While in high school he met Carlos Alberto "Nito" Mestre. With him and Carlos Piegari, Beto Rodriguez and brothers formed Sui Generis Belia, who, after suffering several defections, was turned into a duet. American folk style, very fashionable at that time, they recorded three albums: "Life" (1972), "Confessions of Winter" (1973) and "little anecdotes about the institutions'. For various reasons, the duo separated in 1975, but not before organizing a farewell concert, during which there was a double album, "Goodbye Sui Generis".
In 1976 he recorded an album with Porsuigieco, along with acoustic rock leaders: Raul Porchetto, León Gieco, Nito Mestre and María Rosa Yorio.
Birds making machine is the name of his next band, an innovative project that symphonic rock shore. In his short life he had two albums released: "The Birds Making Machine" (1976) and "Movies" (1977).
Between 1978 and 1982, Garcia leads Seru Giran, one of the key bands in the National Rock. With this group released five albums: "Seru Giran" (1978), "The Fat of the Capitals' (1979)," Bicycle "(1980)," Peperina "(1981) and" Do not Cry for Me, Argentina "(1982 ).
In that same year he began his solo career. Raul de la Torre commissioned the soundtrack of his film "Pubis Angelical". Simultaneously recorded "Going from the bed to the Living." Aided by the spread that was given at that time to the National Rock through the media (during the Falklands War was forbidden to play music in English), the album was well received by the public. Songs anthologies arose from it, such as "Do not bomb Buenos Aires"
"Collective unconscious" or "I do not want to become so crazy." For this work, the band consisted of Willy Iturri on drums, guitar Bazterrica Gustavo, Puppy Lopez on bass and keyboards Andres Calamaro. This material was presented in a stunning concert - to 25,000 - in the Ferrocarril Oeste Stadium, on December 26, 1982. At the opening of the show, Charlie hit the stage on board a pink Cadillac and, in closing, a shower of missiles destroyed the city of props that formed the backdrop, while the last chord sounded "not bomb Buenos Aires".
In his next solo work ("Modern Hits", 1983), leaned more to the pop-rock, but the song is contesting a place in, for example, 'Dinosaurs'
The Garcia essential trilogy is completed with "Piano Bar" (1984), an album that has rocker in "Demolishing Hotels 'and' Strange new hairstyles" his greatest achievements.
Along with Pedro Aznar - and not without raising some nostalgia - recorded "Tango" (1986). This material was presented at the Paladium nightclub on March 26. Its spread was very low, although it gave the impression that the project was for more.
In 1987 came "part of religion", considered by many as the best album of the Garcia solo. This material was recorded and performed almost entirely by him and reciprocates a strong rock melodic choruses. It is surely one of its most prolific and compact discs, from the cover to the contents of the letters.
In 1988 after composing the soundtrack of the movie "What will come" Gustavo Mosquera (in which he also starred as a nurse), worked on his next solo album, "How To Get Girls" (1989), essentially a job collection of individual songs, which García, for various reasons, had never recorded.
To launch his next album "Barata Philosophy and Rubber Shoes" (1990), Garcia had to overcome a prosecution for "offending patriotic symbols" since that LP included a version of the Argentine National Anthem, which ultimately ended up being authorized by the courts.
1993 was a year of recording silence, but a lot of media presence. The resort in Punta del Este left several pages printed on scandals he was involved always. Followed several admissions to detoxification clinics.
By October started touring again in Ferro ending in late December. The support band, "Pocket Money" suffered the defection of Carlos Garcia Lopez and Hilda Lizarazu, both heading for their individual projects (the Lopez Garcia Band and Man Ray, respectively). Maria Gabriela Garcia called Epumer (ex-widow and daughters), to fulfill both functions, guitar and vocals.
In February of '95 was presented at the International Song Festival, the World Cup Stadium in Mar del Plata, with Paralamas, Antonio Birabent and Faithfull Marianne. Taking advantage of the fury of the acoustic performances, Garcia was presented in the series "Unplugged" of American television network MTV, with a show that included topics of all stages and was put on the air for all Latin America in July and released on CD the end of that year. The material was performed live at the Teatro Gran Rex, in late '95.
In the summer of '99 was the big draw free cycle Buenos Aires Vivo III, organized by the city government in Puerto Madero. More than 150,000 people cheered Garcia in a show dedicated to missing and recorded live for the album "Too Ego '. That same year he returned to the controversy, to organize a private recital for President Carlos Menem. That show was recorded in "Charly & Charly" limited edition disc that was released.
Three years would pass before Garcia returned to the disc, and the format of song in his creations. "Influence" (2002) was in "Your vice 'broadcast cut, but the rest of the material is far more interesting than that catchy tune but superfluous.
Already in 2003 published "Rock and Roll Yo 'court whose first broadcast" Asesiname "was very well.
After hundreds of scandals in his recitals and fights with his son Migue, Charly hopes to release "Kill Gil" in 2007. The plate, recorded in studies of Palito Ortega, located in San Juan, and mixed in New York, contains topics like "Concrete Heart", the bicolor sings a duet with Ramon "Palito" Ortega, "No matter" (which had already sounded several times live) and covers of John Lennon ("Watching the Wheels" Castilian adaptation of "Watching the Wheels") and Stones ("Play with Fire", sung by producer Andrew Loog Oldham)....
Canción de dos por tres
Charly Garcia Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
No tengo nada que dar
No encuentro la magia en mi manera de hablar
No quiero volver nunca más.
Todos podemos perder, todos podemos ganar
Entre las sogas del circo y las trincheras del mal
No quiero olvidarme de hablar.
Las pálidas figuras se acercaron hasta mí.
Mi mente tuvo dudas y fingí que no las ví.
Ya no quiero vivir así
Repitiendo las agonías del pasado
Con los hermanos de mi niñez
Es muy duro sobrevivir
Aunque el tiempo ya los ha vuelto desconfiados.
Tenemos algo para decir
No es la misma canción de 2 x 3
Las cosas ya no son como las ves.
The lyrics of Charly García's song Canción de dos por tres reflect the feeling of emptiness and lack of purpose that many people experience in life. The singer expresses his frustration at not having anything to do or give, and not finding any magic in his way of speaking. He also expresses a desire to never go back to the past, which implies some kind of pain or trauma that he wants to leave behind.
The song then takes a more optimistic turn, as the singer acknowledges that everyone can both win and lose in life, and that there are challenges and obstacles to overcome. He also seems to recognize the importance of communication and not forgetting how to speak, perhaps as a way to connect with others and not feel alone.
The song then becomes more personal, as the singer talks about his memories of childhood and his struggles to survive. He acknowledges that the passage of time has made his relationships with his childhood friends more difficult, but he still sees value in their connection.
In the chorus, the singer encourages listeners to speak up and share their own stories, as things are not always as they seem. The song as a whole seems to be about the struggle to find meaning and purpose in life, but also the belief that there is something worth saying and sharing with others.
Line by Line Meaning
No tengo nada que hacer
I have no purpose or task to accomplish
No tengo nada que dar
I have nothing to offer or give to others
No encuentro la magia en mi manera de hablar
I cannot find the enchantment in my way of speaking
No quiero volver nunca más.
I do not want to come back ever again
Todos podemos perder, todos podemos ganar
We can all lose, we can all win
Entre las sogas del circo y las trincheras del mal
Between the ropes of the circus and the trenches of evil
No quiero olvidarme de hablar.
I don't want to forget how to speak
Las pálidas figuras se acercaron hasta mí.
The pale figures approached me
Mi mente tuvo dudas y fingí que no las ví.
My mind hesitated and I pretended not to see them
Ya no quiero vivir así
I don't want to live like this anymore
Repitiendo las agonías del pasado
Repeating the torments of the past
Con los hermanos de mi niñez
With the siblings of my childhood
Es muy duro sobrevivir
It's very hard to survive
Aunque el tiempo ya los ha vuelto desconfiados.
Although time has made them distrustful
Tenemos algo para decir
We have something to say
No es la misma canción de 2 x 3
It's not the same old tune
Las cosas ya no son como las ves.
Things are not as you see them anymore
Contributed by Benjamin I. Suggest a correction in the comments below.
@alcanzamesecoso
"Ya nada es igual despues de este diciembre para los argentinos, algo se movió. Mínimo, es cierto, pero unánime, nos tocó a todos. Ya las frases mas genuinas, las menos planeadas, se hicieron tatuaje. Así, simples, escritas en rosarino. Aquella arenga de Maracaná, donde en una especia de backstage pandémico vimos y escuchamos a un Leo de vestuario. Ademas de la aclaración de que el Dibu no le pudo hacer upa, me dejó rebotando una frase...
Messi hace un marco de esos ultimos 2 meses. Les recuerda a los compañeros algo que puede pasar desapercibido antes de jugar una final y es que esa copa debía jugarse en Argentina. Tampoco es momento de explicar porque finalmente están jugando en Brasil, si eso está bien o mal, si es es bien o peor. El dice: 'no existen las casualidades, muchachos. Está copa debía jugarse en Argentina. Dios la trajo acá para que la ganemos en el Maracaná'...
En la busqueda incesante de material y la sobreinformación que hay relacionada al mundial, leí un tuit con una data que ya me había anticipado mi amigo Pipo, de quien me suelo burlar por místico y porque quiero mucho, y me quedé un rato pensando. En los comentarios había de todo, la frase que mas se repetia era una que escuchabamos todo el año: 'elijo creer'.
Yo que soy bastante escéptico, pero no lo suficiente, me desentibié y fui a buscar este archivo:
Domingo 25 de junio de 1978, Argentina está ganando la final del campeonato del mundo en el Monumental. Holanda, la naranja mecánica, aquel equipo que revolucionó el futbol moderno, ataca por la derecha y el centro es a la cabeza de Dick Nanninga. En el minuto 81, a 10 minutos de la gloria, llega el empate y llega el miedo. Minuto 81, el pánico se apodera del Estadio Monumental...
Domingo 29 de junio de 1986, está Argentina ganando la final del campeonato del mundo en el Estadio Azteca. Tiro de esquina desde la izquierda, Rudi Völler la empuja después de Thomas Berthold, van 81 minutos, a 10 de la gloria, el terror...
Domingo 8 de julio de 1990, Argentina está empatando la final del campeonato del mundo, Rudi Völler ahora cae en el área, y Codesal cobra penal. Se jugaban 81', Andreas Brehme lo cambia por gol a los 85'...
Domingo 18 de diciembre de 2022, Argentina está ganando la final del campeonato del mundo en el Lusail. Francia sacó la cabeza del agua hace un minuto de penal, y ahora Mbappe la engancha de volea. Si, es el minuto 81. A 10 minutos de la gloria, el pánico...
Es injusto y ególatra querer sacarle mérito a los rivales holandeses, alemanes y franceses. Pero ese minuto 81 es tán nuestro que hay que hacerse cargo. Si fuese un mes sería diciembre y mira que tambien es un mes que nos define perfecto, cuando ya está terminando la historia. Podemos cerrar una victoria y ser el paraíso o incendiarnos en un centro al segundo palo con cacerolas y helicópteros.
Me permito cerrar como un psicologo sin mucha confianza: trabajemos ahí, en el minuto 81. Ahí hay algo que no estamos viendo, porque ya llegando a fin de año con la alegría en el pecho tenemos claras dos cosas:
Que no hay que naturalizar sufrir tanto y que las casualidades no existen."
Octavio Gencarelli (Goles en Contexto) - El Minuto 81
@Miguel-ls8qi
No tengo nada que hacer,
no tengo nada que dar;
no encuentro la magia en mi manera de hablar.
No quiero volver nunca más.
Todos podemos perder,
todos podemos ganar
entre las sogas del circo y las tijeras del mal.
No quiero olvidarme de hablar.
Las pálidas figuras se acercaron hasta mí;
mi mente tuvo dudas y fingí que no las vi.
Ya no quiero vivir así,
remitiendo las agonías del pasado
con los hermanos de mi niñez.
Es muy duro sobrevivir;
aunque el tiempo ya nos ha vuelto desconfiados,
tenemos algo para decir.
No es la misma canción de dos por tres:
las cosas ya no son como las ves.
@sandraminardi3244
Nada que envidiar al Rock del mundo inglés,gracias por tanta maravilla.🎸🎹🇦🇷🎶❤️
@traska8964
Todo lo que pasa en mi vida tiene un tema de charly de fondo, mi niñez, mi adolescencia, mis primeros noviazgos, mis épocas toxicas, salir de eso, mi esposa, mi hija, los recitales, haber estado al borde de la muerte, haber zafado, estar aca,peleandola,a los 51 años me conmueve como la primera vez que lo escuche en el tocadiscos de mi hermana, cuando yo tenia 6 años,como se te quiere Charly!!!!!!!!!!!.
@juanpablomartinez4534
Épico
@lionelcrozy7867
estás en todos los temas viejo, sos un loco copado
@marceloperri4176
me pasa los mismo ,tengo 45 , hace un tiempo encontré una foto que se saco mi hermano menor(cuando habi rollos de fotos) se hizo una selfie , y con el pelo largo se puso un algodon como bigote y pinto la mitad de negro , re fanático el loco y era parecido a la época de Sui, hasta es medio narigon. me acuerdo que pudo ir a ver la hija de la lagrima y yo no pude.
@commercialsol9628
No estamos locos entonces......Sera que somos seres humanos
@traska8964
@@lionelcrozy7867 copado no se pero viejo y loco seguro jajajajaj saludos!!!
@Razer-sr1bb
Hoy no tengo clases, me levanto amargamente, no converso con nadie , todos mis amigos tienen sus enemigos y yo nada por lo que pelear …..pongo esta canción mientras vago dibujando con distintos fibrones hasta que escucho.....
"No tengo nada que hacer
No tengo nada que dar
No encuentro la magia en mi manera de hablar
No quiero que volver nunca mas".
Escuche esta melodía tantas veces y solo en este preciso momento en un día lluvioso pasa esto. Las maravillas de Charly.
@rodrigomontano8747
Una obra maestra
@paoloa.romeroleon5328
Si esta canción estuviera en The Wall sería el gran hit mundial