While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Alguien En El Mundo Piensa En Mi
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Y recién extrañarás a tu perro
El día de su cumpleaños"
(Yo tengo un gato)
Yo se que no soy culpable.
Yo se que ahora soy feliz.
Yo se que quería que alguien,
Yo se que soy inbancable.
Yo se que te hice reír.
Yo se soy insoportable,
Pero alguien en el mundo piensa en mi
Nada que hacer,
Nada que ver.
Solo vemos las películas nena.
Nada que hacer nada que ver.
(La vanguardia en Argentina)
Yo sé que soy imbancable.
Yo sé que no soy feliz.
Yo sé que soy un amable traidor,
Pero alguien en el mundo piensa en mí.
Bien por mi!
Alguien en el mundo piensa en mí.
Piensa en mi.
Piensa en mi.
Piensa en mi.
The lyrics of Charly García's song "Alguien En El Mundo Piensa En Mi" reflect on the idea of someone in the world thinking of the singer. The first verse contextualizes the unpredictable nature of life with the example of a car crash and the existential desire to be remembered or missed by someone even amidst an event, like a birthday celebration. The singer acknowledges their perceived flaws and how they have impacted their life, but also recognizes that someone, somewhere in the world, thinks of them.
Throughout the song, the singer highlights their self-awareness about their shortcomings, and their desire to be known, and remembered by someone. Despite their flaws, they believe that someone in the world thinks of them. The last lines of the song "Someone in the world thinks of me" are repeated several times, as if to emphasize the yearning to be remembered and thought of by someone.
The song's lyrics, when coupled with the slow, melancholic melody, create a reflective and introspective mood. The lyrics and music work together to convey the theme of human longing for belonging and significance, which resonates with many people.
Line by Line Meaning
Y tal vez tu auto chocó la otra mañana
Maybe your car crashed the other morning
Y recién extrañarás a tu perro
And you will miss your dog just now
El día de su cumpleaños
On his birthday
(Yo tengo un gato)
(I have a cat)
Yo sé que no soy culpable.
I know I'm not guilty.
Yo se que ahora soy feliz.
I know I'm happy now.
Yo se que quería que alguien,
I know I wanted someone,
Alguien en el mundo piensa en mi.
Someone in the world thinks of me.
Yo se que soy inbancable.
I know I am unbearable.
Yo se que te hice reír.
I know I made you laugh.
Yo se soy insoportable,
I know I'm unbearable,
Pero alguien en el mundo piensa en mi
But someone in the world thinks of me
Nada que hacer,
Nothing to do,
Nada que ver.
Nothing to see.
Solo vemos las películas nena.
We just watch the movies, babe.
Nada que hacer nada que ver.
Nothing to do, nothing to see.
(La vanguardia en Argentina)
(The avant-garde in Argentina)
Yo sé que soy imbancable.
I know I'm unbearable.
Yo sé que no soy feliz.
I know I'm not happy.
Yo sé que soy un amable traidor,
I know I'm a kindly traitor,
Pero alguien en el mundo piensa en mí.
But someone in the world thinks of me.
Bien por mi!
Good for me!
Alguien en el mundo piensa en mí.
Someone in the world thinks of me.
Piensa en mi.
Think of me.
Piensa en mi.
Think of me.
Piensa en mi.
Think of me.
Lyrics © Universal Music Publishing Group
Written by: CHARLY GARCIA
Lyrics Licensed & Provided by LyricFind
@JuandelaCruzBustos
LETRA:
Y tal vez tu auto chocó la otra mañana
Y recién extrañaras a tu pequeño perro
El día de su cumpleaños
Yo tengo un gato
Vamos
Yo se que no soy culpable
Yo se que ahora soy feliz
Yo se que quería que alguien
Alguien en el mundo piense en mi
Yo se que soy imbancable
Yo se que te hice reír
Yo se soy insoportable
Pero alguien en el mundo piensa en mi
Nada que hacer
Nada que ver
Solo vemos las películas, nena
Nada que hacer, nada que ver
(La vanguardia es así)
Oh oh oh ohhh
Ohh, ohh
Oh oh oh, ohhh
La la, ohhh
Alguien en el mundo piensa en mi
Ah, ah ah ahhh
Ahhh ah ah ah
Ahhh, ah ah ah ah
Alguien en el mundo piensa en mi
Piensa en mi
(Piensa en mi)
Piensa en mi
(Piensa en mi)
Oh oh oh
Yo sé que soy imbancable
Yo sé que no soy feliz
Yo sé que soy un amable traidor
Pero alguien en el mundo piensa en mí
Alguien en el mundo piensa en mí
Piensa en mi (piensa en mi)
Piensa en mi
Piensa en mi
@fabianduarte7218
El disco más personal, vanguardista de Charly, y mi favorito por lejos. Todas las sensaciones de incomodidad, decadencia y dolor que García sufría al momento de hacer este disco, me las transmitió y logró mover algo en mí que muy pocas veces se ha movido.
Charly, te amo y te amaré por siempre. Te adoro viejo.
@federicoesmerado4909
por favor, escuchen con auriculares del minuto 2:44 hasta 3:00 cómo hace este genio para interpretar una melodía con diferentes sonidos que se van ensamblando, entrando y saliendo. Es una locura
@carloslassaga2389
Pensé lo mismo, es increíble!!!!!
@Darth_Punky
Detallista el tipo. Muy bueno!!
@lolataken
⁰
@Matias35m
Esos cambios son muy típicos de bandas como los Beatles , Led zeppelin , pink Floyd de esa época , también se escucha una tenue armónica diatonica también ja
@bladi226
charly es un genio lo sabesmos, pero ese recurso de original no tiene mucho, PERO como este es genio lo ejecuta bien
@facund0u_fuentes948
si prestan atención charly se ríe de la frase: "Que ahora soy feliz"
y después cambia la letra y canta: "Yo sé que no soy feliz"
esta canción y say no more (al menos para mi) muestra el estado emocional decadente de ese charly de esa época. tuvo una depresión muy fuerte durante esos años causado por sus adicciones a diferentes sustancias que el consumía (como drogas y alcohol)
aunque say no more es una de sus mejores obras, muestra como alguien puede caer a lo más bajo de la vida, say no more es una autocrítica y una palmada para el mismo. Hay que agradecer que charly esté acá con nosotros, es uno de los mejores artistas latinoamericanos (es uno de los mejores artistas de la historia, al menos para mi)
gracias por tanta música charly, say no more
@tizianobarreto3834
"que ahora soy feliz" y después "yo sé que no soy feliz". Buena interpretación
@marianocastro4068
Pero también reconoce que a pesar de todo lo que es, alguien en el mundo piensa en él, tiene una mirada optimista sobre el futuro.