Carlos Alberto García Moreno was born on October 23, 1951. It is one of the… Read Full Bio ↴Carlos Alberto García Moreno was born on October 23, 1951. It is one of the key figures of contemporary music Argentina. His recording debut came in 1972, when he participated in the first record of Raul Porchetto, titled "Rock Christ."
While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....

All I do the whole night through
Charly Garcia Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

All I do the whole night through
Is dream of you.
With the dawn I still go on
Dreamin' of you.

You're every thought, you're everything,
You're every song I ever sing
Summer, winter, autumn, and spring.

Were there more than 24 hours a day,

They'd be spent in sweet content dreamin' away.
Sky's are gray! Sky's are blue!
Morning, noon, and night-time, too!
All I do the whole day through
Is dream of you-o-u!

It's the cat's meow!

All I do the whole day through
Is dream of You

Overall Meaning

The lyrics of Charly García's song "All I do the whole night through" express the intense feelings of love and longing for someone special. The singer confesses to daydreaming about their loved one, and how they occupy their thoughts even during the day. The chorus speaks to this devotion, as the singer states that they spend their days in a reverie, pining for their love. The song expresses the inability to let go of the thought of the loved one, and how they are an ever-present part of the singer's consciousness. The lyrics draw on the natural world, demonstrating how the changing seasons move parallel with the singer's love - an eternal and everlasting force that never quite satisfies their longing.

The song is a classic love ballad and has become a defining song of the 1980s Argentine rock movement, with Charly García being among the most celebrated and respected musicians of his generation. The song's popularity lies in its catchy melody and the evocative sentiments expressed through its lyrics. The melancholic tone and the yearning for love that are prevalent throughout the song have made it a timeless classic.

Line by Line Meaning

All I do the whole night through
I spend the entire night dreaming of you.

Is dream of you.
My thoughts are constantly consumed by thoughts of you.

With the dawn I still go on
Even as morning comes, I continue to dream of you.

Dreamin' of you.
My dreams are centered around thoughts of you.

You're every thought, you're everything,
You are all I think about and everything I want.

You're every song I ever sing
Every song I sing is about you and your love.

Summer, winter, autumn, and spring.
No matter the time of year, my heart always belongs to you.

Were there more than 24 hours a day,
If there were more hours in a day, I would spend them all dreaming of you.

They'd be spent in sweet content dreamin' away.
Every extra hour I had would be spent happily daydreaming about you.

Sky's are gray! Sky's are blue!
No matter the weather, I always have thoughts of you in my mind.

Morning, noon, and night-time, too!
My thoughts of you never leave me, no matter the time of day.