbar schwer Alle Beschreibungen wirk…
Humble Pie Well, now Anna You come and ask me, girl To set you…
i.am.orange Everyone I know All wrapping six-foot rope Around their tire…
I/O Chyea, yeah, yeah, yeah, come on I wanna know will you…
Ikke Hüftgold Anna Anna Anna Bitte einmal rückwärts! Anna Anna Anna Du …
India Martínez Ahh, desde el dia de tu partida Cada noche despierto sin…
Inger Lise Rypdal Anna du går med en rose i ditt hår Er det…
J.K. The Reaper Cammina come un campione Parla come un campione Diva per la …
Jamaican Queens Is it useless i don't know if it hurts you let it go i…
Jaurim 안나, 우리가 함께였던 천일의 날들은 계속 내 심장 속에 아로새겨져 있다가 네가…
Jim All the guys that follow you around are trying to catch…
Johanna When powers of a weird land would take yours along,…
John Martyn She came to me so young and free And put her…
Johnny Gomez & Orchestra I varandets rena och klara vi vara Vi vandrar dit vi…
Jonathan Eng A perfect snowflake Our needle in the hay A four-leaf clover…
Joshua Kim Father forgive me for I have sinned Cause I hung up…
Jupiter One The last one was like a distant sun He had you…
Justin Townes-Earle Found her walking in the rain down on fatherland street. I c…
K.U.K.L. Scatters from a bigger hole Looking, knowing Never the less …
Keith Kouna Dans ma garçonnière Tu débarques et brusques mes ombres Comm…
KIM? Father forgive me for I have sinned Cause I hung up…
Konstantin Wecker Wenn mia die andern Von ihrer Oidn verzähln Dann muass I lac…
Kostas Bigalis Άννα ήρθα και φεύγω με τα χέρια άδεια Άννα και είχα…
KUKL Scatters from a bigger hole Looking, knowing Never the les…
L'or Lemba Mbongo Lokola anna na tempelo na silo abelelaki oyo akela ye…
L. A. Workshop with New Yorker You, you, you, you You, you, you, you You, you, you, you,…
Lady of the Sunshine Came to this life in a different sort of way Nobody…
Lalla Hansson Stack iväg från ingenting Sökte mej ett mål Klädd i skjorta …
Lavrentis Machairitsas Που να βρίσκεσαι που Σε γυρεύω παντού Το άρωμά σου είναι εδώ…
Le Jardin Where will we be going I don’t know I don’t mind Because I’m…
Leevi and the Leavings Anna, et saa haaveistasi tehdä vankilaa. Anna, tuskin yksinä…
Liberato Capodichino airport Vint'ore 'e volo pe'tté Fino a Hong Kong…
Lisa Maxwell Oh Anna, I bet you feel so bad today You never…
Liselore Gerritsen Anna lachte bloemen uit de grond Anna, die zong vlinders uit…
Logan Taylor Swimming in the ocean Whispering my name Be careful before t…
Lord Esperanza Elle ride sans cesse la cocaïne énerve Anna Elle ingurgite d…
Los Panchos (Ya viene el negro zumbón) (Bailando alegre el baiao) Repica…
Lucio Battisti Hai ragione anche tu Cosa voglio di più Un lavoro io l'ho …
Lucky hai ragione anche tu cosa voglio di più un lavoro io l'ho un…
Lunar Vacation She wanted to go and swim in the pink pools…
Marina Barone Anna che non crede a niente Perché su niente si può…
Mark Diamond You live right down the road I suppose I picture a yellow…
Marvin Gaye This is Anna's song I'm making love all night long Take a…
Mati And Anna's walking home She takes the last bus before the…
Matthew Fisher Fisher Anna says it's only for a while I say I…
Michael W. Smith Jack is in the corner The dish is with the spoon The…
Michele Zarrillo Anna dai Anna dai ma non ti ricordi più Mi scrivevi…
Miguel Bosé (Verse 1) Strolling up the avenue Down in Hollywood…
Mr. Shammi Putting work to the moment I swear this shit never…
MXMS Un, deux, trois Choke my throat with the blood of the…
N.Y.P.D. 南洋派對 Chyea, yeah, yeah, yeah, come on I wanna know will you…
Nalepa & Breakout Nie mów nic proszę cię No bo co można rzec W takiej…
Nicolas Peyrac Dehors : Amsterdam, le canal, le ciel Les gens qui passent…
Nora Istrefi Oh Anna, oh no no Anna Dashnine tem ti mos e…
Nougaro Claude Ca fait cent vingt jours Que je tourne autour D'une nuit…
Olta Boka Pse duhej ta shikoja As vetes si besoja Druhem te ta them…
P.S. I Love You Chyea, yeah, yeah, yeah, come on I wanna know will you…
Pam Pam Ida Langsam is schneller, ois ma denkt. Eiskoid und trotzdem hob…
Patrick Stefan Wish I told you how much You mean to me Wish I…
Paulsrekorder Zusammen in einem Raum, allein das setzt mich unter Strom, …
Pierre Perret Un coup de bec d'oiseau sur une cerise C'est ce que…
Pink Martini Ya viene el negro zumbon Bailando alegre el baion Repica la …
Pink Martini(핑크 마티니) Ya viene el negro zumbon Bailando alegre el baion Repica l…
Pogo Beautiful and - Beautiful and - Beautiful and - Beautiful…
Pure Anna is in a natural pose hardest one to hold but she…
Radiofiera Anna ha gli occhi grandi come il mare Un figlio di…
RAF Camora (Mhh) (Mhh, mhh) Trag' dein Bild an meiner Kette Anna (Anna…
Ransom and the Subset She gets there, early to stand in the front, glitter…
Refractions Sunlight floats through the window, the light Casts a shadow…
Robodrom Dwa czerwone maki szczurzy trup Liście ostrokrzewu kwiaty bz…
Roffe Ruff Skaka apan från din rygg baby Men jag minns inte, när…
Roy Paci & Aretuska Anna,ti sento,a tò voci iè cà, Dimmillu tu,che cosa su tutt…
S.L.V. G.H.G. Anna, Today I walked to the lookout Think I could have seen…
S1 Snälla Anna jag ber dig Jag vill ha dig hos mig Det…
Samurai Jay Pensieri come nuvole, ah-ah, ye Il vento le allontana e poi,…
Santogold My name is Anne, I got a plan I may lack…
Serge Gainsbourg & Anna Karina Un jour comme un autre Où je reste seule avec moi Pourquoi…
Sharkey & K-Complex Cammina come un campione Parla come un campione Diva per la …
Silvana Mangano Hay! Tengo ganas de bailar Un nuevo compas Dicen todos cuand…
Silver R.I.S.C あんなに一緒だったのに 夕暮れはもう違う色 ありふれた優しさは君を遠ざけるだけ 冷たく切り捨てた心は彷徨うばかり そん…
songs and random things Even in the start You're not messing with my heart Cruising …
Sotis Volanis Έμαθα μόνο τ' όνομα σου Άννα με τα ξανθά μαλλιά Όλα τα…
Stael Anna, t’attends la prochaine crise Y’a la machine devant toi…
Stamatis Gonidis Άννα είσαι μια φωτιά μέσα στην καρδιά Που δεν λέει να…
Stan Borys w takiej chwili? nie mow, ze wrocisz tu, ze odchodzisz na…
Stan Borys i Blackout Nie mów nic proszę Cię No bo co można rzec W takiej…
Stanley Clarke Anna anna anna…
Stelios Rokkos Μόνος εδώ να προσπαθώ Απ' το μηδέν να κρατηθώ Μόνος εδώ κι…
Stone Sour Tell me again why you're running away Do you need me? Nobody…
Taken by Trees Anna, I had way too much tonight. You know, we better…
Teddy & The Twilights I’ll write an album for you someday my darling I’ll write…
Téléphone Anna, je n'comprends rien du tout Anna, c'est une histoire …
Telephone Anna, Je n'comprends rien du tout Anna C'est une histoire de…
The Beatles Anna You come and ask me, girl To set you free, girl You…
The Beatlesᄁ Anna, You come and ask me, girl, To set you free, girl, Y…
The Beatles᠀ Anna You come and ask me, girl To set you free, girl You…
The Beatles䀀 Anna, You come and ask me, girl, To set you free, girl, You…
The Beatles䤀 Anna You come and ask me, girl To set you free, girl You…
The Beatlesꀀ Anna, You come and ask me, girl, To set you free, girl, You…
the beatles Anna You come and ask me, girl To set you free, girl You…
The Beats Anna You come and ask me, girl To set you free, girl You…
The Browns In un mondo di schiavi Frà no non ho le chiavi Dipendenti…
The Clebanoff Strings and Orchestra I varandets rena och klara vi vara Vi vandrar dit vi…
The Co-Dependents Anna, You come and ask me, girl, To set you…
The Cribs Anna, do you ever wonder Why I'm here, sitting with all…
The Free Whoo-o-oh wont you come on home? Come on back to me. oh…
The Jab Anna, se vuole Porta l'amore Sa di essere un'eccezione Lei s…
The Jesus Lizard Anna Berta Carla Dieter Peter Letmeinletmeout Letmeinletmeou…
The Menzingers I've memorized every single moment Every fleeting passage of…
The Tams Anna, You come and ask me, girl, To set you…
Through your Eyes I blacked out again And woke up alone In a place that’s…
TOCHTER Sie wirft fast keinen Schatten Trägt kaum Licht in ihrem Bli…
Tom Verlaine The passion of Anna Kept her awake But not aware of things T…
Top Suzara I long to tell you How much I need you If I…
Toto E voglio proprio vedere (Anna) Fino a che punto mi violenti…
Triada Klan & Faktor-2 Skin is flawless Something like a goddess Everything you see…
Trio Anna Anna - oh Anna Berta Berta - oh Berta Carla Carla …
Tveth [Verse 1] Кей-кей-кей-кей-кей-кей-кома Ноотропы С виду я все…
Tyrants in Therapy Anna, You come and ask me, girl, To set you…
Tйlйphone Anna, Je n'comprends rien du tout Anna C'est une histoire…
Valeriy Obodzinskiy Твоё письмо читаю я Боль затая И обжигают меня Строчки сильн…
Vixy & Tony Oh, Anna Bella Browna Boo Can I have this dance with…
Will Butler Hey, little Anna, you're the one Rising before the lazy sun …
Willy Dente de Ouro I met this girl in my old prom her eyes were…
周启生 紫色的天空 淡灰的海角 有一个浪漫爱情故事 在这静夜时 痴心的主角 继续继续高呼你 Anna 天天想你 我的眼泪 未能收…
野崎良太 (a.k.a.Jazztronik) Cammina come un campione Parla come un campione Diva per la …
자우림 안나, 우리가 함께였던 천일의 날들은 계속 내 심장 속에 아로새겨져 있다가 네가…
We have lyrics for these tracks by Charlie Haden:
20/20 Vision I been to the doctor he says I'm all right I…
A Tramp On The Street Only a tramp was Lazarus that day He who lay down…
A Voice From On High I hear a voice callin' It must be our Lord It's comin'…
All the Way When somebody loves you It's no good unless he loves you,…
Blessed Assurance Blessed assurance, Jesus is mine! Oh, what a foretaste of gl…
Body & Soul My heart is sad and lonely For you I sigh, for…
Body And Soul My heart is sad and lonely For you I sigh, for…
Bringing In The Sheaves Sowing in the morning, sowing seeds of kindness, Sowing in t…
Chairman Mao An early photograph Of the young braid with the confident gr…
Come Sunday Ooh Lord, dear Lord above, God almighty, God of love, pl…
Danny Boy Oh, Danny boy, the pipes, the pipes are calling From glen…
Deep River Deep River, My home is over Jordan. Deep River Lord. I want …
Down By The Riverside Gonna lay down my sword and shield Down by the riverside Dow…
Down By The Salley Gardens Down by the Salley Gardens My love and I did meet. She…
Ev'ry Time We Say Goodbye Every time we say goodbye, I die a little Every time…
Everything Happens to Me I make a date for golf, and you can bet…
Evry Time We Say Goodbye Every time we say goodbye, I die a little Every time…
Give Me That Old Time Religion [Chorus] Give me that old time religion Give me that old tim…
God Rest Ye Merry Gentlemen God rest you merry, gentlemen, Let nothing you dismay, Rem…
Going Home Goin' home (goin' home, goin' home) Goin' home (goin' home, …
He's Gone Away I'm goin' away for to stay a little while, But I'm…
I I may get along, when love is gone Still, you made…
If... If I'm lucky, You will tell me that you care, That we'll…
It Came Upon The Midnight Clear It came upon the midnight clear, That glorious song of old, …
It Might Be You Time, I've been passing time Watching trains go by. All of m…
My Foolish Heart The night is like a lovely tune Beware my foolish heart How…
My Funny Valentine Your my funny Valentine, sweet comic Valentine, You make me…
My Love and I I fall in love too easily, I fall in love…
Nearer My God To Thee Nearer, my God, to Thee, nearer to Thee! E'en though it…
Nostalgia Es la nostalgia De fin de siglo Y se vuelven…
Ocean Of Diamonds Some people drink champagne out under the stars While other…
Oh Take Me Back Woke up this morning and I could not keep from…
Old Joe Clark Old Joe Clark, the preacher's son Preached all over the pla…
Polka Dots and Moonbeams A country dance was being held in a garden I felt…
Rambling Boy I was raised but a rambling boy Too many a city…
Shenandoah Oh, Shenandoah, I long to hear you Look away, you rollin'…
Song of the United Front Eres Dios sin principio Creador infinito Tú nos viste aquí C…
Speak Low Speak low when you speak, love, Our summer day withers away …
Spiritual Jesus I don't wanna die alone Jesus oh Jesus I don't wann…
Sweet Hour Of Prayer Sweet hour of prayer! sweet hour of prayer! That calls me…
Take My Hand Precious Lord Precious Lord, take my hand Lead me on, Let me stand I'm …
The Fields Of Athenry By a lonely prison wall, I heard a young girl calling: "Mich…
Were You There When They Crucified My Lord Were you there when they crucified my Lord? Were you there…
wildwood flower Oh, I'll twine with my mingles and waving black hair With…
Yo sin Ti Cada vez, que estoy a solas Triste estoy y me doy…
You Don't Know What Love Is You don't know what love is 'Til you've learned the meaning…
You Win Again The news is out all over town That you've been seen…
Young And Foolish Young and foolish, why is it wrong to be Young and…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Jo Black
Chi potrà mai scordarsi di Charlie Hayden.
Sarai sempre nei nostri ♥️ (RIP)
Grazie Antonio o meglio A xx
Antonis Stanitsopoulos
wonderful performance !thanks Antonio ! thanks Charlie !
Antonio Forcione
Antonis Stanitsopoulos thank you 🙏
youtubewatcher
this tune gives me goosebumps every time I listen to it.
Antonio Forcione
+youtubewatcher I take that as a great compliment! Thank you
Rosabell Soberanes
Beautiful
Antonio Forcione
Thank you
Maria Jose Aranda
This is soooooo beautiful Thank you!
Antonio Forcione
Thank you Maria Jose
blueguitar1958
That's what I call soul music. Thanks Mr. Forcione & Mr. Haden