Charles Christopher "Bird" Parker, Jr (29th August 1920 – 12th March 1955) … Read Full Bio ↴Charles Christopher "Bird" Parker, Jr (29th August 1920 – 12th March 1955) was a U.S. bebop saxophonist and composer. Early in his career Parker was dubbed Yardbird; this was later shortened to "Bird" (or sometimes "Yard") and remained Parker's nickname for the rest of his life, and inspiration for the titles of his works such as "Ornithology and Yardbird suite".
Parker is commonly considered the greatest bebop jazz musician. In terms of influence and impact, his contribution to jazz was so great that Charles Mingus commented that if Bird were alive today, he would think he was living in a hall of mirrors. Bird's talent is compared almost without argument to such legendary musicians as Louis Armstrong and Duke Ellington, and his reputation and legend as one of the best saxophonists is such that some critics say he was unsurpassed.
A founding figure of bebop, Parker's innovative approach to melody, rhythm and harmony have exerted an incalculable influence on jazz.. Several of Parker's songs have become standards of the repertoire, and innumerable musicians have studied Parker's music and absorbed elements of his style.
Parker became an icon for the Beat generation, and was a pivotal figure in the evolving conception of the jazz musician as an uncompromising artist and intellectual, rather than just a popular entertainer. At various times, Parker fused jazz with other musical styles, from classical (seeking to study with Edgard Varese and Stefan Wolpe) to Latin music (recordings with Machito), blazing paths followed later by others.
Parker was known for often showing up to performances without an instrument and borrowing someone else's at the last moment. At more than one venue he played on a plastic Grafton saxophone; later, saxophonist Ornette Coleman used this brand of plastic sax in his early career. On one particular occasion before a concert in Toronto, Canada, he had sold his saxophone to buy drugs, and at the last minute, he, Dizzy Gillespie and other members of Charlie's entourage went running around Toronto trying to find a saxophone. After scouring all the downtown pawnshops open at the time, they were only able to find a Grafton, which Parker proceeded to use at the concert that night. This concert is documented on the album Jazz at Massey Hall. The album is considered one of the greatest live recordings in Jazz history.
Parker's battles with alcoholism and heroin addiction ranged from his teenage years until his death from pneumonia and a bleeding ulcer at thirty-four. The toll that the drug had taken on his relatively young body was quite profound - a doctor examining Parker's body estimated him to be around sixty years old.
During his lifetime, tribute was paid to Parker when a new nightclub in New York was named Birdland in his honour in 1949.Three years later, George Shearing wrote "Lullaby of Birdland", which was named for both Parker and the nightclub.
Other phenomena also occurred in the United States after the death of Parker, particularly the use of the term "Bird lives" in graffiti throughout New York hours after his death, and later as the title of a contemporary art piece of the same name, created by sculptor Robert Graham in 1999. Despite its widespread use, Ted Joans is usually credited with its inception.
Parker is commonly considered the greatest bebop jazz musician. In terms of influence and impact, his contribution to jazz was so great that Charles Mingus commented that if Bird were alive today, he would think he was living in a hall of mirrors. Bird's talent is compared almost without argument to such legendary musicians as Louis Armstrong and Duke Ellington, and his reputation and legend as one of the best saxophonists is such that some critics say he was unsurpassed.
A founding figure of bebop, Parker's innovative approach to melody, rhythm and harmony have exerted an incalculable influence on jazz.. Several of Parker's songs have become standards of the repertoire, and innumerable musicians have studied Parker's music and absorbed elements of his style.
Parker became an icon for the Beat generation, and was a pivotal figure in the evolving conception of the jazz musician as an uncompromising artist and intellectual, rather than just a popular entertainer. At various times, Parker fused jazz with other musical styles, from classical (seeking to study with Edgard Varese and Stefan Wolpe) to Latin music (recordings with Machito), blazing paths followed later by others.
Parker was known for often showing up to performances without an instrument and borrowing someone else's at the last moment. At more than one venue he played on a plastic Grafton saxophone; later, saxophonist Ornette Coleman used this brand of plastic sax in his early career. On one particular occasion before a concert in Toronto, Canada, he had sold his saxophone to buy drugs, and at the last minute, he, Dizzy Gillespie and other members of Charlie's entourage went running around Toronto trying to find a saxophone. After scouring all the downtown pawnshops open at the time, they were only able to find a Grafton, which Parker proceeded to use at the concert that night. This concert is documented on the album Jazz at Massey Hall. The album is considered one of the greatest live recordings in Jazz history.
Parker's battles with alcoholism and heroin addiction ranged from his teenage years until his death from pneumonia and a bleeding ulcer at thirty-four. The toll that the drug had taken on his relatively young body was quite profound - a doctor examining Parker's body estimated him to be around sixty years old.
During his lifetime, tribute was paid to Parker when a new nightclub in New York was named Birdland in his honour in 1949.Three years later, George Shearing wrote "Lullaby of Birdland", which was named for both Parker and the nightclub.
Other phenomena also occurred in the United States after the death of Parker, particularly the use of the term "Bird lives" in graffiti throughout New York hours after his death, and later as the title of a contemporary art piece of the same name, created by sculptor Robert Graham in 1999. Despite its widespread use, Ted Joans is usually credited with its inception.
Cheryl
Charlie Parker Lyrics
We have lyrics for 'Cheryl' by these artists:
Attila & Otway The thunder cracks against the night, The dark explodes with…
Attila & the Huns The thunder cracks against the night, The dark explodes with…
Attila the Stockbroker & John Otway The thunder cracks against the night, The dark explodes with…
Bob Lind The thunder cracks against the night The dark explodes with …
Chet Baker Don't mind telling you, in my humble fash That you thrill…
John Otway and Attila the Stockbroker The thunder cracks against the night, The dark explodes with…
Supergarage Girl, where are you from? You're wild, you make me feel…
Waltham Come and take a ride! I knew this girl who couldn't…
Woollen Kits Oh, put your makeup on And do your hair I think you…
We have lyrics for these tracks by Charlie Parker:
11. I've Got You Under My Skin I've got you under my skin. I've got you deep in…
52nd St. Theme Star eyes, That to me is what your eyes are, Soft as…
52nd Street Them Star eyes, That to me is what your eyes are, Soft as…
52nd Street Theme It's Charlie Puth bitch Uh Let me tell ya about 6 youngs…
A Night in Tunisia (2000 Remastered Version) Charlie Parker - Alto Saxophone Miles Davis - Trumpet Lucky …
After You Now won't you listen honey, while I say, How could…
After You've Gone - Live (1946/Philharmonic Auditorium, Los Angeles) Now won't you listen honey, while I say, How could you…
All Of Me You changed me and the way I felt about men I…
All The Things You Are You are the promised kiss of springtime That makes the lone…
Almost Like Being In Love What a day this has been! What a rare mood I'm…
Au Privave David Hasselhoff Miscellaneous Au Ciel, Une Etoile ... Comm′…
Autumn In New York You know the feeling of something half remembered Of someth…
Back Home Blues Everyone knows him as Old Folks Like the seasons, he'll com…
Bebop We at the Downtown Cabinay, right across the street from…
Begin the Beguine When they begin the beguine It brings back the sound of…
Billie's Bounce duh duh duh duh duh duh duh duh duh duh duh duh…
Bloomdido Flaming Lips Miscellaneous Charlie Manson Blues The seance h…
Blues Blue moon you saw me standing alone Without a dream in…
Blues - Fast (Remastered) Blues The Ink Spots This is a rather obscure song. Can't de…
Body & Soul My heart is sad and lonely For you I sigh, for…
Caravan Night and stars above that shine so bright The mystery of…
Charlie Somewhere there's music How faint the tune Somewhere there…
Cherokee Sweet Indian maiden, since first I met you, I can't…
Cole Porter / I've Got You Under My Skin I've got you under my skin. I've got you deep in…
Cool Blues 널 처음 만났던 그때를 기억해 난 한눈에 알수있었지 내 마음이…
Coquette Hear me, why you keep fooling Little coquette, making fun o…
Dancing In The Night In the still of the night As I gaze out of…
Dewey Square Hh the best customer service red lpossible Participating in …
Dexterity Pt. 1 Listen to my tale of woe, It's terribly sad but…
Don Ever since the lucky night I found you I've hung around…
East of the Sun East of the sun and west of the moon We'll build…
Easy to Love I know too well that I'm just wasting precious time In…
Easy To Love ) I know too well that I'm just wasting precious time In…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Everything Happens to Me Black cats creep across my path Until I'm almost mad I must…
Fifty-Second Street Theme Star eyes, That to me is what your eyes are, Soft as…
Fine & Dandy Please forgive this platitude But I like your attitude You a…
Flyin We're sitting out here on the runway Waiting for the plane…
Get A Kick Out Of You I get no kick from champagne, Mere alcohol, Doesn't thrill…
Get Happy Pack up your troubles and just get happy Ya better…
Home Cookin' II Everyone knows him as Old Folks Like the seasons, he'll com…
Hot House / What Is This Thing Called Love I was a hum-drum person Leading a life apart When love flew…
How Deep is the Ocean How much do I love you? I'll tell you no lie How…
How High The Moon Somewhere there's music How faint the tune Somewhere there's…
I Can I can't pretend I'm sorry we're apart I can't pretend I just…
I Can't Believe That You're in Love Yesterday you came my way, And when you smiled at me, In…
I Can't Get Started I've been around the world in a plane Settled revolutions in…
I Can't Get Started - Live (1946/Philharmonic Auditorium, Los Angeles) Rolling Stones Out Of Our Heads (I Can't Get No) Satisfactio…
I Can’t Get Started I've been around the world in a plane Settled revolutions in…
I Cover The Waterfront I cover the waterfront, I'm watching the sea,, Will the one …
I Didn Once I was young Yesterday, perhaps Danced with Jim and Pa…
I Didn't Know What Time It Was I've been around the world in a plane Settled revolutions i…
I Get A Kick Out Of You I get no kick from champagne, Mere alcohol, Doesn't thrill…
I Got Rhythm I got rhythm....I got music....I got my gal Who can ask…
I May be Wrong I may be wrong but I think you're wonderful I may…
I Remember April This lovely day will lengthen into evening We'll sigh goodby…
I Surrender Dear Pride, sad, splendid liar, Sworn enemy of love Kept my…
I'll Remeber April This lovely day will lengthen into evening We'll sigh goodb…
I'll Remember April This lovely day will lengthen into evening We'll sigh goodby…
I'm in the Mood Foor Love I'm in the mood for love Simply because you're near me. Funn…
I've Got Rhythm I've got you under my skin. I've got you deep in…
I've Got You Under My Skin I've got you under my skin. I've got you deep in…
If I Had You I could show the world how to smile I could be…
If I Love Again I often wonder why he came to me Brought such a…
In the Still of the Night In the still of the night As I gaze out of…
Intro Now's the Time Why don't you come over 'bout a quarter to nine Bring…
I’m In The Mood For Love I'm in the mood for love Simply because you're near me. Funn…
Just Friend Just friends, lovers no more Just friends, but not like befo…
Just You Just Me Just you, just me Let's find a cozy spot To cuddle and…
Koko สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
Lady Be Good Listen to my tale of woe, It's terribly sad but…
Laura You know the feeling of something half remembered Of somethi…
Lemon Drop scatting…
Liza Liza, Liza, skies are gray But if you smile on me,…
Love for Sale I'm in the mood for love Simply because you're near me. Funn…
Lover Come Back to Me You went away I let you We broke the ties that bind I…
Loverman Loverman I don't know why but I'm feeling so sad I long…
Lullaby in Rythym 1 & 2 [Instrumental]…
Lullaby of Birdland Lullaby of Birdland, that's what I Always hear when you…
May Be Wrong I may be wrong but I think you're wonderful I may…
Mean to Me You're mean to me Why must you be mean to me? Gee,…
Merry Go-Round 目と目があえば すぐに (メリー ゴー ラン! ゴー! メリー ゴー ラン!) あなたのその くじさに (メリー ゴー …
Moose the Mooche Charlie Parker - Alto Sax Miles Davis - Trumpet Lucky Thomps…
Moose The Mooche Into 52nd Street Theme I know too well that I'm just wasting precious time In…
My Heart Belongs to Daddy While tearing off a game of golf I may make a…
My Melancholy Baby ... Volver a verte la cara ciudad despintada, no tengo opció…
My Old Flame My old flame, I can't even think of his name…
Night in Tunesia In the still of the night As I gaze out of…
No Noise Parts 1 & 2 [Instrumental]…
Now Why don't you come over 'bout a quarter to nine Bring…
Oh Lady Be Good Listen to my tale of woe, It's terribly sad but…
Old Folks Everyone knows him as Old Folks Like the seasons, he'll com…
Ornithology A Somewhere there's music How faint the tune Somewhere there…
Ornithology Pt. 2 Listen to my tale of woe, It's terribly sad but…
Out of Nowhere [INSTRUMENTAL]…
Parker's Mood Se te olvido, todo el cariño que conmigo compartías Se te…
Perdido Perdido, I look for my heart It`s perdido I lost it way d…
Red Cross สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
Romance Without Finance Romance without finance is a nuisance (but definitely) Baby,…
Round Midnight I gotta have you now, it's not an option You're taking…
Salt Peanuts These lil', lil' fuckin' Martians You gotta love em' though…
Song is You I hear music when I look at you, A beautiful theme…
St. Louis Mood I hate to see that evening sun go down I hate…
Star Eye Star eyes, That to me is what your eyes are, Soft as…
Star Eyes Star eyes, That to me is what your eyes are, Soft as…
Star Eyes / 52nd Street Theme Star eyes, That to me is what your eyes are, Soft as…
Summertime It's summertime and the living is easy Fish are jumping and…
Take Five I get no kick from champagne, Mere alcohol, Doesn't thrill…
Tea for Two Picture you upon my knee Just tea for two And two for…
Temptation You came, I was alone I should have known you were…
The Hymn Pt. 1 Listen to my tale of woe, It's terribly sad but…
The Nearness of You Its not the pale moon that excites me That thrills and…
The Song Is You I hear music when I look at you, A beautiful theme…
Theme Star eyes, That to me is what your eyes are, Soft as…
There I'd like to get away, Junior Somewhere alone with you It cou…
These Foolish Things Oh! Will you never let me be? Oh! Will you never…
These Foolish Things Remind Me of You Oh! Will you never let me be? Oh! Will you never…
This Is Always This isn't sometimes, this is always. This isn't maybe, this…
This Time The Dream Somewhere, someday Well be close together, wait and see Oh…
Tiger Rag Where's that tiger! Where's that tiger! Where's that tiger! …
Warming Up a Riff สหย หสบ ไข วหบกห ากน ากา ื นไจ งหบ าหน รหรา บไข…
What Is Thing Called Love I was a hum-drum person Leading a life apart When love flew…
What Is This Thing Called Love? ) I was a hum-drum person Leading a life apart When love fle…
What Price Love I was a hum-drum person Leading a life apart When love flew…
When I Grow Too Old To Dream We have been gay, going our way Life has been beautiful,…
Why Do I Love You Why do I love you I love you not only…
Yardbird Pt. 1 Listen to my tale of woe, It's terribly sad but…
Yardbird Suite Charlie Parker - Alto Saxophone Miles Davis - Trumpet Lucky …
You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
You Go to My Head You go to my head And you linger like a haunting…
You're All I Need I used to dream of gold and glory Just like a…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@benjaminnead8557
There WERE no producers on recording sessions of this era. There were record label owners, recording engineers and the musicians. The musicians showed up and were placed in a room around a single microphone. There wasn't even magnetic recording tape back then, or at least in general use when recording the Jazz of the day. The musicians played the music live and it was documented onto an acetate disc. If the musicians made a mistake, they'd stop. The engineer would get another blank disc cued up and they'd try again.
Eventually, they'd get a take (a complete pass through of the desired music) and that's what was used to make a series of metal stampers to press 78rpm records (10" diameter, holding about 3 minutes of music on each side) that the public would buy. That's how it was done when Charlie Parker recorded Cheryl for the Savoy label back in the late 1940s. Since there was no magnetic tape in recording studios, there was no way to easily edit the music back then. What you recorded on the acetate disc was what you got.
Magnetic tape became the common recording medium by the early to mid 1950s and it then became far easier the edit - or produce" - the music. It was crude by today's standards and involved little more that slicing the magnetic tape with a razor blade and splicing it back together Jazz, by it's very nature, is a music that exists live and in real time. A Jazz purist would be concerned if too much editing - or producing - was done, it would loose its artistic credibility.
Later, when Rock music started to stretch out in the 1960s, manipulation of the magnetic tape became more commonplace and more encouraged. This was the beginning of the era when what we now think of as modern day "producers" became an element in the music.
There's lot's more to say about audio recording technology . . . enough to write a book. I'm skipping the advent of multi-track recording, the long playing (LP) 33rpm record, digital audio recording, computer editing and compact discs. But that's it in a nutshell . . . no "producer" in the modern day definition back then.
@sjz1925
0:47 SUPER funk phrasing across the beat, with the self quotation lead-in and chugging Roach on the bottom, yesssss😊
@drummersagainstitk
Fun song. A standard to show young players.
@rinahall
cheryl is the daugher of miles davis
@Stubummer
That primordial bop! Miles was a kid then.
@atticusakelly
Bud with them tritone sub ii Vs!!!!
@BELRUE
Fantastique
@voriskinlaw9775
Of Course I Hear The Head Over The Changes Of "C Jam Blues"..🎹🎼🎷🎺🎻
@brothercaleb
What a lineup 😳
@murdechoc
epic song !
@gabri3l367
Brano Geniale !