Charles Christopher "Bird" Parker, Jr (29th August 1920 – 12th March 1955) … Read Full Bio ↴Charles Christopher "Bird" Parker, Jr (29th August 1920 – 12th March 1955) was a U.S. bebop saxophonist and composer. Early in his career Parker was dubbed Yardbird; this was later shortened to "Bird" (or sometimes "Yard") and remained Parker's nickname for the rest of his life, and inspiration for the titles of his works such as "Ornithology and Yardbird suite".
Parker is commonly considered the greatest bebop jazz musician. In terms of influence and impact, his contribution to jazz was so great that Charles Mingus commented that if Bird were alive today, he would think he was living in a hall of mirrors. Bird's talent is compared almost without argument to such legendary musicians as Louis Armstrong and Duke Ellington, and his reputation and legend as one of the best saxophonists is such that some critics say he was unsurpassed.
A founding figure of bebop, Parker's innovative approach to melody, rhythm and harmony have exerted an incalculable influence on jazz.. Several of Parker's songs have become standards of the repertoire, and innumerable musicians have studied Parker's music and absorbed elements of his style.
Parker became an icon for the Beat generation, and was a pivotal figure in the evolving conception of the jazz musician as an uncompromising artist and intellectual, rather than just a popular entertainer. At various times, Parker fused jazz with other musical styles, from classical (seeking to study with Edgard Varese and Stefan Wolpe) to Latin music (recordings with Machito), blazing paths followed later by others.
Parker was known for often showing up to performances without an instrument and borrowing someone else's at the last moment. At more than one venue he played on a plastic Grafton saxophone; later, saxophonist Ornette Coleman used this brand of plastic sax in his early career. On one particular occasion before a concert in Toronto, Canada, he had sold his saxophone to buy drugs, and at the last minute, he, Dizzy Gillespie and other members of Charlie's entourage went running around Toronto trying to find a saxophone. After scouring all the downtown pawnshops open at the time, they were only able to find a Grafton, which Parker proceeded to use at the concert that night. This concert is documented on the album Jazz at Massey Hall. The album is considered one of the greatest live recordings in Jazz history.
Parker's battles with alcoholism and heroin addiction ranged from his teenage years until his death from pneumonia and a bleeding ulcer at thirty-four. The toll that the drug had taken on his relatively young body was quite profound - a doctor examining Parker's body estimated him to be around sixty years old.
During his lifetime, tribute was paid to Parker when a new nightclub in New York was named Birdland in his honour in 1949.Three years later, George Shearing wrote "Lullaby of Birdland", which was named for both Parker and the nightclub.
Other phenomena also occurred in the United States after the death of Parker, particularly the use of the term "Bird lives" in graffiti throughout New York hours after his death, and later as the title of a contemporary art piece of the same name, created by sculptor Robert Graham in 1999. Despite its widespread use, Ted Joans is usually credited with its inception.
Parker is commonly considered the greatest bebop jazz musician. In terms of influence and impact, his contribution to jazz was so great that Charles Mingus commented that if Bird were alive today, he would think he was living in a hall of mirrors. Bird's talent is compared almost without argument to such legendary musicians as Louis Armstrong and Duke Ellington, and his reputation and legend as one of the best saxophonists is such that some critics say he was unsurpassed.
A founding figure of bebop, Parker's innovative approach to melody, rhythm and harmony have exerted an incalculable influence on jazz.. Several of Parker's songs have become standards of the repertoire, and innumerable musicians have studied Parker's music and absorbed elements of his style.
Parker became an icon for the Beat generation, and was a pivotal figure in the evolving conception of the jazz musician as an uncompromising artist and intellectual, rather than just a popular entertainer. At various times, Parker fused jazz with other musical styles, from classical (seeking to study with Edgard Varese and Stefan Wolpe) to Latin music (recordings with Machito), blazing paths followed later by others.
Parker was known for often showing up to performances without an instrument and borrowing someone else's at the last moment. At more than one venue he played on a plastic Grafton saxophone; later, saxophonist Ornette Coleman used this brand of plastic sax in his early career. On one particular occasion before a concert in Toronto, Canada, he had sold his saxophone to buy drugs, and at the last minute, he, Dizzy Gillespie and other members of Charlie's entourage went running around Toronto trying to find a saxophone. After scouring all the downtown pawnshops open at the time, they were only able to find a Grafton, which Parker proceeded to use at the concert that night. This concert is documented on the album Jazz at Massey Hall. The album is considered one of the greatest live recordings in Jazz history.
Parker's battles with alcoholism and heroin addiction ranged from his teenage years until his death from pneumonia and a bleeding ulcer at thirty-four. The toll that the drug had taken on his relatively young body was quite profound - a doctor examining Parker's body estimated him to be around sixty years old.
During his lifetime, tribute was paid to Parker when a new nightclub in New York was named Birdland in his honour in 1949.Three years later, George Shearing wrote "Lullaby of Birdland", which was named for both Parker and the nightclub.
Other phenomena also occurred in the United States after the death of Parker, particularly the use of the term "Bird lives" in graffiti throughout New York hours after his death, and later as the title of a contemporary art piece of the same name, created by sculptor Robert Graham in 1999. Despite its widespread use, Ted Joans is usually credited with its inception.
Bird Gets The Worm
Charlie Parker Lyrics
We have lyrics for these tracks by Charlie Parker:
11. I've Got You Under My Skin I've got you under my skin. I've got you deep in…
52nd St. Theme Star eyes, That to me is what your eyes are, Soft as…
52nd Street Them Star eyes, That to me is what your eyes are, Soft as…
52nd Street Theme It's Charlie Puth bitch Uh Let me tell ya about 6 youngs…
A Night in Tunisia (2000 Remastered Version) Charlie Parker - Alto Saxophone Miles Davis - Trumpet Lucky …
After You Now won't you listen honey, while I say, How could…
After You've Gone - Live (1946/Philharmonic Auditorium, Los Angeles) Now won't you listen honey, while I say, How could you…
All Of Me You changed me and the way I felt about men I…
All The Things You Are You are the promised kiss of springtime That makes the lone…
Au Privave David Hasselhoff Miscellaneous Au Ciel, Une Etoile ... Comm′…
Autumn In New York You know the feeling of something half remembered Of someth…
Back Home Blues Everyone knows him as Old Folks Like the seasons, he'll com…
Bebop We at the Downtown Cabinay, right across the street from…
Begin the Beguine When they begin the beguine It brings back the sound of…
Billie's Bounce duh duh duh duh duh duh duh duh duh duh duh duh…
Bloomdido Flaming Lips Miscellaneous Charlie Manson Blues The seance h…
Blues Blue moon you saw me standing alone Without a dream in…
Blues - Fast (Remastered) Blues The Ink Spots This is a rather obscure song. Can't de…
Body & Soul My heart is sad and lonely For you I sigh, for…
Charlie Somewhere there's music How faint the tune Somewhere there…
Cherokee Sweet Indian maiden, since first I met you, I can't…
Cole Porter / I've Got You Under My Skin I've got you under my skin. I've got you deep in…
Cool Blues 널 처음 만났던 그때를 기억해 난 한눈에 알수있었지 내 마음이…
Coquette Hear me, why you keep fooling Little coquette, making fun o…
Dancing In The Night In the still of the night As I gaze out of…
Dewey Square Hh the best customer service red lpossible Participating in …
Dexterity Pt. 2 Listen to my tale of woe, It's terribly sad but…
Don Ever since the lucky night I found you I've hung around…
East of the Sun East of the sun and west of the moon We'll build…
Easy to Love I know too well that I'm just wasting precious time In…
Easy To Love ) I know too well that I'm just wasting precious time In…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Everything Happens to Me Black cats creep across my path Until I'm almost mad I must…
Fifty-Second Street Theme Star eyes, That to me is what your eyes are, Soft as…
Fine & Dandy Please forgive this platitude But I like your attitude You a…
Flyin We're sitting out here on the runway Waiting for the plane…
Get A Kick Out Of You I get no kick from champagne, Mere alcohol, Doesn't thrill…
Get Happy Pack up your troubles and just get happy Ya better…
Home Cookin' II Everyone knows him as Old Folks Like the seasons, he'll com…
Hot House / What Is This Thing Called Love I was a hum-drum person Leading a life apart When love flew…
How Deep is the Ocean How much do I love you? I'll tell you no lie How…
How High The Moon Somewhere there's music How faint the tune Somewhere there's…
I Can I can't pretend I'm sorry we're apart I can't pretend I just…
I Can't Believe That You're In Love With Me Yesterday you came my way, And when you smiled at me, In…
I Can't Get Started I've been around the world in a plane Settled revolutions in…
I Can't Get Started - Live (1946/Philharmonic Auditorium, Los Angeles) Rolling Stones Out Of Our Heads (I Can't Get No) Satisfactio…
I Can’t Get Started I've been around the world in a plane Settled revolutions in…
I Cover The Waterfront I cover the waterfront, I'm watching the sea,, Will the one …
I Didn Once I was young Yesterday, perhaps Danced with Jim and Pa…
I Didn't Know What Time It Was I've been around the world in a plane Settled revolutions i…
I Get A Kick Out Of You I get no kick from champagne, Mere alcohol, Doesn't thrill…
I Got Rhythm I got rhythm....I got music....I got my gal Who can ask…
I May be Wrong I may be wrong but I think you're wonderful I may…
I Remember April This lovely day will lengthen into evening We'll sigh goodby…
I Surrender Dear Pride, sad, splendid liar, Sworn enemy of love Kept my…
I'll Remeber April This lovely day will lengthen into evening We'll sigh goodb…
I'll Remember April This lovely day will lengthen into evening We'll sigh goodby…
I'm in the Mood Foor Love I'm in the mood for love Simply because you're near me. Funn…
I've Got Rhythm I've got you under my skin. I've got you deep in…
I've Got You Under My Skin I've got you under my skin. I've got you deep in…
If I Had You I could show the world how to smile I could be…
If I Love Again I often wonder why he came to me Brought such a…
In the Still of the Night In the still of the night As I gaze out of…
I’m In The Mood For Love I'm in the mood for love Simply because you're near me. Funn…
Just Friend Just friends, lovers no more Just friends, but not like befo…
Just You Just Me Just you, just me Let's find a cozy spot To cuddle and…
Koko สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
Lady Be Good Listen to my tale of woe, It's terribly sad but…
Laura You know the feeling of something half remembered Of somethi…
Lemon Drop scatting…
Liza Liza, Liza, skies are gray But if you smile on me,…
Love for Sale I'm in the mood for love Simply because you're near me. Funn…
Lover Come Back to Me You went away I let you We broke the ties that bind I…
Loverman Loverman I don't know why but I'm feeling so sad I long…
Lullaby in Rythym 1 & 2 [Instrumental]…
Lullaby of Birdland Lullaby of Birdland, that's what I Always hear when you…
May Be Wrong I may be wrong but I think you're wonderful I may…
Mean to Me You're mean to me Why must you be mean to me? Gee,…
Merry Go-Round 目と目があえば すぐに (メリー ゴー ラン! ゴー! メリー ゴー ラン!) あなたのその くじさに (メリー ゴー …
Moose the Mooche Charlie Parker - Alto Sax Miles Davis - Trumpet Lucky Thomps…
Moose The Mooche Into 52nd Street Theme I know too well that I'm just wasting precious time In…
My Heart Belongs to Daddy While tearing off a game of golf I may make a…
My Melancholy Baby ... Volver a verte la cara ciudad despintada, no tengo opció…
My Old Flame My old flame, I can't even think of his name…
Night in Tunesia In the still of the night As I gaze out of…
No Noise Parts 1 & 2 [Instrumental]…
Now Why don't you come over 'bout a quarter to nine Bring…
Oh Lady Be Good Listen to my tale of woe, It's terribly sad but…
Old Folks Everyone knows him as Old Folks Like the seasons, he'll com…
Ornithology A Somewhere there's music How faint the tune Somewhere there…
Ornithology Pt. 2 Listen to my tale of woe, It's terribly sad but…
Out of Nowhere [INSTRUMENTAL]…
Parker's Mood Se te olvido, todo el cariño que conmigo compartías Se te…
Perdido Perdido, I look for my heart It`s perdido I lost it way d…
Red Cross สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
Romance Without Finance Romance without finance is a nuisance (but definitely) Baby,…
Round Midnight I gotta have you now, it's not an option You're taking…
Salt Peanuts These lil', lil' fuckin' Martians You gotta love em' though…
Song is You I hear music when I look at you, A beautiful theme…
St. Louis Mood I hate to see that evening sun go down I hate…
Star Eye Star eyes, That to me is what your eyes are, Soft as…
Star Eyes Star eyes, That to me is what your eyes are, Soft as…
Star Eyes / 52nd Street Theme Star eyes, That to me is what your eyes are, Soft as…
Summertime It's summertime and the living is easy Fish are jumping and…
Take Five I get no kick from champagne, Mere alcohol, Doesn't thrill…
Tea for Two Picture you upon my knee Just tea for two And two for…
Temptation You came, I was alone I should have known you were…
The Hymn Pt. 1 Listen to my tale of woe, It's terribly sad but…
The Nearness of You Its not the pale moon that excites me That thrills and…
The Song Is You I hear music when I look at you, A beautiful theme…
Theme Star eyes, That to me is what your eyes are, Soft as…
There I'd like to get away, Junior Somewhere alone with you It cou…
These Foolish Things Oh! Will you never let me be? Oh! Will you never…
These Foolish Things Remind Me of You Oh! Will you never let me be? Oh! Will you never…
This Is Always This isn't sometimes, this is always. This isn't maybe, this…
This Time The Dream Somewhere, someday Well be close together, wait and see Oh…
Tiger Rag Where's that tiger! Where's that tiger! Where's that tiger! …
Warming Up a Riff สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
What Is This Thing Called Love I was a hum-drum person Leading a life apart When love flew…
What Is This Thing Called Love? ) I was a hum-drum person Leading a life apart When love fle…
What Price Love I was a hum-drum person Leading a life apart When love flew…
When I Grow Too Old To Dream We have been gay, going our way Life has been beautiful,…
Why Do I Love You Why do I love you I love you not only…
Yardbird Pt. 1 Listen to my tale of woe, It's terribly sad but…
Yardbird Suite Charlie Parker - Alto Saxophone Miles Davis - Trumpet Lucky …
You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
You Go to My Head You go to my head And you linger like a haunting…
You're All I Need I used to dream of gold and glory Just like a…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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88esquire
To repeat (and repeat), that's Miles playing trumpet (with cup mute). There should be no debate here, as the relevant discographical info is as follows:
Charlie Parker Quintet
Miles Davis, trumpet; Charlie Parker, alto sax; Duke Jordan, piano; Tommy Potter, bass; Max Roach, drums.
United Sound Systems, Detroit, MI, December 21, 1947
D830-1 Another Hair Do (short-take 1) Savoy MG 12000, S5J 5500
D830-2 Another Hair Do (short-take 2) -
D830-3 Another Hair Do (orig.-take 3) Savoy 961, 45-305, XP 8002, MG 9001, MG 12000, SJL 2201, S5J 5500
D830-4 Another Hair Do (orig.-take) Savoy S5J 5500
D831-1 Bluebird (new-take 1) Savoy MG 12000, SJL 1107, S5J 5500
D831-2 Bluebird (take 2) Savoy S5J 5500
D831-3 Bluebird (orig.-take 3) Savoy 961, 45-307, XP 8003, MG 9010, MG 12014, SJL 2201, S5J 5500
D832-1 Klaunstance (orig.-take 1) Savoy 967, 45-304, XP 8004, MG 9001, MG 12014, SJL 2201, S5J 5500
D833-1 Bird Gets The Worm (new-take 1) Savoy MG 12000, SJL 1107, S5J 5500
D833-2 Bird Gets The Worm (orig.-take 2) Savoy S5J 5500
D833-3 Bird Gets The Worm (orig.-take 3) Savoy 952, 45-309, XP 8002, MG 9010, MG 12014, SJL 2201, S5J 5500; Metronome (Swd) B 511
* Savoy MG 12000 Charlie Parker Memorial, Vol. 1
* Savoy S5J 5500 Charlie Parker - The Complete Savoy Studio Sessions
* Savoy SJL 2201 Charlie Parker - Bird/The Savoy Recordings (Master Takes)
* Savoy SJL 1107 Charlie Parker - Encores: The Savoy Sessions
* Savoy MG 12014 The Genius Of Charlie Parker
* Savoy MG 9001 Charlie Parker - New Sounds In Modern Music, Volume 2
* Savoy MG 9010 Charlie Parker - New Sounds In Modern Music, Volume 3
* Savoy XP 8002 Charlie Parker - New Sounds In Modern Music, Vol. 3
* Savoy XP 8003 Charlie Parker - New Sounds In Modern Music, Vol. 4
* Savoy XP 8004 Charlie Parker - New Sounds In Modern Music, Vol. 5
* Savoy 45-305 Charlie Parker - Little Willie Leaps / Another Hair Do
* Savoy 45-307 Charlie Parker - Bluebird / Parker's Mood
* Savoy 45-304 Charlie Parker - Billie's Bounce / Klaunstance
* Savoy 45-309 Charlie Parker - Bird Gets The Worm / Perhaps
* Savoy 961 Charlie Parker - Another Hair Do / Bluebird
* Savoy 967 Charlie Parker - Klaunstance / Stan Getz - Slow
* Savoy 952 Charlie Parker - Bird Gets The Worm / Cheryl
* Metronome (Swd) B 511 James Moody - Dexterious / Charlie Parker - Bird Gets The Worm
88esquire
Again. There's no debate here. The session info is as follows:
Charlie Parker Quintet
Miles Davis, trumpet; Charlie Parker, alto sax; Duke Jordan, piano; Tommy Potter, bass; Max Roach, drums.
United Sound Systems, Detroit, MI, December 21, 1947
D830-1 Another Hair Do (short-take 1) Savoy MG 12000, S5J 5500
D830-2 Another Hair Do (short-take 2) -
D830-3 Another Hair Do (orig.-take 3) Savoy 961, 45-305, XP 8002, MG 9001, MG 12000, SJL 2201, S5J 5500
D830-4 Another Hair Do (orig.-take) Savoy S5J 5500
D831-1 Bluebird (new-take 1) Savoy MG 12000, SJL 1107, S5J 5500
D831-2 Bluebird (take 2) Savoy S5J 5500
D831-3 Bluebird (orig.-take 3) Savoy 961, 45-307, XP 8003, MG 9010, MG 12014, SJL 2201, S5J 5500
D832-1 Klaunstance (orig.-take 1) Savoy 967, 45-304, XP 8004, MG 9001, MG 12014, SJL 2201, S5J 5500
D833-1 Bird Gets The Worm (new-take 1) Savoy MG 12000, SJL 1107, S5J 5500
D833-2 Bird Gets The Worm (orig.-take 2) Savoy S5J 5500
D833-3 Bird Gets The Worm (orig.-take 3) Savoy 952, 45-309, XP 8002, MG 9010, MG 12014, SJL 2201, S5J 5500; Metronome (Swd) B 511
* Savoy MG 12000 Charlie Parker Memorial, Vol. 1
* Savoy S5J 5500 Charlie Parker - The Complete Savoy Studio Sessions
* Savoy SJL 2201 Charlie Parker - Bird/The Savoy Recordings (Master Takes)
* Savoy SJL 1107 Charlie Parker - Encores: The Savoy Sessions
* Savoy MG 12014 The Genius Of Charlie Parker
* Savoy MG 9001 Charlie Parker - New Sounds In Modern Music, Volume 2
* Savoy MG 9010 Charlie Parker - New Sounds In Modern Music, Volume 3
* Savoy XP 8002 Charlie Parker - New Sounds In Modern Music, Vol. 3
* Savoy XP 8003 Charlie Parker - New Sounds In Modern Music, Vol. 4
* Savoy XP 8004 Charlie Parker - New Sounds In Modern Music, Vol. 5
* Savoy 45-305 Charlie Parker - Little Willie Leaps / Another Hair Do
* Savoy 45-307 Charlie Parker - Bluebird / Parker's Mood
* Savoy 45-304 Charlie Parker - Billie's Bounce / Klaunstance
* Savoy 45-309 Charlie Parker - Bird Gets The Worm / Perhaps
* Savoy 961 Charlie Parker - Another Hair Do / Bluebird
* Savoy 967 Charlie Parker - Klaunstance / Stan Getz - Slow
* Savoy 952 Charlie Parker - Bird Gets The Worm / Cheryl
* Metronome (Swd) B 511 James Moody - Dexterious / Charlie Parker - Bird Gets The Worm
Michael Griffin
I find Miles Davis very Underrated during this period, he actually played some great solos. Quite clearly he could play or he wouldn't be in Bird's Band.
Bruce Scott
This was Yard's working band. Charlie Parker, alto; Miles Davis, trumpet; Duke Jordan, piano; Tommy Potter, bass; Max Roach, drums. Recorded on December 21st, 1947 in Detroit, Michigan. BIRD GETS THE WORM was composed by Charlie Parker. It's based on the changes of LOVER, COME BACK TO ME!
Hyperclefonical598
Hey, alright I've seen the light! lol It is of course Miles; here attempting to play like the inimitable Dizzy but still managing some articulate lines, mostly in close range but cool nonetheless. Separately, I find Duke Jordan's piano solo to be a nicely spacious break from everyone else's rapidity that still manages some melodic voice leading.
I have come to dig Miles not merely for what he did not or (could not) play, but even for what he did play. The daunting obstacles of his predecessors coupled with his talent, molded perhaps by his quasi-Julliard technique pushed him to forge an original path. So its pretty neat to hear the contrast between his efforts (including the forbidden quoting of Cherokee with Parker's beautiful harmony) on the false take of "Koko", before Diz played the trumpet parts; and his more developed, yet "hot" playing on recordings like "Tempus Fugit". Check it.
mtobrien89
i must have listened to this a thousand times without ever really noticing how much the piano player struggles!! there's no way he can keep up with bird and miles on this one. reminds me of tommy flannagan on giant steps.
Hyperclefonical598
In a way, sure. Yet, his spacious solo kinda serves to hold the piece together in balance; surrounded by everyone else's fast playing.
Thomas Leary
Pure … Utter … Joy!
nonamenanone
Bird always plays energetic like his life.
sdmiz
i didnt know miles could play that fast
Bruce Scott
sdmiz ...With all due respect, Miles couldn't play fast. However, if you listen to his solo very closely, the notes are close together. Miles was not a master of the breakneck tempo. I love Miles' music, but, he didn't have a fast tongue. Trumpeters used call it "mumbling."
LRN_News
Which year would you say jazz and bebop started to have this type of drumming and drum sound? They were already pretty developed here in 1947 and pretty good at recording drums compared to early 40s and 30s